Author: Mark S. Mizruchi File Type: pdf In the aftermath of a financial crisis marked by bank-friendly bailouts and loosening campaign finance restrictions, a chorus of critics warns that business leaders have too much influence over American politics. Mark Mizruchi worries about the ways they exert too little. The Fracturing of the American Corporate Elite advances the surprising argument that American CEOs, seemingly more powerful today than ever, have abrogated the key leadership role they once played in addressing national challenges, with grave consequences for American society.Following World War II, American business leaders observed an ethic of civic responsibility and enlightened self-interest. Steering a course of moderation and pragmatism, they accepted the legitimacy of organized labor and federal regulation of the economy and offered support, sometimes actively, as Congress passed legislation to build the interstate highway system, reduce discrimination in hiring, and provide a safety net for the elderly and needy. In the 1970s, however, faced with inflation, foreign competition, and growing public criticism, corporate leaders became increasingly confrontational with labor and government. As they succeeded in taming their opponents, business leaders paradoxically undermined their ability to act collectively. The acquisition wave of the 1980s created further pressures to focus on shareholder value and short-term gain rather than long-term problems facing their country.Todays corporate elite is a fragmented, ineffectual group that is unwilling to tackle the big issues, despite unprecedented wealth and political clout. Mizruchis sobering assessment of the dissolution of Americas business class helps explain the polarization and gridlock that stifle U.S. politics.ReviewA striking interpretation of our present economic and political plight. Mark Mizruchi sees many of our problems nested in the dissolution of the ruling business elite that exercised a moderating influence from World War II to the 1970s. Counterintuitive, impeccably researched, closely argued, and depressingly on target. (Charles Perrow, Yale University )This book will become a seminal contribution to our understanding of the nature and transformation of the U.S. corporate elite over the past century. (Richard Lachmann, University At Albany, State University Of New York )Mizruchi shows that in the postwar years, corporate leaders, whatever their weaknesses, put their heads together when the going got tough and came up with political solutions. The system was not altogether democratic, but it resulted in effective problem solving, and a means of bringing the powerful together to pursue the nations common goals. That system has fallen apart. This captivating story, told with fluidity and grace, provides a compelling explanation for todays failure of political ingenuity and compromise. (Frank Dobbin, Harvard University )[Mizruchi] claims that business has abdicated responsibility for developing and advocating practical solutions to national, as opposed to purely sectional, interests. His view will perhaps come as a shock to those accustomed to the ideological divides of our current political landscape. Mizruchi shows how, in the past, businesses had been prepared to cooperate with both government and labor organizations in the common pursuit of national objectives. (Kirkus Reviews 20130315) About the AuthorMark S. Mizruchi is Barger Family Professor of Organizational Studies and Professor of Sociology and Business Administration at the University of Michigan.
Author: Susan Stewart
File Type: pdf
Why do we need new art? How free is the artist in making? And why is the artist, and particularly the poet, a figure of freedom in Western culture? The MacArthur Awardwinning poet and critic Susan Stewart ponders these questions in The Poets Freedom. Through a series of evocative essays, she not only argues that freedom is necessary to making and is itself something made, but also shows how artists give rules to their practices and model a self-determination that might serve in other spheres of work. Stewart traces the ideas of freedom and making through insightful readings of an array of Western philosophers and poetsPlato, Homer, Marx, Heidegger, Arendt, Dante, and Coleridge are among her key sources. She begins by considering the theme of making in the Hebrew Scriptures, examining their accountof a god who creates the world and leaves humans free to rearrange and reform the materials of nature. She goes on to follow the force of moods, sounds, rhythms, images, metrical rules, rhetorical traditions, the traps of the passions, and the nature of language in the cycle of making and remaking. Throughout the book she weaves the insight that the freedom to reverse any act of artistic making is as essential as the freedom to create. A book about the pleasures of making and thinking as means of life, The Poets Freedom explores and celebrates the freedom of artists who, working under finite conditions, make considered choices and shape surprising consequences. This engaging and beautifully written notebook on making will attract anyone interested in the creation of art and literature. **Review Susan Stewart is an investigator of linguistic nuance and a new metaphysics, par excellence.... I believe she is one of the finest poets of the last fifty years. -John Kinsella, Salt Magazine Stewarts meditations on the history of poetry and the poetic are in themselves an original contribution to the philosophy of culture. -Hayden White, author of Figural Realism About the Author Susan Stewart is the Avalon Foundation University Professor in the Humanities and director of the Society of Fellows in the Liberal Arts at Princeton University. A former MacArthur fellow, she is the author of five earlier critical studies, including Poetry and the Fate of the Senses (2002), winner of the Christian Gauss award of the Phi Beta Kappa Society and the Truman Capote Award. She is also the author of five books of poems, most recently Red Rover (2008) and Columbarium (2003), winner of the National Book Critics Circle Award. These titles, along with The Open Studio (2005) and The Forest (1995), are all published by the University of Chicago Press.
