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A Companion to Shakespeares Works: The Comedies
Author: Richard Dutton
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This four-volume Companion to Shakespeares Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism. ullBrings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States. llExamines each of Shakespeares plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis. llVolumes are organized in relation to generic categories namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems. llEach volume contains individual essays on all texts in the relevant category, as well as more general essays looking at critical issues and approaches more widely relevant to the genre. llOffers a provocative roadmap to Shakespeare studies at the dawning of the twenty-first century.lulThis companion to Shakespeares comedies contains original essays on every comedy from The Two Gentlemen of Verona to Twelfth Night as well as twelve additional articles on such topics as the humoral body in Shakespearean comedy, Shakespeares comedies on film, Shakespeares relation to other comic writers of his time, Shakespeares cross-dressing comedies, and the geographies of Shakespearean comedy.ReviewWhether for the student wishing for an overview of critical approaches or anxious to fill in the gaps in his Shakespearean culture, for those wishing to catch up on the diversity of literary theories, or for the inquisitive browser, this set of volumes assuredly charts the map of current criticism. Cahiers ElisabethainsBook DescriptionThis four-volume Companion to Shakespeares Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism.Complementing David Scott Kastans A Companion to Shakespeare (1999), which focused on Shakespeare as an author in his historical context, these volumes examine each of his plays and major poems using all the resources of contemporary criticism from performance studies to feminist, historicist, and textual analyses.Scholars from all over the world - Australia, Canada, France, New Zealand, the United Kingdom and United States - have joined in the writing of new essays addressing virtually the whole of Shakespeares canon from a rich variety of critical perspectives. A mixture of younger and more established scholars, their work reflects some of the most interesting research currently being conducted in Shakespeare studies.Arguing for the persistence and utility of genre as a rubric for teaching and writing about Shakespeares works, the editors have organized the four volumes in relation to generic categories namely, the tragedies, the histories, the comedies, and the poems, problem comedies and late plays. Each volume thus contains individual essays on all texts in the relevant category as well as more general essays looking at critical issues and approaches more widely relevant to the genre.This ambitious project offers a provocative roadmap to Shakespeare studies at the dawning of the twentieth-first century.This companion to Shakespeares comedies contains original essays on every comedy from The Two Gentlemen of Verona to Twelfth Night. In addition, the volume features twelve articles on such topics as the humoral body in Shakespearean comedy, Shakespeares comedies on film, Shakespeares relation to other comic writers of his time, Shakespeares cross dressing comedies, and the geographies of Shakespearean comedy.
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Author: Martin Gayford
File Type: epub
Martin Gayfords masterful account of painting in London from the Second World War to the 1970s, illustrated by documentary photographs and the works themselvesThe development of painting in London from the Second World War to the 1970s has never before been told before as a single narrative. R. B. Kitajs proposal, made in 1976, that there was a substantial School of London was essentially correct but it caused confusion because it implied that there was a movement or stylistic group at work, when in reality no one style could cover the likes of Francis Bacon and also Bridget Riley.Modernists and Mavericks explores this period based on an exceptionally deep well of firsthand interviews, often unpublished, with such artists as Victor Pasmore, John Craxton, Lucian Freud, Frank Auerbach, Allen Jones, R. B. Kitaj, Euan Uglow, Howard Hodgkin, Terry Frost, Gillian Ayres, Bridget Riley, David Hockney, Frank Bowling, Leon Kossoff, John Hoyland, and Patrick Caulfield. But Martin Gayford also teases out the thread weaving these individual lives together and demonstrates how and why, long after it was officially declared dead, painting lived and thrived in London. Simultaneously aware of the influences of Jackson Pollock, Giacometti, and (through the teaching passed down at the major art school) the traditions of Western art from Piero della Francesca to Picasso and Matisse, the postwar painters were bound by their confidence that this ancient medium could do fresh and marvelous things, and explored in their diverse ways, the possibilities of paint.**ReviewWell-researched a fascinating look at postwar London artists, filled with entertaining figures. - Kirkus Reviews If you are interested in modern British art, the book is unputdownable. If you are not, read it. You soon will be. - Financial Times Martin Gayford has been talking with artists for 30 years. He doesnt just nip into the studio with a notepad he has a gift for sustaining conversations that unfold across decades Other studies have debated the effects of state art funding and cold war cultural politics this one brings us the expression of Leon Kossoff as he moves through heaven and hell with each brushstroke, Bridget Riley introducing the whisker of white that makes a black painting live, Gillian Ayres and Howard Hodgkin talking hour after hour in the car down to Bath School of Art. - The Guardian [A] superb survey of British painting from 1945 to 1970, London Gayford recounts the artists lives and their travails with sympathy and understanding [a] wonderfully accomplished book, full of anecdotes and apercus. - The Times (London) Superb Gayford deploys Bacons voice to brilliant effect, and you hang on to every word This is a book about community and influence about the connections, sometimes powerfully strong and sometimes only thread-like, between artists of dizzying talent and wildly varying impulses. - Observer ReviewA masterpiece, a major work of modern art history As [Martin Gayford] traces Londons art scene from the 1940s to the 1970s, the configuration of friends and rivals he presents is as lucid as a family tree... filled with vivid anecdotes that might have otherwise disappeared into the Soho air. - The Wall Street JournalAbout the Author Martin Gayford is art critic for The Spectator. His books include Man with a Blue Scarf, A Bigger Message, and Rendez-vouz with Art (with Philippe de Montebello).
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