+++ 1080p HD restored print +++ Local cat gossip says that Sylvester is no longer a great mouse catcher. To prove them wrong, Sylvester takes his son mouse-catching. The Slap-Hoppy Mouse is a 1956 Merrie Melodies short directed by Robert McKimson. It was released September 1, 1956. and features Sylvester, Sylvester Jr. and Hippety Hopper. Notes: The working title was "Of Mice and Menace". This is the first Merrie Melodies short to feature the 1956-1957 orange Color Rings with green background at the beginning, even though it still uses the 1955-1956 green rings with red background at the end. The orange rings with green background can also be seen in the openings on numerous Blue Ribbon re-releases of shorts from 1949, but either with the 1946-1955 version of the Looney Tunes theme, or the 1945-1955 version of the Merrie Melodies theme. Starting with these new reissues, the original credits and original ending cards are always kept, regardless of which series the cartoon is originally in, until the 1959-64 season, when only select cartoons had their ending cards kept.
Sixty-five million years ago, a giant meteor hit the earth causing a global catastrophe that destroyed an estimated three quarters of the plants and animal species on the planet, including the mighty dinosaurs. Little was known about the survivors who lived in this post-apocalyptic world until a mining operation in Cerrejon, Northern Colombia — excavating coal cut from deep within the earth’s crust — exposed an important layer in the earth’s geological history laid down more than 10 million years after the extinction of the dinosaurs. In 2003, when paleontologist professor Jonathan Bloch, University of Florida, first heard that this important layer had been exposed, he and his research team rushed to Columbia. He had spent his career studying this Paleocene period in the earth’s geological history. Could this be the lost world he’d been searching for?
Alex4History's supplementary notes:
From the Secrets of the Dead series
Narrated by: Jay O. Sanders
What links Adolf Hitler, Heinrich Himmler and a priceless Celtic cauldron recently discovered at the bottom of a lake in Bavaria? In this film an investigation uncovers allegations of mafia involvement, an international fraud trial where millions of dollars are at stake and a forensic discovery that stuns the archaeological world and steers the mystery towards Himmler's SS shrine at Wewelsburg and Hitler's obsessive quest for the Holy Grail. This seemingly priceless and beautiful object has brought death and disaster to everyone who has attempted to own it but who did make it and why?
Hosted by Shaun Dooley
Living Years is the second album by Mike + The Mechanics, released in 1988. The album reached number 13 on the US Billboard 200 and number 2 on the UK Albums Chart.
Tracklist:
1 Nobody's Perfect 0:00
2 The Living Years 4:45
3 Seeing Is Believing 10:20
4 Nobody Knows 13:33
5 Poor Boy Down 17:57
6 Blame 22:45
7 Don't 27:58
8 Black & Blue 33:39
9 Beautiful Day 37:07
10 Why Me? 41:15
Mike + The Mechanics
Mike Rutherford – guitars, bass
Paul Carrack – vocals (lead: 2, 4, 7, 10)
Paul Young – vocals (lead: 1, 3, 5, 6, 8, 9)
Adrian Lee – keyboards
Peter Van Hooke – drums
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One Mile of Runway - An Aileron Aviation Films Production
Music: Dawn Rider by Tristan Barton
Source: Aileron Aviation Films
https://www.youtube.com/c/AileronAviationFilms
--- This is shared without profit for educational and historical purposes ---
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Rubber Soul is the sixth studio album by the English rock band the Beatles. It was released on 3 December 1965 in the United Kingdom on EMI's Parlophone label, accompanied by the non-album double A-side single "Day Tripper" / "We Can Work It Out". The original North American release, issued by Capitol Records, contains ten of the fourteen songs and two tracks withheld from the band's Help! album. Rubber Soul was described as an important artistic achievement by the band, meeting a highly favourable critical response and topping sales charts in Britain and the United States for several weeks.
The recording sessions took place in London over a four-week period beginning in October 1965. For the first time in their career, the Beatles were able to record an album free of concert, radio, or film commitments. Often referred to as a folk rock album, particularly in its Capitol configuration, Rubber Soul incorporates a mix of pop, soul and folk musical styles. The title derives from the colloquialism "plastic soul" and was the Beatles' way of acknowledging their lack of authenticity compared to the African-American soul artists they admired. After A Hard Day's Night in 1964, it was the second Beatles LP to contain only original material.
