No Uncertain Terms: What is True Risk? (Daymakers S02Ep23)
The Daymakers engage in an adults only conversation regarding what constitutes risk in the field of literary writing. They read poems by Ezra Pound and Leonard Cohen and discuss formerly controversial writers like Isaac Babel, Aleksander Wat and Pablo Neruda. Buckle up, folks! This one’s heavy. Let us know your thoughts in the comments.
This is the final segment of our first interview with Steve Robbins. Here we turn to the question of how the "classic metaphysic" impacts our daily lives. If merely from a pragmatic perspective, it is essential to critique the first principles driving our culture into roboticism and mediocrity. Here we drive home the urgent social and spiritual need to reevaluate Henri Bergson's perspective on the reality of existence, so we can appreciate the tao of quality and reintegrate creativity. We talk about CMM, the misguided attempt to automate human problem solving, and we consider Robert Pirsig's Zen and the Art of Motorcycle Maintenance.
This week, the Daymakers continue their discussion on the true poet, springboarding from ideas expressed by Robert Graves in his tour de force book, The White Goddess. Graves expresses a commitment to the ancient poetic theme of dedication to the Supreme Goddess and to the creative spirit of nature. Poems that manage to evoke this theme most successfully have an actual physical impact on the audience. Watch the video to discover more on this subject.
In this inspiring episode of Daymakers, we continue to discuss poetry and culture, especially focusing on what it means to be brainwashed. Get ready for some profound insights and an all round exciting conversation! (This video is an early production. We've improved a heck of a lot since.) For more fascinating content, check out thesecularheretic.com.
The Daymakers take a break from creative writing-tips and literary discussions to consider an article written by Dr. Martin Sweatman for The Secular Heretic magazine on the topic of Göbekli Tepe and the origins of civilisation. According to Sweatman, the doctrine of gradualism "stretches back several hundred years—to at least the time of Hutton and Lyell—and until recently formed the foundation of geology. Championed by Darwin, gradualism has infected all academia. And yet it is actually a crazy extrapolation. No scientist today would dare to propose it." Let us know what you think in the comments!
Continuing with Ted Hughes’s essay “Myth & Education,” the Daymakers consider the limits and dangers of the objective imagination, the potential hollowing out effect it has upon the psyche, the dehumanising effect it inflicts on the human heart. Want to understand how our society has arrived at a moment in which it despises the human body, in which we fear our own breath? Watch this episode. Let us know what you think about objectivity in the comments below.
The Daymakers explore the theme of liberty in Walt Whitman's Leaves of Grass. How does the poet embody the spirit of liberty and become the age transfigured? Let us know what you think in the comments.
The Daymakers continue their discussion of Göbekli Tepe based on The Secular Heretic article by Martin Sweatman, "Mother of Invention: Decoding Göbekli Tepe." This time, the focus is on the unavoidable implication that it could not have been a spontaneous undertaking, but instead, must have been grounded in knowledge from a previous civilisation. Atlantis? Another subject of interest is how belief colours technology and what we might be able to deduce from the ancient, megalithic ruins. Given our society's priorities and beliefs, what are we likely to invent. . . and what are we likely not to invent? Let us know your thoughts in the comments below!
The Daymakers read three fine and beautiful poems and discuss briefly: W. H. Auden's "In Memory of W. B. Yeats"; two excerpts from Ezra Pound's "Hugh Selwyn Mauberly"; and W. B. Yeats's "Adam's Curse."
In part 2 of this interview with Steve Robbins, we deepen our ability to answer The Hard Problem by discussing Henri Bergson's idea of "the photograph. . .developed in the very heart of things and at all the points of space;" in other words, we consider the holographic model of the cosmos. Where does consciousness fit in? What is the role of the brain in this model? Visit our website for Robbins's article on this subject, Welcome to the Holofield: Rethinking Time and Consciousness: https://thesecularheretic.com/welcome-to-the-holofield-rethinking-time-consciousness-the-hard-problem/
If you enjoyed Stephen Robbins's ideas, be sure to catch his YouTube series here: https://www.youtube.com/channel/UCkj-ob9OuaMhRIDqfvnBxoQ
And his website here: http://www.stephenerobbins.com