Published By
Created On
26 Aug 2021 02:59:20 UTC
Transaction ID
Cost
Safe for Work
Free
Yes
More from the publisher
Alice-In-Chains
Dirt is the second studio album by the American rock band Alice in Chains, released on September 29, 1992, through Columbia Records. Peaking at No. 6 on the Billboard 200 chart, the album was also well received by music critics. It has since been certified four-times platinum by the RIAA and gone on to sell five million copies worldwide, making Dirt the band's highest selling album to date. It was also the band's last album recorded with all four original members, as bassist Mike Starr was fired in January 1993 during the tour to support the album. The album spawned five singles: "Would?", "Them Bones", "Angry Chair", "Rooster", and "Down in a Hole", all with accompanying music videos. Dirt was nominated for a Grammy Award for Best Hard Rock Performance. The music video for "Would?" was nominated for an MTV Video Music Award for Best Video from a Film, as the song was featured on the soundtrack to Cameron Crowe's 1992 film Singles.
The songs on the album focused on depression, pain, anger, anti-social behavior, relationships, drug addiction (primarily heroin), war, death, and other emotionally charged topics. The track "Iron Gland" features Tom Araya from Slayer on vocals. Most of the music from the album was written by guitarist Jerry Cantrell, but for the first time vocalist Layne Staley wrote two songs by himself ("Hate to Feel" and "Angry Chair"), both also featuring Staley on guitar. Rolling Stone listed the album at No. 26 on its list of the 100 Greatest Metal Albums of All Time. Dirt was included in the 2005 book 1001 Albums You Must Hear Before You Die. It was voted "Kerrang! Critic's Choice Album of the Year". Guitar World named Dirt as the best guitar album of 1992. Loudwire named it as one of the best Metal albums of the 1990s, and Rolling Stone ranked it at No. 6 on its list of "50 Greatest Grunge Albums" in 2019.
Alice in Chains' fourth studio album, Black Gives Way to Blue, was released on the 17th anniversary of Dirt, on September 29, 2009.
The recording of Dirt began in the spring of 1992. Producer Dave Jerden, who had previously worked with the band on their debut, Facelift, wanted to work with them again. He admired vocalist Layne Staley's lyrics and voice, and lead guitarist Jerry Cantrell's guitar riffs. The track "Would?" produced, engineered and mixed by Rick Parashar, was recorded before the album, and first appeared on the soundtrack to the 1992 movie Singles. Dirt was recorded at Eldorado Recording Studio in Burbank, California, London Bridge Studio in Seattle, and One on One Studios in Los Angeles from April to July 1992.
Dirt was recorded during the Los Angeles riots that erupted following the acquittal of four LAPD officers caught on camera beating unarmed black motorist Rodney King. The riots started on the first day of recording. The band was watching TV when the verdict for the incident was announced. Jerry Cantrell was in a store buying some beer when a man came in and started looting the place. Cantrell also got stuck in traffic and saw people pulling each other out of their cars and beating them. The band tried to get out of the town without getting hurt while LA was protesting against police brutality. They took Slayer vocalist Tom Araya with them and went to the Joshua Tree desert for four or five days until things calmed down, then moved back into the studio and started recording the album.
When recording the album, Staley had previously checked out of rehab and quickly went back to using heroin. Staley later went cold-turkey on his own while reading The Bad Place, by horror novelist Dean R. Koontz. Jerden later said that he was told Staley felt animosity toward him dating back to the Dirt sessions due to Jerden repeatedly recommending to Staley that he get sober at the time. Jerden said, "Apparently he got all mad at me [during the Dirt sessions] ... And what's my job as a producer? To produce a record. I'm not getting paid to be Layne's friend."
Staley was not the only one who went through heavy drug use; drummer Sean Kinney and bassist Mike Starr were also struggling with alcohol addiction.
Dave Jerden got the album's famous guitar tone by blending three different amps - a Bogner Fish preamp for the low end, a Bogner Ecstacy for the mid frequencies, and a Rockman Headphone amp for the high frequencies.
