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Thin White Rope - The Napkin Song
Copping their name from ***[William S. Burroughs](https://cutt.ly/knKjvcv)*** euphemism for ejaculation, ***"Thin White Rope"*** was founded in Davis, California in 1984. Although the time and place of their formation aligned them with both the Paisley Underground and roots rock movements, the group quickly staked out its own musical territory, divining their own unique brand of dark, surreal, desert rock.
***"Thin White Rope"*** was led by singer/guitarist ***[Guy Kyser](https://cutt.ly/UnHksbT)***, whose harsh, tightly coiled vocals and unsettling lyrics combined to give the band its edge; in the group's first incarnation, Kyser was joined by guitarist ***[Roger Kunkel](https://cutt.ly/ynHkhgk)***, bassist ***Kevin Staydohar*** (soon replaced by ***Steven Tesluk***), and drummer ***Jozef Becker***.
***"Sack Full Of Silver"*** is the band's fourth full-length album, released under the ***"Frontier Records"*** in 1990.
The album blend’s the group's early alt-psychedelic influences and a growing taste for dusty Americana flavors, defined by the voice of ***Guy Kyser***: the aural equivalent of the flat, parched, endless landscape his characters seem to inhabit.
***”Sack Full Of Silver”*** summed up different inspirations by coining a free-form guitar rock in which improvisation plays an important part, but always at the service of melody and atmosphere in general. The "narrative" pieces (the heroic Americana) make particularly effective use of these sonic architectures on the verge of Hendrix-ian dissolution. Others, wrapped in those delicate cartilages of chords on which Kyser's ineffable baritone slides, seem like impressionist sketches, blurred by a strong oneiric quality.
It is not surprising then that ***”Thin White Rope”*** use oriental dances, as in the epic ***”[Whirling Dervish](https://cutt.ly/lmuZ7tY)”***, or full scale feedback, as in ***”[Diesel Man](https://cutt.ly/dmuZ8er)”***, to make even more abstract music that is more and more a theory of itself. Nor that the solemn gospel of ***“[The Ghost](https://cutt.ly/nmuZ5bj)”*** rises to immortalize an album-hydra, with a thousand flavors, and an almost baroque perfection. In all the pieces the country base is very strong.
***”The Napkin Song”*** is the fourth song on ***”Thin White Rope”*** fourth album ***"[Sack Full Of Silver](https://cutt.ly/umurW6x)"***, released in 1990. under the ***"[Frontier Records](https://cutt.ly/inKjjFP)"***.
***
***"Thin White Rope"*** info:
**[Wikipedia](https://cutt.ly/YviyhXX)** **/** **[Bandcamp](https://cutt.ly/Iviykzv)** **/** **[AllMusic](https://cutt.ly/nvauXru)** **/** **[Discogs](https://cutt.ly/eviyzG3)** **/** **[Last.fm](https://cutt.ly/6nGI6OQ)** **/** **[Spotify](https://cutt.ly/3nGOAgw)** **/** **[Youtube](https://cutt.ly/tviynIq)** **/** **[Facebook](https://cutt.ly/tviybpN)** **/** **[Lyrics](https://cutt.ly/LnGIsaj)**
***
More ***"Thin White Rope"*** **Organism Star** candy:
**"Thin White Rope"** / ***[Exploring The Axis](https://cutt.ly/TmuruQv)***
**"Thin White Rope"** / ***[Moonhead](https://cutt.ly/SmuraTl)***
**"Thin White Rope"** / ***[In The Spanish Cave](https://cutt.ly/5murxJY)***
**"Thin White Rope"** / ***[The Ruby Sea](https://cutt.ly/RmurPu0)***
**"Thin White Rope"** / ***[The One That Got Away (Live In Gent)](https://cutt.ly/ImurLim)***
***
> **[Organism Star Official](https://organismstar.wordpress.com/)** / Complete *Organism Star* LBRY Archive!
***"Thin White Rope"*** was led by singer/guitarist ***[Guy Kyser](https://cutt.ly/UnHksbT)***, whose harsh, tightly coiled vocals and unsettling lyrics combined to give the band its edge; in the group's first incarnation, Kyser was joined by guitarist ***[Roger Kunkel](https://cutt.ly/ynHkhgk)***, bassist ***Kevin Staydohar*** (soon replaced by ***Steven Tesluk***), and drummer ***Jozef Becker***.
