Author: John Marenbon File Type: pdf This book offers a brief, accessible introduction to the thought of Boethius. After a survey of Boethiuss life and work, Marenbon explicates his theological method, and devotes separate chapters to his arguments about good and evil, fortune, fate and free will, and the problem of divine foreknowledge. Marenbon also traces Boethiuss influence on the work of such thinkers as Aquinas and Duns Scotus.Review...will remain for some time an indispensible introduction to one of the great thinkers of the Middle Ages. Alan R. Perreiah, Transendent Philosophy About the AuthorJohn Marenbon, Fellow and Director of Studies in the History of Philosophy, Trinity College, Cambridge.
Author: Ray Bradbury
File Type: pdf
Nowadays firemen start fires. Fireman Guy Montag loves to rush to a fire and watch books burn up. Then he met a seventeen-year old girl who told him of a past when people were not afraid, and a professor who told him of a future where people could think. And Guy Montag knew what he had to do.... Monday burn Millay, Wednesday Whitman, Friday Faulkner, burn em to ashes, then burn the ashes.For Guy Montag, a career fireman for whom kerosene is perfume, this is not just an official slogan. It is a mantra, a duty, a way of life in a tightly monitored world where thinking is dangerous and books are forbidden.In 1953, Ray Bradbury envisioned one of the worlds most unforgettable dystopian futures, and in Ray Bradburys Fahrenheit 451, the artist Tim Hamilton translates this frightening modern masterpiece into a gorgeously imagined graphic novel. As could only occur with Bradburys full cooperation in this authorized adaptation, Hamilton has created a striking work of art that uniquely captures Montags awakening to the evil of government-controlled thought and the inestimable value of philosophy, theology, and literature.Including an original foreword by Ray Bradbury and fully depicting the brilliance and force of his canonic and beloved masterwork, Ray Bradburys Fahrenheit 451 is an exceptional, haunting work of graphic literature.
Author: Jaś Elsner
File Type: pdf
Rhetoric was fundamental to education and to cultural aspiration in the Greek and Roman worlds. It was one of the key aspects of antiquity that slipped under the line between the ancient world and Christianity erected by the early Church in late antiquity. Ancient rhetorical theory is obsessed with examples and discussions drawn from visual material. This book mines this rich seam of theoretical analysis from within Roman culture to present an internalist model for some aspects of how the Romans understood, made and appreciated their art. The understanding of public monuments like the Arch of Titus or Trajans Column or of imperial statuary, domestic wall painting, funerary altars and sarcophagi, as well as of intimate items like childrens dolls, is greatly enriched by being placed in relevant rhetorical contexts created by the Roman world.
Author: F. W. J. Schelling
File Type: pdf
Appearing in English for the first time, Schellings 1842 lectures develop the idea that many philosophical concepts are born of religious-mythological notions.From the Back CoverTranslated here into English for the first time, F. W. J. Schellings 1842 lectures on the Philosophy of Mythology are an early example of interdisciplinary thinking. In seeking to show the development of the concept of the divine Godhead in and through various mythological systems (particularly of ancient Greece, Egypt, and the Near East), Schelling develops the idea that many philosophical concepts are born of religious-mythological notions. In so doing, he brings together the essential relatedness of the development of philosophical systems, human language, history, ancient art forms, and religious thought. Along the way, he engages in analyses of modern philosophical views about the origins of philosophys conceptual abstractions, as well as literary and philological analyses of ancient literature and poetry. F. W. J. Schelling remains a uniquely passionate, daring, and untimely philosopher. Now, more than 150 years after these lectures were given in Berlin, his time has come. This material is always intriguing and often thrilling. Schellings fertile imagination and prodigious learning are on full display here. Not only will those seeking a thought-provoking philosophy of mythology find this book rewarding, but also readers with interest in the philosophy of history, the philosophy of language, and the philosophy of religion will be quickened by Schellings forays in these areas. The translators, who have also provided copious notes and a glossary, have provided a genuine service. -- Bernard Freydberg, author of Imagination in Kants Critique of Practical ReasonAbout the AuthorMason Richey teaches philosophy at the University of Scranton. Markus Zisselsberger is a PhD candidate in the Department of Comparative Literature at Binghamton University, State University of New York, teaches English at Northeastern University, and is the coeditor (with Gisela Brinker-Gabler) of If We Had the Word. Ingeborg Bachmann. Views and Reviews.
