Journalism and Democracy: An Evaluation of the Political Public Sphere
Author: Brian McNair File Type: pdf The public sphere is said to be in crisis. Dumbing down, tabloidisation, infotainment and spin are alleged to contaminate it, adversely affecting the quality of political journalism and of democracy itself. There is a pervasive pessimism about the relationship between the media and democracy, and widespread concern for the future of the political process.Journalism and Democracy challenges this orthodoxy, arguing instead for an alternative, more optimistic evaluation of the contemporary public sphere and its contribution to the political process. Brian McNair argues not only that the quantity of political information in mass circulation has expanded hugely in the late twentieth century, but that political journalism has become steadily more rigorous and effective in its criticism of elites, more accessible to the public, and more thorough in its coverage of the political process.Journalism and Democracy combines textual analysis and extensive in-depth interviews with political journalists, editors, presenters and documentary makers. In separate chapters devoted to the political news agenda, the political interview, punditry, public access media and spin doctoring, McNair considers whether dumbing down is a genuinely new trend in political journalism, or a kind of moral panic, provoked by suspicion of mass involvement in culture.About the AuthorBrian McNair is Reader in the Department of Film and Media Studies at Stirling University and a member of the Stirling Media Research Institute. He is the author of News and Journalism in the UK (3rd edition, 1999), An Introduction to Political Communication (2nd edition, 1999) and The Sociology of Journalism (1998).
Author: Victor Klemperer
File Type: epub
Munich 1919 is a vivid portrayal of the chaos that followed World War I and the collapse of the Munich Council Republic by one of the most perceptive chroniclers of German history. Victor Klemperer provides a moving and thrilling account of what turned out to be a decisive turning point in the fate of a nation, for the revolution of 1918-9 not only produced the first German democracy, it also heralded the horrors to come. With the directness of an educated and independent young man, Klemperer turned his hand to political journalism, writing astute, clever and linguistically brilliant reports in the beleaguered Munich of 1919. He sketched intimate portraits of the people of the hour, including Erich Muhsam, Max Levien and Kurt Eisner, and took the measure of the events around him with a keen eye. These observations are made ever more poignant by the inclusion of passages from his later memoirs. In the midst of increasing persecution under the Nazis he reflected on the fateful year 1919, the growing threat of antisemitism, and the acquaintances he made in the period, some of whom would later abandon him, while others remained loyal. Klemperers account once again reveals him to be a fearless and deeply humane recorder of German history. Munich 1919 will be essential reading for all those interested in 20th century history, constituting a unique witness to events of the period.
Author: E. Prisse D'Avennes
File Type: pdf
This enchanted tour of Egyptian art by one of its early explorers is one of the most beautiful modern works on ancient Egyptian art. Prisse dAvennes monumental work, first published in Paris over a ten-year period between 1868 and 1878, includes the only surviving record of many lost artifacts. None of Prisses contemporaries had the skill or endurance to bring such an endeavor to such a brilliant end. He was far ahead of his time in his awareness of the vulnerability of the monuments and the need to protect them and to record them. His were the first reliable drawings of Egyptian architecture and ornaments and the first plans and sections of constructions newly excavated. He returned to Paris [in 1860] with a rich harvest of 300 drawings, 400 meters of squeezes, and 150 photographs. - Maarten J. Raven, Curator of the Egyptian Department, the Rijksmuseum van Oudheden, Leiden. Now reissued in a handy new hardbound reference format. **
Author: Linda Howard
File Type: epub
Jaclyn Wilde is a wedding planner who loves her jobusually. But helping Carrie Edwards with her Big Day has been an unrelenting nightmare. Carrie is a bridezilla of mythic nastiness, a diva whose tantrums are just about as crazy as her demands. But the unpleasant task at hand turns seriously criminal when Carrie is brutally murdered and everyone involved with the ceremony is accusing one another of doing the deed. The problem is, most everyonefrom the cake maker and the florist to the wedding-gown retailer and the bridesmaids dressmakerhad his or her own reason for wanting the bride dead, including Jaclyn. And while those who felt Carries wrath are now smiling at her demise, Jaclyn refuses to celebrate tragedy, especially since she finds herself in the shadow of suspicion. Assigned to the case, Detective Eric Wilder finds that theres too much evidence pointing toward too many suspects. Compounding his problems is Jaclyn, with whom he shared one deeply passionate night before Carries death. Being a prime suspect means that Jaclyn is hands-off just when Eric would rather be hands-on. As the heat intensifies between Eric and Jaclyn, a cold-blooded murderer moves dangerously close. And this time the target is not a bride but one particularly irresistible wedding planner, unaware of a killers vow. About the AuthorLinda Howard is the award-winning author of many New York Times bestsellers, including Ice, Burn, and Death Angel. She lives in Alabama with her husband and a golden retriever.