Author: Wilson Neate
File Type: epub
In contrast with many of their punk peers, Wire were enigmatic and cerebral, always keeping a distance from the crowd. Although Pink Flag appeared before the end of 1977, it was already a meta-commentary on the punk scene and was far more revolutionary musically than the rest of the competition. Few punk bands moved beyond pared-down rock n roll and garage rock, football-terrace sing-alongs or shambolic pub rock and, if were honest, only a handful of punk records hold up today as anything other than increasingly quaint period pieces. While the majority of their peers flogged one idea to death and paid only lip service to punks Year Zero credo, Wire took a genuinely radical approach, deconstructing song conventions, exploring new possibilities and consistently reinventing their sound. THIS IS A CHORD. THIS IS ANOTHER. THIS IS A THIRD. NOW FORM A BAND, proclaimed the caption to the famous diagram in a UK fanzine in 1976 and countless punk acts embodied that do-it-yourself spirit. Wire, however, showed more interesting ways of doing it once youd formed that band and they found more compelling uses for those three mythical chords.
Author: Anthony Bailey
File Type: epub
Joseph Mallord William Turner is arguably Britains greatest and most mysterious painter, whose range of work encompasses seascape and landscape, immensely powerful oil paintings and intimate watercolours. His friend and colleague C.R. Leslie remembered him thus Turner was short and stout, and had a sturdy, sailor-like walk. He might be taken for the captain of a river steamboat at first glance but a second would find more in his face than belongs in any ordinary mind. There was that peculiar keenness of expression in his eye that is only seen in men of constant habits of observation. The son of a Covent garden barber and a woman who died in Bethlehem Hospital, Turner achieved fame and fortune during his lifetime. Although he possessed a wide-ranging imagination, he was an often incoherent speaker and writer, and his muddled will produced much discord - it is a wonder that, despite avaricious relatives and incompetent lawyers, so many of his works are now in the hands of...
Author: Robert F. Stoops
File Type: pdf
p itemprop=descriptionThis collection provides a multilayered analysis of the branch of early Christian apocryphal literature that examines the relationship between tradition and redaction, uses of language, and the fluid border between literary criticism and motif analysis. The introduction takes the reader on the journey of editing, translating and interpreting apocryphal and hagiographic narratives on the apostles and the first Christians. The volume concludes with the critical edition of two previously unpublished Greek texts a verison of the Martyrdom of Ananias and a memoir on John the Evangelist. (source Bol.com)
Author: Rudolf Steiner
File Type: pdf
Rudolf Steiners Riddles of Philosophy Presented in an Outline of Its History is not a history of philosophy in the usual sense of the word. It does not give a history of the philosophical systems, nor does it present a number of philosophical problems historically. Its real concern touches on something deeper than this, on riddles rather than problems. Philosophical concepts, systems and problems are, to be sure, to be dealt with in this book. But it is not their history that is to be described here. Where they are discussed they become symptoms rather than the objects of the search. The search itself wants to reveal a process that is overlooked in the usual history of philosophy. It is the mysterious process in which philosophical thinking appears in human history. Philosophical thinking as it is here meant is known only in Western civilization. Oriental philosophy has its origin in a different kind of consciousness, and it is not to be considered in this book. What is new here is the treatment of the history of philosophic thinking as a manifestation of the evolution of human consciousness. Such a treatment requires a fine sense of observation. Not merely the thoughts must be observed, but behind them the thinking in which they appear. To follow Steiner in his subtle description of the process of the metamorphosis of this thinking in the history of philosophy we should remember he sees the human consciousness in an