Radical Comedy in Early Modern England: Contexts, Cultures, Performances
Author: Rick Bowers File Type: pdf Drawing on the generic and mythic strength of comedy and the theories of Bakhtin, Bergson, and Hobbes, this book identifies the radical nature of early modern English comedy. The satirical comedic actions that shape the Shepherds Play, Thomas Dekkers pamphlets, and the comic dramas of Marston, Middleton, and Jonson are all driven, Bowers points out, by an ability to criticize authority, assert plebeian culture, and insist on the complexity and innovation of human discourse.The texts examined (including The Jew of Malta, Metamorphosis of Ajax, Antonio and Mellida, Bartholomew Fair, The Alchemist, and A Chaste Maid in Cheapside) simultaneously create and employ standard comedic elements. Farce, absurdity, excess, over-the-top characters, unremitting irony, black humor, toilet humor, and tricksters of all types - such features and more combine to satirize medical, religious, and political authority and to implement necessary social change. Written with a narrative ease, Radical Comedy in Early Modern England shows how comic interventions both describe and reconfigure prevalent authority in its own time while arguing that, through early modern comedy, one can observe the changes in social behavior and understandings characteristic of the Renaissance.About the AuthorRick Bowers is a Professor of English in the Department of English and Film Studies at the University of Alberta in Canada.
Author: Babette Bohn
File Type: pdf
Through the masterpieces produced by artists ranging from Michelangelo and Leonardo to Rembrandt, Rubens, and Vermeer, Europes Renaissance and Baroque period grew into one of the most creative times in world history. A Companion to Renaissance and Baroque Art presents a comprehensive collection of interdisciplinary essays that address major aspects of European visual arts produced from approximately 1300 to 1700, a period of artistic flourishing that many consider the beginning of modern history. These essays, however, transcend the traditional period labels of Renaissance and Baroque by addressing works from Duccio and Chaucer to Velazquez and Newton as a single continuum, inclusive in terms of both disciplinary and geographical boundaries, as an era best characterized as early modern. Featuring original contributions by an international roster of scholars from various disciplines, writings are grouped by concept in five sections that spotlight the varied components and processes that constitute the world of the visual arts and the variety of interpretive methods and ideas that can be, and have been, brought to bear on art objects. Essays explore how art interacts with the cultural paradigms of this explosive time the interface between art and religion, art and science, and gender and sexuality to name a few. Combining an unprecedented breadth of coverage and depth of scholarship with lucid and accessible writing, A Companion to Renaissance and Baroque Art represents the most comprehensive reference on the study of Renaissance and Baroque visual arts available today.
Author: Donald Tyson
File Type: pdf
The true structure of the most sacred name of God is the great arcanum of occultismnever before explicitly revealed but only hinted at in obscure religious and alchemical emblems. It is now laid bare in The Power of the Word. Renowned occultist Donald Tyson clearly shows how IHVH, the four Hebrew letters in the lost name of God, hold the key that unlocks the meaning behind astrological symbolism, the Tarot, the kabbalah, the mysteries of the Old Testament and the Book of Revelation, divinatory systems such as the I Ching and medieval geomancy, the Enochian magic of John Dee, and modern ritual magic. The holiest name of God is nothing less than the archetypal blueprint of creation, the basis for such fundamental forms as the DNA double helix and the binary language of modern computers. This groundbreaking work is the most complete magical reference guide to the secret code of creation ever presented. **About the Author Donald Tyson (Nova Scotia, Canada) is an occult scholar and the author of the popular, critically acclaimed Necronomicon series. He has written more than a dozen books on Western esoteric traditions. Visit him online at DonaldTyson.com.