Author: Robert M. Schoch
File Type: epub
New research and evidence that the Sphinx is thousands of years older than previously thought Contrasts what Egyptologists claim about the Sphinx with historical accounts and new research including reanalysis of seismic studies and updates to Schochs water weathering research and Bauvals Orion Correlation Theory Examines how the Sphinx is contemporaneous with Gobekli Tepe, aligned with the constellation Leo, and was recarved during the Old Kingdom era of Egypt Reveals that the Sphinx was built during the actual historical Golden Age of ancient Egypt, the period known in legend as Zep Tepi No other monument in the world evokes mystery like the Great Sphinx of Giza. It has survived the harsh climate of Egypt for thousands of years and will remain long after our own civilization is gone. According to orthodox Egyptology, the Sphinx was built around 2500 BCE as a memorial to the pharaoh Khafre. Yet this fact has scant to no supportive evidence. When was the Sphinx really built and, most importantly, why? In this provocative collaboration from two Egyptology outsiders, Robert M. Schoch, Ph.D., and Robert Bauval combine their decades of research to show how the Sphinx is thousands of years older than the conventional Egyptological timeline and was built by a long forgotten pre-Pharaonic civilization. They examine the known history of the Sphinx, contrasting what Egyptologists claim with prominent historical accounts and new research, including updates to Schochs geological water weathering research and reanalysis of seismic studies. Building on Bauvals Orion Correlation Theory, they investigate the archaeoastronomical alignments of the monuments of the Giza Plateau and reveal how the pyramids and Sphinx were built to align with the constellations of Orion and Leo. Analyzing the evidence for a significantly older construction phase at Giza and the restoration and recarving of the Sphinx during the Old Kingdom era, they assert that the Sphinx was first built by an advanced pre-Pharaonic civilization that existed circa 12,000 years ago on the Giza Plateau, contemporaneous with the sophisticated Gobekli Tepe complex. The authors examine how the monuments at Giza memorialize Zep Tepi, the Golden Age of legend shown here to be an actual historical time period from roughly 10,500 BCE through 9700 BCE. Moving us closer to an understanding of the true age and purpose of the Great Sphinx, Schoch and Bauval provide evidence of an early high civilization witnessed by the Great Sphinx before the end of the last ice age. **Review For a quarter-century, Schochs analysis of weathering at Giza and Bauvals archaeoastronomic discoveries have challenged the consensus on prehistory, not merely of Egypt but of the world. This book expertly summarizes their case and its triumphant vindication in the 12,000-year-old sanctuary of Gobekli Tepe. The question is no longer whether they are right but where archaeology should go from here. (Joscelyn Godwin, author ofAtlantis and the Cycles of Time) About the Author Robert M. Schoch, Ph.D., a tenured faculty member at Boston University, earned his doctorate in geology and geophysics at Yale University. Known for his research on the Sphinx, he is the author of several books, including Forgotten Civilization. Egyptian-born Robert Bauval began studying Egyptology in 1983. The author of numerous books, including The Orion Mystery and Black Genesis, he lives in Torremolinos, Spain.
Author: Antoinette Burton
File Type: pdf
Antoinette Burton focuses on the experiences of three Victorian travelers in Britain to illustrate how Englishness was made and remade in relation to imperialism. The accounts left by these three sojourners--all prominent, educated Indians--represent complex, critical ethnographies of native metropolitan society and offer revealing glimpses of what it was like to be a colonial subject in fin-de-sicle Britain. Burtons innovative interpretation of the travelers testimonies shatters the myth of Britains insularity from its own construction of empire and shows that it was instead a terrain open to continual contest and refiguration.Burtons three subjects felt the influence of imperial power keenly during even the most everyday encounters in Britain. Pandita Ramabai arrived in London in 1883 seeking a medical education and left in 1886, having resisted the Anglican Churchs attempts to make her an evangelical missionary. Cornelia Sorabji went to Oxford to study law and became the first Indian woman to be called to the Bar. Behramji Malabari sought help for his Indian reform projects in England, and subjected London to colonial scrutiny in the process. Their experiences form the basis of this wide-ranging, clearly written, and imaginative investigation of diasporic movement in the colonial metropolis. Antoinette Burton focuses on the experiences of three Victorian travelers in Britain to illustrate how Englishness was made and remade in relation to imperialism. The accounts left by these three sojourners--all prominent, educated Indians--represent complex, critical ethnographies of native metropolitan society and offer revealing glimpses of what it was like to be a colonial subject in fin-de-sicle Britain. Burtons innovative interpretation of the travelers testimonies shatters the myth of Britains insularity from its own construction of empire and shows that it was instead a terrain open to continual contest and refiguration.Burtons three subjects felt the influence of imperial power keenly during even the most everyday encounters in Britain. Pandita Ramabai arrived in London in 1883 seeking a medical education and left in 1886, having resisted the Anglican Churchs attempts to make her an evangelical missionary. Cornelia Sorabji went to Oxford to study law and became the first Indian woman to be called to the Bar. Behramji Malabari sought help for his Indian reform projects in England, and subjected London to colonial scrutiny in the process. Their experiences form the basis of this wide-ranging, clearly written, and imaginative investigation of diasporic movement in the colonial metropolis.
