99 Reasons Why – 99 Reasons Why Label: Big Plastic Records – BPR-501 Format: CD, EP Country: Australia Released: 1998 Genre: Rock Style: 1 Dreams 2 Sheep 3 Empty Promises 4 Television 5 White Australia Policy Distributed By – MDS Barcode: 9398603211925 ... https://www.youtube.com/watch?v=seBxK6J8KCw

Beavis and Butt-Head Do America is a 1996 American adult animated comedy road film based on the MTV animated television series Beavis and Butt-Head.[5] The film was co-written and directed by series creator Mike Judge, who also reprises his roles from the series; Demi Moore, Bruce Willis, Robert Stack and Cloris Leachman star in supporting roles. The film follows Beavis and Butt-Head, two teen delinquents who travel the US and unknowingly become fugitives. Previous offers by MTV to adapt Beavis and Butt-Head to film were rejected by Judge, before he eventually agreed to the film in 1994. As production began, the series' staff halted production while Judge wrote the screenplay with Joe Stillman. John Frizzell composed the film's score. Beavis and Butt-Head Do America premiered at Mann's Chinese Theater on December 15, 1996, and was released in the United States on December 20, 1996, by Paramount Pictures. The film later aired on MTV in 1999. It also aired on VH1 in 2003. The film was a critical and commercial success, grossing $63.1 million in the United States and becoming the largest December box office opening of all time until it was surpassed the following year by Scream 2, and was the second highest-grossing animated film of 1996, behind Disney's The Hunchback of Notre Dame. A sequel, Beavis and Butt-Head Do the Universe, was released in 2022. Voice cast Demi Moore voices Dallas Grimes Bruce Willis voices Muddy Grimes Mike Judge, the voice of Beavis and Butt-head for TV, returned to work on the film Mike Judge as Beavis, Butt-Head, Tom Anderson, Mr. Van Driessen, and Principal McVicker Bruce Willis as Muddy Grimes Demi Moore as Dallas Grimes Cloris Leachman as Martha the Old Woman Robert Stack as Agent Flemming Other voice actors include: Jacqueline Barba, Pamela Blair, Eric Bogosian, Kristofor Brown, Tony Darling, John Doman, Francis DuMaurier, Jim Flaherty, Tim Guinee, Toby Huss, Sam Johnson, Richard Linklater, Rosemary McNamara, Harsh Nayyar, Karen Phillips, Dale Reeves, Mike Ruschak and Gail Thomas Greg Kinnear has an uncredited role as ATF Agent Bork;[6] David Letterman (credited as Earl Hofert) had a role as a Mötley Crüe roadie.[7][8][9] Production Development began in 1993 as part of a production deal with MTV, David Geffen, and Warner Bros. Geffen so believed in the potential of the Beavis and Butt-head TV series that he suggested creating a film and record album based on the program. They originally conceived it in live action, with Saturday Night Live regulars David Spade and Adam Sandler in mind to play the title characters. After MTV's parent company Viacom acquired Paramount Pictures's parent company Paramount Communications on July 7, 1994, the studio became a partner in the film, replacing Warner's interest in the project and dropping the live action concept under pressure from series creator Mike Judge.[10] Judge has stated production of the animated film was very ad hoc and had some difficulties with progressing due to most of the staff's television background. The animation of the film was provided by Rough Draft Korea. The hallucination sequence's design and animation was based on the works of Rob Zombie. The sequence's director was Chris Prynoski. ... https://www.youtube.com/watch?v=Wa_RM-9j8Rg

Mondo cane n. 2 (I'll Set My Love to Music The Four Preps) 1963 Approved 1h 42m Mondo cane n. 2 (1963) The official sequel to the original shockumentary, presenting new and bizarre behavior from around the world, including cruelty, graphic gore, and strange rituals. Mondo Cane (literally "Doggish World" or "Dog's World", a mild Italian profanity) is a 1962 Italian mondo documentary film and directed by the trio of Gualtiero Jacopetti, Paolo Cavara, and Franco E. Prosperi, with narration by Stefano Sibaldi. The film consists of a series of travelogue scenes that provide glimpses into cultural practices around the world with the intention to shock or surprise Western film audiences.[2] These scenes are presented with little continuity, as they are intended as a kaleidoscopic display of shocking content rather than presenting a structured argument. Despite its claims of genuine documentation, certain scenes are either staged or creatively manipulated to enhance this effect.[3] The film was an international box-office success and inspired an entire genre of mondo films in the form of exploitation documentaries, many of which also include the word mondo (meaning "world") in their title. The musical score by Riz Ortolani and Nino Oliviero gained considerable popularity outside of the film itself. Its main theme, "More", won a Grammy Award and earned an Oscar nomination for Best Original Song, and was covered by such artists as Frank Sinatra, Andy Williams, and Roy Orbison. Production In the beginning, as Cavara (who took the helm for European and Euro-Asiatic zone) and his supervisor Stanis Nievo' interviews revealed, Mondo Cane was a unique project conceived with La donna nel Mondo, and worked at the same time (1960–62).[4] Reception Mondo Cane was an international box-office success and inspired the production of numerous, similar exploitation documentaries, many of which also include the word "Mondo" in their title. These films collectively came to be recognized as a distinct genre known as mondo films. In addition, the film's success led Jacopetti and Prosperi to produce several additional documentaries, including Mondo Cane 2, Africa addio and Addio zio Tom, while Cavara directed La donna nel mondo, Malamondo, as well as the anti-Mondo drama Wild Eye (Occhio selvaggio). Accolades The film was nominated for two awards for the 1962 film season. It won the David di Donatello for Best Production (Migliore Produzione) by the Accademia del Cinema Italiano,[5] which it shared with Una vita difficile. It was also nominated for the Palme d'Or at the 15th Cannes Film Festival,[6] which it lost to O Pagador de Promessas. The theme song, "More", was written by Riz Ortolani and Nino Oliviero, and was given new lyrics in English by Norman Newell. In 1963, the song was nominated for the Academy Award for Best Original Song, where it lost to "Call Me Irresponsible" from the film Papa's Delicate Condition. Influence The film spawned several direct sequels, starting with Jacopetti and Prosperi's own Mondo Cane 2 (also known as Mondo Pazzo), released the following year. Much later, in the 1980s, two more emerged: Mondo Cane Oggi: L'Orrore Continua and Mondo Cane 2000: L'Incredible.[7] The films continued into the nineties with two follow-ups from German filmmaker Uwe Schier; despite the fact that they were the fifth and sixth installments, they were titled Mondo Cane IV and Mondo Cane V.[8] As well as encouraging sequels, Mondo Cane's shock-exploitation-documentary-exquisite corpse style is credited with starting a whole genre: the mondo film. Examples include Mondo Bizarro, Mondo Daytona, Mondo Freudo (1966), Mondo Mod, Mondo Infame, Mondo New York, and Mondo Hollywood;[9] later examples include the Faces of Death series. The film also inspired lampooning, including Mr. Mike's Mondo Video, written by Saturday Night Live's Michael O'Donoghue and starring members of the contemporary cast of the program.[10] In 2010, Mike Patton released a musical album in tribute to the film, also called Mondo Cane.[citation needed] ... https://www.youtube.com/watch?v=Z8EffV64Hkc

AUSTRALIAN TV COMMERCIAL COMPILATION #382 (CHANNEL 9 ca.2102 VHS RIP) ... https://www.youtube.com/watch?v=X1WbeewWxlM