Author: Erich Segal File Type: pdf They met as children, innocents from two different worlds.And from that moment their lives were fated to be forever entwined. Timothy Abandoned at birth, he finds a home--and a dazzling career--within the Catholic Church.But the vows he takes cannot protect him from one soul-igniting passion. Daniel The scholarly son of a great rabbi, he is destined to follow in his fathers footsteps.And destined to break his fathers heart. Deborah She was raised to be docile and dutiful--the perfect rabbis wife--but love will lead her to rebellion.And into worlds the patriarch would never dare imagine.Reaching across more than a quarter of a century, from the tough streets of Brooklyn to ultramodern Brasilia to an Israeli kibbutz, and radiating the splendor of two holy cities, Rome and Jerusalem, here is Erich Segals most provocative and ambitious novel to date--the unforgettable story of three extraordinary lives...and one forbidden love.From Publishers WeeklyDismally predictable, humorless and heavy-handed, Segals latest melodramatic tale (after Doctors ) is potboiling at its most banal. Daniel Luria is the heir apparent to the Brooklyn-based Silczer dynasty of rabbis. After Timothy Hogan (an orphan with two living parents) breaks the Lurias window, Rabbi Luria hires him to turn out the lights on Sabbath nights. When the rabbi sees his daughter Deborah and Timothy poised for a forbidden embrace, he banishes Deborah to Jerusalem. Timothy, a rising star en route to Catholic priesthood, eventually encounters Deborah on her kibbutz they consummate their relationship, despite Timothys vows of celibacy. Meanwhile, in rabbinical school, Daniel finds doubt as well as lust in his heart his lover leaves him, but not without some hot stock tips. A millionaire (if still unhappy), Daniel decides against religious life, to his fathers profound discontent. Timothy encounters liberation theology in Brazil, has an epiphany, turns his back on Church hierarchy and acknowledges love. Daniel, who has rejoined his faith on less Orthodox terms, meets the woman of his dreams, and also finds he can follow in his fathers footsteps. Segal makes even the interesting details and dilemmas of religious lives seem superficial. 250,000 first printing $150,000 adpromo . 1992 Reed Business Information, Inc.
Author: Robert Leroux
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From its beginnings, the doctrine of industrialism has inspired writers of varying persuasions. Saint-Simon is often closely associated with it, however, he represents only the socialist variant of the doctrine. By contrast, the variant that relates to liberalism has been virtually overlooked. Jean-Baptiste Say, Benjamin Constant and Joseph Droz, for example, provided crucial elements that would eventually lead two friends, Charles Comte (17821837) and Charles Dunoyer (17861862), to define industrialism in a more complete manner that was in fact radically opposed in many aspects to the notions of Saint-Simon. This shows that the term industrialism has many meanings. Mechanization, the production of wealth, the age of trades and specialization, the notion that progress is unstoppable, the question of liberty and individualism these are the main themes that we find in the writings of the liberal proponents of industrialism. For Charles Comte and Charles Dunoyer, industrialism was a kind of philosophy of history, the purpose of which was to identify the tortuous stages through which the idea of liberty had developed. In doing this, as Robert Leroux explains, they shared a conviction, or perhaps a concern, based on clear historical evidence, that liberty is a fragile thing, and that its victory will never be final. **
Author: Caitlin Smith Gilson
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Brings Aquinas and Heidegger into dialogue and offers an original and comprehensive rethinking of the nature of temporality and the origins of metaphysical inquiry. blockquoteblockquote **
Author: Walter Benjamin
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Called the most important critic of his time by Hannah Arendt, Walter Benjamin has only become more influential over the years, as his work has assumed a crucial place in current debates over the interactions of art, culture, and meaning. A natural and extraordinary talent for letter writing was one of the most captivating facets of his nature, writes Gershom Scholem in his Foreword to this volume and Benjamins correspondence reveals the evolution of some of his most powerful ideas, while also offering an intimate picture of Benjamin himself and the times in which he lived.Writing at length to Scholem and Theodor Adorno, and exchanging letters with Rainer Maria Rilke, Hannah Arendt, Max Brod, and Bertolt Brecht, Benjamin elaborates on his ideas about metaphor and language. He reflects on literary figures from Kafka to Karl Kraus, and expounds his personal attitudes toward such subjects as Marxism and French national character. Providing an indispensable tool for any scholar wrestling with Benjamins work, The Correspondence of Walter Benjamin, 19101940 is a revelatory look at the man behind much of the twentieth centurys most significant criticism.**ReviewThere has been no more original, no more serious, critic and reader in our time. (George Steiner) About the Author Walter Benjamin (18921940) was a German philosopher, writer, and literary critic.