Author: Hannah Schwadron
File Type: pdf
Amidst the growing forums of kinky Jews, orthodox drag queens, and Jewish geisha girls, we find todays sexy Jewess in a host of reflexive plays with sexed-up self-display. A social phantasm with real legs, she moves boldly between neo-burlesque striptease, comedy television, ballet movies, and progressive porn to construct the 21st Century Jewish American woman through charisma and comic craft, in-your-face antics, and offensive charm. Her image redresses longstanding stereotypes of the hag, the Jewish mother, and Jewish American princess that have demeaned the Jewish woman as overly demanding, inappropriate, and unattractive across the 20th century, even as Jews assimilated into the American mainstream. But why does sexy work to update tropes of the Jewish woman? And how does sex link to humor in order for this update to work? Entangling questions of sexiness to race, gender, and class, The Case of the Sexy Jewess frames an embodied joke-work genre that is most often, but not always meant to be funny. In a contemporary period after the thrusts of assimilation and womens liberation movements, performances usher in new versions of old scripts with ranging consequences. At the core is the recuperative performance of identity through impersonation, and the question of its radical or conservative potential. Appropriating, re-appropriating, and mis-appropriating identity material within and beyond their midst, Sexy Jewess artists play up the failed logic of representation by mocking identity categories altogether. They act as comic chameleons, morphing between margin and center in countless number of charged caricatures. Embodying ethnic and gender positions as always already on the edge while ever more in the middle, contemporary Jewish female performers extend a comic tradition in new contexts, mobilizing progressive discourses from positions of newfound race and gender privilege. **
Author: Olive Schreiner
File Type: pdf
Lyndall, Schreiners articulate young feminist, marks the entry of the controversial New Woman into nineteenth-century fiction. Raised as an orphan amid a makeshift family, she witnesses an intolerable world of colonial exploitation. Desiring a formal education, she leaves the isolated farm for boarding school in her early teens, only to return four years later from an unhappy relationship. Unable to meet the demands of her mysterious lover, Lyndall retires to a house in Bloemfontein, where, delirious with exhaustion, she is unknowingly tended by an English farmer disguised as her female nurse. This is the devoted Gregory Rose, Schreiners daring embodiment of the sensitive New Man. A cause c--eacute--l--egrave--bre when it appeared in London, The Story of an African Farm transformed the shape and course of the late-Victorian novel. From the haunting plains of South Africas high Karoo, Schreiner boldly addresses her societys greatest fears - the loss of faith, the dissolution of marriage, and womens social and political independence. - Lyndall, Schreiners articulate young feminist, marks the entry of the controversial New Woman into nineteenth-century fiction. Raised as an orphan amid a makeshift family, she witnesses an intolerable world of colonial exploitation. Desiring a formal education, she leaves the isolated farm for boarding school in her early teens, only to return four years later from an unhappy relationship. Unable to meet the demands of her mysterious lover, Lyndall retires to a house in Bloemfontein, where, delirious with exhaustion, she is unknowingly tended by an English farmer disguised as her female nurse. This is the devoted Gregory Rose, Schreiners daring embodiment of the sensitive New Man. A cause c--eacute--l--egrave--bre when it appeared in London, The Story of an African Farm transformed the shape and course of the late-Victorian novel. From the haunting plains of South Africas high Karoo, Schreiner boldly addresses her societys greatest fears - the loss of faith, the dissolution of marriage, and womens social and political independence. -
Author: Steven M. Cahn
File Type: pdf
In theseessays, 24of our most celebrated professors of philosophy address the problem of how to teach philosophy today how to make philosophy interesting and relevant how to bring classic texts to life how to serve all students and how to align philosophy with more practical pursuits. Selected and introduced by three leaders in the world of philosophical education, the insights contained in this inspiring collection illuminate the challenges and possibilities of teaching the academys oldest discipline. **
Author: Nina Kolesnikoff
File Type: pdf
One of the most outstanding properties of Russian postmodernist fiction is its reliance on metafictional devices which foreground aspects of the writing, reading or structure, and draw attention to the constructed nature of fiction writing. Some common metafictional strategies include overt commentary on the process of writing, the presence of an obtrusive narrator, dehumanization of character, total breakdown of temporal and spatial organization and the undermining of specific literary conventions.This book examines the most representative postmodernist texts and addresses the following questions How widespread is the use of metafiction in contemporary Russian literature? What are its most pronounced forms? What is the function of metafictional devices? How innovative are Russian postmodernist writers in their use of metafictional techniques?This study reveals the unique contribution of postmodernist writers to the development of Russian literature through their systematic use of metafiction and their bold experimentation with new metafictional devices on all the principal levels of the text, including narration, plot, characterization, setting and language.**