Images of Occupation in Dutch Film: Memory, Myth, and the Cultural Legacy of War
Author: Wendy Burke File Type: pdf Images of Occupation in Dutch Film is the first book in English to examine changing representations of the German wartime occupation of the Netherlands within Dutch post-war feature films made in the period 1962 to 1986. This important new study explores in detail the complex, evolving role played by film within Dutch cultural memory and asks to what extent film can fully embrace, transmit or assimilate the complexities and collective legacies of war and occupation. As Dutch public opinion toward the war altered over the post-war decades - attitudes to the 1940-1945 occupation, Jewish persecution, the enemy, deprivations, resistance and collaboration - so too shifted the presence - or indeed absence - of these elements in subsequent films. The historical trajectory of Dutch recovery and reconstruction politically, economically and - most complex of all - psychologically, came to be revealed, often unconsciously, in the films from that time. Through detailed analyses of eight key film texts ranging from 1962s De Overval, to Verhoevens Soldaat van Oranje and Rademakers De Aanslag, this book offers valuable insights into the previously under-explored connections between filmic images of occupation and how these reflect parallel shifts in Dutch societys perceptions about the war at the times the films were made. It asks how a nations films re-tell its history.
Author: Stathis Kouvelakis
File Type: epub
Throughout the nineteenth century, German philosophy was haunted by the specter of the French Revolution. Kant, Hegel and their followers spent their lives wrestling with its heritage, trying to imagine a specifically German path to modernity a revolution without revolution. Trapped in a politically ossified society, German intellectuals were driven to brood over the nature of the revolutionary experience. In this ambitious and original study, Stathis Kouvelakis paints a rich panorama of the key intellectual and political figures in the effervescence of German thought before the 1848 revolutions. He shows how the attempt to chart a moderate, reformist path entered into crisis, generating two antagonistic perspectives within the progressive currents of German society. On the one side were those socialistsamong them Moses Hess and the young Friedrich Engelswho sought to discover a principle of harmony in social relations, bypassing the question of revolutionary politics. On the other side, the poet Heinrich Heine and the young Karl Marx developed a new perspective, articulating revolutionary rupture, proletarian hegemony and struggle for democracy, thereby redefining the very notion of politics itself.**From Publishers WeeklyThis ambitious tract on the formation of Karl Marxs ideas brings together disparate currents in an original and multifaceted reading. Combining intellectual history and biographical narrative, with a hemming and hawing distrust of both modes, Kouvelakis re-evalutates the cultural context of Marxs ideological development, and the constellation of personalities that made it possible. Poet Heinrich Heine, the first ironic German, gains some footing in Kouvelakiss evaluation, while Engels recedes a bit, and the primacy of the 1848 French Revolutions effects on the thought of 19th century German philosophy in general remains unquestioned. Overall, the book produces the effect of bright webbing strung between the people and events of a pivotal time, as the ancien regime of Europe segued convulsively into modernity, winding pathways of thought leading always towards the explosive event of revolution. Admittedly, some of this effect might be a result of unwieldy translations I have chosen to approach the early Marxs trajectory as a theoretical event that is utterly incomprehensible when it is considered apart from the sequence that precedes it (chronologically, to begin with, but also in the order of my exposition) yet is radically irreducible to it. And thats only the second half of a weighty, establishing thought. For scholars of Marx or European philosophy, and those accustomed to labored, academic prose, this book offers a fresh methodology and original interpretation of Marxs achievements. 2003 Reed Business Information, Inc. Review Perhaps the first truly original new version of [Marxs] formation since Auguste Cornus monumental postwar history ... but also a new theory of what is structurally most central and distinctive in Marxs achievement, namely the unique political nature and powers of the proletariat.Fredric Jameson, from the Preface
Author: Charlotte Brontë
File Type: pdf
Shirley is Charlotte Bront--euml--s only historical novel and her most topical one. The introduction to this new edition considers its autobiographical overtones as well as its social context, and includes revised notes and bibliography. - You expected bread, and you have got a stone break your teeth on it, and dont shriek...you will have learned the great lesson how to endure without a sob. Shirley is Charlotte Bront--euml--s only historical novel and her most topical one. Written at a time of social unrest, it is set during the period of the Napoleonic Wars, when economic hardship led to riots in the woollen district of Yorkshire. A mill-owner, Robert Moore, is determined to introduce new machinery despite fierce opposition from his workers he ignores their suffering, and puts his own life at risk. Robert sees marriage to the wealthy Shirley Keeldar as the solution to his difficulties, but he loves his cousin Caroline. She suffers misery and frustration, and Shirley has her own ideas about the man she will choose to marry. The friendship between the two women, and the contrast between their situations, is at the heart of this compelling novel, which is suffused with Bront--euml--s deep yearning for an earlier time. -
Author: Guitonne D'Arezzo
File Type: pdf
