https://storyblocks.com/Cinecom - I'm reacting to several music video effects from Ed Sheeran, Kendrick Lamar, Kid Cudi, Valentino Khan, Justin Beeber, Marshmello, Coldplay and Michael Jackson. See how insane some of the visual effects and CGI are made.
http://storyblocks.com/Cinecom - Learn how to fake being an Olympic athlete in this Adobe After Effects tutorial video.
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http://storyblocks.com/Cinecom - Tips on how to film a promotional product video. Tell the story of your product by using light, camera movement and the environment.
More tips and info ► https://www.cinecom.net/lighting-tutorials/how-to-film-product-video-tips-tricks
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Get the Insta360 GO 2 ► https://cinecom.info/GO2 (ad) - Creating impossible camera movements with the Insta360 GO 2. Insta360 has come out with the new GO 2 and we got our hands on it to review.
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https://www.youtube.com/watch?v=dT8cBGu2B5w
Get the physics right and learn how to make advanced keyframe animations in Premiere Pro with this real bouncing ball.
When animating objects it's very important that those animations look real, or in other words that the physics are correct. IN this tutorial video we'll create an easy animation of a bouncing ball. Gravity makes the ball accelerate as it falls to the ground, but as it goes up again it will slow down.
One way of adding this smoothness to your animation is by making your linear keyframes bezier. That's an easy step, but it will still look a bit weird. So that's why we'll need full custom control over that animation.
Premiere Pro will allow us to do that in the advanced keyframing section where we can manipulate the velocity curves and make the ball do exactly what we want.
Once the animation is done, there rest us one more thing to make it look even more natural. And that is adding a motion blur. After Effects has a nice feature to just "enable" that motion blurriness. But in Premiere Pro, we'll to create it manual. With the plugin "directional blur", we can create such a bluriness. But again, we'll have to animate this value the same way as we've done with the position. We also want our blurriness to match the smoothness of the bouncing ball.
✅ FROM THE VIDEO
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https://www.youtube.com/watch?v=xVf-74vqp9g
See how I've used camera and light techniques for cinematic storytelling with my DJI Ronin camera gimbal and the GH4 for a promotional video.
Some time ago we made a promotional video for the company SBGW. They build social homes and maintains them. The idea was to showcase the different houses and districts. But a good promotional video tells a bigger story than just that. It was important that there was a good-feel emotion throughout the film. So we went to look for different elements that could help us with that.
The first thing was the story line, we had three children riding on their bike through the different districts. What makes us human is that we are attracted to faces and other people people. When someone is happy, we feel happy too. So there was our first element.
The next element was a more cinematic storytelling by playing with light. Luckily we had a bright sun light during the recording which we used to emphasis the warm and positive feeling. The sun casts his light on the buildings and worked as a binder to stitch the different shots together.
And then the third element was the camera movement that helped us with the cinematic storytelling. How the camera moves and the kind of lens you use tells a specific story or has a psychological reaction to it. It's therefore important to visualize the movement first. A specific movement should be chosen on that fact instead of "how cool it looks".
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https://www.youtube.com/watch?v=3wX4zY79_Rg
http://storyblocks.com/cinecom - Recreate the Splitscreen effect like in the NIKE - You Can't Stop Us advert. In this Adobe Premiere Pro tutorial you learn how to use different techniques and some handy tips to achieve this effect.
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https://www.youtube.com/watch?v=uQg06mjSHDs