***"Sack Full Of Silver"*** is the band's fourth full-length album, released under the ***"Frontier Records"*** in 1990.
The album blend’s the group's early alt-psychedelic influences and a growing taste for dusty Americana flavors, defined by the voice of ***Guy Kyser***: the aural equivalent of the flat, parched, endless landscape his characters seem to inhabit.
***”Sack Full Of Silver”*** summed up different inspirations by coining a free-form guitar rock in which improvisation plays an important part, but always at the service of melody and atmosphere in general. The "narrative" pieces (the heroic Americana) make particularly effective use of these sonic architectures on the verge of Hendrix-ian dissolution. Others, wrapped in those delicate cartilages of chords on which Kyser's ineffable baritone slides, seem like impressionist sketches, blurred by a strong oneiric quality.
It is not surprising then that ***”Thin White Rope”*** use oriental dances, as in the epic ***”[Whirling Dervish](https://cutt.ly/lmuZ7tY)”***, or full scale feedback, as in ***”[Diesel Man](https://cutt.ly/dmuZ8er)”***, to make even more abstract music that is more and more a theory of itself. Nor that the solemn gospel of ***“[The Ghost](https://cutt.ly/nmuZ5bj)”*** rises to immortalize an album-hydra, with a thousand flavors, and an almost baroque perfection. In all the pieces the country base is very strong.
***”The Napkin Song”*** is the fourth song on ***”Thin White Rope”*** fourth album ***"[Sack Full Of Silver](https://cutt.ly/umurW6x)"***, released in 1990. under the ***"[Frontier Records](https://cutt.ly/inKjjFP)"***.
***
***"Thin White Rope"*** info:
**[Wikipedia](https://cutt.ly/YviyhXX)** **/** **[Bandcamp](https://cutt.ly/Iviykzv)** **/** **[AllMusic](https://cutt.ly/nvauXru)** **/** **[Discogs](https://cutt.ly/eviyzG3)** **/** **[Last.fm](https://cutt.ly/6nGI6OQ)** **/** **[Spotify](https://cutt.ly/3nGOAgw)** **/** **[Youtube](https://cutt.ly/tviynIq)** **/** **[Facebook](https://cutt.ly/tviybpN)** **/** **[Lyrics](https://cutt.ly/LnGIsaj)**
***
More ***"Thin White Rope"*** **Organism Star** candy:
**"Thin White Rope"** / ***[Exploring The Axis](https://cutt.ly/TmuruQv)***
**"Thin White Rope"** / ***[Moonhead](https://cutt.ly/SmuraTl)***
**"Thin White Rope"** / ***[In The Spanish Cave](https://cutt.ly/5murxJY)***
**"Thin White Rope"** / ***[The Ruby Sea](https://cutt.ly/RmurPu0)***
**"Thin White Rope"** / ***[The One That Got Away (Live In Gent)](https://cutt.ly/ImurLim)***
***
> **[Organism Star Official](https://organismstar.wordpress.com/)** / Complete *Organism Star* LBRY Archive!
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VIVIA
07.-Vivian-Girls---Sludge
**"Vivian Girls"*** are an American band from Brooklyn, New York. started in March 2007 as the trio of ***[Cassie Ramone (Grzymkowski)](https://cutt.ly/vnzc08H)*** (guitar/vocals), ***[Katy "Kickball Katy" Goodman](https://cutt.ly/Mnzc8zT)*** (bass/drums/vocals), and ***[Frankie Rose](https://cutt.ly/ynzve2r)*** (drums/bass/vocals).
Band named after the magnum opus of outsider author artist ***[Henry Darger](https://cutt.ly/bnzvoan)*** (titled *"The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinian War Storm, Caused by the Child Slave Rebellion"*).
The band paired girl group melancholy with punk nihilism in reverb-heavy songs that recalled the raw, grainy beauty of lesser-known '90s independents like ***”[Black Tambourine](https://cutt.ly/pnzvsLY)”***, ***”[Talulah Gosh](https://cutt.ly/AnzvhqF)”***, and ***”[Tiger Trap](https://cutt.ly/qnzvzkr)”***.
