【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Rossini Armida Overture Guitar
羅西尼 序曲 阿米達 阿密達 吉他
罗西尼 序曲 阿米达 阿密达 吉他
Rossini Obertura Armida Guitarra
ロッシーニ 序曲 アルミーダ ギター
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Rossini #Overture #Armida
Armida is an opera in three acts by Italian composer Gioachino Rossini to an Italian libretto (dramma per musica) by Giovanni Schmidt, based on scenes from Gerusalemme liberata by Torquato Tasso.
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https://www.youtube.com/watch?v=6RgDOw6_J_4
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Chopin Andante spianato et grande polonaise brillante Piano Op.22 in E flat major
蕭邦 平靜的行板 與 華麗的大波蘭舞曲 作品22 降E大調
萧邦 平静的行板 与 华丽的大波兰舞曲 作品22 降E大调
Chopin Andante spianato y Gran Polonesa brillante Op.22 en mi bemol mayor
ショパン アンダンテ スピアナート と 華麗なる 大ポロネーズ 変ホ長調
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Chopin #Andante #polonaise
Note: this version is for solo piano
00:00 Andante spianato
04:45 Grande polonaise brillante
Note: Piano & Orchestra version
https://www.youtube.com/watch?v=0h58zoXhN_A
Andante spianato et grande polonaise brillante in E-flat major, Op. 22, was composed by Frédéric Chopin between 1830 and 1834. The Grande polonaise brillante in E-flat, set for piano and orchestra, was written first, in 1830-31. In 1834, Chopin wrote an Andante spianato in G, for piano solo, which he added to the start of the piece, and joined the two parts with a fanfare-like sequence. The combined work was published in 1836, and was dedicated to Madame d'Este.
The Grande polonaise brillante is a work for piano and orchestra, although the piano part is often played on its own. The Andante spianato (spianato means "even" or "smooth") for solo piano was composed as an introduction to the polonaise after Chopin received a long-awaited invitation to perform in one of Habeneck’s Conservatoire Concerts in Paris. This was the only time Chopin had ever used the term spianato as a description for any of his works.
Chopin’s first work, written at age seven, had been a polonaise. Chopin used the same Polonaise theme in his earlier work the Introduction and Polonaise brillante in C major, Op. 3. The Grande polonaise brillante of 1830–31 was to be the last such he would compose for several years. It preoccupied Chopin in his final months at Warsaw. It was finished at Vienna in 1831.
Movements
Andante spianato in G major
The quiet rippling effects of this introductory section are borne in a gentle 6/8, rounded with a chordal trio, and a more processional 3/4. The serene middle section (in G major) is not a trio, but only a contrasting episode to complement the overall texture of the movement.
Grande polonaise brillante in E-flat major
The polonaise opens in fanfare and moves into an ebullient dance form. In 1836, it was arranged as a piano quartet and, two years later, the solo piano work known today.
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https://www.youtube.com/watch?v=IrmM6FeeMyA
【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Gounod Bach Ave Maria Well-Tempered Klavier No.1 Prelude C major BWV846
( Violin version )
古諾 巴哈 聖母頌 平均律
古诺 巴哈 圣母颂 平均律
Gounod Bach Ave María
グノー バッハ アヴェ・マリア
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Gonoud #Bach #Ave #Maria
"Ave Maria" is a popular and much-recorded setting of the Latin prayer Ave Maria, originally published in 1853 as "Méditation sur le Premier Prélude de Piano de J.S. Bach". The piece consists of a melody by the French Romantic composer Charles Gounod that he superimposed over an only very slightly changed version of Bach's Prelude No. 1 in C major, BWV 846, from Book I of his The Well-Tempered Clavier, 1722. It was published with a French text in 1853, but it was the 1859 version with the Latin Ave Maria which became popular.
El Ave María de Bach/Gounod es una composición sobre el texto en latín Avemaría publicado originalmente en 1853 con la Méditation sur le Premier Prélude de Piano de S. Bach. La pieza consiste en una melodía del compositor romántico francés Charles Gounod, especialmente diseñada para ser superpuesta sobre el Preludio n.º 1 en do mayor, BWV 846, del Libro I de J. S. Bach, El clave bien temperado, escrito 137 años antes.