Author: Manfred B. Steger
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Globalization has become one of the defining buzzwords of our time--a term that describes a variety of complex economic, political, cultural, ideological, and environmental forces that are rapidly altering our experience of the world. In the years since World War II, we have seen national boundaries fade as financial markets, manufacturing concerns, information services, and cultural products (including movies, music, and television shows) have spread around the earth. Immigration and tourism have exploded, Japanese cars are assembled in the United States and American hamburgers are sold in Toyko. And the Internet connects virtually everyone on the planet who owns a computer. We are indeed now living in a borderless world.In clear, accessible language, Manfred B. Steger goes beyond a narrow economic focus to cover all the major causes and consequences of globalization as well as the hotly contested question of whether globalization is, ultimately, a good or a bad thing. This new edition has been fully updated for 2009 to include recent developments in global politics and the impact of terrorism and it expands the discussion of environmental issues, devoting an entirely new chapter to this key topic. The book also examines political movements both for and against globalization, from WTO protests to the recent rise in global jihadism considers such concepts as Americanization and McDonaldization and explores the role of the media and communication technologies in the process of cultural globalization. Finally, Steger explains in accessible language the connection between economic globalization and multinational corporations, World Bank, International Monetary Fund, and the World Trade Organization.Including maps, diagrams, figures, textboxes, and a timeline, this compact book provides a wealth of information on one of the key new forces in the modern world.About the Series Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of lifes most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.ReviewA brilliant overview for anyone who is purely interested in learning more about the causes and effects of globalization. This book is a concise, uncomplicated and very readable explanation of a very important process in the world today. Steger does an excellent job of remaining objective when examining the positive and negative consequences of the globalization process and astutely evaluates its role in world development. --AALL SpectrumReviewA brilliant overview for anyone who is purely interested in learning more about the causes and effects of globalization. This book is a concise, uncomplicated and very readable explanation of a very important process in the world today. Steger does an excellent job of remaining objective when examining the positive and negative consequences of the globalization process and astutely evaluates its role in world development. --AALL Spectrum
Author: Dudley Andrew
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What Cinema Is! offers an engaging answer to Andre Bazins famous question, exploring his idea of cinema with a sweeping look back at the near century of Cinemas phenomenal ascendancy.ullWritten by one of the foremost film scholars of our timellEstablishes cinemas distinction from the current enthusiasm over audio-visual entertainment, without relegating cinema to a single, older modellExamines cinemas institutions and its social force through the qualities of key filmsllTraces the history of an idea that has made cinema supremely alive to (and in) our timeslulReviewWith this elegant volume, Dudley Andrew brilliantly continues his extended project of producing a historiography of film theory and of French cinema. He has given us a book worthy of Andre Bazins intelligence, originality, curiosity, and spirit. Eric Smoodin, University of California at DavisA new slant on Bazin with fresh disclosures for our era of digital media is always welcome, especially from Dudley Andrew, Bazins foremost expositor. Andrews graceful and analytic prose is peppered with timely provocations of his own, starting with the Preface. Made manifest throughout is the continuing relevance of Bazins devotion to cinema and compassion for humanity. Edward Branigan, University of California at Santa BarbaraFrom the Back CoverWhat Cinema Is! offers an engaging answer to Andre Bazinsfamous question through a sweeping look back over the phenomenal ascendancy of a certain idea of cinema. Written by one of the foremost film scholars of our time, this provocative volume proclaims cinemas distinct value not just for the last century but for our current audio-visual culture. Whatever cinema may yet become, this unique idea should orient and guide it.Examining cinemas institutions and its social force but always through the qualities of key films What Cinema Is!testifies to the power of something that didnt even exist before 1895. From the art films cherished by cinephiles after World War II through the banner years of the New Wave to a technologicallyexpanded cinema, Andrew traces the long nerve of this idea that has made cinema supremely alive to (and in) our times.
Author: Michel Serres
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Marginalized by the scientific age the lessons of the senses have been overtaken by the dominance of language and the information revolution. With The Five Senses Serres traces a topology of human perception, writing against the Cartesian tradition and in praise of empiricism, he demonstrates repeatedly, and lyrically, the sterility of systems of knowledge divorced from bodily experience. The fragile empirical world, long resistant to our attempts to contain and catalog it, is disappearing beneath the relentless accumulations of late capitalist society and information technology. Data has replaced sensory pleasure, we are less interested in the taste of a fine wine than in the description on the bottles label. What are we, and what do we really know, when we have forgotten that our senses can describe a taste more accurately than language ever could? The book won the inaugural Prix Medicis Essai in 1985. The Revelations edition includes an introduction by Steven Connor. **
Author: Lorenzo Chiesa
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Countering the call by some pro-Lacanians for an end to the exegesis ofLacans work--and the dismissal by anti-Lacanians of Lacan as impossiblyimpenetrable--Subjectivity and Otherness argues for Lacan as a paradoxically systematicthinker, and for the necessity of a close analysis of his texts. Lorenzo Chiesa examines, from aphilosophical perspective, the evolution of the concept of subjectivity in Lacans work, carryingout a detailed reading of the Lacanian subject in its necessary relation to otherness according toLacans orders of the Imaginary, the Symbolic, and the Real. Chiesa emphasizes the continuityunderlying apparently incompatible phases of Lacans examination of the subject, describing Lacanstheory as a consistent philosophical system--but one that is constantly revised and thereforeproblematic. Chiesa analyzes each old theory of the subject within the framework of anew elaboration and reassesses its fundamental tenets from the perspective of a generalpsychoanalytic discourse that becomes increasingly complex. From the 1960s on, writes Chiesa, theLacanian subject amounts to an irreducible lack that must be actively confronted and assumed thissubjectivized lack, Chiesa argues further, offers an escape from the contemporaryimpasse between the death of the subject alleged by postmodernism and a return to atraditional substantialist notion of the subject. An original treatment ofpsychoanalytic issues, Subjectivity and Otherness fills a significant gap in the existing literatureon Lacan, taking seriously the need for a philosophical investigation of Lacanian concepts.LorenzoChiesa is a Lecturer at the School of European Culture and Languages, University of Kent, UnitedKingdom. He has published numerous journal articles and book chapters on Lacanian theory.
Author: Ernest Brehaut
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AN ENCYCLOPEDISTOF THE DARK AGESISIDORE OF SEVILLEIn saeculorum fine doctissimus(Ex concilio Toletano viii, cap. 2)BYERNEST BREHAUT, Ph.D.