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Bartok Violin Concerto No.1 Sz. 36 BB 48a 巴爾托克 小提琴 協奏曲 第1號 Score Sheet 譜 樂譜 谱 Partitura 楽譜付き 【Kero】
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Bartok Violin Concerto No.1 Sz. 36, BB 48a
巴爾托克 小提琴 協奏曲 第1號
巴尔托克 小提琴 协奏曲 第1号
Bartók concierto para violín n.º 1
バルトーク ヴァイオリン 協奏曲 第1番
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Bartok #Violin #Concerto
00:00 I Andante sostenuto
09:00 II Allegro giocoso
Béla Bartók's Violin Concerto No. 1, Sz. 36, BB 48a was written in the years 1907–1908, but only published in 1956, 11 years after the composer's death, as "Violin Concerto No. 1, Op. posth." It was premiered on 30 May 1958 in Basel, Switzerland.
The concerto was dedicated, as was Othmar Schoeck's concerto for the same instrument, to the violinist Stefi Geyer, with whom Bartók was in love. Geyer could not reciprocate Bartók's feelings and rejected the concerto. It was revived after both Bartók and Geyer had died. Geyer's copy of the manuscript was bequeathed to Paul Sacher to be performed by him and Hansheinz Schneeberger. The concerto was later championed by David Oistrakh. Acclaimed recordings include Oistrakh with Gennady Rozhdestvensky conducting, as well as versions by Maxim Vengerov and György Pauk.
The composition strays from the path of the traditional concerto, having two rather than three movements:
Andante sostenuto
Allegro giocoso
Far from being an innovation, the two-movement form is the traditional design of the rhapsody: a slow movement followed by a fast one. Bartók had already used this form in 1904 for his first concertante work, the Rhapsody, Op. 1, for piano and orchestra (Mason 1958, 15).
Bartók used the Andante as the first of the Two Portraits, Op. 5, representing Stefi Geyer. It has been speculated that the second movement is a self-portrait of the composer (Mason 1958, 12).
The retrospective assignment of "No. 1" to this concerto (and the consequent redesignation of the Violin Concerto Bartók composed in 1936–1939 as "No. 2") has met with some resistance, especially from Hungarian scholars and musicologists, on grounds that the composer had "annulled" this concerto, not only by excluding it from his list of mature works but also by extracting the first movement and reworking it in 1911 as the first of Two Portraits, Op. 5. The objection has also been made that, even though an early String Quartet, composed in Pozsony, and an early Sonata for Violin and Piano have been published, the traditional numberings of the String Quartets and the Violin Sonatas have not been changed (Ujfalussy 1971, 355–356).
...
https://www.youtube.com/watch?v=nOQgWXf86Kk
Bartok Violin Concerto No.1 Sz. 36, BB 48a
巴爾托克 小提琴 協奏曲 第1號
巴尔托克 小提琴 协奏曲 第1号
Bartók concierto para violín n.º 1
バルトーク ヴァイオリン 協奏曲 第1番
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Bartok #Violin #Concerto
00:00 I Andante sostenuto
09:00 II Allegro giocoso
Béla Bartók's Violin Concerto No. 1, Sz. 36, BB 48a was written in the years 1907–1908, but only published in 1956, 11 years after the composer's death, as "Violin Concerto No. 1, Op. posth." It was premiered on 30 May 1958 in Basel, Switzerland.
The concerto was dedicated, as was Othmar Schoeck's concerto for the same instrument, to the violinist Stefi Geyer, with whom Bartók was in love. Geyer could not reciprocate Bartók's feelings and rejected the concerto. It was revived after both Bartók and Geyer had died. Geyer's copy of the manuscript was bequeathed to Paul Sacher to be performed by him and Hansheinz Schneeberger. The concerto was later championed by David Oistrakh. Acclaimed recordings include Oistrakh with Gennady Rozhdestvensky conducting, as well as versions by Maxim Vengerov and György Pauk.
The composition strays from the path of the traditional concerto, having two rather than three movements:
Andante sostenuto
Allegro giocoso
Far from being an innovation, the two-movement form is the traditional design of the rhapsody: a slow movement followed by a fast one. Bartók had already used this form in 1904 for his first concertante work, the Rhapsody, Op. 1, for piano and orchestra (Mason 1958, 15).