巴哈與古諾的《聖母頌》是一首流行的聖母頌。其最早於1853年以Méditation sur le Premier Prélude de Piano de S. Bach的名字出版。這首曲子中包含了法國浪漫主義作曲家夏爾·古諾創作的旋律,並結合了約翰·塞巴斯蒂安·巴哈的平均律鍵盤曲集中C大調平均律前奏曲 (BWV846)的旋律 (於137年前所創作),添加拉丁語聖母頌的歌詞之後完成的一首聲樂曲。
《グノーのアヴェ・マリア》は、1859年にシャルル・グノーがヨハン・ゼバスティアン・バッハの《平均律クラヴィーア曲集 第1巻》の「前奏曲 第1番 ハ長調」を伴奏に、ラテン語の聖句「アヴェ・マリア」を歌詞に用いて完成させた声楽曲である。19世紀フランスの歌曲では、しばしば演奏されており、録音される機会も多い。また、チェロやヴァイオリンとピアノのための二重奏曲として編曲されて演奏されている。
なお、グノーの引用した伴奏譜は、厳密には前奏曲1番の22小節目の後に1小節新しい音形を挿入したものである。
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https://www.youtube.com/watch?v=kgFT-QYeW4w
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Brahms Variations and Fugue on a Theme by Handel Op.24
布拉姆斯 韓德爾 主題 變奏曲 與 賦格 作品24
布拉姆斯 韩德尔 主题 变奏曲 与 赋格 作品24
Brahms Variaciones y fuga sobre un tema de Händel Op.24
ブラームス ヘンデル の主題による 変奏曲 と フーガ
Piano 鋼琴 ピアノ Classical music Música clásica クラッシック 古典音樂 古典音乐
#Brahms #Handel #Variations
ref Handel Keyboard Suite Vol.2 No.1 HWV434 in Bb
https://www.youtube.com/watch?v=hF9hnvKO8Cw
00:00 Theme/Aria
00:51 Var 1
01:41 Var 2
02:22 Var 3
02:43 Var 4
03:32 Var 5
04:36 Var 6
05:12 Var 7
05:48 Var 8
06:17 Var 9
07:23 Var 10
07:54 Var 11
08:17 Var 12
08:46 Var 13
10:08 Var 14
10:42 Var 15
11:02 Var 16
11:28 Var 17
11:50 Var 18
12:18 Var 19
13:32 Var 20
14:51 Var 21
15:41 Var 22
16:41 Var 23
17:16 Var 24
17:50 Var 25
18:24 Fugue
The Variations and Fugue on a Theme by Handel, Op. 24, is a work for solo piano written by Johannes Brahms in 1861. It consists of a set of twenty-five variations and a concluding fugue, all based on a theme from George Frideric Handel's major, HWV 434. They are known as his Handel Variations.
The music writer Donald Tovey has ranked it among "the half-dozen greatest sets of variations ever written". Biographer Jan Swafford describes the Handel Variations as "perhaps the finest set of piano variations since Beethoven", adding, "Besides a masterful unfolding of ideas concluding with an exuberant fugue with a finish designed to bring down the house, the work is quintessentially Brahms in other ways: the filler of traditional forms with fresh energy and imagination; the historical eclectic able to start off with a gallant little tune of Handel's, Baroque ornaments and all, and integrate it seamlessly into his own voice, in a work of massive scope and dazzling variety."
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https://www.youtube.com/watch?v=RpVx3vqw9lE
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Brahms 6 Songs Op.6
No.3 6-3 Nachwirkung. Aftermath Poco agitato
布拉姆斯 6首 歌 作品6
布拉姆斯 6首 歌 作品6
Brahms Seis lieder (canciones) para tenor o soprano y piano
ブラームス 6つの 歌曲
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Brahms #Songs #Gesange
No.1 6-1 Spanisches Lied. Spanish Song Allegretto
No.2 6-2 Der Frühling. Spring Con moto
No.3 6-3 Nachwirkung. Aftermath Poco agitato
No.4 6-4 Juchhe! Whoop! Con mot
No.5 6-5 Wie die Wolke nach der Sonne. Like the Cloud to the Sun Poco andante
No.6 6-6 Nachtigallen schwingen lustig.Nightingales Swing Happily Allegro non troppo
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https://www.youtube.com/watch?v=lJtuaIaaNYQ
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Grieg 4 Piano Pieces Op.1
No.3 1-3 Mazurka. Can grazia
葛利格 4首 鋼琴 小曲 作品1
葛利格 4首 钢琴 小曲 作品1
Grieg 4 Piezas para piano
グリーグ 4つの小品
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Grieg #Piano #Pieces
No.1 1-1 Allegro con legerezza
No.2 1-2 Non Allegro e molto espressivo - Un poco più vivo - Allegro capriccioso - Tempo I
No.3 1-3 Mazurka. Can grazia
No.4 1-4 Allegretto con moto
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https://www.youtube.com/watch?v=uI36C7aEejw
【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Ravel 5 Greek Folk Songs
5 Mélodies populaires grecques
No.2 M.A10 Là-bas, vers l'église. Andante G sharp minor 向こうの教会へ Hacia allá, a la iglesia
拉威爾 5首 希臘 民俗曲
拉威尔 5首 希腊 民俗曲
ラヴェル ギリシャ民謡
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Ravel #Greek #Folk
Ravel 5 Greek Folk Songs
No.1 M.A9 Chanson de la mariée. Modéré (G minor) 花嫁の歌 Canción de la novia
No.2 M.A10 Là-bas, vers l'église. Andante (G♯ minor) 向こうの教会へ Hacia allá, a la iglesia
No.3 M.A4 Quel galant m'est comparable. Allegro (G major) 私と比べられる伊達男は誰 Qué galán es comparable
No.4 M.A5 Chanson des cueilleuses de lentisques. Lento (A major) 乳香を摘む女たちの歌 Canción de los cosechadores de lentiscos
No.5 M.A11 Tout gai!. Allegro (A♭ major) さあ愉快に ¡Todo con alegría!
