Nietzsche, Heidegger, and Daoist Thought: Crossing Paths In-Between
Author: Katrin Froese File Type: pdf *This work of comparative philosophy envisions a cosmological whole that celebrates difference. *In this book, Katrin Froese juxtaposes the Daoist texts of Laozi and Zhuangzi with the thought of Nietzsche and Heidegger to argue that there is a need for rethinking the idea of a cosmological whole. By moving away from the quest for certainty, Froese suggests a way of philosophizing that does not seek to capture the whole, but rather becomes a means of affirming a connection to it, one that celebrates difference rather than eradicating it. Human beings have a vague awareness of the infinite, but they are nevertheless finite beings. Froese maintains that rather than bemoaning the murkiness of knowledge, the thinkers considered here celebrate the creativity and tendency to wander through that space of not knowing, or in-between-ness. However, for Neitzsche and the early Heidegger, this in-between-ness can often produce a sense of meaninglessness that sends individuals on a frenetic quest to mark out space that is uniquely their own. Laozi and Zhuangzi, on the other hand, paint a portrait of the self that provides openings for others rather than deliberately forging an identity that it can claim as its own. In this way, human beings can become joyful wanderers that revel in the movements of the Dao and are comfortable with their own finitude. Froese also suggests that Nietzsche and Heidegger are philosophers at a crossroads, for they both exemplify the modern emphasis on self-creation and at the same time share the Daoist insight into the perils of excessive egoism that can lead to misguided attempts to master the world. This is an excellent book, knowledgeable, clear, and well written. It brings forth important issues that are of contemporary concern and will no doubt pave the way for future comparative studies in the traditions being discussed. Joanne D. Birdwhistell, The Richard Stockton College of New Jersey**
Author: Lautaro Roig Lanzillotta
File Type: pdf
The works of Plutarch, notably his Moralia, provide us with exceptional evidence to reconstruct the spiritual and intellectual atmosphere of the first centuries CE. As a priest of Apollo at Delphi, Plutarch was a first range witness of ancient religious experience as a Middle Platonist, he was also actively involved in the developments of the philosophical school. Besides, he also provided a more detached point of view both regarding numerous religious practices and currents that were permeating the building of ancient pagan religion and the philosophical views of other schools. His combining the insider and the sensitive observers perspectives make Plutarch a crucial starting point for the understanding of the religious and philosophical discourse of Late Antiquity. **
Author: Robert J. Fogelin
File Type: pdf
Since its publication in the mid-eighteenth century, Humes discussion of miracles has been the target of severe and often ill-tempered attacks. In this book, one of our leading historians of philosophy offers a systematic response to these attacks.Arguing that these criticisms have--from the very start--rested on misreadings, Robert Fogelin begins by providing a narrative of the way Humes argument actually unfolds. What Humes critics (and even some of his defenders) have failed to see is that Humes primary argument depends on fixing the appropriate standards of evaluating testimony presented on behalf of a miracle. Given the definition of a miracle, Hume quite reasonably argues that the standards for evaluating such testimony must be extremely high. Hume then argues that, as a matter of fact, no testimony on behalf of a religious miracle has even come close to meeting the appropriate standards for acceptance. Fogelin illustrates that Humes critics have consistently misunderstood the structure of this argument--and have saddled Hume with perfectly awful arguments not found in the text. He responds first to some early critics of Humes argument and then to two recent critics, David Johnson and John Earman. Fogelins goal, however, is not to bash the bashers, but rather to show that Humes treatment of miracles has a coherence, depth, and power that makes it still the best work on the subject.** Since its publication in the mid-eighteenth century, Humes discussion of miracles has been the target of severe and often ill-tempered attacks. In this book, one of our leading historians of philosophy offers a systematic response to these attacks.Arguing that these criticisms have--from the very start--rested on misreadings, Robert Fogelin begins by providing a narrative of the way Humes argument actually unfolds. What Humes critics (and even some of his defenders) have failed to see is that Humes primary argument depends on fixing the appropriate standards of evaluating testimony presented on behalf of a miracle. Given the definition of a miracle, Hume quite reasonably argues that the standards for evaluating such testimony must be extremely high. Hume then argues that, as a matter of fact, no testimony on behalf of a religious miracle has even come close to