Author: Markus Krajewski
File Type: mobi
Today on almost every desk in every office sits a computer. Eighty years ago, desktops were equipped with a nonelectronic data processing machine a card file. In Paper Machines, Markus Krajewski traces the evolution of this proto-computer of rearrangeable parts (file cards) that became ubiquitous in offices between the world wars. The story begins with Konrad Gessner, a sixteenth-century Swiss polymath who described a new method of processing data to cut up a sheet of handwritten notes into slips of paper, with one fact or topic per slip, and arrange as desired. In the late eighteenth century, the card catalog became the librarians answer to the threat of information overload. Then, at the turn of the twentieth century, business adopted the technology of the card catalog as a bookkeeping tool. Krajewski explores this conceptual development and casts the card file as a universal paper machine that accomplishes the basic operations of Turings universal discrete machine storing, processing, and transferring data. In telling his story, Krajewski takes the reader on a number of illuminating detours, telling us, for example, that the card catalog and the numbered street address emerged at the same time in the same city (Vienna), and that Harvard Universitys home-grown cataloging system grew out of a librarians laziness and that Melvil Dewey (originator of the Dewey Decimal System) helped bring about the technology transfer of card files to business.
Author: Charles A. Riley Ii
File Type: pdf
Among many art, music and literature lovers, particularly devotees of modernism, the expatriate community in France during the Jazz Age represents a remarkable convergence of genius in one place and periodone of the most glorious in history. Drawn by the presence of such avant-garde figures as Joyce and Picasso, artists and writers fled the Prohibition in the United States and revolution in Russia to head for the free-wheeling scene in Paris, where they made contact with rivals, collaborators, and a sophisticated audience of collectors and patrons. The outpouring of boundary-pushing novels, paintings, ballets, music, and design was so profuse that it belies the brevity of the era (19181929). Drawing on unpublished albums, drawings, paintings, and manuscripts, Charles A. Riley offers a fresh examination of both canonic and overlooked writers and artists and their works, by revealing them in conversation with one another. He illuminates social interconnections and artistic collaborations among the most famousFitzgerald, Hemingway, Gershwin, Diaghilev, and Picassoand goes a step further, setting their work alongside that of African Americans such as Sidney Bechet, Archibald Motley Jr., and Langston Hughes, and women such as Gertrude Stein and Nancy Cunard. Rileys biographical and interpretive celebration of the many masterpieces of this remarkable group shows how the creative community of postwar Paris supported astounding experiments in content and form that still resonate today. **
Author: Michael Woldemariam
File Type: pdf
When insurgent organizations factionalize and fragment, it can profoundly shape a civil war its intensity, outcome, and duration. In this extended treatment of this complex and important phenomenon, Michael Woldemariam examines why rebel organizations fragment through a unique historical analysis of the Horn of Africas civil wars. Central to his view is that rebel factionalism is conditioned by battlefield developments. While fragmentation is caused by territorial gains and losses, counter-intuitively territorial stalemate tends to promote rebel cohesion and is a critical basis for cooperation in war. As a rare effort to examine these issues in the context of the Horn of Africa region, based upon extensive fieldwork, this book will interest both scholarly and non-scholarly audiences interested in insurgent groups and conflict dynamics. **