evolution. It has not always been what it is now, and what it is now it will not be in the future. This is a fundamental conception of anthroposophy. --From the introduction by Fritz C. A. KoellnAbout the AuthorRudolf Steiner (1861-1925) became a respected and well-published scientific, literary, and philosophical scholar. He developed his earlier philosophical principles into an approach to methodical research of psychological and spiritual phenomena that has led to innovative and holistic approaches in medicine, philosophy, religion, education, science, agriculture, and the arts. He founded the General Anthroposophical Society, which has branches throughout the world.Professor Fritz Koelln taught German for many years at Bowdoin College in Brunswick, Maine, where he gained a devoted following as an inspired teacher. The Koelln Room, where most German classes are taught at Bowdoin today, was dedicated in 1972 in his honor. He was also much-loved as the leader of an anthroposophic study group there for a number of years. He wrote articles and translated (with James Pettegrove) the classic The Philosophy of the Enlightment (1951).
Author: Julian Stafford Corbett
File Type: pdf
The Council of the Navy Records Society wish it to be distinctly understood that they are not answerable for any opinions or observations that may appear in the Societys publications. For these the responsibility rests entirely with the Editors of the several works.
Author: David Hinton
File Type: epub
The earliest and most extensive literary engagement with wilderness in human history, Mountain Home is vital poetry that feels utterly contemporary. Chinas tradition of rivers-and-mountains poetry stretches across millennia. This is a plain-spoken poetry of immediate day-to-day experience, and yet seems most akin to Chinas grand landscape paintings. Although its wisdom is ancient, rooted in Taoist and Zen thought, the work feels utterly contemporary, especially as rendered here in Hintons rich and accessible translations. Mountain Home collects poems from 5th- through 13th-century China and includes the poets Li Po, Po Chu-i and Tu Fu. The rivers-and-mountains tradition covers a remarkable range of topics comic domestic scenes, social protest, travel, sage recluses, and mountain landscapes shaped into forms of enlightenment. And within this range, the poems articulate the experience of living as an organic part of the natural world and its processes. In an age of global ecological disruption and mass extinction, this tradition grows more urgently important every day. Mountain Home offers poems that will charm and inform not just readers of poetry, but also the large community of readers who are interested in environmental awareness. **htmlFrom Publishers Weekly The giants of Tang Dynasty poetry-Wang Wei (701-761), Li Po (701-762), Tu Fu (712-770)-along with poets earlier and later are represented in this set of translations by Hinton, who has published 10 previous books of ancient Chinese translations, including the Tao Te Ching and The Analects. As Tao Chien (365-427) writes When I chant, words come clear. And in wine I touch countless distances. 2002 Reed Business Information, Inc. From Booklist Translator and scholar Hinton ensures that Western readers will experience this supreme collection of Chinese rivers-and-mountains (shan-shui) poetry at the deepest possible level by succinctly explaining the cosmology inherent in this vital and profoundly influential tradition. The keys to understanding the elegant poetry of such masters as Tao Chien (365-427), Li Po (701-762), and Lu Yu (1125-1210) are realizing that they perceive no divide between the human and what we call nature, or between being and nonbeing, and recognizing that in Taoist thought existence is an ongoing process of transformation through which all things arise and pass away. The path taken in most of these deceptively simple lyrics leads away from the clamor of the city back to lifes sweet essences the flow of water, the play of shadows and sunshine on mountain and field, the moons phases, and the great wheel of the seasons. Oneness with life at its purest is the desired mode for these thoughtful, yet often playful, poets, and dwelling within these meditative pages is the first step on the way there. Donna Seaman American Library Association. lthtml