meeting the appropriate standards for acceptance. Fogelin illustrates that Humes critics have consistently misunderstood the structure of this argument--and have saddled Hume with perfectly awful arguments not found in the text. He responds first to some early critics of Humes argument and then to two recent critics, David Johnson and John Earman. Fogelins goal, however, is not to bash the bashers, but rather to show that Humes treatment of miracles has a coherence, depth, and power that makes it still the best work on the subject.ReviewWhat a joy to read a philosophy book that is graceful, clear, and short. . . . Fogelin writes with the simplicity and immediacy of a distinguished mind. . . . [I]mpressively conceived and executed. ReviewWhat a joy to read a philosophy book that is graceful, clear, and short. . . . Fogelin writes with the simplicity and immediacy of a distinguished mind. . . . [I]mpressively conceived and executed. (Mark Sainsbury Times Literary Supplement ) This book provides a subtle reading of Hume it is both engaging and well argued and, it makes a useful addition to the recent literature concerning both Humes argument and testimony in general. (Dan OBrien Philosophy in Review )
Author: Erin E. Benay
File Type: pdf
Taking the Noli me tangere and Doubting Thomas episodes as a focal point, this study examines how visual representations of two of the most compelling and related Christian stories engaged with changing devotional and cultural ideals in Renaissance and Baroque Italy. This book reconsiders depictions of the ambiguous encounter of Mary Magdalene and Christ in the garden (John 2011-19, known as the Noli me tangere) and that of Christs post-Resurrection appearance to Thomas (John 2024-29, the Doubting Thomas) as manifestations of complex theological and art theoretical milieus. By focusing on key artistic monuments of the Italian Renaissance and Baroque periods, the authors demonstrate a relationship between the rise of skeptical philosophy and empirical science, and the efficacy of the senses in the construction of belief. Further, the authors elucidate the differing representational strategies employed by artists to depict touch, and the ways in which these strategies were shaped by gender, social class, and educational level. Indeed, over time St. Thomas became an increasingly public--and therefore masculine--symbol of devotional verification, juridical inquiry, and empirical investigation, while St. Mary Magdalene provided a more private model for pious women, celebrating, mostly behind closed doors, the privileged and active participation of women in the faith. The authors rely on primary source material--paintings, sculptures, religious tracts, hagiography, popular sermons, and new documentary evidence. By reuniting their visual examples with important, often little-known textual sources, the authors reveal a complex relationship between visual imagery, the senses, contemporary attitudes toward gender, and the shaping of belief. Further, they add greater nuance to our understanding of the relationship between popular piety and the visual culture of the period. **
Author: Charles Taliaferro
File Type: pdf
A philosophical inquiry into the strengths and weaknesses of theism and naturalism in accounting for the emergence of consciousness, the visual imagination and aesthetic values. The authors begin by offering an account of modern scientific practice which gives a central place to the visual imagination and aesthetic values. They then move to test the explanatory power of naturalism and theism in accounting for consciousness and the very visual imagination and aesthetic values that lie behind and define modern science. Taliaferro and Evans argue that evolutionary biology alone is insufficient to account for consciousness, the visual imagination and aesthetic values. Insofar as naturalism is compelled to go beyond evolutionary biology, it does not fare as well as theism in terms of explanatory power.
Author: Scott A. Trudell
File Type: pdf
Vocal music was at the heart of English Renaissance poetry and drama. Virtuosic actor-singers redefined the theatrical culture of William Shakespeare and his peers. Composers including William Byrd and Henry Lawes shaped the transmission of Renaissance lyric verse. Poets from Philip Sidney to John Milton were fascinated by the disorienting influx of musical performance into their works. Musical performance was a driving force behind the periods theatrical and poeticmovements, yet its importance to literary history has long been ignored or effaced. This book reveals the impact of vocalists and composers upon the poetic culture of early modern England by studying the media through whichand by whomits songs were made. In a literary field that was never confined to writing, media were not limited to material texts. Scott Trudell argues that the media of Renaissance poetry can be conceived as any node of transmission from singers larynx to actors body. Through his study of song, Trudell outlines a new approach to Renaissance poetry anddrama that is grounded not simply in performance history or book history but in a more synthetic media history.