In their initial seven-year run, the band toured the world and released new music constantly, the economic hooks and fuzzy urgency of their 2008 self-titled debut album becoming influential in their own right.
While only a band for a short while, they recorded a demo which included five original songs and a ***”Wipers”*** cover, and began to play locally in Brooklyn and Katy and Cassie's home state of New Jersey.
Within the first couple of months they had already developed a strong local following, supporting acts like ***”Jay Reatard”***, ***”[Sonic Youth](https://cutt.ly/xnzm13C)”*** and the ***”King Khan & BBQ Show”*** as well as finding kindred spirits in other locals like ***”Cause Co-Motion!”***, ***”Crystal Stilts”***, and ***”[Woods](https://cutt.ly/Lnzm3Yj)”***, with whom they’ve shared many bills and helped develop a local scene.
On fourth studio album, ***”Memory”*** the three bandmembers apply the musical growth they experienced in other projects - ***Cassie Ramone*** in the ***"[Babies](https://cutt.ly/HnxqeKO)"***, ***Katy Goodman*** in ***"[La Sera](https://cutt.ly/VnxqyJi)"***, and ***Ali Koehler*** in ***"Upset"***.
Like a decade before, they deliver plenty of songs that add the noise of punk to the sweetness of pop, sounding tough and more focused than ever. But, the band doesn't fall into the nostalgia trap; they've taken the things that made them good and refined them to a sharp point.
***Sludge”*** is the seventh song on band’s fourth studio album ***"[Memory](https://cutt.ly/Onxocds)"***,, released on September 20, 2019 by ***[Polyvinyl Record Co.](https://cutt.ly/hnz5jzo)***, and is the band's first album since their split in 2014 and subsequent reformation.
***
***"Vivian Girls"*** info:
**[Wikipedia](https://cutt.ly/SnzrRKG)** **/** **[AllMusic](https://cutt.ly/znzeQZ5)** **/** **[Discogs](https://cutt.ly/4nzvTlO)** **/** **[Bandcamp](https://cutt.ly/vnzrYEM)** **/** **[Facebook](https://cutt.ly/ZnzrU01)** **/** **[YouTube](https://cutt.ly/OnzrIV7)** **/** **[KEXP](https://cutt.ly/1nzeN4v)** **/** **[Pitchfork](https://cutt.ly/QnzeUKU)** **/** **[Instagram](https://cutt.ly/jnzrONy)** **/** **[Lyrics](https://cutt.ly/1nzeN4v)**
***
More ***"Vivian Girls"*** **Organism Star** candy:
**"Vivian Girls"** / ***[Tell The World ep](https://cutt.ly/unxi71E)***
**"Vivian Girls"** / ***[I Can't Stay bw Blind Spot ep](https://cutt.ly/Inxoupv)***
**"Vivian Girls"** / ***[Moped Girls bw Death ep](https://cutt.ly/Unxi6s0)***
**"Vivian Girls"** / ***[Surf's Up ep](https://cutt.ly/pnxopIj)***
**"Vivian Girls"** / ***[Wild Eyes ep](https://cutt.ly/AnxodkB)***
**"Vivian Girls"** / ***[Vivian Girls](https://cutt.ly/znxohwm)***
**"Vivian Girls"** / ***[Everything Goes Wrong](https://cutt.ly/wnxoj3U)***
**"Vivian Girls"** / ***[Share the Joy](https://cutt.ly/snxozaF)***
More ***"Vivian Girls"-like*** **Organism Star** candy:
**"La Sera"** / ***[La Sera](https://cutt.ly/jnxeuDN)***
**"La Sera"** / ***[Sees the Light](https://cutt.ly/PnxeoZ4)***
**"La Sera"** / ***[Hour of a Down](https://cutt.ly/gnxeage)***
***
> **[Organism Star Official](https://organismstar.wordpress.com/)** / Complete *Organism Star* LBRY Archive!