Staley later expressed regret about the lyrical content of some songs on Dirt, explaining, "I wrote about drugs, and I didn't think I was being unsafe or careless by writing about them ... I didn't want my fans to think that heroin was cool. But then I've had fans come up to me and give me the thumbs up, telling me they're high. That's exactly what I didn't want to happen."
Transaction
Created
1 month ago
Content Type
Language
video/mp4
English
Lamb-Of-God
New American Gospel is the second studio album by American heavy metal band Lamb of God, as well as their first album under that name (they were originally known as Burn the Priest). It was released in 2000 through Prosthetic Records. New American Gospel is also the first release with Willie Adler on guitar, who replaced Abe Spear.
Metal Blade Records reissued a remastered version of New American Gospel in 2006 with four bonus tracks. The remastered version contains a note on the inlay that explains that the sound of the album is less polished than their newer work, in part due to time constraints as well as heavy drinking. It has sold over 100,000 copies in the United States.
Revolver magazine called New American Gospel one of the "69 Greatest Heavy Metal Albums of All Time". NME said the album "harks back to the days when Slayer ruled the kingdom of metal with speedy riffs and nihilism", and described the sound as "ferocious". CMJ described New American Gospel as "grindcore and death metal for the hardcore kids". Exclaim! compared New American Gospel to bands such as Pantera and Meshuggah, noted its "truly killer snare drum sound", and described the album in general as "a thoroughly satisfying listen and an innovative, real, heavy and scary metal album".
In 2020, it was named one of the 20 best metal albums of 2000 by Metal Hammer magazine.
Lamb of God (sometimes abbreviated as LoG) is an American heavy metal band from Richmond, Virginia. Formed in 1994 as Burn the Priest, the group consists of bassist John Campbell, vocalist Randy Blythe, guitarists Mark Morton and Willie Adler, and drummer Art Cruz. The band is considered a significant member of the new wave of American heavy metal movement.
Since their formation, Lamb of God has released eleven studio albums, including two under the name Burn the Priest; their most recent album, Omens, was released in October 2022. The band has also released one live album, one compilation album, three DVDs, two EPs, and twenty-eight singles.
The band's cumulative sales equal almost two million in the United States, including two albums certified Gold by the RIAA. In 2010 and 2011 the band received Grammy nominations for songs from their 2009 album Wrath. They also received a nomination in 2016 for their song "512". Lamb of God has toured with the Ozzfest twice. Other appearances include Download Festival and Sonisphere Festival in the UK, Soundwave Festival, Mayhem Festival 2010 and Gigantour. From 2008 to 2010 they toured as part of Metallica's World Magnetic Tour, and supported Slayer on their final world tour in 2018 and 2019.
In 1994, bassist John Campbell, drummer Chris Adler, and guitarists Mark Morton and Matt Conner started a band named Burn the Priest. The band members knew each other from the college they were all attending, Virginia Commonwealth University, in Richmond, Virginia. Morton and Conner left the band soon after its inception to pursue a master's degree and work on other bands respectively. Adler and Campbell replaced Morton with Abe Spear. For the next five years, the band practiced in Richmond and around Virginia. In 1995, the band released its self-titled first demo. After the demo, Burn the Priest recorded two split EPs with Agents of Satan and ZED respectively. After the band's first three demos, Burn the Priest added vocalist Randy Blythe to its line up.
In 1997, Morton returned to the band. Two years later, the band released its first full-length self-titled album, Burn the Priest, through Legion Records. Mikey Brosnan of Legion Records saved up $2,500 for the recording and then broke them in Philadelphia, Pennsylvania through DIY shows. The album was produced by Today Is the Day guitarist and vocalist Steve Austin. Spear left the band, leaving an open position for a guitarist. Adler's younger brother Willie became the band's second guitarist a year later, and a deal with Prosthetic Records was signed. Contrary to rumour, the band did not change their name to Lamb of God after being banned from venues; these bans occurred afterwards. They changed their name because of the altered line-up and to avoid being mistaken for a satanic metal band.
Lamb of God is considered a significant member of the New Wave of American Heavy Metal movement, having been referred to as one of "big four" bands of the movement, along with Avenged Sevenfold, Slipknot and Trivium. The band is mainly considered a groove metal band.