Author: Chris Wells
File Type: pdf
The powerful potential of digital media to engage citizens in political actions has now crossed our news screens many times. But scholarly focus has tended to be on networked, anti-institutional forms of collective action, to the neglect of advocacy and service organizations. This book investigates the changing fortunes of the citizen-civil society relationship by exploring how social changes and innovations in communication technology are transforming the information expectations and preferences of many citizens, especially young citizens. In doing so, it is the first work to bring together theories of civic identity change with research on civic organizations. Specifically, it argues that a shift in information styles may help to explain the disjuncture felt by many young people when it comes to institutional participation and politics. The book theorizes two paradigms of information style a dutiful style, which was rooted in the society, communication system and citizen norms of the modern era, and an actualizing style, which constitutes the set of information practices and expectations of the young citizens of late modernity for whom interactive digital media are the norm. Hypothesizing that civil society institutions have difficulty adapting to the norms and practices of the actualizing information style, two empirical studies apply the dutifulactualizing framework to innovative content analyses of organizations online communications-on their websites, and through Facebook. Results demonstrate that with intriguing exceptions, most major civil society organizations use digital media more in line with dutiful information norms than actualizing ones they tend to broadcast strategic messages to an audience of receivers, rather than encouraging participation or exchange among an active set of participants. The book concludes with a discussion of the tensions inherent in bureaucratic organizations trying to adapt to an actualizing information style, and recommendations for how they may more successfully do so. **Review As we become enamored and disillusioned by the civic conditions of democracy first, and the promise newer technologies convey about reviving these conditions second, a natural question that follows is After democracy, what? In The Civic Organization and the Digital Citizen Communicating Engagement in a Networked Age, Chris Wells takes a look at what happens when citizens are confronted with civic norms that leave them wanting more out of democratic forms of organizations. Caught between forms of civic organization that they do not want to disrespect but they also want to deviate from, they find themselves reimagining in-between spaces for civic activity. And therein lies a home for an emerging modality of digital citizenship, outlined in this terrific new volume. -- Zizi Papacharissi, Professor and Head of Communication, University of Illinois at Chicago This book places organizations squarely in the nexus among democratic norms, youth citizenship, and digital media. Wells makes a real contribution to our understanding of the tension within civic organizations between new and old cultures of communication and action, illuminating how a variety of organizations are responding in different ways to the changing media environment and the expectations of young citizens. -- Bruce Bimber, University of California, Santa Barbara In his insightful and clear-headed book, Chris Wells shows that civic associations must develop new and better communicative relationships with citizens. He offers a powerful analytical framework and generates insights of great practical value for political leaders and civic associations. -- Peter Levine, Associate Dean for Research and Lincoln Filene Professor of Citizenship & Public Affairs, Jonathan M. Tisch College of Citizenship and Public Service, Tufts University Can legacy civic organizations adapt their communication strategies to connect more effectively with young people in the digital age? Can new forms of virtual organizations that are more attuned to the civic identities and practices of the young be effective in the brick and mortar world of political and economic power? In The Civic Organization and the Digital Citizen Chris Wells provides empirically grounded and insightful answers to these questions - answers of great import to how we theorize, research, and practice democratic politics in the 21st century. -- Michael X. Delli Carpini Dean Annenberg School for Communication at the University of Pennsylvania About the Author Chris Wells is Assistant Professor in the School of Journalism and Mass Communication at University of Wisconsin-Madison.
Author: Tristan Garcia
File Type: epub
Our lives today are oppressed by the demand that we live, feel and experience with ever greater intensity. We are enticed to try exotic flavors and smells urged to enjoy a wide range of sexual experiences pushed to engage in extreme sports and recreational drugs--all in the pursuit of some new, unheard-of intensity. Tristan Garcia argues that such intensity rarely lives up to its promise. It always comes at a price one that defines the ethical predicament of contemporary life. The notion of intensity was the hidden key to Garcias landmark book Form and Object. In The Life Intense, the first part of his ambitious Letting Be trilogy, he begins to develop it in detail. This first book focuses on ethics the forthcoming two books look at politics and metaphysics respectively.
Author: Martin Parker
File Type: pdf
Business schools are institutions which, a decade after the financial crash, continue to act as loudspeakers for neoliberal capitalism with all its injustices and planetary consequences. In this lively and incendiary call to action, Martin Parker offers a simple message shut down the business school.Parker argues that business schools are cash cows for the contemporary university that have produced a generation of unreflective managers, primarily interested in their own personal rewards. If we see universities as institutions with responsibilities to the societies they inhabit, then we must challenge the common notion that the market should be the primary determinant of the education they provide.Shut Down the Business School makes a compelling case for a radical alternative, in the form of a School for Organising. This institution would develop and teach on different forms of organising, instead of reproducing the dominant corporate model, enabling individuals to discover alternative responses to the pressing issues of inequality and sustainability faced by all of us today.
Author: Edward T. Cone
File Type: pdf
Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpublished at his death. Edited and introduced by Robert Morgan, these essays cover a broad range of topics, including musics position in culture, musical aesthetics, the significance of opera as an art, setting text to music, the nature of twentieth-century harmony and form, and the practice of musical analysis. Fully matching the quality and style of Cones published writings, these essays mark a critical addition to his work, developing new ideas, such as the composer as critic clarifying and modifying older positions, especially regarding opera and the nature of sung utterance and adding new and often unexpected insights on composers and ideas previously discussed by Cone. In addition, there are essays, such as one on Debussy, that lead Cone into areas he had not previously examined. Hearing and Knowing Music represents the final testament of one of our most important writers on music.**