【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Dvorak Furiant B.137 Op.12a-2 12-2 for Piano 德弗札克 弗利安 作品12-2 Dvořák Furiant para piano ドヴォルザーク フリアント ト短調 Classical music Música clásica クラッシック 古典音樂 古典音乐 #Dvorak #Dvořák #Furiant 12-1 Dumka Op.12a-1 12-1 12-2 Furiant Op.12a-2 12-2 ... https://www.youtube.com/watch?v=z7-9oMJIxoI

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Beethoven Piano Sonata No.32 Op.111 in C minor 貝多芬 鋼琴 奏嗚曲 第32號 作品111 C小調 贝多芬 钢琴 奏呜曲 第32号 作品111 C小调 Beethoven Sonata para piano n.º 32 en do menor Op. 111 ベートーヴェン ピアノソナタ 第32番 作品111 ハ短調 Classical music Música clásica クラッシック 古典音樂 古典音乐 #Beethoven #Piano #Sonata 00:00 I Maestoso – Allegro con brio ed appassionato 09:43 II Arietta: Adagio molto semplice e cantabile c小調第32號鋼琴奏嗚曲，作品編號111，是貝多芬的鋼琴奏鳴曲，創作於1821-22年，是他晚期最後三首鋼琴奏鳴曲中的第三首，亦是他一生中最後一首完成的鋼琴奏鳴曲。作品題獻給魯道夫大公，他既是貝多芬的學生，也是他的朋友和贊助人。 這首鋼琴奏嗚曲包含了賦格的元素，同時也採用了很多被應認為是早期浪漫主義音樂的素材，對及後浪漫時期的音樂發展作出了指標性的作用。全曲只有兩個樂章，而第二樂章則與同時期的第30號奏鳴曲一樣，是由主題和變奏所組成的變奏曲，貝多芬稱之為「小詠嘆調」（arietta）。對貝多芬音樂甚有認識的諾貝爾文學獎得主湯瑪斯·曼表示，這首奏鳴曲是貝多芬真正與奏鳴曲式說再見的代表作。 這首奏鳴曲並不如第30號或第31號奏鳴曲般，很快便受到了聽眾的注視，要一直至十九世紀後期時才開始被聽眾接受。 The Piano Sonata No. 32 in C minor, Op. 111, is the last of Ludwig van Beethoven's piano sonatas. The work was written between 1821 and 1822. Like other late period sonatas, it contains fugal elements. It was dedicated to his friend, pupil, and patron, Archduke Rudolf. The sonata consists of only two contrasting movements. The second movement is marked as an _arietta_ with variations. Thomas Mann called it "farewell to the sonata form". The work entered the repertoire of leading pianists only in the second half of the 19th century. Rhythmically visionary and technically demanding, it is one of the most discussed of Beethoven's works. The work is in two highly contrasting movements. Typical performances take 7–10 minutes for the first movement, and 15–20 minutes for the second, though the range of timings is wide. There are a few recordings that take more than 20 minutes for the second movement, e.g. Barenboim (21 minutes), Afanassiev (22 minutes) and Ugorski (27 minutes). I. Maestoso – Allegro con brio ed appassionato Duration of roughly 7–11 minutes. The first movement, like many other works by Beethoven in C minor, is stormy and impassioned—the tempo markings may be translated, respectively, as "majestic" and "brisk, with vigor and passion". It abounds in diminished seventh chords, as in for instance the first full bar of its opening introduction, which may have provided the inspiration for the introduction of Chopin's Second Piano Sonata. Unlike Beethoven's other C minor sonata-form movements, the exposition of this movement moves to the submediant (A♭ major), not to the mediant, as its second key area. The quiet second theme bears a resemblance to the second theme in the final movement of the fourteenth piano sonata, made even more explicit in the recapitulation where this theme is restated ominously in the bass in minor mode, after initially appearing in C major. Overall, the first movement contains motivic similarities with Mozart's Adagio