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QYPTH
03.-Qypthone---You'll-Be-More-Than-A-Friend
03. Qypthone - You'll Be More Than A Friend
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AIRIE
Airiel---Keep-You
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***
# ***"Airiel" Biography***
***“Airiel”*** is an American shoegaze band formed as ***“Airiel Project One”*** in 1997, in ***[Bloomington](https://cutt.ly/4QLvozb)***, ***Indiana***, by guitarist and vocalist ***[Jeremy Wrenn](https://cutt.ly/yQLxNkZ)*** and former bandmate ***Shawn Delaney***.
Eventually relocating to ***[Chicago](https://cutt.ly/bQLnFfg)***, the group sporadically appeared on compilations and gave away a limited CD-R EP titled ***“Christmas Colors”*** in 2002, but no proper ***“Airiel”*** releases surfaced until 2003, when they initiated a series of ***“Winks & Kisses”*** EPs, each of which included one epic approaching (or exceeding) the ten-minute mark. After being individually released by ***“[Clairecords](https://cutt.ly/xQLvQ0B)”*** between July 2003 and June 2004.,
all four were issued as a limited CD box set at the end of the year, also titled ***“[Winks and Kisses](https://cutt.ly/vQZwvC2)”***.
> Like the debut album ***"The Battle of Sealand"***, the bands second release, ***"Molten Young Lovers"*** is about an hour long, and with the exception of one slower, chorus-free mood piece ***"Mind Furnace"***, the songs are expansive and anthemic, expressing big emotions and filling the sonic canvas with vast, enveloping washes of sound and busy, propulsive drums.
>
>While the overall sound of the group seems chiefly influenced by British groups like ***“[Kitchens of Distinction](https://cutt.ly/lQZrPfE)”***, ***“[Ride](https://cutt.ly/JQZrShJ)”***, ***“[Swervedriver](https://cutt.ly/nQZrFcf)”***, and most likely the ***“[Stone Roses](https://cutt.ly/4QZrHjS)”***, ***Jeremy Wrenn's*** wistful lyrics and vocal style also bring to mind ***[Bob Mould](https://cutt.ly/JQZrK90)*** (in most of his many iterations), and songs like ***["You Sweet Talker"](https://cutt.ly/pQZrCui)*** are a seamless mesh of British and American indie rock sensibilities.
> Apart from the more urgent, driving tracks, there are plenty of sad, sparkling ones, such as the heart-crushing sway of ***"[Song of You](https://cutt.ly/PQZrBXv)"*** and the downcast drift-disco of ***"[Cloudburst](https://cutt.ly/pQZr1AU)"***.
> Perhaps best of all is ***"[Sharron Apple](https://cutt.ly/LQZr3yO)"*** a splash of ecstatic pop that peaks with a drawn-out ***"I love you"*** chorus.
>
> ***“Airiel”*** has never shied away from romanticism, but ***“[Molten Young Lovers](https://cutt.ly/kQZttVr)”*** seems like their most direct, passionate statement yet.
# ***"The Song Info***
***“Keep You”*** is the ninth song from the band's second album ***“[Molten Young Lovers](https://cutt.ly/kQZttVr)”***, released in October 13, 2017 on ***“[Shelflife Records](https://en.wikipedia.org/wiki/Shelflife_Records)”***. It was the follow-up to their 2007 debut album, ***“[The Battle of Sealand](https://cutt.ly/EQZtq3o)”***, and the second release on their current label after the 2012 ***“Kid Games”*** EP.