The songs demonstrate the Beatles' increasing maturity as lyricists, and in their incorporation of brighter guitar tones and new instrumentation such as sitar, harmonium, and fuzz bass, the group striving for more expressive sounds and arrangements for their music. The project marked a progression in the band's treatment of the album format as an artistic platform, an approach they continued to develop with Revolver (1966) and Sgt. Pepper's Lonely Hearts Club Band (1967). The four songs omitted by Capitol, including the February 1966 single "Nowhere Man", later appeared on the North American release Yesterday and Today.
Rubber Soul was highly influential on the Beatles' peers, leading to a widespread focus away from singles and onto creating albums of consistently high-quality songs. It has been recognised by music critics as an album that opened up the possibilities of pop music in terms of lyrical and musical scope, and as a key work in the creation of styles such as psychedelia and progressive rock. Among its many appearances on critics' best-album lists, Rolling Stone ranked it fifth on the magazine's 2012 list "The 500 Greatest Albums of All Time". In 2000, it was voted at number 34 in the third edition of Colin Larkin's book All Time Top 1000 Albums. The album was certified 6× platinum by the RIAA in 1997, indicating shipments of at least six million copies in the US. In 2013, Rubber Soul was certified platinum by the British Phonographic Industry (BPI) for UK sales since 1994.
Tracklist:
Side one
1. I've Just Seen a Face 0:00
2. Norwegian Wood (This Bird Has Flown) 2:11
3. You Won't See Me 4:17
4. Think for Yourself 7:41
5. The Word 10:00
6. Michelle 12:47
Side two
1. It's Only Love 15:32
2. Girl 17:28
3. I'm Looking Through You 19:59
4. In My Life 22:30
5. Wait 24:57
6. Run for Your Life 27:11
The Beatles
John Lennon – lead, harmony and backing vocals; rhythm, acoustic and lead guitars; organ on "Think for Yourself"; tambourine
Paul McCartney – lead, harmony and backing vocals; bass, acoustic and lead guitars; piano; maracas
George Harrison – lead, harmony and backing vocals; lead, rhythm and acoustic guitars; sitar on "Norwegian Wood"; maracas, tambourine
Ringo Starr – drums, tambourine, maracas, cowbell, bells, cymbals; Hammond organ on "I'm Looking Through You"; lead vocals on "What Goes On"
Source: THE BEATLES IDEAL DISCOGRAPHY
https://odysee.com/@TheBeatlesIdealDiscography:0
+++ Description, Tracklist and Timecodes by Alex4History +++
Draftee Daffy is a 1945 Warner Bros. Looney Tunes cartoon directed by Bob Clampett. The cartoon was released on January 27, 1945, and stars Daffy Duck.
Reception:
Animation historian Jerry Beck writes that in this film, Clampett "gives Daffy Duck the first nuance to his zany personality — something Chuck Jones would expand upon in later shorts — by making the duck an out-an-out coward. Even funnier, the little man from the draft board is portrayed by a nerdy 4F reject, who personifies government intrusion in our lives."
Demons and Wizards is the fourth studio album by British rock band Uriah Heep, released 19 May 1972 by Bronze Records in the UK and Mercury Records in the US.
Composition and recording:
New Zealander Gary Thain, at the time a member of Keef Hartley Band, joined Uriah Heep as a permanent member halfway through another American tour. "Gary just had a style about him, it was incredible because every bass player in the world that I've ever known has always loved his style, with those melodic bass lines," lead guitarist Mick Box commented later. Another addition, of drummer Lee Kerslake (a former bandmate of Ken Hensley's in the Gods and Toe Fat), solidified the rhythm section. Thus the "classic" Uriah Heep lineup was formed, and according to biographer Kirk Blows, "everything just clicked into place". While the album title and Roger Dean's cover art both suggested medieval fantasy, Hensley's notes declared the album to be "just a collection of our songs that we had a good time recording".
Hensley recalled: "The band was really focused at that time. We all wanted the same thing, were all willing to make the same sacrifices to achieve it and we were all very committed. It was the first album to feature that lineup and there was a magic in that combination of people that created so much energy and enthusiasm"
An in-depth analysis of the Yes 1977 album Going For The One. This documentary contains new sound mixes and 100s of newly cleaned up and colourised photos.
Source: rael nyc
https://www.youtube.com/@progessiverockstories