Author: By Matthew Wickman There emerged, during the latter half of the eighteenth century, a reflexive relationship between shifting codes of legal evidence in British courtrooms and the growing fascination throughout Europe with the primitive Scottish Highlands. New methods for determining evidential truth, linked with the growing prominence of lawyers and a formalized division of labor between witnesses and jurors, combined to devalue the authority of witness testimony, magnifying the rupture between experience and knowledge. Juries now pronounced verdicts based not upon the certainty of direct experience but rather upon abstractions of probability or reasonable likelihood. Yet even as these changes were occurring, the Scottish Highlands and Hebridean Islands were attracting increased attention as a region where witness experience in sublime and communal forms had managed to trump enlightened progress and the probabilistic, abstract, and mediated mentality on which the Enlightenment was predicated. There, in a remote corner of Britain, natives and tourists beheld things that surpassed enlightened understanding; experience was becoming all the more alluring to the extent that it signified something other than knowledge.Matthew Wickman examines this uncanny return of experiential authority at the very moment of its supposed decline and traces the alluring improbability of experience into our own time. Thematic in its focus and cross-disciplinary in its approach, The Ruins of Experience situates the literary next to the nonliterary, the old beside the new. Wickman looks to poems, novels, philosophical texts, travel narratives, contemporary theory, and evidential treatises and trial narratives to suggest an alternative historical view of the paradoxical tensions of the Enlightenment and Romantic eras.

Author: Raymond William Goldsmith The book description for Studies in the National Balance Sheet of the United States is currently unavailable.

Author: Dale Roy Herspring The recent transformations in the USSR are nowhere more evident than in the Soviet military. Top-level military officers have been relieved of their positions, Gorbachev has warned of lean times for the military, the symbolic role of the armed forces has been downgraded, and the concept of military sufficiency points to major modifications in Soviet force structure. Contrary to some who see Gorbachev as a Sir Galahad out to slay the evil military high command, Dale Herspring concludes that the relationship between the highest Soviet political and military leaders is at the moment more symbiotic than conflictual. In this first in-depth study of the evolution of civil-military relations in the Soviet Union from 1967 to the present, he shows how the views of senior military officers have varied over time: currently, even if the members of the high command do not like all Gorbachev's changes, they understand the need for them and are prepared to live with them. As Herspring looks at the personalities and politics of eight top military figures, he reveals that the most important of them, Ogarkov, was the first senior Soviet military officer to understand the value of working with the political leadership. Ogarkov believed that the arms control and dtente processes, if carefully managed, could enhance the national security of the USSR. In Gorbachev, the Soviet military has found the type of individual that Ogarkov was seeking.Originally published in 1990.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: Jon Cowans Using popular cinema from the United States, Britain, and France, Empire Films and the Crisis of Colonialism, 19461959, examines postwar Western attitudes toward colonialism and race relations. Historians have written much about the high politics of decolonization but little about what ordinary citizens thought about losing their empires. Popular cinema provided the main source of images of the colonies, and, according to Jon Cowans in this far-reaching book, films depicting the excesses of empire helped Westerners come to terms with decolonization and even promoted the dismantling of colonialism around the globe. Examining more than one hundred British, French, and American films from the postWorld War II era, Cowans concentrates on movies that depict interactions between white colonizers and nonwhite colonial subjects, including sexual and romantic relations. Although certain conservative films eagerly supported colonialism, Cowans argues that the more numerous liberal colonialist productions undermined support for key aspects of colonial rule, while a few more provocative films openly favored anticolonial movements and urged internal decolonization for people of color in Britain, France, and the United States. Combining new archival research on the films production with sharp analysis of their imagery and political messages, the book also assesses their reception through box-office figures and newspaper reviews. It examines both high-profile and lesser-known films on overseas colonialism, including The King and I, Bhowani Junction, and Island in the Sun, and tackles treatments of miscegenation and internal colonialism that appeared in Westerns and American films like Pinky and Giant. The first truly transnational history of cinemas role in decolonization, this powerful book weaves a unified historical narrative out of the experiences of three colonial powers in diverse geographic settings.