Bartók used the Andante as the first of the Two Portraits, Op. 5, representing Stefi Geyer. It has been speculated that the second movement is a self-portrait of the composer (Mason 1958, 12).
The retrospective assignment of "No. 1" to this concerto (and the consequent redesignation of the Violin Concerto Bartók composed in 1936–1939 as "No. 2") has met with some resistance, especially from Hungarian scholars and musicologists, on grounds that the composer had "annulled" this concerto, not only by excluding it from his list of mature works but also by extracting the first movement and reworking it in 1911 as the first of Two Portraits, Op. 5. The objection has also been made that, even though an early String Quartet, composed in Pozsony, and an early Sonata for Violin and Piano have been published, the traditional numberings of the String Quartets and the Violin Sonatas have not been changed (Ujfalussy 1971, 355–356).
...
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PAGAN
paganini-6-sonatas-for-violin-guitar
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Paganini 6 Sonatas (Sonatines) for Violin & Guitar Op.3 M.S. 27
No.2 3-2 I Adagio; II Andantino scherzoso
帕格尼尼 6首 小奏鳴曲 小提琴 吉他 作品3
Paganini Sei Sonate Op.3
パガニーニ ヴァイオリン と ギター のための6つの ソナタ
Violin violín 小提琴 ヴァイオリン Guitar 吉他 ギター Guittara
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Paganini #Sonata #Guitar
Note： Left side is violin sheet, right side is guitar sheet
No.2 3-2
00:00 I Adagio
02:51 II Andantino scherzoso
Paganini 6 Sonatas for Violin & Guitar Op.3
No.1 3-1 I Larghetto; II Presto variato
No.2 3-2 I Adagio; II Andantino scherzoso
No.3 3-3 I Andante sostenuto; II Rondò. Molto allegro
No.4 3-4 I Andante. Largo; II Allegretto motteggiando
No.5 3-5 I Adagio amoroso; II Allegretto energicamente. Minore
No.6 3-6 I. Andante innocentemente; II. Allegro vivo e spiritoso
...
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SUPPE
suppe-poet-and-peasant-overture-蘇佩
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Suppe Poet and Peasant Overture Dichter und Bauer
蘇佩 蘇培 詩人與農夫 序曲
苏佩 苏培 诗人与农夫 序曲
Suppé Poeta y campesino obertura
スッペ 詩人と農夫 序曲
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Suppe #Poet #Peasant
Dichter und Bauer (Poet and Peasant) is an operetta in 3 acts by Franz von Suppé. It premiered on 24 August 1846 at the Theater an der Wien in Vienna.[1] The original libretto was based on Karl Elmar's 1846 comedy of the same name. In 1936, Gustav Quedenfeldt wrote a new libretto based on Suppé's composition version "C".
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https://www.youtube.com/watch?v=lpDxWP36DYo
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【KE
rossini-3-chœurs-religieux-no.1-la-fede
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Rossini 3 Chœurs religieux No.1 La fede 信
羅西尼 3首 聖歌
罗西尼 3首 圣歌
ロッシーニ 三つの 宗教的 合唱曲
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Rossini #Chœurs #religieux
Rossini 3 Chœurs religieux
No.1 La fede 信
No.2 La Speranza 望
No.3 La Caritá 愛
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CHOPI
chopin-mazurka-no.5-op.7-no.1-7-1-b-flat
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Chopin Mazurka
No.5 Op.7 No.1 7-1 in B flat minor 第5號 降B小調 n.º 5 en si bemol menor 第5番 変ロ短調
蕭邦 馬祖卡 馬厝卡 舞曲
萧邦 马祖卡 马厝卡 舞曲
Chopin Mazurca
ショパン マズルカ
ピアノ 鋼琴 钢琴 Piano
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Chopin #Mazurka #馬厝卡
No.5 Op.7 No.1 7-1 in B flat minor 第5號 降B小調 n.º 5 en si bemol menor 第5番 変ロ短調
No.6 Op.7 No.2 7-2 in A minor 第6號 A小調 n.º 6 en la menor 第6番 イ短調
No.7 Op.7 No.3 7-3 in F minor 第7號 F小調 n.º 7 en fa menor 第7番 ヘ短調
No.8 Op.7 No.4 7-4 in A flat major 第8號 降A大調 n.º 8 en la bemol mayor 第8番 変イ長調
No.9 Op.7 No.5 7-5 in C major 第9號 C大調 n.º 9 en do mayor 第9番 ハ長調
The Mazurkas, Op. 7 are a set of five mazurkas by Frédéric Chopin. The mazurkas were written in 1830 – 1832. A typical performance of all five mazurkas takes a little over eleven minutes.
