Crowds and Popular Politics in Early Modern England
Author: John Walter Early modern England was marked by profound changes in economy, society, politics and religion. It is widely believed that the poverty and discontent which these changes often caused resulted in major rebellion and frequent riots. Whereas the politics of the people have often been described as a many-headed monster; spasmodic and violent, and the only means by which the people could gain expression in a highly hierarchical society and a state that denied them a political voice, the essays in this collection argue for the inherently political nature of popular protest through a series of studies of acts of collective protest, up to and including the English Revolution. The work of John Walter has played a central role in defining current understanding of the field and has been widely read and cited by those working on the politics of subaltern groups. This collection of essays offers a radical re-evaluation of the nature of crowds and protests during the period, and it will make fascinating reading for historians of the period.
Author: Timothy Tackett
The imposition of a loyalty oath on French clergymen in the winter of 1790 was a turning point in the Revolutionary decade after 1789. What is more, there is a remarkable similarity between the geography of this oath--the regional percentages of those who accepted or rejected it--and the geographic patterns of religious practice and political behavior persisting into the twentieth century. Timothy Tackett investigates the origins and nature of this fascinating phenomenon.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Sheila Fitzpatrick
When revolutions happen, they change the rules of everyday life--both the codified rules concerning the social and legal classifications of citizens and the unwritten rules about how individuals present themselves to others. This occurred in Russia after the Bolshevik Revolution of 1917, which laid the foundations of the Soviet state, and again in 1991, when that state collapsed. Tear Off the Masks! is about the remaking of identities in these times of upheaval. Sheila Fitzpatrick here brings together in a single volume years of distinguished work on how individuals literally constructed their autobiographies, defended them under challenge, attempted to edit the file-selves created by bureaucratic identity documentation, and denounced others for masking their true social identities. Marxist class-identity labels--worker, peasant, intelligentsia, bourgeois--were of crucial importance to the Soviet state in the 1920s and 1930s, but it turned out that the determination of a person's class was much more complicated than anyone expected. This in turn left considerable scope for individual creativity and manipulation. Outright imposters, both criminal and political, also make their appearance in this book. The final chapter describes how, after decades of struggle to construct good Soviet socialist personae, Russians had to struggle to make themselves fit for the new, post-Soviet world in the 1990s--by de-Sovietizing themselves. Engaging in style and replete with colorful detail and characters drawn from a wealth of sources, Tear Off the Masks! offers unique insight into the elusive forms of self-presentation, masking, and unmasking that made up Soviet citizenship and continue to resonate in the post-Soviet world.
Author: dg nanouk okpik; Foreword by Arthur Sze
A self-proclaimed vessel in which stories are told from time immemorial, poet dg nanouk okpik seamlessly melds both traditional and contemporary narrative, setting her apart from her peers. The result is a collection of poems that are steeped in the perspective of an Inuit of the twenty-first centurya perspective that is fresh, vibrant, and rarely seen in contemporary poetics. Fearless in her craft, okpik brings an experimental, yet poignant, hybrid aesthetic to her first book, making it truly one of a kind. It takes all of us seeing, hearing, touching, tasting, and smelling to be one, she says, embodying these words in her work. Every sense is amplified as the poems, carefully arranged, pull the reader into their worlds. While each poem stands on its own, they flow together throughout the collection into a single cohesive body. The book quickly sets up its own rhythms, moving the reader through interior and exterior landscapes, dark and light, and other spaces both ecological and spiritual. These narrative, and often visionary, poems let the lives of animal species and the power of natural processes weave into the human psyche, and vice versa. Okpik's descriptive rhythms ground the reader in movement and music that transcend everyday logic and open up our hearts to the richness of meaning available in the interior and exterior worlds.
Author: Elizabeth Mathias Richard Raspa
In 1941, while studying folklore at Wayne University with Professor Emelyn Gardner, Bruna Todesco collected from her mother, Clementina, the twenty-two marchen and legends presented in this book. Bruna, her mother, and her father, John, immigrated to America in 1930 from their native village of Faller in the Veneto region of northern Italy.
Author: Jane K. Cowan
Valued for their sensual and social intensity, Greek dance-events are often also problematical for participants, giving rise to struggles over position, prestige, and reputation. Here Jane Cowan explores how the politics of gender is articulated through the body at these culturally central, yet until now ethnographically neglected, celebrations in a class-divided northern Greek town. Portraying the dance-event as both a highly structured and dynamic social arena, she approaches the human body not only as a sign to be deciphered but as a site of experience and an agent of practice. In describing the multiple ideologies of person, gender, and community that townspeople embody and explore as they dance, Cowan presents three different settings: the traditional wedding procession, the Europeanized formal evening dance of local civic associations, and the private party. She examines the practices of eating, drinking, talking, gifting, and dancing, and the verbal discourse through which celebrants make sense of each other's actions. Paying particular attention to points of tension and moments of misunderstanding, she analyzes in what ways these social situations pose different problems for men and women.
Author: H. Dwight Weaver
Missouri has been likened to a cave factory because its limestone bedrock can be slowly dissolved by groundwater to form caverns, and the state boasts more than six thousand caves in an unbelievable variety of sizes, lengths, and shapes. Dwight Weaver has been fascinated by Missouris caves since boyhood and now distills a lifetime of exploration and research in a book that will equally fascinate readers of all ages.
Author: By C. A. Weslager. Photographs by L. T. Alexander. Drawings by John Swientochowski
It is offered not as a textbook nor as a scientific discussion, but merely as reading entertainment founded on the life history, social struggle, and customs of a little-known people.From the PrefaceC. A. Weslager's Delaware's Forgotten Folk chronicles the history of the Nanticoke Indians and the Cheswold Moors, from John Smith's first encounter with the Nanticokes along the Kuskakarawaok River in 1608, to the struggles faced by these uniquely multiracial communities amid the racial and social tensions of mid-twentieth-century America. It explores the legend surrounding the origin of the two distinct but intricately intertwined groups, focusing on how their uncommon racial heritagewhite, black, and Native Americanshaped their identity within society and how their traditional culture retained its significance into their present.Weslager's demonstrated command of available information and his familiarity with the people themselves bespeak his deep respect for the Moor and Nanticoke communities. What began as a curious inquiry into the overlooked peoples of the Delaware River Valley developed into an attentive and thoughtful study of a distinct group of people struggling to remain a cultural community in the face of modern opposition. Originally published in 1943, Delaware's Forgotten Folk endures as one of the fundamental volumes on understanding the life and history of the Nanticoke and Moor peoples.
Author: Lisa Jardine
The name Erasmus of Rotterdam conjures up a golden age of scholarly integrity. However, as Lisa Jardine portrays him, Erasmus self-consciously created his own reputation as the central figure of the European intellectual world.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Emily Sahakian
In Staging Creolization, Emily Sahakian examines seven plays by Ina Cesaire, Maryse Conde, Gerty Dambury, and Simone Schwarz-Bart that premiered in the French Caribbean or in France in the 1980s and 1990s and soon thereafter traveled to the United States. Sahakian argues that these late-twentieth-century plays by French Caribbean women writers dramatize and enact creolizationthe process of cultural transformation through mixing and conflict that occurred in the context of the legacies of slavery and colonialism. Sahakian here theorizes creolization as a performance-based process, dramatized by French Caribbean womens plays and enacted through their international production and reception histories. The author contends that the syncretism of the plays is not a static, fixed creole aesthetics but rather a dynamic process of creolization in motion, informed by history and based in the African-derived principle that performance is a space of creativity and transformation that connects past, present, and future.