Somebody Telling Somebody Else: Toward a Rhetorical Poetics of Narrative
Author: James Phelan File Type: pdf InSomebody Telling Somebody Else, James Phelan proposes a paradigm shift for narrative theory, a turn from viewing narrative as a structure to viewing it as a rhetorical action in which a teller selectively deploys the resources of storytelling in order to accomplish particular purposes in relation to particular audiences. Phelan explores the consequences of this shift for an understanding of various elements of narrative, including reliable and unreliable narration, character-character dialogue, and occasions of narration. In doing so, he offers new readings of a wide range of narratives from Jane AustensPride and Prejudiceto Joan DidionsThe Year of Magical Thinking, from Joseph ConradsLord Jimto George V. HigginssThe Friends of Eddie Coyle,from Franz Kafkas Das Urteil to Toni Morrisons Recitatif, from David SmallsStitchesto Jhumpa Lahiris Third and Final Continent, from John OHaras Appearances to Ian McEwansEnduring Love. Phelan contends that the standard view of narrative as a synthesis of story and discourse is inadequate to handle the complexities of narrative communication, and he demonstrates the greater explanatory power of his rhetorical view. Furthermore, Phelan gives new prominence to the presence and activity of the somebody else, as he shows that an audiences unfolding responses to a narrative often influence its very construction. **
Author: Alexander Mooi
File Type: pdf
A more engaging and visionary role for architects is emerging, altering focus from a technological advisor to a more sociological engineer or entrepreneur. By researching a selection of current architectural practices an attempt is made to describe this evolution of the architects role and to assess if this is truly a new development or even a paradigm shift. Based upon on an analysis of texts by scholars and written conversations with architects on the subject of sustainable architecture, resilient architecture, agency in architecture and reactivist architecture, supplemented with additional statements by architects on the matter of architectural practice, an evolution of this role made clear and put into perspective. The aim of this review therefore is to distil some kind consensus within architectural practice of how the architects role is to evolve in the foreseeable future. It appears that reactivist architecture as a descriptive set of principles has absorbed elements of all of the above, becoming more than the sums of its parts and allowing for a new role for the architect to emerge.
Author: Allison Levy
File Type: pdf
Whereas recent studies of early modern widowhood by social, economic and cultural historians have called attention to the often ambiguous, yet also often empowering, experience and position of widows within society, Widowhood and Visual Culture in Early Modern Europe is the first book to consider the distinct and important relationship between ritual and representation. The fifteen new interdisciplinary essays assembled here read widowhood as a catalyst for the production of a significant body of visual material-representations of, for and by widows, whether through traditional media, such as painting, sculpture and architecture, or through the so-called minor arts, including popular print culture, medals, religious and secular furnishings and ornament, costume and gift objects, in early modern Austria, England, France, Germany, Italy and Spain. Arranged thematically, this unique collection allows the reader to recognize and appreciate the complexity and contradiction, iconicity and mutability, and timelessness and timeliness of widowhood and representation. **Review Prize Winner of the Society for the Study of Early Modern Women Award for a collaborative project published in 2003. These essays by promising young scholars open new angles of vision on the experiences and representations of widowhood in early modern culture. The collection is distinguished not only by its impressive chronological and geographical range it also shows how little-known images and neglected objects shaped the accumulated meanings surrounding widowhood and public memory. Equally sensitive to both the historical and visual contexts, this book reveals with stunning clarity how death and remembrance in early modern Europe were informed by gender and power relations. Sharon Strocchia, author of Death and Ritual in Renaissance Florence Through the exploration of an impressive range of forms of visual culture and mourning rituals this book draws attention to an unwritten chapter of the history of widowhood the key role that the widow was called to play in the preservation and construction of her husbands social memory. ... a must-read not just for historians of gender but for all those interested in developing their understanding of the multi-layered role of images in early modern society. Sandra Cavallo, Reader in Early Modern History at Royal Holloway, University of London Collectively, the essays illuminate the important contributions widows made to the production of visual materials and to the shaping of identity and memory. The volume is a useful addition to gender studies and the growing literature on the complex role of images in early modern society. Choice The strength of this collection lies in its broad geographical and chronological scope and the interdisciplinary nature of its essays which reflect a diversity of critical approaches and examine widowhood and visual culture from multiple perspectives. Marilyn Dunn, Renaissance Quarterly About the Author Allison Levy Allison Levy, Catherine Lawless, J. S. W. Helt, Marina Arnold, Joyce de Vries, Elizabeth McCartney, Michael E. Yonan, Holly S. Hurlburt, Laura D. Gelfand, Sara French, Stephanie Fink De Backer, Cristelle L. Baskins, Amelia Carr.
