Selling Paris: Property and Commercial Culture in the Fin-De-Siècle Capital
Author: Alexia M. Yates File Type: pdf In 1871 Paris was a city in crisis. Besieged during the Franco-Prussian War, its buildings and boulevards were damaged, its finances mired in debt, and its new government untested. But if Parisian authorities balked at the challenges facing them, entrepreneurs and businessmen did not.Selling Parischronicles the people, practices, and politics that spurred the largest building boom of the nineteenth century, turning city-making into big business in the French capital.Alexia Yates traces the emergence of a commercial Parisian housing market, as private property owners, architects, speculative developers, and credit-lending institutions combined to finance, build, and sell apartments and buildings. Real estate agents and their innovative advertising strategies fed these new residential spaces into a burgeoning marketplace. Corporations built empires with tens of thousands of apartments under management for the benefit of shareholders. By the end of the nineteenth century, the Parisian housing market caught the attention of the wider public as newspapers began reporting its ups and downs.The forces that underwrote Pariss creation as the quintessentially modern metropolis were not only state-centered or state-directed but also grew out of the uncoordinated efforts of private actors and networks. Revealing the ways housing and property became commodities during a crucial period of urbanization,Selling Parisis an urban history of business and a business history of a city that transforms our understanding of both.
Author: Mika Ojakangas
File Type: pdf
This bookexplores the origins of western biopolitics in ancient Greek political thought. Ojakangassargues that the conception of politics as the regulation of the quantity and quality of population in the name of the security and happiness of the state and its inhabitants is as old as the western political thought itself the politico-philosophical categories of classical thought, particularly those of Plato and Aristotle, were already biopolitical categories. In their books on politics, Plato and Aristotle do not only deal with all the central topics of biopolitics from the political point of view, but for them these topics are the very keystone of politics and the art of government. Yet although the Western understanding of politics was already biopolitical in classical Greece,the book does not arguethat the history of biopolitics would constitute a continuum from antiquity to the twentieth century. InsteadOjakangasargues that the birth of Christianity entailed a crisis of the classical biopolitical rationality, as the majority of classical biopolitical themes concerning the government of men and populations faded away or were outright rejected. It was not until the renaissance of the classical culture and literature including the translation of Platos and Aristotles political works into Latin that biopolitics became topical again in the West. The book will be of great interest to scholars and students in the field of social and political studies, social and political theory, moral and political philosophy, IR theory, intellectual history, classical studies.
Author: Werner Wolf
File Type: pdf
span orphans 2 widows 2This volume collects twenty-two major essays by Werner Wolf published between 1992 and 2014, all of them revised but retaining the original argument. They form the core of those seminal writings which have contributed to establishing intermediality as an internationally recognized research field, besides providing a by now widely accepted typology of the field and opening intermedial perspectives on areas as varied as narratology, metareferentiality and iconicity. The essays are presented chronologically under the headings of Theory and Typology, LiteratureMusic Relations, Transmedial Narratology, and Miscellaneous Transmedial Phenomena and cover a wide spectrum of topics of both historical and contemporary relevance, ranging from J.S. Bach, Mozart, Schubert and Gulda through Sterne, Hardy, Woolf and Beckett to Jan Steen, Hogarth, Magritte and comics. The volume should be essential reading for scholars of literature, music and art history with an interdisciplinary orientation as well as general readers interested in the fascinating interaction of the arts.span
Author: Sean Redmond
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Science fiction is perhaps the most effective genre to explore the concerns of the present whilst reflecting on the possibilities of the future. But what precisely can it tell us about present and future by setting these two timeframes in the same critical space?*ReviewIn this immersive yet critical book, Sean Redmond never forgets the structures of power behind the enticing mirrored surfaces of science fiction. A warm, generous and honest academic-poet he gently shapes our understanding by sharing his personal experiences.(Will Brooker, Kingston University author of Hunting the Dark Knight Twenty-first Century Batman) Accessible and passionately written, this is a welcome contribution to contemporary science fiction film and television theory. Especially noteworthy for its rarity and descriptive power is the absolutely terrific last chapter, devoted to close analysis of recent science fictions aesthetics of sound.(Vivian Sobchack, UCLA author of Screening Space The American Science Fiction Film) In this ground-breaking study, Sean Redmond travels to the far reaches of screen outer space, previously undiscovered and unexplored, to reveal new ways of seeing science fiction as an immersive, interactive experience at one with our digital lives. Howard Hughes, author of Outer Limits The Filmgoers Guide to the Great Science-Fiction Films # Cinema is science fiction this startling, persuasive conclusion guides Sean Redmonds enquiry into the liquid state of digital culture seen through the lenses, heard through the speakers and felt through the trackpads of science fiction film and television. From capitalism to race, surveillance to the sublime, in a brilliant constellation of close readings Redmond tracks the new heavens and hells of our compulsorily fluid condition.(Sean Cubitt, Goldsmiths, University of London) About the Author Sean Redmond is Associate Professor of Media and Communication at Deakin University, Australia. He is the author of numerous books including Blade Runner (2016), The Cinema of Takeshi Kitano Flowering Blood (2013) and Liquid Metal A Reader in Science Fiction Film (2004).