Transaction
Created
1 month ago
Content Type
Language
video/mp4
English
Hans-Zimmer
The music for the 2021 American film Dune was composed, conducted, and produced by Hans Zimmer. Zimmer wrote several soundtracks of music for the film, including for its as-yet-unreleased sequel, and heavily utilized choir—specifically female voices—percussion, and strings in the score's instrumentation, as well as acoustic and wind instruments. New, hybrid instruments were fabricated to conceive the "otherworldly" tonal desert sounds heard in the film. The music has been described as the composer's most "unorthodox" and experimental yet. In addition, the score for the film earned Zimmer his second Academy Award for Best Original Score. When Dune: Part Two was announced for a 2023 theatrical release, it was revealed that Zimmer had begun work on the film's music and had over an hour of music to assist the filmmakers in planning the film.
From the very beginning, film director Denis Villeneuve hoped to reunite with Zimmer for the project, based on their shared passion for the novel. Though initially approached by longtime collaborator Christopher Nolan to compose for his then-upcoming film Tenet, Zimmer ultimately chose to work on Dune, as the book was a "favorite" of his during his childhood and teen years. He last collaborated with Villeneuve, and editor Joe Walker, on Blade Runner 2049. In March 2019, Warner Bros. announced that the composer would be scoring the film.
Zimmer and Villeneuve both "agreed that the music would need to have a spirituality to it...a sanctified quality...that would elevate the soul and have the effect that only sacred music can". Zimmer approached the score's composition with a "fresh" perspective, "just from the book", having never seen the 1984 film adaptation by David Lynch. He built around the concept of Dune being a different civilization, and spent "months and months creating new instruments" to accompany that feeling, "defining, creating, and seeking new sounds, pushing the envelope". The composer augmented human voices "to sound eerie and other-worldly" for the score, and based it on mainly female voices due to the shared sentiment between himself and Villeneuve that the "power of the human voice" remains constant in any civilization, and that "the female characters in the film drive the story".
Three soundtrack albums for the film were released through WaterTower Music: The Dune Sketchbook (Music from the Soundtrack), Dune (Original Motion Picture Soundtrack), and The Art and Soul of Dune, on September 3, September 17, and October 22 respectively.
Villeneuve chose British rock band Pink Floyd's "Eclipse", from their 1973 album The Dark Side of the Moon, as the "key musical element" in the first theatrical trailer released on September 9, 2020. Zimmer subsequently rearranged the track and recorded a cover version performed by a 32-piece ensemble of session singers from Los Angeles. Variety called the choice a "surprising" one, given that "trailers are not usually scored by the film's actual composer, much less a specially tailored cover of a classic rock song".
Following the onset of the Covid-19 pandemic, Zimmer told the publication in a June 2020 interview that "Working remotely is horrible, but I've done it. And if we have to do it like this, we'll do it like this." Recording sessions for the track were conducted in full compliance with Covid-19 protocols at the composer's Remote Control Productions studio in Santa Monica. Zimmer joined in remotely via FaceTime. Under the direction of Edie Lehmann Boddicker, the singers gathered four at a time, in "separate cubicles, divided by glass", over the course of eight sessions held earlier in the summer. Twelve performed the lyric lines, while the full group performed the choral parts. The entire song was recorded, but only thirteen lines were used in the three-minute long trailer. Boddicker commented that "[Zimmer] wanted to pay homage to the original, very back-phrased sound, a little spaced-out, so the vocals would not sound urgent. There's a kind of joy happening in the track, a lot of hopefulness. It's not despondent, just very peaceful and sounding not of this planet."
Zimmer's version—spanning a runtime of one minute and 36 seconds—was released as a digital single on October 9. It has not been included on any soundtrack album released so far and is not featured in the final film.
Transaction
Created
1 month ago
Content Type
Language
video/mp4
English
Gojira
Fortitude is the seventh studio album by French heavy metal band Gojira. The album was released on 30 April 2021 through Roadrunner Records. Recorded at the band's studio in New York City, it was produced by lead vocalist Joe Duplantier, mixed by Andy Wallace and mastered by Ted Jensen.