Author: Marcy Schwartz
File Type: pdf
Public reading programs are flourishing in many Latin American cities in the new millennium. They defy the conception of reading as solitary and private by literally taking literature to the streets to create new communities of readers. From institutional and official to informal and spontaneous, the reading programs all use public space, distribute creative writing to a mass public, foster collective rather than individual reading, and provide access to literature in unconventional arenas.The first international study of contemporary print culture in the Americas,Public Pagesreveals how recent cultural policy and collective literary reading intervene in public space to promote social integration in cities in Colombia, Argentina, Brazil, Mexico, and Chile. Marcy Schwartz looks at broad institutional programs such as UNESCO World Book Capital campaigns and the distribution of free books on public transportation, as well as local initiatives that produce handmade books out of recycled materials (known ascartoneras) and display banned books at former military detention centers. She maps the connection between literary reading and the development of cultural citizenship in Latin America, with municipalities, cultural centers, and groups of ordinary citizens harnessing reading as an activity both social and literary. Along with other strategies for reclaiming democracy after decades of authoritarian regimes and political violence, as well as responding to neoliberal economic policies, these acts of reading collectively in public settings invite civic participation and affirm local belonging.**
Author: Sylvia Plath
File Type: epub
Sylvia Plath churned out her final poems at the remarkable rate of two or three a day, and Robert Lowell describes them as written by hardly a person at all ... but one of those super-real, hypnotic, great classical heroines. Even more remarkable, she wrote them during one of the coldest, snowiest winters (1962-63) Londoners have ever known. Snowbound, without central heating, she and her two children spent much of their time sniffling, coughing, or running temperatures (In Fever 103 she writes, I have been flickering, off, on, off on. The sheets grow heavy as a lechers kiss.). Pipes froze, lights failed, and candles were unobtainable. As if these physical privations werent enough, Plath was out in the cold in another sense--her husband, Ted Hughes, had left her for another woman earlier that year. Despite all this (or perhaps because of it), the Ariel poems dazzle with their lyricism, their surprising and vivid imagery, and their wit. Rather than confining herself to her bleak surroundings, Plath draws from a wide array of experience. In Berck-Plage, for instance, clouds are electrifyingly-coloured sherbets, scooped from the freeze. In The Night Dances, the poet stands crib-side, reveling in her sons own brand of do-si-do Such pure leaps and spirals--Surely they travel The world forever, I shall not entirely Sit emptied of beauties, the gift Of your small breath... Though at times they present the reader with hopelessness laid bare, these poems also teem with the brightest shards of a life, confounding those who merely look for the words of a gloomy, dispassionate suicide. Plath rose each morning in the final months of her life to that still blue, almost eternal hour before the babys cry and left us these words like axesAfter whose stroke the wood rings...
Author: Laurie Maguire
File Type: pdf
How do names attach themselves to particular objects and people and does this connection mean anything? This is a question which goes as far back as Plato and can still be seen in contemporary society with books of Names to Give Your Baby or Readers Digest columns of apt names and professions. For the Renaissance the vexed question of naming was a subset of the larger but equally vexed subject of language is language arbitrary and conventional (it is simply an agreed label for a pre-existing entity) or is it motivated (it creates the entity which it names)? Shakespeares Names is a book for language-lovers. Laurie Maguires witty and learned study examines names, their origins, cultural attitudes to them, and naming practices across centuries and continents, exploring what it means for Shakespeares characters to bear the names they do. She approaches her subject through close analysis of the associations and use of names in a range of Shakespeare plays, and in a range of performances. The focus is Shakespeare, and in particular six key plays Romeo and Juliet Comedy of Errors The Taming of the Shrew A Midsummer Nights Dream Alls Well that Ends Well and Troilus and Cressida. But the book also shows what Shakespeare inherited and where the topic developed after him. Thus the discussion includes myth, the Bible, Greek literature, psychological analysis, literary theory, social anthropology, etymology, baptismal trends, puns, different cultures and periods social practice as regards the bestowing and interpreting of names, and English literature in the sixteenth, seventeenth, eighteenth, nineteenth, and twentieth centuries the reader will also find material from contemporary journalism, film, and cartoons.**
Author: Bradford Morrow
File Type: epub
Radical Shadows collects lost, forgotten, suppressed, rare, or unknown works by major literary writers from the late nineteenth century forward. From previously unpublished work by Djuna Barnes and Truman Capote (his earliest known story), to writing by Chekhov, Dostoevsky, Kawabata, Musil, and other world-class authors, the issue is a celebration both of the art of translation and of the breadth and depth of the many revelatory discoveries that can still be found in the historical literary archive.
Author: Judith H. Anderson
File Type: pdf
Go Figure addresses theories of the figure and practices of figuration ranging from classical rhetoric and biblical exegesis to semiotics, psychoanalysis, and socio-politics. Situating theory in history, the essays in this volume focus on verbal and visual texts from the sixteenth to the eighteenth centuries, and they explore science, sacramental poetics, romance and lyric narrative, and the natural world in still lifes, prayer, parasites, and politics. They engage the work of poets, painters, storytellers, and playwrights. While the theories that inform them are many and various, they share a point of reference in the work of Jean-Franois Lyotard, who theorizes the co-presence in language of the figure and discourse Lyotards figure relates to discourse as image emerges in description, as sense accompanies signification, and as energies shape texts from within. The original essays invited for the volume show how figural energies and forms inhabit both texts and the practices that produce them-how figures are fundamentally in play in the making of subjects, societies, traditions, and institutions.**