A Strangers Knowledge: Statesmanship, Philosophy, and Law in Platos Statesman
Author: Xavier Márquez File Type: pdf TheStatesmanis a difficult and puzzling Platonic dialogue. InA Strangers KnowledgeMarquez argues that Plato abandons here the classic idea, prominent in theRepublic, that the philosopher,quaphilosopher, is qualified to rule. Instead, the dialogue presents the statesman asdifferentfrom the philosopher, the possessor of a specialist expertise that cannot be reduced to philosophy. Theexpertise is of how to make a city resilient against internal and external conflict in light of the imperfect sociality of human beings and the poverty of their reason. This expertise, however, cannot be produced on demand one cannot train statesmen like one might train carpenters. Worse, it cannot be made acceptable to the citizens, or operate in ways that are not deeply destructive to the citys stability. Even as the political community requires his knowledge for its preservation, the genuine statesman must remain a stranger to the city.Marquez shows how this impasse is the key to understanding the ambiguous reevaluation of the rule of law that is the most striking feature of the political philosophy of theStatesman. The law appears here as a mere approximation of the expertise of the inevitably absent statesman, dim images and static snapshots of the clear and dynamic expertise required to steer the ship of state across the storms of the political world. Yet such laws, even when they are not created by genuine statesmen, can often provide the city with a limited form of cognitive capital that enables it to preserve itself in the long run, so long as citizens, and especially leaders, retain a philosophical attitude towards them. It is only when rulers know that they do not know better than the laws what is just or good (and yet want to know what is just and good) that the city can be preserved. The dialogue is thus, in a sense, the vindication of the philosopher-king in the absence of genuine political knowledge.**
Author: Diana Webb
File Type: pdf
Pilgrimage was an integral part of both medieval religion and medieval life, and from its origins in the fourth-century Mediterranean world it spread rapidly to Northern Europe as a pan-European devotional phenomenon. Concentrating on the medieval Latin West, this book covers the period spanning the growth in pilgrimage during the seventh century to the Protestant Reformation in the 16-century, when pilgrimage ceased to be a vital part of European Christian culture. It draws extensively upon original source materials accounts of pilgrimage, guidebooks, chronicles, wills, covert memos, and state documents, thereby seeking to uncover the motives of the pilgrims themselves as well as details of and attitudes towards their preparations, journeys, shrines, and eventual destinations (particularly Jerusalem, Compostela, and Rome).ReviewThis is an outstandingly successful anthology of a wide range of sources...-The English Language Teaching JournalAbout the AuthorDiana Webb is Lecturer in History at Kings College, University of London.
Author: James Elkins
File Type: pdf
Unlike many books on painting that usually talk about art or painters, James Elkins compelling and original work focuses on alchemy, for like the alchemist, the painter seeks to transform and be transformed by the medium.In What Painting Is, James Elkins communicates the experience of painting beyond the traditional vocabulary of art history. Alchemy provides a magical language to explore what it is a painter really does in her or his studio - the smells, the mess, the struggle to control the uncontrollable, the special knowledge only painters hold of how colours will mix, and how they will look. Written from the perspective of a painter-turned-art historian, What Painting Is is like nothing you have ever read about art.From BooklistWhen one looks at a Monet, what exactly is one looking at? A framed painting, surely. And, too, as traditional art history texts would suggest, an impression of light and atmosphere. But for art historian and painter Elkins, the essence of a painting-- what painting is --goes beyond such abstractions. For one must not overlook the process of painting itself, the process by which artists get their hands dirty mixing oils and pigments, jabbing and scraping until one day the mess of paint blobs magically emerges as water lilies (or a haystack or a field of poppies) on the canvas. Indeed, it is the transformative power of the act of painting that Elkins explores in What Painting Is and that he elucidates expertly by way of another transformative art--the ancient practice of alchemy. In each of the nine chapters, Elkins draws parallels between artistic and alchemical processes. Like the alchemist, the painter sequesters him-or herself into the studio to mix and match substances in search of a recipe that will turn unpromising materia prima into the perfect painting (the philosophers stone). Elkins, a true alchemist of ideas, has conjured up an original and insightful book that is sure to transform the readers understanding of painting. Veronica ScrolReviewA remarkable discussion...an extraordinary evocation of art and oil painting. -- Leon Golub, painterA truly original book. It will make you look at paintings differently and think about paint differently. -- Boston GlobeThis book is brilliant. -- Frank Auerbach, painter