# ***"Airiel" Info***
**[Official](https://cutt.ly/nQLzgvQ)** **/** **[Wikipedia](https://cutt.ly/CQLzjvt)** **/** **[Allmusic](https://cutt.ly/JQLl3AZ)** **/** **[Last.fm](https://cutt.ly/MQLzi17)** **/** **[Rateyourmusic](https://cutt.ly/nQLz3ai)** **/** **[Discogs](https://cutt.ly/4QLzJK5)** **/** **[Pitchfork](https://cutt.ly/tQLzwcg)** **/** **[Bandcamp](https://cutt.ly/QQLzl7y)** **/** **[YouTube](https://bit.ly/3ioWxsA)** **/** **[Facebook](https://cutt.ly/pQLzvrl)** **/** **[Spotify](https://cutt.ly/gQLzsgh)** **/** **[Instagram](https://cutt.ly/TQLzYnx)** **/** **[Twitter](https://cutt.ly/mQLzWof)** **/** **[Lyrics](https://cutt.ly/eQLxy8b)** **/** **[Interview](https://cutt.ly/TQLxqmX)**
# ***More "Airiel" Organizam Star Candy***
- ***"Airiel"- ["Winks & Kisses"](https://cutt.ly/vQZwvC2)***
- ***"Airiel" - ["The Battle of Sealand"](https://cutt.ly/EQZtq3o)***
# ***"Organizam Star" Recommendations***
- ***"Stone Roses" - ["Stone Roses"](https://cutt.ly/PQZiIWQ)***
- ***"The Charlatans" - ["Between 10th and 11th"](https://cutt.ly/NQZiPZP)***
- ***"Elastica" - ["Elastica"](https://cutt.ly/FQZiDvI)***
- ***"Lush" - ["Split"](https://cutt.ly/nQZiXAq)***
- ***"Working Men's Club" - ["Working Men's Club"](https://cutt.ly/PQGbqBq)***
***
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
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PIZZI
05.-Pizzicato-Five---La-Guerre-Est-Finie
05. Pizzicato Five - La Guerre Est Finie
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SEAGU
03.-Seagull-Screaming-Kiss-Her-Kiss-Her---No-Luck
03. Seagull Screaming Kiss Her Kiss Her - No Luck
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DO MA
Do-Make-Say-Think---I-Love-You-(La-La-La)
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LUSH
Lush---Etheriel
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***
# ***"Lush" Biography***
One of the first bands to have been described with the *"shoegazing"* label, were an English alternative band formed in ***[London](https://cutt.ly/GQCIBch)*** in 1987. The original ***“Lush”*** line-up consisted of ***[Miki Berenyi](https://cutt.ly/4QCI0hj)*** (vocals, guitar), ***[Emma Anderson](https://cutt.ly/pQCI94G)*** (vocals, guitar), ***[Steve Rippon](https://cutt.ly/5QCObEV)*** (bass) and ***[Chris Acland](https://cutt.ly/aQCI4A2)*** (drums).
***[Phil King](https://cutt.ly/gQCOh1X)*** replaced ***Rippon*** in 1991. ***Meriel Barham***, the original lead vocalist left almost immediately, eventually joining ***“[Pale Saints](https://cutt.ly/NQC1jGo)”***. When a replacement could not be found, guitarist ***Miki*** stepped up to the mic.
The band, initially named the ***"Baby Machines"***, were inspired by the garage rock scene of the ***"[Nuggets](https://cutt.ly/hQC0sUW)”*** series", ***"[Cocteau Twins](https://cutt.ly/bQC0hPF)"***, ***"[Siouxsie and the Banshees](https://cutt.ly/cQC0c8G)"***, the ***"[Beach Boys](https://cutt.ly/bQC0S95)"*** and the ***''[Byrds](https://cutt.ly/hQC0G0V)``***.
Meshing dreamy, feedback-drenched guitars with airy, catchy melodies, ***“Lush”*** earned a cult following within the British and American undergrounds with its first *EPs*, yet the group never quite attained the critical respect given to its peers ***“[My Bloody Valentine](https://cutt.ly/VQC0BPf)”*** and ***“[Ride](https://cutt.ly/HQC09p2)”***. Even so, ***“Lush”*** lasted longer than any other of their contemporaries, developing sharp pop skills as their career progressed.
By the time of their final album, 1996's ***"[Lovelife](https://cutt.ly/HQC09p2)"***, they had converted themselves into a power *pop band* with *dream pop* overtones, which resulted in the greatest chart success of their career. That success was dealt a blow when drummer ***Chris Acland*** committed suicide in the fall of 1996, effectively bringing the band to an end.
> Thanks to ***[Robin Guthrie’s](https://cutt.ly/oQBpMhZ)*** connections, in 1989, the band signed to ***“[4AD](https://cutt.ly/WQBpAgw)”*** and released their first recording ***“Scar”***, a six-track mini-album. Originally intended to be a three-track single release, ***“Scar”*** was produced by ***[John Fryer](https://cutt.ly/rQBpUPm)*** and the band themselves and recorded at London's ***Blackwing Studios***.