No. 5 in B-flat major
The first mazurka is marked Vivace and is perhaps the most well-known mazurka of the set.
...
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BUSON
busoni-bv-62-scherzo-f-sharp-minor
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Busoni BV 62 Scherzo in F sharp minor
布梭尼 詼諧曲 作品62 升F小調
布梭尼 诙谐曲 作品62 升F小调
ブゾーニ スケルツォ
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Kero #Busoni #Scherzo
Ferruccio Busoni was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition.
Notes:
Scherzo movement probably originally intended for the Sonata No. 3 in E major Op. 9, BV 65 (Sitsky); or the Sonata No. 2 in D major
...
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【KE
bach-well-tempered-clavier-book-i-no.12
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Bach Well-Tempered Clavier BWV846-869
No. 12: Prelude and Fugue in F minor, BWV 857
巴哈 十二平均律 鍵盤曲集
巴哈 十二平均律 键盘曲集
Bach El clave bien temperado
バッハ 平均律 クラヴィーア曲集
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Bach #Well-Tempered #Clavier
00:00 Prelude
02:27 Fugue
Book I
No. 1: Prelude and Fugue in C major, BWV 846
No. 2: Prelude and Fugue in C minor, BWV 847
No. 3: Prelude and Fugue in C♯ major, BWV 848
No. 4: Prelude and Fugue in C♯ minor, BWV 849
No. 5: Prelude and Fugue in D major, BWV 850
No. 6: Prelude and Fugue in D minor, BWV 851
No. 7: Prelude and Fugue in E♭ major, BWV 852
No. 8: Prelude in E♭ minor and Fugue in D♯ minor, BWV 853
No. 9: Prelude and Fugue in E major, BWV 854
No. 10: Prelude and Fugue in E minor, BWV 855
No. 11: Prelude and Fugue in F major, BWV 856
No. 12: Prelude and Fugue in F minor, BWV 857
No. 13: Prelude and Fugue in F♯ major, BWV 858
No. 14: Prelude and Fugue in F♯ minor, BWV 859
No. 15: Prelude and Fugue in G major, BWV 860
No. 16: Prelude and Fugue in G minor, BWV 861
No. 17: Prelude and Fugue in A♭ major, BWV 862
No. 18: Prelude and Fugue in G♯ minor, BWV 863
No. 19: Prelude and Fugue in A major, BWV 864
No. 20: Prelude and Fugue in A minor, BWV 865
No. 21: Prelude and Fugue in B♭ major, BWV 866
No. 22: Prelude and Fugue in B♭ minor, BWV 867
No. 23: Prelude and Fugue in B major, BWV 868
No. 24: Prelude and Fugue in B minor, BWV 869
Book II
No. 1: Prelude and Fugue in C major, BWV 870
No. 2: Prelude and Fugue in C minor, BWV 871
No. 3: Prelude and Fugue in C♯ major, BWV 872
No. 4: Prelude and Fugue in C♯ minor, BWV 873
No. 5: Prelude and Fugue in D major, BWV 874
No. 6: Prelude and Fugue in D minor, BWV 875
No. 7: Prelude and Fugue in E♭ major, BWV 876
No. 8: Prelude and Fugue in D♯ minor, BWV 877
No. 9: Prelude and Fugue in E major, BWV 878
No. 10: Prelude and Fugue in E minor, BWV 879
No. 11: Prelude and Fugue in F major, BWV 880
No. 12: Prelude and Fugue in F minor, BWV 881
No. 13: Prelude and Fugue in F♯ major, BWV 882
No. 14: Prelude and Fugue in F♯ minor, BWV 883
No. 15: Prelude and Fugue in G major, BWV 884
No. 16: Prelude and Fugue in G minor, BWV 885
No. 17: Prelude and Fugue in A♭ major, BWV 886
No. 18: Prelude and Fugue in G♯ minor, BWV 887
No. 19: Prelude and Fugue in A major, BWV 888
No. 20: Prelude and Fugue in A minor, BWV 889
No. 21: Prelude and Fugue in B♭ major, BWV 890
No. 22: Prelude and Fugue in B♭ minor, BWV 891
