yt5s.com-The-Cross---The-Crown---Bill-Cooper
source video: https://www.youtube.com/watch?v=hMeWrEtvkb8
"On the other side of the Esquiline," says Mrs. Jameson (in her Sacred and Legendary Art, vol . ii., p . 624), "and on the road leading from the Coliseum to the Lateran, surmounting a heap of sand and ruins, we come to the church of the ` Quattro Coronati,' the Four Crowned Brothers. On this spot, some time in the fourth century, were found the bodies of four men who had suffered decapitation, whose names being then unknown, they were merely distinguished as CORONATI, crowned that is, with the crown of martyrdom." page 274 A NEW AND REVISED EDITION AN ENCYCLOPADIA OF FREEMASONRY AND ITS KINDRED SCIENCES
"Although the term corona was first used in English in the 1500s, it was borrowed directly from the Latin word for “crown.” Corona is derived from the Ancient Greek κορώνη (korōnè), meaning “garland” or “wreath,” coming from a proto-Indo-European root, sker- or ker-, meaning “to turn” or “to bend.”
"Throughout ancient world references, the character of Helios is featured favorably. In the 12th book of the Odyssey, Homer refers to Helios as a god "who gives joy to mortals." This month’s EID cover features a rendition of a sculpted metope, a rectangular carved marble plaque in a Doric frieze that was excavated from the Temple of Athena at Troy/Ilion by Heinrich Schliemann in 1872. This metope, dating from the early 4th century BCE, depicts Helios driving a quadriga which is a chariot drawn by four horses abreast. In a later depiction of Helios seen on this page, the deity is represented in a bronze bust with seven rays radiating from a head of long hair. Found at the beginning of the last century in Tripoli, this bust dates from the 1st century CE and may also have been intended to serve as a portrait of Alexander himself." https://wwwnc.cdc.gov/eid/article/26/9/ac-2609_article
"And of course “God's Sun” goes to his death wearing a “corona”—[which in] Latin [means] “crown of thorns”. Remember the Statue of liberty? [It was given to us by Masonic France.] To this day, kings still wear a round crown of thorns, symbolizing the [rays of the sun]." The Sun of God (aired February 15th, 1993)
"Laurel Crown . A decoration used in some of the higher degrees of the Ancient and Accepted Scottish Rite. The laurel is an emblem of victory ; and the corona triumphalis of the Romans, which was given to generals who had gained a triumph by their conquests, was made of laurel leaves . The laurel crown in Masonry is given to him who has made a conquest over his passions ." page 427 A NEW AND REVISED EDITION AN ENCYCLOPADIA OF FREEMASONRY AND ITS KINDRED SCIENCES
"Protruding surface proteins have served as primary targets for successful vaccine development for viruses other than coronavirus, for example the hemagglutinin of influenza A and the surface glycoprotein of Ebola virus. For COVID-19, vaccine trials have begun in which the goal is primarily induction of immunologic responses to the spike protein of the virus corona. As is the case with other viruses, interaction of SARS-CoV-2 surface proteins with host cell receptors has also been an important target in the planned development of therapeutic drugs to block viral interactions with host cells. In the face of the current raging COVID-19 pandemic, it is hoped that the spikes of the radiate corona of SARS-CoV-2 will herald its downfall. If these spikes become targets of successful therapeutic and prophylactic interventions, we may somehow resolve the paradox of the resemblance of the spikes of this pathogen to the welcome rays of Helios." https://wwwnc.cdc.gov/eid/article/26/9/ac-2609_article
"These are the Three Nails of the Passion. In figs, 1 and 2 they are unmistakably so, with the points downwards. Figs. 3 and 4 have the significant horizontal mark which, in the first centuries of Christianity, stood for the Second (with feminine meanings) Person of the Trinity; but the points of the spikes (spicce, or thorns) are gathered upwards in the centre. In fig. 5 there are still the three nails; but a suggestive similarity to be remarked in this figure is a disposition resembling the crux-ansata—an incessant symbol, always reappearing in Egyptian sculptures and hieroglyphics.
There is also a likeness to the mysterious letter “Tau.” The whole first chapter of Genesis is said to be contained in this latter emblem—this magnificent, all including “Tau.”
Three bent spikes, or nails, are unmistakably the same symbol that Belus often holds in his extended hand on the Babylonian cylinders, afterwards discovered by the Jewish cabalists in the points of the letter “Shin,” and by the mediaeval mystics in the “Three Nails of the Cross.”—The Gnostics and their Remains, Ancient and Mediæval, p. 208." The Rosicrucians Their Rites and Mysteries by Hargrave Jennings
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