>
> The album was described as having a distinctive style, somewhere between ***“Cocteau Twins”*** and ***“[Sonic Youth](https://cutt.ly/OQBpnLj)”***, as well as a mix of angelic vocals over subtle guitar trash, of melodies over chaotic rhythms, of haunting whispers over spitting feedback.
# ***"The Song Info***
***“Etheriel”*** is the sixth song from ***“Lush”*** debut mini-album ***“[Scar](https://cutt.ly/5QBJjwP)”***, released on 9 October 1989 on ***“[4AD](https://cutt.ly/WQBpAgw)”***, and recorded at London's ***“[Blackwing Studios](https://cutt.ly/vQBaoUi)”***.
# ***"Lush" Info***
**[Light from a dead star](https://cutt.ly/qQCU849)** **/** **[Lushapalooza](https://cutt.ly/oQCOVZa)** **/** **[Wikipedia](https://cutt.ly/KQCENuB)** **/** **[AD](https://cutt.ly/sQCUQxa)** **/** **[AllMusic](https://cutt.ly/qQCEV0p)** **/** **[Pitchfork](https://cutt.ly/1QCRtFd)** **/** **[Last.fm](https://cutt.ly/TQCRwt9)** **/** **[Discogs](https://cutt.ly/nQCE0q3)** **/** **[Facebook](https://cutt.ly/2QCE2ku)** **/** **[Twitter](https://cutt.ly/nQCTETl)** **/** **[Instagram](https://cutt.ly/HQCE9ge)** **/** **[YouTube](https://cutt.ly/2QCE36x)** **/** **[Spotify](https://cutt.ly/pQCRj0C)** **/** **[Lyrics](https://cutt.ly/oQCTd0z)**
# ***More "Lush" Organizam Star Candy***
- ***Lush - ["Spooky"](https://cutt.ly/xQBKoCu)***
- ***Lush - ["Split"](https://cutt.ly/QQBXFck)***
- ***Lush - ["Lovelife"](https://cutt.ly/nQBKh2r)***
- ***Lush - ["Blindspot ep"](https://cutt.ly/UQBBvaU)***
# ***"Organizam Star" Recommendations***
- ***Airiel - ["Molten Young Lovers"](https://cutt.ly/kQZttVr)***
- ***Cocteau Twins - ["Victorialand"](https://cutt.ly/UvLHZOe)***
- ***Autumn's Grey Solace - ["Within The Depths Of A Darkened Forest"](https://cutt.ly/SQB6vzk)***
- ***Republica - ["Republica"](https://cutt.ly/Ib1PZIB)***
- ***Elastica - ["The Menace"](https://cutt.ly/MQB6GzV)***
***
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
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MELEN
03.-Melenas---29-grados
03. Melenas - 29 grados
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LADYT
Ladytron---Another-breakfast-with-you
# ***"Ladytron" Biography***
***“Ladytron”*** are an English electronic music band from ***[Liverpool, England](https://cutt.ly/mWpsUji)***. Formed in 1999, the group consists of ***[Helen Marnie](https://cutt.ly/sWpsKhG)*** (*lead vocals*, *synthesizers*), ***[Mira Aroyo](https://cutt.ly/jWpsBZA)*** (*vocals*, *synthesizers*), ***[Daniel Hunt](https://cutt.ly/3Wps2XU)*** (*synthesizers*, *guitar*, *vocals*) and ***[Reuben Wu](https://cutt.ly/mWps5im)*** (*synthesizers*).
The band formed in 1999 when producers/DJs ***Hunt*** and ***Wu*** - a pair of friends who met in the mid-'90s - settled in *Liverpool* after traveling and spinning records in *Japan*.
Taking their name from the ***“Roxy Music”*** song, they recorded their first single, ***"He Took Her to a Movie"*** and soon after, they met vocalists/keyboardists ***Marnie*** and ***Aroyo***. Originally from *Scotland*, ***Marnie*** was working towards her *Bachelor of Arts* in pop music at the *University of Liverpool*; ***Aroyo*** was a *Bulgarian* postgraduate research geneticist at the *University of Oxford's Department of Biochemistry*.