Author: Russell Gilbert Poole
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The Old Norse and Icelandic poets have left us vivid accounts of conflict and peace-making in the Viking Age. Russell G. Pooles editorial and critical analysis reveals much about the texts themselves, the events that they describe, and the culture from which they come.Poole attempts to put right many misunderstandings about the integrity of the texts and their narrative techniques. From a historical perspective, he weighs the poems authenticity as contemporary documents which provide evidence bearing upon the reconstruction of Viking Age battles, peace negotiations, and other events.He traces the social roles played by violence in medieval Scandinavian society, and explores the many functions of the poet within that society. Arguing that these texts exhibit a mind-style so vastly different from our own present individualism, Poole suggests that the mind-set of the medieval Scandinavian could be termed non-individualist.The poems discussed are the Darradarljod, where the speakers are Valkyries Lidsmannaflokkr, a rank-and-file warriors description of Canute the Greats siege of London in 1016 Torf-Einarrs Revenge Egils Duel with Ljotr, five verses from the classic Egils saga Skallagrimssonar A Battle on the Health, marking the culmination of a famous feud described in a very early Icelandic saga, the Heidarviga saga and two extracts from the poem Sexstefia, one describing Haraldr of Norways great fleet and victory over Sveinn of Denmark, and the other the peace settlement between these two kinds.The texts are presented in association with translations and commentaries as a resource not merely for medieval Scandinavian studies but also for the increasingly interwoven specialisms of literary theory and anthropology.About the AuthorRussell Poole is a professor in the Department of English at the University of Western Ontario.
Author: Bruce Dean Willis
File Type: pdf
Aesthetics of Equilibrium is the first book-length comparative analysis of the theoretical prose by two major Latin American vanguardist contemporaries, Mario de Andrade (Brazil, 1893-1945) and Vicente Huidobro (Chile, 1893-1948). Willis offers a comparative study of two allegorical texts, Huidobros Non serviam and Marios Parabola dA escrava que nao e Isaura.
Author: Christopher Braider
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In his monumental study, Christopher Braider explores the dialectical contest between history and truth that defines the period of cultural transition called the baroque. For example, Annibale Carraccis portrayal of the Stoic legend of Hercules at the Crossroads departs from earlier, more static representations that depict an emblematic demigod who has already rejected the fallen path of worldly Pleasure for the upward road of heroic Virtue. Braider argues that, in breaking with tradition in order to portray a tragic soliloquist whose dominant trait is agonized indecision, Carracci joins other baroque artists, poets and philosophers in rehearsing the historical dilemma of choice itself. Carraccis picture thus becomes a framing device that illuminates phenomena as diverse as the construction of gender in baroque painting and science, the Pauline ontology of art in Caravaggio and Rembrandt, the metaphysics of baroque soliloquy and the dismantling of Cartesian dualism in Cyrano de Bergerac and Pascal.
Author: Antoinette Elizabeth Denapoli
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In this groundbreaking book, based on in-depth ethnographic research spanning ten years, Antoinette Elizabeth DeNapoli brings to light the little known, and often marginalized, lives of female Hindu ascetics (sadhus) in the North Indian state of Rajasthan. Her book offers a new perspective onthe practice of asceticism in India today, exploring a phenomenon she terms vernacular asceticism. Examining the everyday religious worlds and practices of primarily unlettered female sadhus who come from a variety of castes, Real Sadhus Sing to God illustrates that the female sadhus whom DeNapoliknew experience asceticism in relational and celebratory ways and construct their lives as paths of singing to God. While the sadhus have combined ritual initiation with institutionalized and orthodox orders of asceticism, they also draw on the non-orthodox traditions of the medieval devotional poet-saints of North India to create a form of asceticism that synthesizes multiple and competing world views. DeNapolisuggests that in the vernacular asceticism of the sadhus, singing to God serves as the female way of being an ascetic. As women who have escaped the dominant societal expectations of marriage and housework, female sadhus are unusual because they devote themselves to a way of life traditionallyreserved for men in Indian society. Female sadhus are simultaneously respected and distrusted for transgressing normative gender roles in order to dedicate themselves to a life of singing to the divine. Real Sadhus Sing to God is the first book-length study to explore the ways in which female sadhus perform and, thus, create gendered views of asceticism through their singing, storytelling, and sacred text practices, which DeNapoli characterizes as the sadhus rhetoric of renunciation. The bookalso examines the relationship between asceticism (sannyas) and devotion (bhakti) in contemporary contexts. It brings together two disparate fields of study in religious scholarship - yogaasceticism and bhakti - through use of the orienting metaphor of singing bhajans (devotional songs) tounderstand vernacular asceticism in contemporary India.
Author: Nick Cullather
File Type: pdf
The first edition of this book, published in 1999, was well-received, but interest in it has surged in recent years. It chronicles an early example of regime change that was based on a flawed interpretation of intelligence and proclaimed a success even as its mistakes were becoming clear. Since 1999, a number of documents relating to the CIAs activities in Guatemala have been declassified, and a truth and reconciliation process has unearthed other reports, speeches, and writings that shed more light on the role of the United States. For this edition, the author has selected and annotated twenty-one documents for a new documentary Appendix, including President Clintons apology to the people of Guatemala. **Review Nick Cullather sheds new light on an old regime change, assissted by documents initially made public during the tenure of former Central Intelligence Agency (CIA) Director (and current Secretary of Defense) Robert Gates. Cullathers work is concise, detailed, and eminantly readable...In summary, Cullather provides a realistic and nuanced view of an otherwise well-covered operation, see through the eyes of the agency that led PBSUCCESS...For students of Latin America and U.S. national security policymaking in the region, Cullather has done a great service. (Mark Montesclaros, Department of Joint, Interagency and Multinational Operations U.S. Army Command and General Staff College) From the Inside Flap The first edition of this book, published in 1999, was well-received, but interest in it has surged in recent years. It chronicles an early example of regime change that was based on a flawed interpretation of intelligence and proclaimed a success even as its mistakes were becoming clear. Since 1999, a number of documents relating to the CIAs activities in Guatemala have been declassified, and a truth and reconciliation process has unearthed other reports, speeches, and writings that shed more light on the role of the United States. For this edition, the author has selected and annotated twenty-one documents for a new documentary Appendix, including President Clintons apology to the people of Guatemala.