No. 23: Prelude and Fugue in B major, BWV 892
No. 24: Prelude and Fugue in B minor, BWV 893
《平均律鍵盤曲集》（德語：Das Wohltemperierte Klavier），作品號BWV 846–893，是一組由約翰·塞巴斯蒂安·巴赫為鍵盤獨奏樂器而創作的音樂。最初，巴赫於1722年創作了一組在全部二十四個大小調上的前奏曲與賦格，標題上寫著「為使好學的音樂青年從中獲益，特別是供熟悉此類技巧的人消遣」。巴赫後來於1742年又創作了同樣形式的第二組樂曲，但標題僅為「二十四首前奏曲與賦格」。現在，這兩組作品通常作為第一卷和第二卷被合稱作「平均律鍵盤曲集」。《平均律鍵盤曲集》被廣泛看作是西方古典音樂歷史上最具影響力的作品之一。
* Note:
1. There are 24 pieces in both Book I & 2, totaling 48 pieces. (BWV846-893).
2. Each of the 24 pieces is in a different key.
3. Each piece consists of a prelude & a fugue.
The Well-Tempered Clavier, BWV 846–893, is two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time clavier, meaning keyboard, referred to a variety of instruments, most typically the harpsichord or clavichord but not excluding the organ.
The modern German spelling for the collection is Das wohltemperierte Klavier . Bach gave the title Das Wohltemperirte Clavier to a book of preludes and fugues in all 24 keys, major and minor, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study". Some 20 years later Bach compiled a second book of the same kind, which became known as The Well-Tempered Clavier, Part Two.
Modern editions usually refer to both parts as The Well-Tempered Clavier, Book I (WTC I) and The Well-Tempered Clavier, Book II (WTC II), respectively. Some modern sources regard the collection as being among the most important works in the history of classical music.
Each set contains twenty-four pairs of prelude and fugue. The first pair is in C major, the
second in C minor, the third in major, the fourth in minor, and so on. The rising chromatic pattern continues until every key has been represented, finishing with a B minor fugue. The first set was compiled in 1722 during Bach's appointment in Köthen; the second followed 20 years later in 1742 while he was in Leipzig.
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【KE
elgar-11-vesper-voluntaries-for-organ
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Elgar 11 Vesper Voluntaries for organ Op.14
No.1 14-1 Andante
艾爾加 晚禱 的 風琴獨奏 作品14
艾尔加 晚祷 的 风琴独奏 作品14
エルガー 晩祷の ヴォランタリー
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Elgar #Characteristic #Piece
=== Introduction. Adagio
No.1 14-1 Andante
No.2 14-2 Allegro
No.3 14-3 Andantino
No.4 14-4 Allegro piacevole
=== Intermezzo
No.5 14-5 Poco lento
No.6 14-6 Moderato
No.7 Allegretto pensoso
No.8 Poco allegro
=== Coda
...
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冬
冬景色-日本-文部省-saxophone
【Kero MyPlay Saxophone】
冬景色 日本 文部省
Saxophone 薩克斯風 サクソフォーン Saxofón Play-Along accompaniment
#薩克斯風 #冬景色 #文部省
原曲 附譜
https://www.youtube.com/watch?v=nbZDYNzP9E8
Ref
https://www.youtube.com/watch?v=oA_KqAHgV-A
----- 冬景色
さ霧消ゆる湊江(みなとえ)の
舟に白し 朝の霜
ただ水鳥の声はして
いまだ覚めず 岸の家
烏啼きて木に高く
人は畑(はた)に麦を踏む
げに小春日の のどけしや
かえり咲きの花も見ゆ
嵐吹きて雲は落ち
時雨(しぐれ)降りて日は暮れぬ
若(も)し燈火(ともしび)の漏れ来ずば
それと分かじ 野辺の里
『冬景色（ふゆげしき）』は、1913年（大正2年）刊行の「尋常小学唱歌」第五学年用』に掲載された文部省唱歌。
歌詞の季節は冬の初め頃、1番は水辺の朝、2番は田園の昼、3番は里の夕方が描写されている。2007年（平成19年）に「日本の歌百選」に選ばれた。
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【KE
bach-goldberg-variations-bwv-988-11
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Bach Goldberg Variations BWV 988
Variatio 13. a 2 Clav.
