Author: Emile Durkheim File Type: pdf There would be no need for sociology if everyone understood the social frameworks within which we operate. That we do have a connection to the larger picture is largely thanks to the pioneering thinker Emile Durkheim. He recognized that, if anything can explain how we as individuals relate to society, then it is suicide Why does it happen? What goes wrong? Why is it more common in some places than others? In seeking answers to these questions, Durkheim wrote a work that has fascinated, challenged and informed its readers for over a hundred years. Far-sighted and trail-blazing in its conclusions, Suicide makes an immense contribution to our understanding to what must surely be one of the least understandable of acts. A brilliant study, it is regarded as one of the most important books Durkheim ever wrote. **Review Durkheims great books are dedicated to the proposition that society transcends the individual that our beliefs, values, dispositions and desires are often products of social forces and structures we poorly understand. - Financial Times One of the acutest and most brilliant sociologists. - Bronislaw Malinowski About the Author Emile Durkheim (1858 - 1917). One of the founding fathers of modern sociology.
Author: Rosemary Dinnage
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In the course of over thirty years of writing about psychology, child development, biography, and fiction, Rosemary Dinnage has encountered a variety of outstanding women, all of whom, in one way or another, felt powerfully alone. Here she brings together her reflections on some of the most memorable of them, including solitairies like the painter Gwen John and the philosopher Simone Weil muses to partners of genius like Clementine Churchill and Giuseppina Verdi unstoppable characters like the birth-control advocate Marie Stopes and the childrens novelist Enid Blyton literary survivors like Isak Dinesen and Rebecca West and, along the way, an assortment of aristocrats, lawbreakers, manic-depressives, transvestites, and storytellers. Some of these women knew isolation through their dedication to duty, and others through their immersion in writing, painting, or politics. Some juggled with fantasy worlds in which they could end up stranded. Others learned the fine art of survival, fighting illness, hard childhoods, or a hostile public. All of them, whether trying to construct a life or a work of artor bothsuggest ways in which women can choose, learn, laugh, invent, dare, and of course wholeheartedly love or hate. These women make up a remarkable gallery of the famous, the infamous, the once famous, and the never famous. In telling their stories, Rosemary Dinnage considers what aloneness may really be, how it begins, how it feels, and, above all, how this crucial experience can teach and illuminate as well as hurt. **
Author: Emil Edenborg
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In this book, Edenborg studies contemporary conflicts of community as enacted in Russian media, from the homosexual propaganda laws to the Sochi Olympics and the Ukraine war, and explores the role of visibility in the production and contestation of belonging to a political community. The book examines what it is that determines which subjects and narratives become visible and which are occluded in public spheres how they are seen and made intelligible and how those processes are involved in the imagination of communities. Investigating the differentiated consequences of visibility, Edenborg discusses what forms of visibility make belonging possible and what forms of visibility may be related to exclusion or violence. The book maps and analyses the practices and mechanisms whereby a state seeks to produce and shape belonging through controlling what becomes visible in public, and how that which becomes visible is seen and understood. In addition, it examines what forms contestation can take and what its effects may be. Advancing theoretical understanding and offering a useful way to analytically conceptualize the role of visibility in the production and contestation of political communities, this work will be of interest to students and scholars of gender and sexuality politics, borders, citizenship, nationalism, migration and ethnic relations.
Author: Claire Lamont
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This book uses the theme of debatable lands, a term first applied to disputed parts of the Anglo-Scottish border, to explore aspects of writing in the Romantic period. Walter Scott brought it to a wider public, and the phrase came to be applied, by metaphorical extension, to debates which were not so much geographical but intellectual, political or artistic. These debates are pursued in a collection of essays grouped under the headings Britain and Ireland and Europe and Beyond.ReviewIn Romantic studies, debate is of the essence. The trenchant essays in this new collection provide successive reports on the state of play, as some of the most fascinating and central issues are discussed by leading scholars of the present day. - John Beer, Emeritus Professor of English Literature, University of Cambridge, UK This is a richly various collection of essays. - Richard Cronin, Modern Language Review Romantacisms Debatable Lands achieves a convincing consistency of theme. [...] Altogether, this collection contains many thought-provoking essays. - Gavin Budge, BARS Bulletin & Review About the AuthorCLAIRE LAMONT is Professor of English Romantic Literature at Newcastle University. She specializes in English and Scottish Literature, especially the Romantic poets, Austen and Scott, and the literary representation of architecture. Her edition of Scotts Chronicles of the Canongate appeared in 2000.MICHAEL ROSSINGTON is Senior Lecturer in English Literature at Newcastle University. His principal research interests are in the works of Percy Bysshe Shelley and Mary Wollstonecraft Shelley, and republican ideas in Romantic-period writing. His editions of Percy Shelleys The Cenci and Mary Shelleys Valperga were published in 2000.