Guittone dArezzo (ca. 1230-1294) was the most important, prolific, and influential poet and prose writer of the thirteenth century. Unfortunately, his work has been overshadowed by his successor the more learned and gifted Dante Alighieri. The poems and prose included in this volume are emblematic of the two phases of Guittones career he first achieved fame as a secular love poet but following his conversion in the 1260s he became a renowned religious poet. Guittones artistic reputation commanded the highest respect. Even Dantes beloved Guinizzelli and Cavalcanti never enjoyed any such fame in their lifetime. Antonello Borra presents a critical introduction to Guittones works with a selection of his poems and letters in facing-page Italian and English translation. While Dante repeatedly condemned Guittone, recent scholarship has re-evaluated his importance and placed his work in the context of his predecessors, the Provencal troubadours and the poets of the Sicilian school. This latest volume in the Lorenzo Da Ponte Italian Library contains the first significant edition of Guittones works available in English translation. **ReviewIn Selected Poetry and Prose, Antonello Borra has provided an intelligent overview of the life, works, and importance of Guittone dArezzo. This is a commendable workand one that should increase the appreciation of Guittone as a poet among the many students and scholars of early Italian literature.(Christopher Kleinhenz, Carol Mason Kirk Professor Emeritus of Italian, University of Wisconsin-Madison) The translations in this volume will be of great interest and constitute a fundamental reference resource for literature students in modern and Romance languages, and English and Italian studies seeking first-hand acquaintance with the most important poetic precursor of Dante Alighieri. (Anthony Oldcorn, Professor Emeritus of Italian Studies, Brown University) About the Author Guittone dArezzo (1235-1294) was a Tuscan poet and the founder of the Tuscan School. He was an acclaimed secular love poet before his conversion in the 1260s, when he became a religious poet. In 1256, he was exiled from Arezzo due to his Guelf sympathies.
Author: Lynn Sumida Joy
File Type: pdf
Scholars in the early seventeenth century who studied ancient Greek scientific theories often drew upon philology and history to reconstruct a more general picture of the Greek past. Gassendis training as a humanist historiographer enabled him to formulate a conception of the history of philosophy in which the rationality of scientific and philosophical inquiry depended on the historical justifications which he developed for his beliefs. Professor Joy examines this conception and analyzes the nature of Gassendis historical training, especially its relationship to his career as a physicist and astronomer. She shows how he rehabilitated Epicurean atomism by bringing together the arguments of the Greek atomists and those of his contemporaries. In doing so, he produced an account of the natural world which made it an object of empirical study and mechanical explanation.
Author: Stanley Ireland
File Type: pdf
First published in 1986, this book is an authoritative collection of the major sources for Roman Britain. It incorporates not only extracts from the main literary sources - Caesar, Tacitus, Dio Cassius, Ammianus, Bede, Gildas and Zosimus - but a substantial collection of inscriptions and coins. In this new edition translations of the most important of the Vindolanda tablets - published since the first edition appeared - have been added and the epigraphic references have been updated and new material added, including inscribed rings, tiles and other items from all around the country.**ReviewFor those who teach courses on Roman Britain, or as students require easy access to source material alluded to in the main-stream textbooks, this handy compendium, encompassing literary, epigraphic and numismatic material, will be especially welcome - Bulletin of the Institute of Archaeology Its extensive coverage of geography and people, political and military history, and especially religion, government, commerce and society, its many inscriptions and coin illustrations, and up-dated bibliography, all combine to make this collection much more than simply convenient and it remains, moreover, within a students purchasing power. - Greece & Rome, Volume 43About the Author Stanley Ireland is a Lecturer in the Joint School of Classics, University of Warwick.
Author: Wendy Doniger O'Flaherty
File Type: pdf
Wendy Doniger OFlaherty . . . weaves a brilliant analysis of the complex role of dreams and dreaming in Indian religion, philosophy, literature, and art. . . . In her creative hands, enchanting Indian myths and stories illuminate and are illuminated by authors as different as Aeschylus, Plato, Freud, Jung, Kurl Godel, Thomas Kuhn, Borges, Picasso, Sir Ernst Gombrich, and many others. This richly suggestive book challenges many of our fundamental assumptions about ourselves and our world.Mark C. Taylor, *New York Times Book Review * Dazzling analysis. . . . The book is firm and convincing once you appreciate its central point, which is that in traditional Hindu thought the dream isnt an accident or byway of experience, but rather the locus of epistemology. In its willful confusion of categories, its teasing readiness to blur the line between the imagined and the real, the dream actually embodies the whole problem of knowledge. . . . [OFlaherty] wants to make your mental flesh creep, and she succeeds.Mark Caldwell, *Village Voice * **
Author: Elizabeth K. Helsinger
File Type: pdf
In arguing for the crucial importance of song for poets in the long nineteenth century, Elizabeth Helsinger focuses on both the effects of song on lyric forms and the mythopoetics through which poets explored the affinities of poetry with song. Looking in particular at individual poets and poems, Helsinger puts extensive close readings into productive conversation with nineteenth-century German philosophic and British scientific aesthetics. While she considers poets long described as musicalAlfred, Lord Tennyson, Gerard Manly Hopkins, Emily Bronte, and Algernon Charles SwinburneHelsinger also examines the more surprising importance of song for those poets who rethought poetry through the medium of visual art Dante Gabriel Rossetti, William Morris, and Christina Rossetti. In imitating songs forms and sound textures through lyrics rhythm, rhyme, and repetition, these poets were pursuing songs thought in a double sense. They not only asked readers to think of particular kinds of song as musical sound in social performance (ballads, national airs, political songs, plainchant) but also invited readers to think like song to listen to the sounds of a poem as it moves minds in a different way from philosophy or science. By attending to the formal practices of these poets, the music to which the poets were listening, and the stories and myths out of which each forged a poetics that aspired to the condition of music, Helsinger suggests new ways to think about the nature and form of the lyric in the nineteenth century.
