Author: Lope de Vega File Type: pdf Lope de Vega single-handedly created the Spanish national theatre, writes Roberto Gonzalez Echevarria in the introduction to this new translation of Fuenteovejuna. Often compared to Shakespeare, Moliere, and Racine, Lope is widely considered the greatest of all Spanish playwrights, and Fuenteovejuna (The Sheep Well) is among the most important Spanish Golden Age plays.Written in 1614, Fuenteovejuna centers on the decision of an entire village to admit to the premeditated murder of a tyrannical ruler. Lope masterfully employs the tragicomic conventions of the Spanish comedia as he leavens the central dilemma of the peasant lovers, Laurencia and Frondoso, with the shenanigans of Mengo, the gracioso or clown.Based on an actual historical incident, Fuenteovejuna offers a paean to collective responsibility and affirmation of the timeless values of justice and kindness.Translator G. J. Racz preserves the nuanced voice and structure of Lope de Vegas text in this first English translation in analogical meter and rhyme. Roberto Gonzalez Echevarria surveys the history of Fuenteovejuna, as well as Lopes enormous literary output and indelible cultural imprint. Raczs compelling translation and Gonzalez Echevarrias rich framework bring this timeless Golden Age drama alive for a new generation of readers and performers.** Lope de Vega single-handedly created the Spanish national theatre, writes Roberto Gonzalez Echevarria in the introduction to this new translation of Fuenteovejuna. Often compared to Shakespeare, Moliere, and Racine, Lope is widely considered the greatest of all Spanish playwrights, and Fuenteovejuna (The Sheep Well) is among the most important Spanish Golden Age plays.Written in 1614, Fuenteovejuna centers on the decision of an entire village to admit to the premeditated murder of a tyrannical ruler. Lope masterfully employs the tragicomic conventions of the Spanish comedia as he leavens the central dilemma of the peasant lovers, Laurencia and Frondoso, with the shenanigans of Mengo, the gracioso or clown.Based on an actual historical incident, Fuenteovejuna offers a paean to collective responsibility and affirmation of the timeless values of justice and kindness.Translator G. J. Racz preserves the nuanced voice and structure of Lope de Vegas text in this first English translation in analogical meter and rhyme. Roberto Gonzalez Echevarria surveys the history of Fuenteovejuna, as well as Lopes enormous literary output and indelible cultural imprint. Raczs compelling translation and Gonzalez Echevarrias rich framework bring this timeless Golden Age drama alive for a new generation of readers and performers. **
Author: Norman Russell
File Type: pdf
The fourteenth-century Greek hesychast and controversialist, Gregory Palamas, has been so successfully cast as the other in Western theological discourse that it can be difficult to gain a sympathetic hearing for him. In the first part of this book, Norman Russell traces the historical reception of Palamite thought in Orthodoxy and in the West, and investigates how Palamism was constructed in the early twentieth century by both Western and Eastern theologians(principally Martin Jugie and John Meyendorff) for polemical or apologetic purposes. Russell argues that we need to go behind these ideological constructions in order to gain a true perception of the teaching of Gregory Palamas. In his recent survey of Palamite scholarship, Robert Sinkewicz noted thatit is now time to raise the larger questions. The second part of the book attempts to do this, following the contours of Palamas thinking in three areas his relationship to tradition, his philosophy, and his theology. Russell shows that Palamite thought, when freed of misunderstanding and misrepresentation, has the potential to enrich our understanding of divine-human communion. This study contributes to the changing paradigm of scholarship on Palamas, nudging it towards the point at whichPalamite thought can be used fruitfully by contemporary Western and Eastern theologians without the need to subscribe to what has been regarded as Palamism.About the Author Norman Russell is Honorary Research Fellow of St Stephens House, University of Oxford. He is a noted patristics scholar and translator of contemporary Greek philosophers and theologians. His work has been translated into several languages, including Romanian and Mandarin Chinese. An Orthodox since 2010, he lives in Burgundy, France. His publications include The Doctrine of Deification in the Greek Patristic Tradition (2005) and Metaphysics as a Personal Adventure Christos Yannaras in Conversation with Norman Russell (2017).
Author: Anna Feigenbaum
File Type: pdf
From Tahrir Square to Occupy, from the Red Shirts in Thailand to the Teachers in Oaxaca, protest camps are a highly visible feature of social movements activism across the world. They are spaces where people come together to imagine alternative worlds and articulate contentious politics, often in confrontation with the state. Drawing on over fifty different protest camps from around the world over the past fifty years, this book offers a ground-breaking and detailed investigation into protest camps from a global perspective - a story that, until now, has remained untold. Taking the reader on a journey across different cultural, political and geographical landscapes of protest, and drawing on a wealth of original interview material, the authors demonstrate that protest camps are unique spaces in which activists can enact radical and often experiential forms of democratic politics.
Author: Aaron W. Hughes
File Type: pdf
Too often the study of philosophical texts is carried out in ways that do not pay significant attention to how the ideas contained within them are presented, articulated, and developed. This was not always the case. The contributors to this collected work consider Jewish philosophy in the medieval period, when new genres and forms of written expression were flourishing in the wake of renewed interest in ancient philosophy. Many medieval Jewish philosophers were highly accomplished poets, for example, and made conscious efforts to write in a poetic style. This volume turns attention to the connections that medieval Jewish thinkers made between the literary, the exegetical, the philosophical, and the mystical to shed light on the creativity and diversity of medieval thought. As they broaden the scope of what counts as medieval Jewish philosophy, the essays collected here consider questions about how an argument is formed, how text is put into the service of philosophy, and the social and intellectual environment in which philosophical texts were produced.