Author: Sue Kossew
File Type: pdf
This is the first book to focus entirely on the under-researched but crucial topic of women in the work of J. M. Coetzee, generally regarded as one of the worlds most significant living writers. The fourteen essays in this collection raise the central issue of how Coetzees texts address the woman question. There is a focus on Coetzees representation of women, engagement with women writers and the ethics of what has been termed his ventriloquism of womens voices in his fiction and autobiographical writings, right up to his most recent novel, The Schooldays of Jesus. As such, this collection makes important links between the disciplines of literary and gender studies. It includes essays by well-known Coetzee scholars as well as by emerging scholars from around the world, providing fascinating and timely global insights into how his works are read from differing cultural and scholarly perspectives.
Author: Yajaira M. Padilla
File Type: pdf
Changing Women, Changing Nation explores the literary representations of women in Salvadoran and US-Salvadoran narratives during the span of the last thirty years. This exploration covers Salvadoran texts produced during El Salvadors civil war (19801992) and the current postwar period, as well as US-Salvadoran works of the last two decades that engage the topic of migration and second-generation ethnic incorporation into the United States. Rather than think of these two sets of texts as constituting separate literatures, Yajaira M. Padilla conceives of them as part of the same corpus, what she calls trans-Salvadoran narrativesworks that dialogue with each other and draw attention to El Salvadors burgeoning transnational reality. Through depictions of women in trans-Salvadoran narratives, Padilla elucidates a story of female agency and nationhood that extends beyond El Salvadors national borders and imaginings.
Author: Stephen M. Hart
File Type: pdf
This book seeks to re-vision the life and work of the Peruvian poet, Cesar Vallejo (1898-1938). It consists of ten essays grouped into three complementary sections on Politics, Poetics and Affect. In Part I, William Rowe draws out the latent layers of political meaning in Vallejos pre-political work, Trilce Adam Feinstein weighs the evidence for and against the case that there was a rift between the two most important Latin American poets of the twentieth century (Vallejo and Pablo Neruda) and David Bellis compares and contrasts Vallejos Spanish Civil War poetry with that composed by Neruda and the Cuban poet Nicolas Guillen. In Part II, Dominic Moran provides a line-by-line dissection of Vallejos favourite poem of his early period, El palco estrecho Adam Sharman offers a close reading of Poem XXIII of Trilce Paloma Yannakakis looks at the role played by the human body in Vallejos poetics while Michelle Clayton reviews the ways in which animals are represented in Vallejos poetry. In Part III, Santi Zegarra discusses the influence that Vallejos poetry has had on his film-making Eduardo Gonzalez Viana reveals how he re-created Vallejos experience of imprisonment in his novel Vallejo en los infiernos while Stephen Hart compares and contrasts the two main muses of Vallejos early poetry, his niece (Otilia Vallejo Gamboa) and the woman he met in Lima (Otilia Villanueva Pajares).**
Author: Chiara Matraini
File Type: pdf
Chiara Matraini (1515-1604) was a member of the great flowering of poetic imitators and innovators in the Italian literary heritage begun by Petrarch, cultivated later by the lyric poet Pietro Bembo, and supplanted by the epic poet Torquato Tasso. Though without formal training, Matraini excelled in a number of literary genres popular at the time-poetry, religious meditation, discourse, and dialogue. In her midlife, she published a collection of erotic love poetry, but later in life her work shifted toward a search for spiritual salvation. Near the end of her life, she published a new poetry retrospective. Mostly available in only a handful of rare book collections, her writings are now adeptly translated here for an English-speaking audience and situated historically in an introduction by noted Matraini expert Giovanna Rabitti. Selected Poetry and Prose allows the poet to finally take her place as one of the seminal authors of the Renaissance, next to her contemporaries Vittoria Colonna and Laura Battiferra, also published in the Other Voice series.**
