Your Maryland: Little-Known Histories from the Shores of the Chesapeake to the Foothills of the Allegheny Mountains
Good evening Im Ric Cottom Welcome to Your Maryland Since 2002 when he first delivered his nowclassic radio segment on Maryland history Ric Cottom has narrated hundreds of littleknown human interest stories Collected here are 72 of his favorite onair pieces enhanced with beautiful papercut illustrations by Baltimore artist Annie Howe From accused witches and the murderous career of gunsmith John Dandy through tales of Johnny U and the greatest game ever played Your Maryland covers nearly four centuries of the Free States heroes and scoundrels Entertaining listeners of all ages while sparking their interest in the past Cottoms beloved Your Maryland is a unique blend of carefully researched regional history and narrative nonfiction He deftly emphasizes the human dimension of Marylands colorful past its athletes two and fourlegged beautiful spies brilliant writers misunderstood pirates and ghosts All of that color suspense and humoras well as the authors unusual talent for discovering interesting historical facts and personagesis part of your Maryland
Author: Max Spalter
Literary scholars often acknowledge that Brecht borrowed from a variety of traditions, including Goethe, Schiller, expressionists, naturalists, and realists, all of whom affected his work. However, they tend not to address any single tradition as exclusively Brecht's. From these various literary traditions, Brecht borrowed formal elements only; compared with other writers to whom he is indebted, Brecht exceeds them in cynicism. They do not convey anything like his pitiless debunking attitude, his corrosive anti-romanticism, his hardheaded refusal to idealize or glorify, and his suspicion of all sentimentalities. This book discusses what the author identifies as the Brechtian sensibility. Chroniclers of drama have not totally ignored the Brechtian tradition, but too often they are content to note merely that Brecht shared with some writersparticularly Buchner and Wedekinda proclivity for open drama and episodes of racy realism tinged with poetic feeling. Other critics have not closely studied the various plays of this tradition in order to show how they constitute a distinctive and well-defined species of theater to which Brecht unmistakably belongs.
Author: edited by Andrew Hemingway and Alan Wallach
That the Romantic movement was an international phenomenon is a commonplace, yet to date, historical study of the movement has tended to focus primarily on its national manifestations. This volume offers a new perspective. In thirteen chapters devoted to artists and writers of the late eighteenth and early nineteenth centuries, leading scholars of the period examine the international exchanges that were crucial for the rise of Romanticism in England and the United States. In the books introduction, Andrew Hemingwaybuilding on the theoretical work of Michael Lowy and Robert Sayreproposes that we need to remobilize the concept of Weltanschauung, or comprehensive worldview, in order to develop the kind of synthetic history of arts and ideas the phenomenon of Romanticism demands. The essays that follow focus on the London and New York art worlds and such key figures as Benjamin West, Thomas Bewick, John Vanderlyn, Washington Allston, John Martin, J. M. W. Turner, Thomas Cole, James Fenimore Cooper, George Catlin, Edgar Allan Poe, Harriet Beecher Stowe, and Herman Melville. Taken together, these essays plot the rise of a romantic anti-capitalist Weltanschauung as well as the dialectic between Romanticisms national and international manifestations. In addition to the volume editors, contributors include Matthew Beaumont, David Bindman, Leo Costello, Nicholas Grindle, Wayne Franklin, Janet Koenig, William Pressly, Robert Sayre, William Truettner, Dell Upton, and William Vaughan.
Author: David Jhave Johnston
This book offers a decoder for some of the new forms of poetry enabled by digital technology. Examining many of the strange technological vectors converging on language, it proposes a poetics appropriate to the digital era while connecting digital poetry to traditional poetry's concerns with being (a.k.a. ontological implications). Digital poetry, in this context, is not simply a descendent of the book. Digital poems are not necessarily poems or written by poets; they are found in ads, conceptual art, interactive displays, performative projects, games, or apps. Poetic tools include algorithms, browsers, social media, and data. Code blossoms into poetic objects and poetic proto-organisms.Introducing the terms TAVs (Textual-Audio-Visuals) and TAVITS (Textual-Audio-Visual-Interactive), Aesthetic Animism theorizes a relation between scientific method and literary analysis; considers the temporal implications of animation software; and links software studies to creative writing. Above all it introduces many examples of digital poetry within a playful yet considered flexible taxonomy. In the future imagined here, digital poets program, sculpt, and nourish immense immersive interfaces of semi-autonomous word ecosystems. Poetry, enhanced by code and animated by sensors, reengages themes active at the origin of poetry: animism, agency, consciousness. Digital poetry will be perceived as living, because it is living.
Author: John Ragosta
For over one hundred years, Thomas Jefferson and his Statute for Establishing Religious Freedom have stood at the center of our understanding of religious liberty and the First Amendment. Jeffersons expansive visionincluding his insistence that political freedom and free thought would be at risk if we did not keep government out of the church and church out of governmentenjoyed a near consensus of support at the Supreme Court and among historians, until Justice William Rehnquist called reliance on Jefferson demonstrably incorrect. Since then, Rehnquists call has been taken up by a bevy of jurists and academics anxious to encourage renewed government involvement with religion. In Religious Freedom: Jeffersons Legacy, Americas Creed, the historian and lawyer John Ragosta offers a vigorous defense of Jeffersons advocacy for a strict separation of church and state. Beginning with a close look at Jeffersons own religious evolution, Ragosta shows that deep religious beliefs were at the heart of Jeffersons views on religious freedom. Basing his analysis on that Jeffersonian vision, Ragosta redefines our understanding of how and why the First Amendment was adopted. He shows how the amendments focus on maintaining the authority of states to regulate religious freedom demonstrates that a very strict restriction on federal action was intended. Ultimately revealing that the great sage demanded a firm separation of church and state but never sought a wholly secular public square, Ragosta provides a new perspective on Jefferson, the First Amendment, and religious liberty within the United States.