Author: Elizabeth Losh
File Type: pdf
Today government agencies not only have official Web sites but alsosponsor moderated chats, blogs, digital video clips, online tutorials, videogames,and virtual tours of national landmarks. Sophisticated online marketing campaignstarget citizens with messages from the government--even as officials make news withdigital gaffes involving embarrassing e-mails, instant messages, and videos. InVirtualpolitik, Elizabeth Losh closely examines the governments digital rhetoric insuch cases and its dual role as mediamaker and regulator. Looking beyond the usualfocus on interfaces, operations, and procedures, Losh analyzes the ideologiesrevealed in governments digital discourse, its anxieties about new onlinepractices, and what happens when officially sanctioned material is parodied,remixed, or recontextualized by users. Losh reports on a video game that panickedthe House Intelligence Committee, pedagogic and therapeutic digital products aimedat American soldiers, government Web sites in the weeks and months following 911,PowerPoint presentations by government officials and gadflies, e-mail as a channelfor whistleblowing, digital satire of surveillance practices, national digitallibraries, and computer-based training for health professionals. Losh concludes thatthe governments virtualpolitik--its digital realpolitik aimed atpreserving its own power--is focused on regulation, casting as criminal such commononline activities as file sharing, video-game play, and social networking. Thispolicy approach, she warns, indefinitely postpones building effective institutionsfor electronic governance, ignores constituents need to shape electronic identitiesto suit their personal politics, and misses an opportunity to learn how citizens canhave meaningful interaction with the virtual manifestations of the state.
Author: Ted Hughes
File Type: mobi
Originally published in 1979, Moortown Diary is the updated version of Ted Hughess acclaimed Devon farming sequence, written over a period of several years during which he was spending almost every day outside, either gardening or farming. The introduction and notes (added in 1989) sketch in the background from which these remarkable poems emerged as an improvised verse journal, sparely edited, coalescing spontaneously on the page. Moortown Diary keeps its eye firmly on the creatures behind the language. Its written in the style of Hughess play translations very swift and bright and urgent and speakable...Hughes strips away the protective layers - the soundproofed ears, the double-glazed eyes - that prevent us making contact with anything outside ourselves. Right now, I cant think of anything more important than that kind of poem. Because were not just here to think about literature. Were here to try to wake up. Alice Oswald, The Guardian It grips your heart, and your intestines, like a vice from the first page. He makes language as physical as a bruise, and in these poems beauty and tenderness blend with violence. John Carey, Sunday Times The Moortown sequence includes some of Hughess finest poems...They are like no other poems I have read, with a degree of intensity, sanity and grace that he has never equalled. Anthony Thwaite, Times Literary Supplement
Author: Mette Hjort
File Type: pdf
The only work of its kind, this exciting collection assembles a number of analytically minded philosophers, psychologists, and literary theorists, all of whom seek to provide fine-grained accounts of critical problems having to do with emotion and art. How best to explain emotions produced by works of art? What goes on when we feel emotion for an abstract art such as music? How is it that we can intelligibly feel emotion for persons and situations that we know are fictional? What is involved in our empathic experience of negative emotion through the art of tragedy? A strongly interdisciplinary volume that captures the richness of current debates about the role of agency in human emotional response, this collection also considers the influence of culture on emotion and demonstrates that cognitivist and social- constructivist perspectives need not be antagonistic and may actually work together in a complementary way. Essays cluster under four rubrics--The Paradox of Fiction, Emotion and its Expression through Art, The Rationality of Emotional Responses to Art, and The Value of Emotion--and together they address questions of emotion in film, painting, music, dance, literature, and theater. With new work by leading thinkers in the field of aesthetics, and drawing upon state of the art scholarship from areas such as cognitive science, literary studies, and contemporary ethics, Emotion and the Arts is essential reading for those who study aesthetics, literature, theories of emotion, and the mind.**
Author: Walter E. Kaegi
File Type: pdf
This is a study of how and why the Byzantine empire lost many of its most valuable provinces to Islamic conquerors in the seventh century, provinces that included Syria, Palestine, Mesopotamia and Armenia. It investigates conditions on the eve of those conquests, mistakes in Byzantine policy toward the Muslims, the course of the military campaigns, and the problem of local official and civilian collaboration with the Muslims. It also seeks to explain how after some terrible losses the Byzantine government achieved some intellectual rationalization of its disasters and began the complex process of transforming and adapting its fiscal and military institutions and political controls in order to prevent further disintegration.
Author: Malfrid Braut-Hegghammer
File Type: pdf
Many authoritarian leaders want nuclear weapons, but few manage to acquire them. Autocrats seeking nuclear weapons fail in different ways and to varying degreesIraq almost managed it Libya did not come close. In Unclear Physics, Malfrid Braut-Hegghammer compares the two failed nuclear weapons programs, showing that state capacity played a crucial role in the trajectory and outcomes of both projects. Braut-Hegghammer draws on a rich set of new primary sources, collected during years of research in archives, fieldwork across the Middle East, and interviews with scientists and decision makers from both states. She gained access to documents and individuals that no other researcher has been able to consult. Her book tells the story of the Iraqi and Libyan programs from their origins in the late 1950s and 1960s until their dismantling.This book reveals contemporary perspectives from scientists and regime officials on the opportunities and challenges facing each project. Many of the findings challenge the conventional wisdom about clandestine weapons programs in closed authoritarian states and their prospects of success or failure. Braut-Hegghammer suggests that scholars and analysts ought to pay closer attention to how state capacity affects nuclear weapons programs in other authoritarian regimes, both in terms of questioning the actual control these leaders have over their nuclear weapons programs and the capability of their scientists to solve complex technical challenges.