The Octagon is a 1980 American action martial arts film starring Chuck Norris, Karen Carlson and Lee Van Cleef. It was directed by Eric Karson and written by Paul Aaron and Leigh Chapman. The film involves a martial artist (Chuck Norris) who must stop a group of terrorists trained in the ninja style by his half-brother (Tadashi Yamashita).[5]
It was filmed in Los Angeles and released by the distribution wing of American Cinema Productions beginning August 15, 1980. It is notable for its inventive use of 'voice over' effects to portray the inner life of Norris' character, Scott James. This was actor Richard Norton's film debut.
Episode aired Sep 7, 1968
Jamie and Cully manage to rescue the Doctor's party and together they try to find a way to stop the Dominators before they destroy the entire planet.
"A Touch of Evil" is a song by the English heavy metal band Judas Priest, from their 1990 album Painkiller. The record was released as the second single from the album via Columbia Records label.
A music video was made for the song, vividly depicting each element of the song's lyrics. The video shows a young boy having various visions of things, while flashing images of the band playing the song in between, similar to the way the band are seen in the "Painkiller" video. The song was edited for the music video, and was cut from 5:42 to 4:54, and—among other things—a notable amount of Tipton's guitar solo was cut out from the song.
"The Hundred Days of the Dragon" is an episode of the original The Outer Limits television show. It first aired on 23 September 1963, during the first season.
An Asian government develops a reliable means of changing a person's physical appearance and fingerprints, and uses it to replace a U.S. presidential candidate with their double.
Our planet's polar wind patterns are driven from the outside and not by any surface or internal Earthbound processes or "dynamos". The main outside source of these polar winds is quite obviously the varying strength and direction of the Birkeland Current stream of electrically charged particles that it delivers here, both to and from the Sun.
Author and electrical engineer Donald E. Scott, PhD, details this undeniable scientific evidence of cause and effect—solar Birkeland Currents cause patterns in the polar winds which effect the weather—another verification of the Electric Universe Model of Cosmology.
Cruising with Ruben & the Jets is the fourth studio album by the Mothers of Invention, released under the alias Ruben and the Jets. Released on December 2, 1968 on Bizarre and Verve Records with distribution by MGM Records, it is a concept album, influenced by 1950s doo-wop and rock and roll. The album's concept deals with a fictitious Chicano doo-wop band called Ruben & the Jets, represented by the cover illustration by Cal Schenkel, which depicts the Mothers of Invention as anthropomorphic dogs. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, We're Only in It for the Money and Uncle Meat.
Tracks:
Cheap Thrills
Love of My Life
How Could I Be Such a Fool?
Deseri
I'm Not Satisfied
Jelly Roll Gumdrop
Anything
Later That Night
You Didn't Try to Call Me
Fountain of Love
No. No. No.
Any Way the Wind Blows
Stuff Up the Cracks