Author: Gene Moriarty
We all live our daily lives surrounded by the products of technology that make what we do simpler, faster, and more efficient. These are benefits we often just take for granted. But at the same time, as these products disburden us of unwanted tasks that consumed much time and effort in earlier eras, many of them also leave us more disengaged from our natural and even human surroundings. It is the task of what Gene Moriarty calls focal engineering to create products that will achieve a balance between disburdenment and engagement: How much disburdenment will be appropriate while still permitting an engagement that enriches ones life, elevates the spirit, and calls forth a good life in a convivial society?One of his examples of a focally engineered structure is the Golden Gate Bridge, which draws people to it, enlivens and elevates the human spirit, and resonates with the world of its congenial setting. Humans, bridge, and world are in tune. These values of engagement, enlivenment, and resonance are key to the normative approach Moriarty brings to the profession of engineering, which traditionally has focused mainly on technical measures of evaluation such as efficiency, productivity, objectivity, and precision. These measures, while important, look at the engineered product in a local and limited sense. But from a broader perspective, what is locally benign may present serious moral problems, undermining social justice, environmental sustainability, and health and safety of affected parties. It is this broader perspective that is championed by focal engineering, the subject of Part III of the book, which Moriarty contrasts with modern engineering in Part I and pre-modern engineering in Part II.
Author: Erin Murrah-Mandril
The 1848 Treaty of Guadalupe Hidalgo, which transferred more than a third of Mexicos territory to the United States, deferred full U.S. citizenship for Mexican Americans but promised, in the mean time, to protect their property and liberty. Erin Murrah-Mandril demonstrates that the U.S. government deployed a colonization of time in the Southwest to insure political and economic underdevelopment in the region and to justify excluding Mexican Americans from narratives of U.S. progress. In In the Mean Time, Murrah-Mandril contends that Mexican American authors challenged modern conceptions of empty, homogenous, linear, and progressive time to contest U.S. colonization. Taking a cue from Latina/o and borderlands spatial theories, Murrah-Mandril argues that time, like space, is a socially constructed, ideologically charged medium of power in the Southwest. In the Mean Time draws on literature, autobiography, political documents, and historical narratives composed between 1870 and 1940 to examine the way U.S. colonization altered time in the borderlands. Rather than reinforce the colonial time structure, early Mexican American authors exploited the internal contradictions of Manifest Destiny and U.S. progress to resist domination and situate themselves within the shifting political, economic, and historical present. Read as decolonial narratives, the Mexican American cultural productions examined in this book also offer a new way of understanding Latina/o literary history.
Author: Robert Gnuse
Until the modern era, monarchs were understood to be supported by the power of God; they were, in fact, in some cases thought to be gods themselves. The Bible has often been misinterpreted to encourage such oppressive values. Robert Gnuse, however, argues that the Bible is not a tyrannical text. Rather than displaying the lofty, divine status of kings, the Bible portrays them as human and thus serves as a powerful text for liberation from tyranny and equality for al people. By considering the passages about kings and kingship, Gnuse highlights the liberating message of the Bible and applies that message to today's world. If we attend to these stories of freedom, we will work toward ending political abuses and foster liberation and equality.Robert Gnuse, PhD, is the James C.Carter, SJ/Chase Distinguished Professor of the Humanities in the Religious Studies Department at Loyola University New Orleans. He is the author of numerous books and articles in the field of biblical studies.
Author: Diana de Armas Wilson
In the work he considered his masterpiece, Persiles and Sigismunda, Cervantes finally explores the reality of woman--an abstraction largely idealized in his earlier writing. Traditional critics have perpetuated this disembodied ideal woman: Every Man, claimed the translators of the 1706 Don Quixote, has some darling Dulcinea of his Thoughts. As Diana de Armas Wilson shows, however, Cervantes himself envisioned the radical embodiment of Dulcinea in the later Persiles, a pan-European Renaissance allegory. Wilson illuminates Cervantes's strategic use of the ancient genre of Greek romance to contest various chivalric fictions about women, love, and marriage--fictions collapsing under the constraints of an emerging bourgeois culture. Taking as her subject Cervantes's erotic imperative--to leave behind barbaric notions of love in quest of a new conceptual space--Wilson demonstrates how the heroes of the Persiles, unlike Don Quixote, learn to cross the borders of difference. Their journey toward marriage is illustrated by thirteen inset exemplary novels, perhaps the most exploratory of Cervantes's writings. Allegories of Love not only examines the fundamental importance of sexual and cultural difference in Cervantes's last romance, but also reveals the historical conditions of representation itself during the late Renaissance.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Roberto E. Barrios
Roberto E. Barriospresents an ethnographic study of the aftermaths of four natural disasters: southern Honduras after Hurricane Mitch; New Orleans following Hurricane Katrina; Chiapas, Mexico, after the Grijalva River landslide; and southern Illinois following the Mississippi River flood. Focusing on the role of affect, Barrios examines the ways in which people who live through disasters use emotions as a means of assessing the relevance of governmentally sanctioned recovery plans, judgingthe effectiveness of suchprograms, and reflectingon the risk of living in areas that have been deemed prone to disaster.Emotions such as terror, disgust, or sentimental attachment to place all shape the meanings we assign to disasters as well as our political responses to them. The ethnographic cases in Governing Affect highlight how reconstruction programs, government agencies, and recovery experts often view postdisaster contexts as opportune moments to transform disaster-affected communities through principles and practices of modernist and neoliberal development. Governing Affect brings policy and politics into dialogue with human emotion to provide researchers and practitioners with an analytical toolkit for apprehending and addressing issues of difference, voice, and inequity in the aftermath of catastrophes.