巴哈 郭德堡變奏曲 作品988
巴哈 郭德堡变奏曲 作品988
Bach Variaciones Goldberg BWV 988
バッハ ゴルトベルク変奏曲
Piano 鋼琴 ピアノ Keyboard キーボード 大鍵琴 Harpsichord Cembalo チェンバロ Clavecín
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Bach #Variation #Goldberg
Bach Goldberg Variations playlist
https://www.youtube.com/watch?v=VWLYG3cKves&list=PLu81SiUmmTCCpxMFAJmGSnXXdlBiU44Mp
《哥德堡變奏曲》（德語：Goldberg-Variationen，BWV 988），是約翰·塞巴斯蒂安·巴赫的一部晚期鍵盤作品，1741年出版。全曲32段，全部演出需40-80分鐘。作曲家本人給此曲定的原題是《為雙層羽管鍵琴所作的一段詠嘆調及其一些列變奏組成的鍵盤練習曲》
這部作品長期不受人們重視，直到20世紀前半葉。女大鍵琴家旺達·蘭多芙絲卡的公開演奏及錄音。之後，1955年加拿大鋼琴家格倫·古爾德將其選作自己的第一張錄音作品。而現在，這首曲子被視為巴赫作品中最重要的變奏曲。全作品包括主題，30個變奏，主題反覆。每三個變奏為一組，每組最後一曲為卡農曲（從一度至九度卡農），如V1-V2-V3（V3是一度卡農曲），V4-V5-V6（V6 二度卡農曲），V7-V8-V9（V9 三度卡農曲），V10-V11-V12（V12 四度卡農曲）等等。
The Goldberg Variations, BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, it is named after Johann Gottlieb Goldberg, who may also have been the first performer of the work.
Variatio 13. a 2 Clav.
This variation is a slow, gentle and richly decorated sarabande in 3/4 time. Most of the melody is written out using thirty-second notes, and ornamented with a few appoggiaturas (more frequent in the second section) and a few mordents. Throughout the piece, the melody is in one voice, and in bars 16 and 24 an interesting effect is produced by the use of an additional voice. Here are bars 15 and 16, the ending of the first section (bar 24 exhibits a similar pattern).
Bach Goldberg Variations BWV 988
Aria
Variatio 1. a 1 Clav.
Variatio 2. a 1 Clav.
Variatio 3. Canone all'Unisono. a 1 Clav.
Variatio 4. a 1 Clav.
Variatio 5. a 1 ô vero 2 Clav.
Variatio 6. Canone alla Seconda. a 1 Clav.
Variatio 7. a 1 ô vero 2 Clav. al tempo di Giga
Variatio 8. a 2 Clav.
Variatio 9. Canone alla Terza. a 1 Clav.
Variatio 10. Fughetta. a 1 Clav.
Variatio 11. a 2 Clav.
Variatio 12. a 1 Clav. Canone alla Quarta in moto contrario
Variatio 13. a 2 Clav.
Variatio 14. a 2 Clav.
Variatio 15. Canone alla Quinta. a 1 Clav.: Andante
Variatio 16. Ouverture. a 1 Clav.
Variatio 17. a 2 Clav.
Variatio 18. Canone alla Sesta. a 1 Clav.
Variatio 19. a 1 Clav.
Variatio 20. a 2 Clav.
Variatio 21. Canone alla Settima
Variatio 22. a 1 Clav. alla breve
Variatio 23. a 2 Clav.
Variatio 24. Canone all'Ottava. a 1 Clav.
Variatio 25. a 2 Clav.: Adagio
Variatio 26. a 2 Clav.
Variatio 27. Canone alla Nona. a 2 Clav.
Variatio 28. a 2 Clav.
Variatio 29. a 1 ô vero 2 Clav.
Variatio 30. a 1 Clav. Quodlibet
Aria da Capo
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https://www.youtube.com/watch?v=8NXSw1egSD0
Transaction
Created
1 year ago
Content Type
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video/mp4
English