and Fugue in C minor, which Beethoven arranged for a string quartet (Hess 37). The A♭ major closing theme of the exposition, based on the first motif of the first theme, initiates a chromatic descent to its dominant with the motif A♭–C–G – and the same motif appears in the theme's restatement in the recapitulation, this time at the culmination of the chromatic descent instead of at the beginning. This moment is also prepared by the inclusion of the minor-mode inflected flattened sixth (F♭) at the corresponding point in the exposition's closing theme. In a move that mirrors the Piano Sonata, Op. 49 No. 1 "Piano Sonatas Nos. 19 and 20 (Beethoven)"), and the Cello Sonata, Op. 5 No. 2 "Cello Sonatas Nos. 1 and 2 (Beethoven)"), Beethoven ends this movement with a Picardy third that directly prepares the major-mode finale. II. Arietta: Adagio molto semplice e cantabile Duration of roughly 14–30 minutes. The final movement, in C major, is a set of five variations on a 16-bar theme in 9/16, with a final coda . The last two variations (Var. 4 and 5) are famous for introducing small notes which constantly divide the bar into 27 beats, which is very uncommon. Beethoven eventually introduces a trill which gives the impression of a further acceleration. The tempo marking may be translated "slowly, very simple and songlike." The work is one of the most famous compositions of the composer's "late period" and is widely performed and recorded. The pianist Robert Taub has called it "a work of unmatched drama and transcendence ... the triumph of order over chaos, of optimism over anguish. John Lill sees Beethoven's struggle that permeates the first movement as physically challenging pianists performing this work; even in the opening of the sonata, for instance, there is a downward leap of a seventh in the left hand – Beethoven is making his pianists physically struggle to reach the notes. Alfred Brendel commented of the second movement that "what is to be expressed here is distilled experience" and "perhaps nowhere else in piano literature does mystical experience feel so immediately close at hand". ... https://www.youtube.com/watch?v=BNecjN7iiCg

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き  Schubert Winterreise D911 Op.89 No.19 911-19 Täuschung Deception 幻象 Engaño まぼろし 舒伯特 冬之旅 作品911 Schubert Viaje de invierno シューマン 冬の旅 Song Cycle 歌曲集 ciclo de lieder 連作歌曲集  Classical music Música clásica クラッシック 古典音樂 古典音乐 #Schubert #Winterreise  #冬之旅  Winterreise (Winter Journey) is a song cycle for voice and piano by Franz Schubert (D. 911, published as Op. 89 in 1828), a setting of 24 poems by Wilhelm Müller. It is the second of Schubert's two song cycles on Müller's poems, the earlier being Die schöne Müllerin (D. 795, Op. 25, 1823). Both were originally written for tenor voice but are frequently transposed) to other vocal ranges, a precedent set by Schubert himself. The two works pose interpretative demands on listeners and performers due to their scale and structural coherence. Although Ludwig van Beethoven's cycle An die ferne Geliebte (To the Distant Beloved) was published earlier, in 1816, Schubert's cycles hold the foremost place in the genre's history. 