Gojira's ambition was to write a more cohesive and brighter album than Magma, emphasizing a progressive sound while incorporating guitar solos and classic rock elements with a positive lyrical message. The songwriting began in early 2018 but was put on hold due to the band's touring schedule. The COVID-19 pandemic interrupted the album's mixing, and its release was postponed to a later date.
Fortitude debuted at No. 12 on the Billboard 200 and sold 27,372 units in its debut week in the US, which surpassed Magma's chart performance. The album topped on both the Billboard Hard Rock Albums and Top Rock Albums charts, as well as the UK Rock & Metal Albums chart. The album ranked high on the charts in Europe and sold 9,900 units in France in its first week of release. It peaked at No. 3 on the ARIA Charts. Fortitude was the best-selling album (pure sales) in the United States in its opening week.
Fortitude was met with critical acclaim. Metal Hammer and Revolver named Fortitude the best album of 2021. The album was placed at number three on Rolling Stone's list of "The 10 Best Metal Albums of 2021". At the 64th Annual Grammy Awards, the single "Amazonia" received a nomination for Best Metal Performance. To promote the album, Gojira was scheduled to embark on their first arena-level headlining tour in 2022 in Europe and the UK, but it was postponed due to varying COVID-19 restrictions.
The creative process of Gojira's seventh album began sparingly in late 2017. Gojira intended to write a "groovy, aerated album" with a strong theme and focused on sharing with the audience, an album where two energies coexist, "both very masculine and feminine". The album was inspired as an encouragement to self-reinforcement, "to show courage to face up the world, to face tomorrow's problems". Having had sustained requests to tour worldwide in support of Magma, beyond the initial cycle, Gojira declined in order to focus on writing a new album.
Combining the direct approach of The Way of All Flesh mingled with the atmospheric arrangements of Magma, the structure of the songs provided the album an immediacy and more accessibility while offering a return to heaviness. Reviewing the album in Prog magazine, Jerry Ewing wrote that "French metal pioneers Gojira play big prog hand on Fortitude". Fortitude has been described as a combination of progressive metal with a technical approach, groove metal, post-metal, death metal, alternative metal, incorporating progressive rock, stoner rock, Americana, and blues rock elements. "Amazonia" features a "massive bass groove" from Jean-Michel Labadie along with the interactive playing of guitarists Christian Andreu and Joe Duplantier. The latter exhibits a throat singing vocal delivery on the song, incorporating the jaw harp and woodwind instrument. Kerrang!'s Sam Law noted a British influence on "Hold On", while AllMusic's Thom Jurek echoed this view and compared it to Black Sabbath. The elements of neo-psychedelia were still noticeable after Magma's stylistic direction. Joe Duplantier's voice on the song ranges from "layered, near-chanted vocal harmonies" to "layered and clean" to "snarling". Law described "The Chant" as "chain-gang blues, bayou gospel, bar-room Americana", while Spin felt that Gojira took "some risks" with the song, which includes jangly guitar sound and clean vocals. The "heaviness" stood out on the album, according to Metal Hammer; "Grind" contains an abundance of Gojira's trademark pick-scrapes, while "Sphinx" features guttural vocals thus correlated to The Way Of All Flesh. The shifting rhythms showcase Mario Duplantier's trademark drumming style throughout Fortitude amid "death metal grooves" and blast beats, while "Grind" was described as "heavy, syncopated, technical, and nuanced in production, with raging vocals". Spin summed up the album's sound as "generally lighter and more accessible, leaning on elements of prog and classic rock" and noted that it was "a far cry from the searing technical death metal that fueled the band a decade ago". Jonathan Horsley of Guitar World wrote that the album's accent was deliberately on prog and post-metal and also nuanced by electronic elements. Fortitude has been likened to Tool, Led Zeppelin, Sepultura, Killing Joke, and Iron Maiden.
Transaction
Created
1 month ago
Content Type
Language
video/mp4
English
Manassas
Manassas is the 1972 debut double album by Manassas, a blues rock group led by American musician Stephen Stills, released April 1972. It was a critical comeback for Stills, and continued his commercial success by being certified Gold only a month after being released and peaking at number 4 on the US charts.