Author: Elizabeth A. Bridgham
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This study examines the unique cultural space of Victorian cathedral towns as they appear in the literary work of Charles Dickens and Anthony Trollope, arguing that Dickens and Trollope use the cathedral towns enclosure, and its overt connections between sacred and secular, present and past, as an ideal locus from which to critique Victorian religious attitudes, aesthetic anxieties, business practices, and even immigration. By displacing these issues from the metropolis, these social authors defamiliarize them, raising what might have been considered strictly urban problems to the level of national crises.By situating contemporary debates in cathedral towns, Dickens and Trollope complicate the restrictive dichotomy between urban and rural space often drawn by contemporary critics and Victorian fiction writers alike. In this book, Bridgham focuses on the appearance of three such key concerns appearing in the cathedral towns of each writer religious fragmentation, the social value of artistic labor, and the Gothic revival. Dickens and Trollope reject Romantic nostalgia by concentrating on the ancient, yet vital (as opposed to ruined) edifices of the cathedrals, and by demonstrating ways in which modern sensibilities, politics, and comforts supersede the values of the cloister. In this sense, their cathedral towns are not idealized escapes rather, they reflect the societies of which they are a part.
Author: Michael Brim Beckerman
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Once thought to be a provincial composer of only passing interest to eccentrics, Leos Janacek (1854-1928) is now widely acknowledged as one of the most powerful and original creative figures of his time. Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe. This volume brings together some of the worlds foremost Janacek scholars to look closely at a broad range of issues surrounding his life and work. Representing the latest in Janacek scholarship, the essays are accompanied by newly translated writings by the composer himself. The collection opens with an essay by Leon Botstein who clarifies and amplifies how Max Brod contributed to Janacek s international success by serving as point man between Czechs and Germans, Jews and non-Jews. John Tyrrell, the dean of Janacek scholars, distills more than thirty years of research in How Janacek Composed Operas, while Diane Paige considers Janaceks liason with a married woman and the question of the artists muse. Geoffrey Chew places the idea of the adulterous muse in the larger context of Czech fin de siecle decadence in his thoroughgoing consideration of Janaceks problematic opera Osud. Derek Katz examines the problems encountered by Janaceks satirically patriotic Excursions of Mr. Broucek in the post-World War I era of Czechoslovak nationalism, while Paul Wingfield mounts a defense of Janacek against allegations of cruelty in his wifes memoirs. In the final essay, Michael Beckerman asks how much true history can be culled from one of Janaceks business cards. The book then turns to writings by Janacek previously unpublished in English. These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the speech melodies of daily life. They provide insight into Janaceks revolutionary method of composition, and give us the closest thing we will ever have to the heard record of a Czech pre-war past-or any past, for that matter. **
Author: Siân Echard
File Type: pdf
This book takes a unique look at the Latin Arthurian tradition, placing authors such as Geoffrey of Monmouth in the context of Latin histories, monastic chronicles, saints lives, and other Latin prose Arthurian narratives. Placing them against a background of the Angevin court of Henry II, the book introduces a new set of texts into the Arthurian canon and suggests a way to understand their place in that tradition. The unfamiliar works are summarized for the reader, and there are extensive quotations, with translations, throughout.ReviewEchards book provides a valuable resource and starting point for further study. ComitatusThanks to Echards efforts, at least the Latin tradition is now more readily accessible to us all. Arthurian Narrative in the Latin Tradition is an important study, one which deserves reprinting in paperback so that it can reach an even broader audience. ArthurianaInsofar as Echards goal is to bring some very interesting material to the attention of a wider audience, the book certainly succeeds... she has brought a number of very interesting texts to our attention. Cambridge University Press has acquitted itself very well in making an attractiv small book nicely free of typographical errors and with footnotes placed at the foot of the page where they belong. Robert M. Stein, Journal of Medieval LatinStudents of Arthurian literature will find Sian Echards Arthurian Narrative in the Latin Tradition a useful and sensible study. Speculum Book DescriptionThis book takes a unique look at the Latin Arthurian tradition, placing authors like Geoffrey of Monmouth in the context of Latin histories, monastic chronicles, saints lives, and other Latin prose Arthurian narratives. Placing them against a background of the Angevin court of Henry II, the book introduces a new set of texts into the Arthurian canon and suggests a way to understand their place in that tradition. The unfamiliar works are summarized for the reader, and there are extensive quotations, with translations, throughout.
Author: Tom Lutz
File Type: mobi
Couch potatoes, goof-offs, freeloaders, good-for-nothings, loafers, and loungers ever since the Industrial Revolution, when the work ethic as we know it was formed, there has been a chorus of slackers ridiculing and lampooning the pretensions of hardworking respectability. Whenever the world of labor changes in significant ways, the pulpits, politicians, and pedagogues ring with exhortations of the value of work, and the slackers answer with a strenuous call of their own To do nothing, as Oscar Wilde said, is the most difficult thing in the world. Moving with verve and wit through a series of case studies that illuminate the changing place of leisure in the American republic, Doing Nothing revises the way we understand slackers and work itself.