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https://www.youtube.com/watch?v=jpoH3vuy3dA
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Schumann Dichterliebe A Poet's Love Op.48
No.1 48-1 Im wunderschönen Monat Mai
舒曼 詩人之戀 歌曲集
舒曼 诗人之恋 歌曲集
Schumann Amor de poeta
シューマン 詩人の恋 連作歌曲
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Schumann #Dichterliebe #舒曼
Schumann Dichterliebe Op.48
No.1 48-1 Im wunderschönen Monat Mai
No.2 48-2 Aus meinen Tränen sprießen
No.3 48-3 Die Rose, die Lilie
No.4 48-4 Wenn ich in deine Augen seh'
No.5 48-5 Ich will meine Seele tauchen
No.6 48-6 Im Rhein, im heiligen Strome
No.7 48-7 Ich grolle nicht
No.8 48-8 Und wüssten's die Blumen
No.9 48-9 Das ist ein Flöten und Geigen
No.10 48-10 Hör' ich das Liedchen klingen
No.11 48-11 Ein Jüngling liebt ein Mädchen
No.12 48-12 Am leuchtenden Sommermorgen
No.13 48-13 Ich hab' im Traum geweinet
No.14 48-14 Allnächtlich im Traume
No.15 48-15 Aus alten Märchen winkt es
No.16 48-16 Die alten, bösen Lieder
Dichterliebe, "A Poet's Love" (composed 1840), is the best-known song cycle by Robert Schumann (Op. 48). The texts for the 16 songs come from the Lyrisches Intermezzo by Heinrich Heine, written in 1822–23 and published as part of Heine's Das Buch der Lieder. After the song cycles of Franz Schubert (Die schöne Müllerin and Winterreise), Schumann's are part of the core of the genre in musical literature.
Source: Heine's Lyrisches Intermezzo
Author of the sarcastic Die Romantische Schule, Heine was a vocal critic of German romanticism, though he is often described as a quintessentially Romantic writer. In some of his poetry, and notably in Deutschland. Ein Wintermärchen (1844), romantic lyrical conventions are used as vessels to deploy biting, satirical nature. Dichterliebe was composed before Heine's Deutschland and does not appear to portray this ironic dimension: scholarship is divided as to what extent Schumann intended to express it.
Heine's Lyrisches Intermezzo consists of a verse Prologue and 65 poems. The Prologue (Es war 'mal ein Ritter trübselig und stumm – There once was a Knight, woeful and silent) tells of the sorrowful knight who sits gloomily in his house all day, but by night is visited by his fairy (nixie) bride, and dances with her until daylight returns him to his little poet's room (Poeten-stübchen). The 65 poems follow, of which the 16 of the Dichterliebe are a selection. The conclusion of it is that he is going to put the old bad songs and dreams, all his sorrowful love and suffering, into a huge coffin that 12 giants will throw into the sea. This catastrophe is slightly reminiscent of Schubert's Die schöne Müllerin, in which the hero ends by drowning himself in the brook he has followed through the cycle.
Das Buch der Lieder was given its second edition, with preface from Paris, in 1837, the songs were composed in 1840, and the first edition of Dichterliebe was published in two volumes by Peters, in Leipzig, in 1844. Though Schumann originally set 20 songs to Heine's poems, only 16 of the 20 were included in the first edition. Dein Angesicht (Heine no. 5) is one of the omitted items. Auf Flügeln des Gesanges, On Wings of Song (Heine no 9), is best known from a setting by Felix Mendelssohn.
The poems' very natural, almost hypersensitive affections are mirrored in Schumann's settings, with their miniaturist chromaticism and suspensions. The poet's love is a hothouse of nuanced responses to the delicate language of flowers, dreams and fairy tales. Schumann adapts the poems' text to his needs, sometimes repeating phrases and often rewording a line to supply the desired cadence. Dichterliebe is therefore an integral artistic work apart from the Lyrisches Intermezzo, though derived from and inspired by it. Schubert's selection of lyrics for his Heine songs sought different themes.
Although often associated with the male voice, Dichterliebe was dedicated to the soprano Wilhelmine Schröder-Devrient, so the precedent for performance by female voice is primary. Harry Plunket Greene, accompanied from memory by Leonard Borwick, gave the first complete public recital of the work on 11 January 1895 at London's St James's Hall.
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https://www.youtube.com/watch?v=5bksyvGEK40