The album was recorded at Criteria Studio B late 1971, where Stills used his clout to keep the studio and engineers Ron and Howard Albert available around the clock. The band all stayed in a rented house about 30 minutes away from the studio, in Coconut Grove. This allowed Stills to record the album around the clock, waking up band members in the early hours of the morning when an idea struck. Stills would also record in mammoth sessions often going on for days, until Chris Hillman and Stills got into a fight, after which they started to record at regular hours. Al Perkins and Dallas Taylor had a rule where they would not perform any more than seven takes for a single track, so often Stills would stay in the studio editing after having released the band at 4 or 5 am. The band then flew to Stills' house in London in January 1972 to finish recording and mixing the album and to rehearse for an upcoming tour starting in March 1972. It was here that Bill Wyman of the Rolling Stones played bass on and co-authored "The Love Gangster" and is reported to have said that he would have left the Stones to join Manassas. At one point Stills put in an unbroken 106 hour stint in the studio, and engineer Ron Albert said he had just gotten to bed after a marathon session lasting 84 hours when the phone rang with Stills summoning him back to the studio with the words: "I know you're tired, but there's this idea I've got for this song that I want to get on tape before I forget it..." Another time, working to Stills' manic schedule, the band cut eight tracks in two days with no sleep.
The album was split into four thematic sides. Side 1 - The Raven, is a composite of rock and Latin sounds that the group would often perform in full live exactly as recorded. Side 2 - The Wilderness mainly centers on country and bluegrass. Side 3 - Consider is largely folk and folk-rock, and contains the song "Johnny's Garden", reportedly for the caretaker at Stills' English manor house bought from Ringo Starr. This includes Stills at his most experimental including using a Moog Synthesiser on "Move Around". The closing section, titled "Rock & Roll Is Here to Stay", is a rock and blues set.
"What to Do" and "Right Now" are Stills take on the CSNY split and his relationship with Graham Nash.
Manassas was an American rock supergroup formed by Stephen Stills in 1971. It was used primarily for Stills' music, the band releasing two studio albums before disbanding in October 1973. They released a 1972 self titled debut and a second album titled Down the Road in 1973.
Manassas was formed in the fall of 1971, following Stills' concert tour to support his album Stephen Stills 2 (1971). While Stephen Stills 2 was Stills' second solo album, it was his first completed following the acrimonious 1970 breakup of Crosby, Stills, Nash & Young (CSNY), and was not critically well received. After a chance meeting with Flying Burrito Brothers singer/multi-instrumentalist Chris Hillman in Cleveland, where Stills' tour schedule crossed paths with that of the Burritos – a band that, by late 1971, had undergone multiple personnel changes and was in financial trouble – Stills saw an opportunity to change his artistic direction. He subsequently contacted Hillman, asking him, along with Burritos' guitarist Al Perkins and fiddler Byron Berline, to join him in Miami at Criteria Studios to jam. Stills also invited several members of his touring band (drummer Dallas Taylor, bassist Calvin "Fuzzy" Samuels, keyboardist Paul Harris and vocalist/percussionist Joe Lala) to play at the session.
The musicians quickly gelled in the studio, and within several weeks had recorded enough material at Criteria to fill a double-LP album release. The band was capable of a wide musical range, with a repertoire including blues, folk, country, Latin, and rock songs. The Rolling Stones bassist Bill Wyman, a friend of both Hillman and Stills who visited Criteria during the sessions, was an early fan of the band, at one point expressing an interest in joining. Wyman contributed to the sessions by helping Stills re-write an unrecorded song from 1968, "Bumblebee," as the blues/funk tune "The Love Gangster," with Wyman also playing bass on the track. The band named itself Manassas after Stills, who had an interest in American Civil War history, orchestrated a photo shoot for them in Manassas, Virginia, the site of the First and Second Battles of Bull Run (1861 and 1862, respectively).
Transaction
Created
1 week ago
Content Type
Language
video/mp4
English