Author: Joseph Weber
File Type: pdf
The Indian spiritual entrepreneur Maharishi Mahesh Yogi took the West by storm in the 1960s and 70s, charming Baby Boomers fed up with war and social upheaval with his message of meditation and peace. Heeding his call, two thousand followers moved to tiny Fairfield, Iowa, to set up their own university on the campus of a failed denominational college. Soon, they started a school for prekindergarten through high school, allowing followers to immerse themselves in Transcendental Meditation from toddlerhood through PhDs.Although Fairfields longtime residents were relieved to see that their new neighbors were clean-cut and respectably dressednot the wild-haired, drug-using hippies they had fearedthe newcomers nevertheless quickly began to remake the town. Stores selling exotic goods popped up, TM followers built odd-looking homes that modeled the gurus rules for peace-inspiring architecture, and the new university knocked down a historic chapel, even as it erected massive golden-domed buildings for meditators. Some newcomers got electedand others were defeatedwhen they ran for local and statewide offices. At times, thousands from across the globe visited the small town.Yet Transcendental Meditation did not always achieve its aims of personal and social tranquility. Suicides and a murder unsettled the meditating community over the years, and some followers were fleeced by con men from their own ranks. Some battled a local farmer over land use and one another over doctrine. Notably, the world has not gotten more peaceful.Today the guru is dead. His followers are graying, and few of their children are moving into leadership roles. The movement seems rudderless, its financial muscle withering, despite the efforts of high-profile supporters such as filmmaker David Lynch and media magnate Oprah Winfrey. Can TM reinvent itself? And what will be the future of Fairfield itself? By looking closely at the transformation of this small Iowa town, author Joseph Weber assesses the movements surprisingly potent effect on Western culture, sketches out its peculiar past, and explores its possible future.**
Author: Linda M. Lewis
File Type: pdf
By examining literary portraits of the woman as artist, Linda M. Lewis traces the matrilineal inheritance of four Victorian novelists and poets George Eliot, Elizabeth Barrett Browning, Geraldine Jewsbury, and Mrs. Humphry Ward. She argues that while the male Romantic artist saw himself as god and hero, the woman of genius lacked a guiding myth until Germaine de Stael and George Sand created one. The protagonists of Staels Corinne and Sands Consuelo combine attributes of the goddess Athena, the Virgin Mary, Virgils Sibyl, and Dantes Beatrice. Lewis illustrates how the resulting CorinneConsuelo effect is exhibited in scores of English artist-as-heroine narratives, particularly in the works of these four prominent writers who most consciously and elaborately allude to the French literary matriarchs.In her initial chapter, Lewis explains Corinnes gift as lenthousiasme and Consuelos as la flamme sacree. Corinne uses her influence as a political Sibyl to enter the debates of the Napoleonic era Consuelo employs her sacred fire as a divine Sophia to indict injustice throughout Europe. Subsequent chapters examine the public and private voices of the Sibyls and Sophias of Victorian fiction, as well as the degree to which their gift demands service to art, to God, and to humankind. The closing chapter studies the waning influence of Stael and Sand in the fin-de-siecle New Woman novel.The core of Lewiss book is its treatment of the Victorian author and her feminine aesthetics. In each chapter Lewis uncovers the references to Corinne and Consuelosubtle or overt, serious or facetiousand reveals the resulting tension when an artist invokes a foremother but avoids merging with the mother whom she emulates. The methodology of this bookincludes myth criticism, feminist commentary, and psychoanalytic theory, but its strength lies in Lewiss close reading of the intertextuality of ten literary works.Exploring a connection between French and English literature and providing fresh insight, Germaine de Stael, George Sand, and the Victorian Woman Artist makes a major contribution to our understanding of nineteenth-century feminism.About the AuthorLinda M. Lewis is Margaret H. Mountcastle Distinguished Professor of Humanities at Bethany College in Lindsborg, Kansas. She is the author of The Promethean Politics of Milton, Blake, and Shelly and Elizabeth Barrett Brownings Spiritual Progress Face to Face with God (University of Missouri Press).