Author: Calais Writers
File Type: pdf
Often called the Jungle, the refugee camp near Calais in Northern France epitomises for many the suffering, uncertainty and violence which characterises the situation of refugees in Europe today. But the media soundbites we hear ignore the voices of the people who lived there people who have travelled to Europe from conflict-torn countries such as Syria, Sudan, Afghanistan and Eritrea people with astounding stories, who are looking for peace and a better future. Voices from the Jungle is a collection of these stories. Through its pages, the refugees speak to us in powerful, vivid language. They reveal their childhood dreams and struggles for education the wars and persecution that drove them from their homes their terror and strength during their extraordinary journeys. They expose the reality of living in the c tell of their lives after the Jungle and their hopes for the future. Through their stories, the refugees paint a picture of a different kind of Jungle one with a powerful sense of community despite evictions and attacks, and of a solidarity which crosses national and religious boundaries. Illustrated with photographs and drawings by the writers, and interspersed with poems, this book must be read by everyone seeking to understand the human consequences of this world crisis. **Review Home is the first thing we experience as human beings in this world somewhere we know, safe and warm, somewhere that keeps us. When we are forced out, we lose a little bit of ourselves leaving us less whole. However, through these poems, these stories, we reclaim that home and the humanity that is lost with what comes with being labelled a refugee. Writing this is not only a way for the world to know us, but a way that we may know ourselves, once again. (JJ Bola) These first-hand accounts of the suffering endured by refugees fleeing unmitigated horror in their homelands paints a far more vivid picture than anything we read in the press or see on television. If you want to understand fully the extent of what refugees are being forced to endure under our very noses, please read this book. (Julie Christie) About the Author The Calais Writers include Africa, Riaz Ahmad, Eritrea, Ali Haghooei, Babak Inaloo, Mani, Milkesa, Shaheen Ahmed Wali, Shaqib, Teddy and Haris Haider, who are all former inhabitants of the Calais refugee camp.
Author: David Berman
File Type: pdf
Probably no doctrine has excited as much horror and abuse as atheism. This first history of British atheism, first published in 1987,tries to explain this reaction while exhibiting the development of atheism from Hobbes to Russell. Although avowed atheism appeared surprisingly late 1782 in Britain there were covert atheists in the middle seventeenth century. By tracing its development from so early a date, Dr Berman gives an account of an important and fascinating strand of intellectual history. **
Author: Michael Sorkin
File Type: epub
Robert Hughes once described Michael Sorkin as unique in Americabrave, principled, highly informed and fiercely funny. All Over the Map confirms all of these superlatives as Sorkin assaults the national security city, with its architecture of manufactured fear.**ReviewEasily one of the best architecture critics around ... Sorkin is a flaneur with a sense of public purpose.Chris Hall, Guardian Americas most invigorating writer on architecture.Observer Sorkin is one of the most intelligent writers on architecture today.Library Journal Sorkin is a formidable opponent of the banal, the ugly, the stupid and the vapidly posturing which, he argues, are all around us.Publishers Weekly [A]n intense mediation on the role of democracy in architecture, the role of the critic in that democracy and the dilemmas facing an architect who wants to make a difference (by working with that democracy) but needs to make a living (by pleasing an economic and political elite) ... One of the most impressive collections of contemporary criticism you could read.Art Review All Over the Map * is a pleasure to readTimes Literary Supplement*About the Author Michael Sorkin is an award-winning architect and Distinguished Professor of Architecture and Director of the Graduate Program in Urban Design at the City College of New York. His books include The Next Jerusalem, After the World Trade Center, Twenty Minutes in Manhattan and All Over the Map.