#Alienreview #Alienanthology #alienmovie

Alright! Here is my new Alien Review. Yes i love those movies.
What do you think about them?

Intro 0:00
Sketsh 3:13
Alien Review 3:36
Aliens Review 7:27
Alien 3 Review 10:28
Alien Ressurection 14:44
Alien S*xual 18:35
Alien theory and Random facts 20:25
Alien Quardilogy 21:08
Alien Box 22:24
Outro 22:41

Thank you for watching!

Alien is a science-fiction horror and action media franchise centered on the film series which depicts warrant officer Ellen Ripley (Sigourney Weaver) and her battles with an extraterrestrial lifeform, commonly referred to as "the Alien" or Xenomorph.

Produced and distributed by 20th Century Studios, the series began with Alien (1979), directed by Ridley Scott, and was followed by three sequels: Aliens (1986), directed by James Cameron; Alien 3 (1992), directed by David Fincher, and Alien Resurrection (1997), directed by Jean-Pierre Jeunet. ).

The series has led to numerous novels, comics, video games and an upcoming television series developed by Scott for FX on Hulu, with Noah Hawley. It has inspired a number of spin-offs – most notably the Alien vs. Predator series, which combines the continuities of the Alien franchise with the Predator franchise and consists of two films as well as various series of comics, books, and video games.

Writer Dan O'Bannon, wanting to write a science-fiction action film, collaborated with screenwriter Ronald Shusett on a script, initially titled Star Beast, but eventually changed to Alien. Brandywine Productions, a company which had a distribution deal with 20th Century Fox, bought the script. The writers expected it to be a low-budget film, but the success of Star Wars inclined Fox to invest millions.

In the original script, the ship had an all-male crew, though it noted that all parts were gender-interchangeable. The Ripley character was initially to be played by Tom Skerritt, but when Fox president Alan Ladd Jr. and the producers at Brandywine heard rumors of Fox working on other titles with strong female leads, it was decided to cast a female as Ripley and Skerritt became Captain Dallas.

Swiss painter and sculptor H. R. Giger designed the alien creature's adult form and the derelict ship, while French artist Mœbius created the look of the spacesuits and Ron Cobb provided most of the industrial design for the sets

While Alien, directed by Ridley Scott, was successful, Fox did not consider a sequel until 1983, when James Cameron expressed his interest to producer David Giler in continuing the Alien story. After Cameron's The Terminator became a box office hit, Cameron and partner Gale Anne Hurd were given approval to direct and produce the sequel to Alien, scheduled for a 1986 release. Cameron wrote the screenplay for Aliens from a story he developed with Giler and Walter Hill.

Following the second film, Weaver was not interested in returning to the series, so Giler and Hill commissioned a sequel without the Ripley character. Fox's president Joe Roth opposed Ripley's removal, and Weaver was offered a $5 million salary and a producer credit to make Alien 3. Giler, Hill and Larry Ferguson wrote the screenplay, based on a story from an earlier script by Vincent Ward, intended to bring closure to the Alien franchise by killing off Ripley, the principal character. Alien 3 faced a mired production, with extensive script difficulties, trouble securing a director, production beginning prior to the completion of a final script, as well as profuse studio interference.

While fans and critics initially did not receive Alien 3 well, the film was a worldwide success and piqued Fox's interest in continuing the franchise. In 1996, production on the fourth Alien film, Alien Resurrection, began. Ripley was not in the script's first draft, and Weaver was not interested in reprising the role. She joined the project after being offered an $11 million salary and more creative control, including director approval. The script, set 200 years after Alien 3, resurrected the Ripley character via human cloning. The film, directed by Jean-Pierre Jeunet, experienced an extended production, and screenwriter Joss Whedon later recounted that it had done "everything wrong" with his script. The film was released in 1997 to mixed reviews and modest box office returns, and is unsucceeded.
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