Get Score FX II Here: http://bit.ly/ScoreFXII For just $39 (you save $129), get Score FX II by ueberschall! Score FX II sets the standard for underscores, FX, rhythms and atmospheres and is an essential addition to your cinematic sound design arsenal. Weighing in at 7.3GB with 2600+ loops and samples, Score FX II is loaded with brilliantly produced content that can instantly add an expensive-sounding finish to your score. If writing music for film and TV is what you do or want to do, this will quickly become your favorite resource! INSANITY! Originally $168, now available for just $39 for a limited time only. Score FX II uses a triple-edged approach to content organization for workflow. First off there are 30 construction kits, each kit is comprised of loops which work together to generate a complete ready to use environment for your projects. Secondly there are 3 Categories which house further mood-themed loops, settings and single shots, these groups are: Accents – with groups such as hope, worry, warm , tense etc…760 in all. ... https://www.youtube.com/watch?v=u3_vPFznlHo

Here's a Classic vintage Commercial of Sony's Betamax vs VHS. It reveals Betamax had a clearer picture than VHS in the fight for home video cassette dominance. The first Betamax device introduced in the United States was the LV-1901 console, which included a 19-inch (48 cm) color monitor, and appeared in stores in early November 1975. The cassettes contain 0.50-inch-wide (12.7 mm) videotape in a design similar to that of the earlier, professional 0.75-inch-wide (19 mm), U-matic format. Like the rival videotape format VHS (introduced in Japan by JVC in September 1976[6] and in the United States by RCA in August 1977),[7] Betamax has no guard band and uses azimuth recording to reduce crosstalk. According to Sony's history webpages, the name had a double meaning: beta is the Japanese word used to describe the way in which signals are recorded on the tape; and the shape of the lowercase Greek letter beta (β) resembles the course of the tape through the transport. The suffix -max, from the word "maximum", was added to suggest greatness.[8] In 1977, Sony issued the first long-play Betamax VCR, the SL-8200. This VCR had two recording speeds: normal, and the newer half speed. This provided two hours' recording on the L-500 Beta videocassette. The SL-8200 was to compete against the VHS VCRs, which allowed up to 4, and later 6 and 8, hours of recording on one cassette. Initially, Sony was able to tout several Betamax-only features, such as BetaScan—a high speed picture search in either direction—and BetaSkipScan, a technique that allowed the operator to see where they were on the tape by pressing the FF key (or REW, if in that mode): the transport would switch into the BetaScan mode until the key was released. This feature is discussed in more detail on Peep Search. Sony believed that the M-Load transports used by VHS machines made copying these trick modes impossible. BetaSkipScan (Peep Search) is now available on miniature M-load formats, but even Sony was unable to fully replicate this on VHS. BetaScan was originally called "Videola" until the company that made the Moviola threatened legal action. Sanyo marketed its own Betamax-compatible recorders under the Betacord brand (also casually referred to as "Beta"). In addition to Sony and Sanyo, Beta-format video recorders were manufactured and sold by Toshiba, Pioneer, Murphy, Aiwa, and NEC. Zenith Electronics and WEGA contracted with Sony to produce VCRs for their product lines. The department stores Sears (in the United States and Canada) and Quelle (in Germany) sold Beta-format VCRs under their house brands, as did the RadioShack chain of electronic stores. Industrial and professional usage Sony also offered a range of industrial Betamax products, a Beta I-only format for industrial and instituti ... https://www.youtube.com/watch?v=rolvzg9jTy8