【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Beethoven 11 Bagatelles Op.119 No.11 119-11 B♭ major. Andante, ma non troppo 貝多芬 11首短曲 作品119 贝多芬 11首短曲 作品119 Beethoven Las Bagatelas Op.119 ベートーヴェン 7つの バガテル Op.119 piano 鋼琴 钢琴 ピアノ Classical music Música clásica クラッシック 古典音樂 古典音乐 #Beethoven #Bagatelle #短曲 11 Bagatelles Op.119 No.1 119-1 G minor. Allegretto No.2 119-2 C major. Andante con moto No.3 119-3 D major. A l'Allemande No.4 119-4 A major. Andante cantabile No.5 119-5 C minor. Risoluto No.6 119-6 G major. Andante — Allegretto No.7 119-7 C major. Allegro, ma non troppo No.8 119-8 C major. Moderato cantabile No.9 119-9 A minor. Vivace moderato No.10 119-10 A major. Allegramente No.11 119-11 B♭ major. Andante, ma non troppo The Eleven Bagatelles, Op. 119 were written by Ludwig van Beethoven between the 1790s and the early 1820s. By the end of 1803, Beethoven had already sketched bagatelles Nos. 1 through 5 (along with several other short works for piano that he never published). In 1820, he composed the last five bagatelles of Op. 119, and published them as a set of five in 1821. The following year, he revised his old bagatelle sketches to construct a new collection for publication, adding a final bagatelle, No. 6, composed in late 1822. He then sent off this set of six to England for publication in 1823, along with Nos. 7 through 11, which had not yet been published in England. The English publisher printed all eleven bagatelles together as one collection, and it is unclear to what degree this represents the composer's intentions. Some scholars have argued that the two halves of Op. 119 — Nos. 1 through 6, and Nos. 7 through 11 — are best thought of as separate collections. However, it is also possible that when Beethoven composed No. 6 in late 1822, he had already planned to send all eleven pieces to England. In that case, No. 6 would not be meant as a conclusion to the first five, but as a way to connect them with the latter five. The key relationship and thematic similarities between No. 6 and No. 7 support this hypothesis, as does the fact that in subsequent correspondence, Beethoven expressed only satisfaction with how the bagatelles were published in England. A typical performance of Op. 119 lasts around fourteen minutes. ... https://www.youtube.com/watch?v=7z9hkgqpIKc

【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Ravel M.43 Miroirs Mirrors No.1 43-1 Noctuelles. Très léger Moths D flat major 拉威爾 鏡子 拉威尔 镜子 Ravel Espejos ラヴェル 鏡 Classical music Música clásica クラッシック 古典音樂 古典音乐 #Ravel #Miroirs #Mirrors No.1 43-1 Noctuelles. Très léger Moths(D♭ major) No.2 43-2 Oiseaux tristes. Très lent Sad Birds (E♭ minor) No.3 43-3 Une barque sur l'océan. D'un rythme souple A Boat on the Ocean (F♯ minor) No.4 43-4 Alborada del gracioso. Assez vif The Jester's Aubade (D minor) No.5 43-5 La vallée des cloches. Très lent The Valley of Bells (C♯ minor) Miroirs (French for "Mirrors") is a five-movement suite for solo piano written by French composer Maurice Ravel between 1904 and 1905. First performed by Ricardo Viñes in 1906, Miroirs contains five movements, each dedicated to a fellow member of the French avant-garde artist group Les Apaches. Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing Miroirs in 1904 and finished it the following year. It was first published by Eugène Demets in 1906. The third and fourth movements were subsequently orchestrated by Ravel, while the fifth was orchestrated by Percy Grainger, among others. Miroirs has five movements, each dedicated to a member of Les Apaches: No.1 "Noctuelles" ("Moths"). D♭ major. Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry. No.2 "Oiseaux tristes" ("Sad Birds"). E♭ minor. Dedicated to Ricardo Viñes, this movement represents a lone bird whistling a sad tune, after which others join in. The rambunctious middle section is offset by a solemn cadenza which brings back the melancholy mood of the beginning. No.3 "Une barque sur l'océan" (in English "A Boat on the Ocean"). F♯ minor. Written for Paul Sordes, the piece recounts a boat as it sails upon the waves of the ocean. Arpeggiated sections and sweeping melodies imitate the flow of ocean currents. It is the longest piece of the set. No.4 "Alborada del gracioso" (Spanish: "The Jester's Aubade"). D minor — D major. Dedicated to Michel-Dimitri Calvocoressi, Alborada is a technically challenging piece that incorporates Spanish musical themes into its complicated melodies. No.5 "La vallée des cloches" ("The Valley of Bells"). C♯ minor. Dedicated to Maurice Delage, the piece evokes the sounds of various bells through its use of sonorous harmonies. "Une barque sur l'océan" and "Alborada del gracioso" were orchestrated by Ravel himself. "La vallée des cloches" has been orchestrated by Ernesto Halffter for triple woodwind, four horns, timpani, percussion, two harps, celesta and strings; and by Percy Grainger for a typical Grainger ensemble with multiple pianos and percussion, plus strings. "Oiseaux tristes" has been scored by Felix Günther for double woodwind plus piccolo, two horns, two trumpets, percussion, harp, celesta and strings; though aimed at intermediate rather than advanced players, transposed down a semitone and with some of Ravel's rhythms simplified. The earliest known orchestration of "Noctuelles" is by the British pianist Michael Round, an orchestration commissioned by Vladimir Ashkenazy and recorded by him with the NHK Symphony Orchestra (Exxon, 1993) – the recording also includes Round's scorings of the Fugue and Toccata from Le Tombeau de Couperin. In orchestrated form "Noctuelles" is scored for triple woodwind (including clarinet) minus one contrabassoon; four horns, three trumpets, three trombones and tuba, timpani, percussion, two harps, celesta and strings. There is a more recent orchestration (2001) of "Noctuelles" by American composer Steven Stucky. It is published by Theodore Presser Company and is scored for 3 flutes (3rd doubling piccolo), 3 oboes (3rd doubling English horn), 2 clarinets, 3 bassoons (3rd doubling contrabassoon), 4 horns, 3 trumpets, 3 trombones, tuba, timpani, 2 percussionists, celesta, two harps, and strings. In 2001 American conductor Leif Bjaland orchestrated "Oiseaux tristes" scored for 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, 4 horns, harp, and strings. In 2003 the British composer Simon Clarke made an orchestration of the three movements that Ravel did not orchestrate. ... https://www.youtube.com/watch?v=nLUl7nGJWhY