Author: Rania Huntington
File Type: pdf
How does an extended family, bound by shared history, affection, and duty but divided by generation, gender, status, and personality, memorialize its dead? This fascinating study shows how members of the prominent Yu family passed down their personal and familial memories over five generations, through the traumatic transition from imperial to modern China and amidst the radical change and destruction of the nineteenth and twentieth centuries. Their memory writing is unusual and compelling for its quantity, variety, and resonance of themes across generations. It reflects a particular cultural moment and family, yet offers insight into universal practices of writing and remembrance. Ink and Tears begins and ends with the Yu familys two most famous members the late Qing writer Yu Yue and his great-great grandson Yu Pingbo, each among the most famous and prolific scholars of their respective generations. Over a span of one and a half centuries, they and their lesser-known female and male kin made use of an impressive diversity of genrespoetry, prefaces, biographies, diaries, correspondence, and strange talesto preserve their familys memories. During the times in which they wrote, the technologies of printing and the institutions of publication and book distribution were being transformed, and by the time of the great-grandchildren the language of education and governance, definitions of scholarship and literature, and the map of literary genres had all been remade. The Yus memory writing thus reveals not just how different family members remembered and mourned, but the changing tools they had with which to convey their loss. Drawing on a wealth of archival material, Rania Huntington focuses on questions of how memory was crafted, preserved, and transmitted as much as on what was remembered, tracing common tropes and shared strategies. Her beautifully observed study will interest scholars of late imperial and early Republican literature and history, as well as readers more broadly concerned with the family, womens writing, themes of memory and bereavement, and the personal functions of literature. **
Author: Patrick Major
File Type: pdf
Few historical changes occur literally overnight, but on August 13 1961 eighteen million East Germans awoke to find themselves walled in by an edifice which was to become synonymous with the Cold War the Berlin Wall. This new history rejects traditional, top-down approaches to Cold War politics, exploring instead how the border closure affected ordinary East Germans, from workers and farmers to teenagers and even party members, caught out by Sunday the Thirteenth. Party, police and Stasi reports reveal why one in six East Germans fled the country during the 1950s, undermining communist rule and forcing the eleventh-hour decision by Khrushchev and Ulbricht to build a wall along the Cold Wars frontline. Did East Germans resist or come to terms with immurement? Did the communist regime become more or less dictatorial within the confines of the so-called Antifascist Defense Rampart? Using film and literature, but also the GDRs losing battle against Beatlemania, Patrick Majors cross-disciplinary study suggests that popular culture both reinforced and undermined the closed society. Linking external and internal developments, Major argues that the GDRs official quest for international recognition, culminating in Ostpolitik and United Nations membership in the early 1970s, became its undoing, unleashing a human rights movement which fed into, but then broke with, the protests of 1989. After exploring the reasons for the fall of the Wall and reconstructing the heady days of the autumn revolution, the author reflects on the fate of the Wall after 1989, as it moved from demolition into the realm of memory. Few historical changes occur literally overnight, but on 13 August 1961 eighteen million East Germans awoke to find themselves walled in by an edifice which was to become synonymous with the Cold War the Berlin Wall. This new history rejects traditional, top-down approaches to Cold War politics, exploring instead how the border closure affected ordinary East Germans, from workers and farmers to teenagers and even party members, caught out by Sunday the Thirteenth. Party, police, and Stasi reports reveal why one in six East Germans fled the country during the 1950s, undermining communist rule and forcing the eleventh-hour decision by Khrushchev and Ulbricht to build a wall along the Cold Wars frontline. Did East Germans resist or come to terms with immurement? Did the communist regime become more or less dictatorial within the confines of the so-called Antifascist Defence Rampart? Using film and literature, but also the GDRs losing battle against Beatlemania, Patrick Majors cross-disciplinary study suggests that popular culture both reinforced and undermined the closed society. Linking external and internal developments, Major argues that the GDRs official quest for international recognition, culminating in Ostpolitik and United Nations membership in the early 1970s, became its undoing, unleashing a human rights movement which fed into, but then broke with, the protests of 1989. After exploring the reasons for the fall of the Wall and reconstructing the heady days of the autumn revolution, the author reflects on the fate of the Wall after 1989, as it moved from demolition into the realm of memory.
