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The STRADIVARI QUINTET Arnold EIDUS, Violin David MANKOVITZ, Viola Raoul POLIAKIN, Vzolin George RICCI, Cello Harvey SHAPIRO, Cal Assisting Artist Dr. Michael NAIDA, Musical Director ALHIOOS AOV.LIYHH TVOISOW
#классическая_музыка #боккерини #квинтет#classical_music #boccherini #quintet
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#classical_music#Mozart#chamber_music#concert
Wolfgang Amadeus Mozart: Bassoon concerto in B flat major KV 191 (1774)
1 allegro
2 andante ma adagio
3 rondo: tempo di menuetto
Fernand Oubradous, bassoon; Eugène Bigot, conductor
Publication date 1936
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Haydn Divertimento No. 37 in G major
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Largo-Allegro; Wide; Cheerful
Antonio Vivaldi; Reinhold Barchet; Helma Elsner; Pro Musica Orchestra Stuttgart; Rolf Reinhardt
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Publication date 1948
Leopold Stokowski; The New York Philharmonic
Pyotr Ilyich Tchaikovsky's Francesca da Rimini, Op. 32, is a musical fantasy inspired by Dante's "Inferno" and based on the story of Francesca da Rimini, a character from Dante's epic poem "The Divine Comedy."
Tchaikovsky composed Francesca da Rimini in 1876, during a period of intense personal turmoil. He was struggling with his sexuality and enduring a difficult marriage, and his mental health was deteriorating rapidly. Despite these challenges, Tchaikovsky was able to create a stunning musical work that has stood the test of time.
Francesca da Rimini is a symphonic fantasy that is divided into three distinct sections. The opening section is marked "Lento lugubre" and sets the somber and melancholic tone of the piece. The orchestra slowly builds to a crescendo, leading to the second section, marked "Andante cantabile," where the main theme is introduced. This hauntingly beautiful melody is played by the clarinet and represents Francesca's doomed love for her brother-in-law, Paolo.
The final section of the piece, marked "Allegro vivo," is a fiery and dramatic representation of the punishment that Francesca and Paolo endure in Dante's "Inferno." The orchestra explodes with energy, with the strings playing a frenzied arpeggio that is meant to represent the flames of hell.
Francesca da Rimini is considered one of Tchaikovsky's greatest works and has had a significant impact on classical music. The piece is often performed as a standalone work and has been featured in numerous films and television shows. It has also been recorded by countless orchestras and conductors, including the Chicago Symphony Orchestra, conducted by Sir Georg Solti, and the Berlin Philharmonic, conducted by Herbert von Karajan.
Francesca da Rimini, Op. 32, is a stunning musical work that showcases Tchaikovsky's genius and emotional depth. Its haunting melodies and dramatic orchestration have captivated audiences for over a century, and its influence on classical music is undeniable. Whether experienced in a concert hall or through a recording, Francesca da Rimini is a piece of music that continues to inspire and move listeners.
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Publication date 1954
Hubert Barwahser, flute
Wiener Symphoniker c.b. Bernhard Paumgartner
Leopold Hofmann's Flute concerto in D major is a beautiful and charming piece of music that has delighted audiences and musicians since its composition in the late 18th century. This composition is a staple of the flute repertoire and is one of Hofmann's most well-known works.
The concerto is structured in three movements, with the first movement showcasing the flute's lyrical capabilities, the second movement demonstrating the instrument's expressive qualities, and the third movement displaying the performer's technical skills.
The first movement is a graceful and elegant introduction, featuring a beautiful and memorable melody played by the flute. The movement also includes a cadenza, a section of music where the performer has the opportunity to showcase their improvisational skills.
The second movement is a beautiful and expressive adagio that features a delicate and tender melody played by the flute. This movement highlights the flute's ability to convey emotion and expressiveness, and it is often considered the centerpiece of the concerto.
The third movement is a lively and energetic finale, featuring fast and intricate passages that showcase the performer's technical skill and agility. The movement also includes a cadenza, allowing the performer to demonstrate their virtuosity.
Hofmann's Flute concerto in D major is a challenging and rewarding piece for any flutist to perform. The composition demands a high level of technical skill and musicianship, with its intricate phrasing, demanding rhythms, and complex harmonies. However, it is also a piece that rewards careful listening and interpretation, allowing performers to bring their own unique style and personality to the music.
Overall, Hofmann's Flute concerto in D major is a delightful and charming piece of music that has stood the test of time. Its graceful melodies, expressive passages, and technical demands make it a challenging and rewarding piece for both performers and listeners alike. Its enduring popularity and widespread appeal make it a classic work of music that will continue to be enjoyed for generations to come.
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Vivaldi Concerto in D major for two violins, lute and basso continuo, P. 209
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Publication date 1961
PRO MUSICA ORCHESTRA, VIENNA
Ingrid Haebler — Conductor: Heinrich Hollreiser
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