I crafted this electro-acoustic composition by meticulously blending field recordings of diverse objects, meticulously processed in Ableton Live. The result is an evocative auditory tapestry that manages to seamlessly straddle the line between unsettling eeriness and emotionally stirring atmospheres. Enjoy! Historical context of film footage: The use of tigers in circuses has a long-standing historical context, dating back to the heyday of traveling spectacles. Tigers, renowned for their majestic beauty and raw power, were once key attractions in these captivating shows. Throughout history, these magnificent creatures were paraded in grand processions, like the iconic "spec" performances, where they shared the spotlight with daring performers and other exotic animals, mesmerizing audiences with their presence. However, the historical charm often belies a darker reality. The treatment of tigers and other animals in circuses has raised significant concerns about animal welfare. The cramped living conditions, rigorous training methods, and constant travel have been detrimental to their physical and psychological well-being. The awe-inspiring displays mask the toll it takes on these creatures, highlighting the importance of recognizing their natural needs and preserving their dignity. As our collective awareness of animal welfare and ethical treatment has evolved, the use of tigers in circuses has come under scrutiny. Many countries and regions have implemented bans or restrictions on the use of wild animals in entertainment, acknowledging the inherent cruelty and outdated practices associated with these performances. Today, the focus is shifting towards providing tigers with more suitable and humane environments, such as wildlife sanctuaries, where they can thrive in conditions that mirror their natural habitat. The historical legacy of tigers in circuses serves as a reminder of our responsibility to treat these majestic creatures with respect and compassion. As we learn from the past, we are compelled to advocate for a future where their well-being takes precedence over spectacle, ensuring that they are afforded the dignity and care they deserve. ⭐️ LINKS⭐️ ▸ Join My Email List: http://feonaleejones.com/contact-email-list/ ▸ All Links: https://linktr.ee/feonaleejones ▸ Lesson Inquiries: http://feonaleejones.com/lessons/ ▸ Official Website: http://feonaleejones.com/ ▸ Odysee: https://odysee.com/@FeonaLeeJones:6 ▸ Soundcloud #1: https://soundcloud.com/feona ▸ Soundcloud #2: https://soundcloud.com/feonaleejones1 ▸ Rumble: https://rumble.com/c/c-499695 ▸ Bandcamp: https://feonaleejones.bandcamp.com/ ▸ Bitchute: https://www.bitchute.com/feonaleejones/ ▸ Telepathic Birds: https://linktr.ee/telepathicbirds ❤ Buy Scores: https://feonaleejones.square.site/ ❤ Download Music: https://feonaleejones.bandcamp.com/ ❤ Donate $: http://feonaleejones.com/donate/ ... https://www.youtube.com/watch?v=x31PjgZVAQQ

Piano Etude No. 4 (for notes: D, D#, E, and F) is a short piece I wrote for solo piano. The number of the etude corresponds with the number of notes that are used in the piece. In Etude No. 4, I use the notes: D, D#, E, and F. Because I am limited to any D, D#, E, and F on the piano, it has forced me to think of how to develop the piece texturally and rhythmically instead of melodically and harmonically. I was inspired by Ligeti's Musica Ricercata and his process for limiting his usage of notes when composing. This piece will be performed on the 10th of November at the Academy of Music Krakow by Ludger Hofmann-Engl. Score: http://feonaleejones.com/wp-content/uploads/2016/05/28.Etude_No4.pdf Don't forget to Subscribe: https://www.youtube.com/feonaleejones Don't be a stranger! Facebook: https://www.facebook.com/feonaleejones Twitter: https://twitter.com/feonaleejones Instagram: https://www.instagram.com/feonaleejones/ Website: http://feonaleejones.com/ Soundcloud: https://soundcloud.com/feona ... https://www.youtube.com/watch?v=pwP20fp1BcU

The Sound of Death (live performance, conducted by Willie Winant) – This is the climactic moment when Huang, the father, is murdered by the soldier who no longer will tolerate his lifestyle under the orders of Mao. The Sound of Death is the fourth scene (second live performance piece) in a larger work—The Story of Wu Wei—a condensed, single-act English-language chamber opera (written in 2017-2018) based on my mother’s struggle to survive during the Mao Regime in China in the 1950s. During this period of civil strife, millions died to violent class warfare. The opera features both fixed-media electronic interludes and live performance. Full Version of the Opera: https://www.youtube.com/watch?v=pctLs4PX3ZM Main Singers Spencer Dodd (Soldier) Michael Orlinsky (Huang, Father) Elaine Hsieh (Yao Lan, Servant) Piano Nayoung Jung Chorus Rodolfo Córdova (soloist) Jess Tambellini Greg Kappes Angelica Sanabria Nedra Pinto String Quartet Alyssa Quiogue (Violin 1) Charles McGraw (Violin 2) Tavya McCoy (Viola) Crystal Pascucci (Cello) Percussion Ensemble Tony Giuseppe Gennaro (Chinese Tom-toms High) Imogen Teasley-Vlautin (Chinese Tom-toms Mid) Brendan Glasson (Chinese Tom-toms Low) Michael Jones (Marimba) Breonna Taylor (Chinese Hand Gong) Lucca Troutman (Tam-tam) Valentine O’Leary (Flexitone) Joel Nelson (Suspended Cymbal) Tim Decillis (Triangle) Lula Marni Asplund (Shakers) Sarah McNamara (Shakers) ⭐️ Where to find me ! ⭐️ ▸ Patreon | https://www.patreon.com/feonaleejones ▸ blog | http://feonaleejones.com ▸ facebook | http://facebook.com/feonaleejones ▸ instagram | http://instagram.com/feonaleejones ▸ twitter | http://twitter.com/feonaleejones ▸ soundcloud | https://soundcloud.com/feona ... https://www.youtube.com/watch?v=cvtl8B2vHtk

My piano cover version of Metallica's song, "Nothing Else Matters," which was released in 1992 as the third single from their self-titled fifth studio album, Metallica. Don't forget to Subscribe: https://www.youtube.com/feonaleejones +LYRICS So close no matter how far Couldn't be much more from the heart Forever trusting who we are And nothing else matters Never opened myself this way Life is ours, we live it our way All these words I don't just say And nothing else matters Trust I seek and I find in you Every day for us something new Open mind for a different view And nothing else matters Never cared for what they do Never cared for what they know But I know So close no matter how far Couldn't be much more from the heart Forever trusting who we are And nothing else matters Never cared for what they do Never cared for what they know But I know I never opened myself this way Life is ours, we live it our way All these words I don't just say And nothing else matters Trust I seek and I find in you Every day for us something new Open mind for a different view And nothing else matters Never cared for what they say Never cared for games they play Never cared for what they do Never cared for what they know And I know So close no matter how far Couldn't be much more from the heart Forever trusting who we are No nothing else matters Connect: Facebook: https://www.facebook.com/feonaleejones Twitter: https://twitter.com/feonaleejones Instagram: https://www.instagram.com/feonaleejones/ Website: http://feonaleejones.com/ Soundcloud: https://soundcloud.com/feona ... https://www.youtube.com/watch?v=77goYL0jzak