82776
Author: Jean-Luc Nancy
File Type: pdf
From Platos Symposium to Hegels truth as a Bacchanalian revel, from The Bacchae of Euripedes to Nietzsche, philosophy holds a deeply ambivalent relation to the pleasures of intoxication. At the same time, from Baudelaire to Lowry, from Proust to Dostoyevsky, literature and poetry are also haunted by scenes of intoxication, as if philosophy and literature share a theme that announces and navigates their proximities and differences. For Nancy, intoxication constitutes an excess that both fascinates and questions philosophys sober ambitions for appropriate forms of philosophical behavior and conceptual lucidity. At the same time, intoxication displaces a number of established dualities--reason and passion, mind and body, rationality and desire, rigor and excess, clarity and confusion, logic and eros. Taking its point of departure from Baudelaires categorical imperative to understand modernity--be drunk always--Nancys little book is composed in fragments, quotations, drunken asides, and inebriated repetitions. His contemporary banquet addresses a range of related themes, including the role of alcohol and intoxication in rituals, myths, divine sacrifice, and religious symbolism, all those toasts to the sacred spirits involving libations and different forms of speech and enunciation--to the gods, to modernity, to the Absolute. Affecting both mind and body, Nancys subject becomes intoxicated Ego sum, ego existo ebrius--I am, I exist--drunk. From Platos Symposium to Hegels truth as a Bacchanalian revel, from The Bacchae of Euripedes to Nietzsche, philosophy holds a deeply ambivalent relation to the pleasures of intoxication. At the same time, from Baudelaire to Lowry, from Proust to Dostoyevsky, literature and poetry are also haunted by scenes of intoxication, as if philosophy and literature share a theme that announces and navigates their proximities and differences. For Nancy, intoxication constitutes an excess that both fascinates and questions philosophys sober ambitions for appropriate forms of philosophical behavior and conceptual lucidity. At the same time, intoxication displaces a number of established dualities--reason and passion, mind and body, rationality and desire, rigor and excess, clarity and confusion, logic and eros. Taking its point of departure from Baudelaires categorical imperative to understand modernity--be drunk always--Nancys little book is composed in fragments, quotations, drunken asides, and inebriated repetitions. His contemporary banquet addresses a range of related themes, including the role of alcohol and intoxication in rituals, myths, divine sacrifice, and religious symbolism, all those toasts to the sacred spirits involving libations and different forms of speech and enunciation--to the gods, to modernity, to the Absolute. Affecting both mind and body, Nancys subject becomes intoxicated Ego sum, ego existo ebrius--I am, I exist--drunk. **Review The originality of Intoxication lies in the acuity and patience (and indeed the touch of humor) with which it teases out the surprising concurrence, or interaction, of two apparently unrelated terms--that of the Absolute on the one hand, and that of ivresse or drunkenness on the other.-Richard A. Rand, University of Alabama Read Nancys wonderfully exhilarating Intoxication and youll understand why it is urgent to be, like Rimbauds boat, ivre. Make no mistake French ivresse has little to do with intoxications dull thud of medical measure. Leave intoxication for breathalyzers ivresse is pure elation, sublimated elevation, an ecstatic Bacchic frenzy soaring to poetic rapture, a rapture that, as Hegel stated, achieves the dizzy dissolution of all absolutes.--Jean-Michel Rabate, University of Pennsylvania About the Author Jean-Luc Nancy is Distinguished Professor of Philosophy at the Universite Marc Bloch, Strasbourg. Among the most recent of his many books to be published in English are Corpus Dis-Enclosure The Deconstruction of Christianity The Truth of Democracy Adoration The Deconstruction of Christianity II Corpus II Writings on Sexuality The Pleasure in Drawing Identity Fragments, Frankness After Fukushima The Equivalence of Catastrophes and, with Frederico Ferrari, Being Nude The Skin of Images (all Fordham). Philip Armstrong is Associate Professor in the Department of Comparative Studies at The Ohio State University.
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