Author: Adrian Curtin Death in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion.In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.
Author: John H. Matsui
Although much is known about the political stance of the military at large during the Civil War, the political party affiliations of individual soldiers have received little attention. Drawing on archival sources from twenty-five generals and 250 volunteer officers and enlisted men, John Matsui offers the first major study to examine the ways in which individual politics were as important as military considerations to battlefield outcomes and how the experience of war could alter soldiers political views.
Author: Edward Kessler
Seeing Flannery O'Connor in the company of poets, rather than realistic prose writers, this work shows how she uses recurring figures of speech to transform or re-create the external world.Originally published in .The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Lisa L. Ossian
To many rural Iowans, the stock market crash on New Yorks Wall Street in October 1929 seemed an event far removed from their lives, even though the effects of the crash became all too real throughout the state. From 1929 to 1933, the enthusiastic faith that most Iowans had in Iowan President Herbert Hoover was transformed into bitter disappointment with the federal government. As a result, Iowans directly questioned their leadership at the state, county, and community levels with a renewed spirit to salvage family farms, demonstrating the uniqueness of Iowas rural life. Beginning with an overview of the state during 1929, Lisa L. Ossian describes Iowas particular rural dilemmas, evoking, through anecdotes and examples, the economic, nutritional, familial, cultural, industrial, criminal, legal, and political challenges that engaged the people of the state. The following chapters analyze life during the early Depression: new prescriptions for childrens health, creative housekeeping to stretch resources, the use of farm playlets to communicate new information creatively and memorably, the demise of the soft coal mining industry, increased violence within the landscape, and the movement to end Prohibition. The challenges faced in the early Great Depression years between 1929 and 1933 encouraged resourcefulness rather than passivity, creativity rather than resignation, and community rather than hopelessness. Of particular interest is the role of women within the rural landscape, as much of the increased daily work fell to farm women during this time. While the women addressed this work simply as making do, Ossian shows that their resourcefulness entailed complex planning essential for families emotional and physical health. Ossians epilogue takes readers into the Iowa of today, dominated by industrial agriculture, and asks the reader to consider if this model that stemmed from Depression-era innovation is sustainable.Her rich rural history not only helps readers understand the particular forces at work that shaped the social and physical landscape of the past but also traces how these landscapes have continued in various forms for almost eighty years into this century.
Author: Jennifer Larson
Walter Mosley is perhaps best known for his first published mystery, Devil in a Blue Dress, which became the basis for the 1995 movie of the same name featuring Denzel Washington. Mosley has since written more than forty books across an impressive expanse of genres including, but not limited to, nonfiction, science fiction, drama, and even young adult fiction, garnering him many honors including an OHenry Award, an Anisfield-Wolf Book Award, a Grammy Award, a Pen Center Lifetime Achievement Award, and two NAACP Image Awards for Outstanding Literary Work in Fiction. In Understanding Walter Mosley, Jennifer Larson considers Mosleys corpus as a whole to help readers more fully understand the evolution of his literary agenda. All Mosleys texts feature his trademark accessibility as well as his penchant for creating narratives that both entertain and instruct. Larson examines how Mosleys writing interrogates, complicates, and contextualizes recurring moral, social, and even personal questions. She also considers the possible roots of Mosleys enduring popularity with a diverse group of readers. Larson then traces key themes and claims throughout the Easy Rawlins series to show how Mosleys beloved hero offers unique perspectives on race, class, and masculinity in the mid to late twentieth century; explores the ways in which Fearless Jones, Mosleys second detective, both builds on and diverges from his predecessors character; and looks at how the works featuring Leonid McGill, Mosleys junior detective, center on understanding the complex relationship between present-day social dilemmas and the personal as well as the communal past. Regarding Mosleys other genres, Larson argues that the science fiction works together portray a future in which race, class, and gender are completely reimagined, yet still subject to an oppressive power dynamic, while his erotica asks readers to reconsider the dynamics of power and control but in a more personal, even intimate, context. Similarly, in Mosleys nongenre fiction, stories are revived through a reconnection with the past, a reclaiming of cultural heritage and lineage, and a rejection of classist visions of power. Finally, Mosleys nonfiction, which persuades his audience to act through writing, humanitarian efforts, or social uprising, offers a mix of lessons aimed at guiding readers through the same questions that inform his fiction writing.