***“Ladytron”*** combined crystalline melodies enveloped in icy textures and rippling arpeggios - with touches of *indie pop*, *shoegaze*, *disco*, and *industrial music*. They described their sound as *electronic pop*, while music journalists have also described their artwork as *synth-pop*, *electronic rock*, *post-punk* and *electroclash*.
While they never deviated much from this sound, they still conjured distinctly different moods on each album.
> The band's debut album ***“604”*** was released in 2001., and has been written mostly by ***Daniel Hunt*** and co-produced by him and ***[Lance Thomas](https://cutt.ly/2WpRyDb)***. The album balances ***Ladytron's*** experimental and pop sides. ***"[Mu-Tron](https://cutt.ly/3Wo1kkF)"*** and ***"[Zmeyka](https://cutt.ly/XWo1WR8)"*** reinterpret noisy, dystopian soundscapes, and the shimmering ***"[CSKA Sofia](https://cutt.ly/XWsIL83)"*** sounds like ***“[Kraftwerk](https://cutt.ly/iWsIUCW)”*** filtered through Broadcast.
>
> ***Ladytron's*** mix of retro songwriting and modern themes is their most interesting, and distinctive, aspect. This subversive streak makes the album's *synth-pop* more progressive - and more satisfying - than its blatantly experimental moments, but either way, ***“604”*** is an exciting debut from a group capable of making overused influences sound fresh again.
# ***The Song Info***
***“Skools out”*** is the sixteenth and the last song on ***“Ladytron”*** debut album, ***"[604](https://cutt.ly/UWoMuuv)"***, released in 2001. under the ***“[Emperor Norton Records](https://cutt.ly/MWsOyKK)”*** and ***“Invicta Hi-Fi”***.
# ***"Ladytron" Info***
**[Official](https://cutt.ly/SWo3gS9)** **/** **[Wikipedia](https://cutt.ly/BWo3j9C)** **/** **[Blog](https://cutt.ly/jWo3PsK)** **/** **[Ladytron Daily](https://cutt.ly/9Wo80s5)** **/** **[Bandcamp](https://cutt.ly/fWo3zSP)** **/** **[Discog](https://cutt.ly/XWo3QnB)** **/** **[AllMusic](https://cutt.ly/6Wo3FOv)** **/** **[Pitchfork](https://cutt.ly/PWo3ZFz)** **/** **[Rateyourmusic](https://cutt.ly/qWo8jTr)** **/** **[Last.fm](https://cutt.ly/WWo8DWT)** **/** **[Setlist.fm](https://cutt.ly/GWo8Wt2)** **/** **[Facebook](https://cutt.ly/wWo3EBK)** **/** **[Spotify](https://cutt.ly/WWo33b0)** **/** **[YouTube](https://cutt.ly/6Wo3TCb)** **/** **[Instagram](https://cutt.ly/4Wo3UMu)** **/** **[Lyrics](https://cutt.ly/6Wo3NCn)**
# ***More "Ladytron" Organizam Star Candy***
- *** Ladytron - "[Light & Magic"](https://cutt.ly/hWoMx50)***
- *** Ladytron - ["Witching Hour"](https://cutt.ly/hWoMTaQ)***
- *** Ladytron - ["Velocifero"](https://cutt.ly/zWoMZXX)***
- *** Ladytron - ["Gravity the Seducer"](https://cutt.ly/HWoM2YA)***
- *** Ladytron - ["Ladytron"](https://cutt.ly/aWoM5Kf)***
# ***"Organizam Star" Recommendations***
- *** Working Men's Club - ["Working Men's Club"](https://cutt.ly/PQGbqBq)***
- *** Sneaker Pimps - ["Becoming X"](https://cutt.ly/YWlHPFR)***
- *** Kelli Ali - ["Tigermouth"](https://cutt.ly/EWlHUmt)***
- *** Electronic - ["Twisted Tenderness"](https://cutt.ly/1nfWMLx)***
- *** Bad Lieutenant - ["Never Cry Another Tear"](https://cutt.ly/3nevYNi)***
***
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
Transaction
Created
4 months ago
Content Type
Language
audio/mpeg
English