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26 Aug 2021 02:59:20 UTC
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THE STONE ROSES - The Stone Roses [FULL SELF-TITLED ALBUM, BRIT-POP MADCHESTER JANGLE POP]
The Stone Roses is the debut studio album by English rock band the Stone Roses. It was recorded mostly at Battery Studios in London with producer John Leckie from June 1988 to February 1989 and released in May of that year by Silvertone Records.

Despite not being an immediate success, the album grew popular alongside the band's high-profile concert performances, which also helped establish them as fixtures of the Madchester and baggy cultural scenes. The record's critical standing also improved significantly in later years, with The Stone Roses now considered to be one of the greatest albums of all time. It was voted number 11 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000). It has sold over four million copies worldwide.

Based in Manchester, where the so-called Madchester movement was centred, The Stone Roses formed in 1983. Between their formation and the release of their debut album, the band had gone through different names and line-ups, trying out different sounds, and released several singles on several different labels. They recorded their self-titled debut album with John Leckie, a producer who had worked with Pink Floyd on Meddle. The recording took place primarily at Battery Studios in London, with additional sessions at Konk, Coconut Grove Studios in Stockport, and Rockfield Studios in Wales. Leckie said that the band were "very well rehearsed" and that they "didn't seem to feel any pressure other than that they were a band making their first album and didn't want to lose the opportunity to make it good. So there wasn't any pressure to prove themselves – they knew they were good."

According to writers Sean Sennett and Simon Groth, the Stone Roses "virtually invented 'Madchester' and built a template for Brit-pop" with their debut album. The record has been associated with rave culture and dance music, although Angus Batey from The Quietus argued that it was a 1960s-inspired jangle pop album featuring little or no influence of dance beats or grooves, with the exception of "Fools Gold". According to Stephen Thomas Erlewine, the rhythm section of bassist Mani and drummer Reni played in a manner that was merely suggestive of dance rhythms, while Ian Brown dispassionately sang lyrics expressing arrogant sentiments such as "I Wanna Be Adored" and "I Am the Resurrection". In the opinion of Spin critic Andrew Unterberger, it sounded more like "an exercise in rock classicism", featuring accessible melodies like those of the Beatles and resonant guitars similar to the Byrds, along with "the cheeky (and quintessentially British) humor of the Smiths" and "the self-fulfilling arrogance of the Sex Pistols". The melody for the song "Elizabeth My Dear" was appropriated from the English traditional ballad "Scarborough Fair".
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