24 songs (Op.89) D.911 No.1 911-1 Gute Nacht Good Night 晚安 Buenas noches おやすみ No.2 911-2 Die Wetterfahne The Weathervane 風向標 La veleta 風見の旗 No.3 911-3 Gefrorne Tränen Frozen Tears 冰結之淚 Lágrimas heladas 凍った涙 No.4 911-4 Erstarrung Frozen 心死 Entumecimiento 氷結 No.5 911-5 Der Lindenbaum The Linden Tree 菩提樹 El tilo 菩提樹  No.6 911-6 Wasserflut Flood 洪流Torrente 溢れる涙 No.7 911-7 Auf dem Flusse On the Stream 河上 En el arroyo 川の上で No.8 911-8 Rückblick Backwards Glance 回望 Mirada atrás 回想 No.9 911-9 Irrlicht Will o' the Wisp 鬼火 Fuego fatuo 鬼火 No.10 911-10 Rast Rest 休憩 Descanso 休息 No.11 911-11 Frühlingstraum Dream of Spring 春夢 ueño de primavera 春の夢 No.12 911-12 Einsamkeit Loneliness 孤寂 Soledad 孤独 No.13 911-13 Die Post The Post 郵差 La diligencia correo 郵便馬車 No.14 911-14 Der greise Kopf The Gray Head 白首 La cabeza cana 霜おく頭 No.15 911-15 Die Krähe The Crow 烏鴉 La corneja 烏 No.16 911-16 Letzte Hoffnung Last Hope 最後的希望 Última esperanza 最後の希望 No.17 911-17 Im Dorfe In the Village 村中 En el pueblo 村にて No.18 911-18 Der stürmische Morgen The Stormy Morning 風雪之晨 Mañana tormentosa 嵐の朝 No.19 911-19 Täuschung Deception 幻象 Engaño まぼろし No.20 911-20 Der Wegweiser The Signpost 路標 El poste 道しるべ No.21 911-21 Das Wirtshaus The Inn 客棧 La posada 宿屋 No.22 911-22 Mut Have Courage! 勇氣 Valor 勇気 No.23 911-23 Die Nebensonnen The Sun Dogs 幻日 El Parhelio 幻の太陽 No.24 911-24 Der Leiermann The Hurdy-Gurdy Man 風琴奏者 El organillero 辻音楽師 Winterreise, Winter Journey is a song cycle for voice and piano by Franz Schubert (D. 911, published as Op. 89 in 1828), a setting of 24 poems by German poet Wilhelm Müller. It is the second of Schubert's two song cycles on Müller's poems, the earlier being _Die schöne Müllerin_ (D. 795, Op. 25, 1823). Both were originally written for tenor voice but are frequently transposed to other vocal ranges, a precedent set by Schubert himself. The two works pose interpretative demands on listeners and performers due to their scale and structural coherence. Although Ludwig van Beethoven's cycle _An die ferne Geliebte_ (_To the Distant Beloved_) was published earlier, in 1816, Schubert's cycles hold the foremost place in the genre's history. "Täuschung" ("Deception"): A dancing light wants to lead him astray, and he is glad to go along. "Behind ice and night and horror" it shows him a warm, bright house and a loving wife within. Illusion is all he has to go on. ... https://www.youtube.com/watch?v=b5UqlF0E0d8

【Kero MyPlay Saxophone】 行船人的純情曲 陳一郎 台語 老歌 行船人的纯情曲 陈一郎 台语 Saxophone 薩克斯風 サクソフォーン Saxofón Play-Along accompaniment #薩克斯風 #行船人的愛 #Kero 原曲 https://www.youtube.com/watch?v=Om8GXm_wbpA&ab_channel=chandadhamma ----- 行船人的純情曲 八月十五彼一天 船要離開琉球港 只有船煙白茫茫 全無朋友來相送 滿腹憂悶心沉重 看無愛人伊一人 堅心忍著純情夢 帶著寂寞來出帆 生活海面行船岸 海水潑來冷甲寒 為著前途來打拼 心愛應該了解我 無情風浪怎未停 心事一層又一層 奮鬥打拼的男性 將來才有好前程 船若入港兩三天 又擱趕緊要出港 阮的愛人無來送 叫阮怎樣來出帆 行船的人免怨嘆 心情著愛放輕鬆 等船重入琉球港 約束心愛伊一人 陳一郎（1953年2月20日－2001年2月4日），本名陳銘農，屏東縣新園鄉五房村人，是知名台語歌手，有「酒國歌王」稱號。知名曲有〈阿郎阿郎〉、〈行船人的純情曲〉、〈紅燈碼頭〉、〈流浪的歌聲〉等。 ... https://www.youtube.com/watch?v=lsQY6wb_yDM