Author: Hulda Regehr Clark
File Type: pdf
This book describes the causes of both common and extraordinary diseases and gives specific instructions for their cure. The sick have been held hostage for their money or intangible assets since time immemorial. Doctors, even primitive and natural healers, surround themselves with mystery as they use herbs or chemicals and incantations or prognoses to help the sick recover. Today, the medical industry (doctors and their suppliers and insurers) take a significant amount of the workers earnings. Wouldnt it be nice if they could all go back to gardening or some other primitive and useful endeavour? Wouldnt it be wonderful if the sick could join them? The most promising discovery in this book is the effectiveness of electricity to kill viruses, bacteria and parasites. Does this mean you can cancel your appointment with your clinical doctor? No it does not. Killing your invaders does not make you well instantly. But happily, at your next doctor visits she or he will be removing drugs, not adding them. No diabetes, no high blood pressure, no cancer, no HIVAIDS, no migraines, no lupus and so on!
Author: Reinhard Hutter
File Type: pdf
Aquinas on Transubstantiation treats one of the most frequently mis-understood and mis-represented teachings of Thomas AquinasEucharistic transubstantiation. The study interprets Aquinass teaching as an exercise of holy teaching (sacra doctrina) that intends to show theologically and back up philosophically the simple yet profound thesis that transubstantiation affirms nothing but the truth of Christs words at the Last SupperThis is my body, This is my blood. Yet in order to achieve a contemporary ressourcement of this simple yet profound truth, it is necessary to probe the depths of Thomas Aquinass philosophical interpretation of it. For Thomas Aquinas, in regarding the truth of Eucharistic conversion, it is faith that preserves the human intellect from missing or dismissing the mystery announced in Christs words. Faith, however, is not intellectually blind, a faith that, as is often erroneously held, is commanded by arbitrary divine dictates to which the will submits in blind obedience. Rather, Aquinas takes faith is sustained, but not constituted, by an intellectual contemplation of the proposed mystery of faith, by faith seeking understanding. Thomas Aquinas unfolds this exercise of understanding guided by faith in the medium of a metaphysical contemplation that affords a profound intellectual appreciation of this central mystery of faithprecisely as mystery. Thomass metaphysical contemplation of Eucharistic conversion gestures toward the blinding light of superintelligibility, experienced as the unique darkness that surrounds this sublime mystery of faith. A ressourcement in Thomas Aquinass doctrine of transubstantiation also affords an renewed appreciation of the Churchs affirmation of transubstantiation as the most apt term for the interpretation of the mystery of Eucharistic conversion and a greater precision of what is centrally at stake in this mystery in the ongoing ecumenical conversation of this most central Christian teaching. A doctrinally sound, ecumenically informed, and philosophically reflected contemporary Catholic theology cannot afford to ignore or dismiss Aquinass surpassing account of Eucharistic conversion.
Author: Seamus Heaney
File Type: epub
Originally published in 1969, Seamus Heaneys Door into the Dark continues a furrow so startlingly opened in his first collection, Death of a Naturalist (1966). With the sensuosness and physicality of language that would become the hallmark of his early writing, these poems graphically depict the authors rural upbringing, from the local forge to the banks of Lough Neagh, concluding in the preserving waters of the bogland and a look ahead to his next book, Wintering Out (1972).ReviewHeaney has the gift of finding a new and consummate phrase to evoke physical qualities, and when these take on symbolic resonance the result is superb. . . . [This] collection as a whole is a splendid achievement.--Richard Kell, The Guardian About the AuthorSeamus Heaney was born in County Derry in Northern Ireland. Death of a Naturalist, his first collection of poems, appeared in 1966, and was followed by poetry, criticism and translations which established him as the leading poet of his generation. In 1995 he was awarded the Nobel Prize in Literature, and twice won the Whitbread Book of the Year, for The Spirit Level (1996) and Beowulf (1999). Stepping Stones, a book of interviews conducted by Dennis ODriscoll, appeared in 2008 Human Chain, his last volume of poems, was awarded the 2010 Forward Prize for Best Collection. He died in 2013.
Author: James Marcus
File Type: epub
In a book that Ian Frazier has called a fascinating and sometimes hair-raising morality tale from deep inside the Internet boom, James Marcus, hired by Amazon.com in 1996 when the company was so small his e-mail address could be james@amazon.comlooks back a decade later at the ecstatic rise, dramatic fall, and remarkable comeback of the consummate symbol of late 1990s America.Observing how it was to be in the right place (Seattle) at the right time (the 90s) (Chicago Reader), Marcus offers a ringside seat on everything from his first interview with Jeff Bezos to the companys bizarre, Nordic-style retreats, creating what Jonathan Raban calls an utterly beguiling book. For this first paperback edition, Marcus has added a new afterword with further reflections on his Amazon experience. In the tradition of the most noteworthy and entertaining memoirs of recent years, Marcus offers us a modern-day fable, a clear-eyed, first-person account, rife with digressions on the larger cultural meaning throughout (Henry Alford, Newsday).