Author: Shabana Mir
Shabana Mir's powerful ethnographic study of women on Washington, D.C., college campuses reveals that being a young female Muslim in post-9/11 America means experiencing double scrutinyscrutiny from the Muslim community as well as from the dominant non-Muslim community. Muslim American Women on Campus illuminates the processes by which a group of ethnically diverse American college women, all identifying as Muslim and all raised in the United States, construct their identities during one of the most formative times in their lives. Mir, an anthropologist of education, focuses on key leisure practices--drinking, dating, and fashion--to probe how Muslim American students adapt to campus life and build social networks that are seamlessly American, Muslim, and youthful. In this lively and highly accessible book, we hear the women's own often poignant voices as they articulate how they find spaces within campus culture as well as their Muslim student communities to grow and assert themselves as individuals, women, and Americans. Mir concludes, however, that institutions of higher learning continue to have much to learn about fostering religious diversity on campus.
Author: Sous la direction de Anne Gilbert, Michel Bock et Joseph Yvon Thériault
Dans Les lieux de memoire, Pierre Nora affirme que la memoire s'enracine dans le concret, l'espace, le geste, l'image et l'objet (1984, xix). Entre lieux et memoire adopte une perspective semblable et jette un regard sur les experiences concretes, geographiquement situees, par lesquelles les francophones du Canada construisent leur identite a partir des reminiscences de leur passe. Ce questionnement est essentiel, car la geographie de la francophonie canadienne evolue rapidement, consolidee au Quebec au cours notamment des dernieres cinquante annees, mais fragilisee dans les milieux les plus dynamiques de la francophonie hors Quebec, la ou les francophones se confrontent quotidiennement a l'Autre : anglophone, immigrant et allophone. Dans ces lieux consolides et fluides se tissent les appartenances et les identites de ceux qui les occupent. Les auteurs abordent les lieux de memoire du Canada francais selon trois approches : l'histoire, la geographie et les arts. Tous mettent en evidence que la fondation d'un lieu de memoire est un acte politique. Enfin, ils montrent qu'une etude des lieux de memoire, par l'entremise des individus et des groupes qui les instituent, constitue un prealable a la comprehension de l'identite francophone canadienne, dans son unite comme dans sa diversite.
Author: Richard E. Foglesong
Starting with the colonial period, but focusing especially on the Progressive era, Richard Foglesong offers both a narrative account and a theoretical interpretation of urban planning in the United States.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Dickinson W. Adams
This volume is an important clarification of the controversial religious beliefs of one of our most unorthodox but ethically committed presidents. Printed here are the facsimile texts of Jefferson's two compilations of Jesus' words.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Stefan Tanaka
New Times in Modern Japan concerns the transformation of time--the reckoning of time--during Japan's Meiji period, specifically from around 1870 to 1900. Time literally changed as the archipelago synchronized with the Western imperialists' reckoning of time. The solar calendar and clock became standard timekeeping devices, and society adapted to the abstractions inherent in modern notions of time. This set off a cascade of changes that completely reconfigured how humans interacted with each other and with their environment--a process whose analysis carries implications for other non-Western societies as well. By examining topics ranging from geology, ghosts, childhood, art history, and architecture to nature as a whole, Stefan Tanaka explores how changing conceptions of time destabilized inherited knowledge and practices and ultimately facilitated the reconfiguration of the archipelago's heterogeneous communities into the liberal-capitalist nation-state, Japan. However, this revolutionary transformation--where, in the words of Lewis Mumford, the clock, not the steam engine, is the key mechanism of the industrial age--has received little more than a footnote in the history of Japan. This book's innovative focus on time not only shifts attention away from debates about the failure (or success) of modernization toward how individuals interact with the overlay of abstract concepts upon their lives; it also illuminates the roles of history as discourse and as practice in this reconfiguration of society. In doing so, it will influence discussions about modernity well beyond the borders of Japan.