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A Bucket Of Blood Full HD Movie (1959)
A Bucket of Blood is a 1959 American comedy horror film directed by Roger Corman. It starred Dick Miller and was set in beatnik culture. The film, produced on a $50,000 budget, was shot in five days and shares many of the low-budget filmmaking aesthetics commonly associated with Corman's work.[5] Written by Charles B. Griffith, the film is a dark comic satire about a dimwitted, impressionable young busboy at a Bohemian café who is acclaimed as a brilliant sculptor when he accidentally kills his landlady's cat and covers its body in clay to hide the evidence. When he is pressured to create similar work, he becomes murderous.
A Bucket of Blood was the first of three collaborations between Corman and Griffith in the comedy genre, followed by The Little Shop of Horrors (which was shot on the same sets as A Bucket of Blood) and Creature from the Haunted Sea. Corman had made no previous attempt at the genre, although past and future Corman productions in other genres incorporated comedic elements. The film is a satire not only of Corman's own films but also of the art world and teen films of the 1950s. The film is noted as well in many circles as an honest, undiscriminating portrayal of the many facets of beatnik culture, including art, dance and style of living. The plot has similarities to Mystery of the Wax Museum (1933). However, by setting the story in the Beat milieu of 1950s Southern California, Corman creates an entirely different mood from the earlier film.Cast
Dick Miller as Walter Paisley
Barboura Morris as Carla
Antony Carbone as Leonard de Santis
Julian Burton as Maxwell H. Brock
Ed Nelson as Art Lacroix
John Brinkley as Will/Plot summary
One night after hearing the words of Maxwell H. Brock (Julian Burton), a poet who performs at The Yellow Door cafe, the dimwitted, impressionable, busboy Walter Paisley (Dick Miller) returns home to attempt to create a sculpture of the face of the hostess Carla (Barboura Morris). He stops when he hears the meowing of Frankie, the cat owned by his inquisitive landlady, Mrs. Surchart (Myrtle Vail), who has somehow gotten himself stuck in Walter's wall. Walter attempts to get Frankie out using a knife, but accidentally kills the cat when he sticks the knife into his wall. Instead of giving Frankie a proper burial, Walter covers the cat in clay, leaving the knife stuck in it.
Carla and Leonard admire Walter's "sculpture", Dead Cat.
The next morning, Walter shows the cat to Carla and his boss Leonard (Antony Carbone). Leonard dismisses the oddly morbid piece, but Carla is enthusiastic about the work and convinces Leonard to display it in the café. Walter receives praise from Will (John Brinkley) and the other beatniks in the café. An adoring fan, Naolia (Jhean Burton), gives him a vial of heroin to remember her by. Naively ignorant of its function, he takes it home and is followed by Lou Raby (Bert Convy), an undercover cop, who attempts to take him into custody for narcotics possession. In a blind panic, thinking Lou is about to shoot him, Walter hits him with the frying pan he is holding, killing Lou instantly.
Meanwhile, Walter's boss discovers the secret behind Walter's "Dead Cat" piece when he sees fur sticking out of it. The next morning, Walter tells the café-goers that he has a new piece, which he calls "Murdered Man". Both Leonard and Carla come with Walter as he unveils his latest work and are simultaneously amazed and appalled. Carla critiques it as "hideous and eloquent" and deserving of a public exhibition. Leonard is aghast at the idea, but realizes the potential for wealth if he plays his cards right.
The next night, Walter is treated like a king by almost everyone, except for a blonde model named Alice (Judy Bamber), who is widely disliked by her peers. Walter later follows her home and confronts her, explaining that he wants to pay her to model. At Walter's apartment, Alice strips nude and poses in a chair, where Walter proceeds to strangle her with her scarf. Walter creates a statue of Alice which, once unveiled, so impresses Brock that he throws a party at the Yellow Door in Walter's honor. Costumed as a carnival fool, Walter is wined and dined to excess.
After the party, Walter later stumbles towards his apartment. Still drunk, he beheads a factory worker with his own buzzsaw to create a bust. When he shows the head to Leonard, the boss realizes that he must stop Walter's murderous rampage and promises Walter a show to offload his latest "sculptures". At the exhibit, Walter proposes to Carla, but she rejects him. Walter is distraught and now offers to sculpt her, and she happily agrees to after the reception. Back at the exhibit, however, she finds part of the clay on one figure has worn away, revealing Alice's finger. When she tells Walter that there is a body in one of the sculptures, he tells her that he "made them immortal", and that he can make her immortal, too. She flees, he chases, and the others at the exhibit learn Walter's secret
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Blood-Fight-Full-HD-Movie-(1989)
Bloodsport is a 1988 American martial arts action film directed by Newt Arnold. It stars Jean-Claude Van Damme, Donald Gibb, Leah Ayres, and Bolo Yeung. The film is partly based on unverified claims made by martial artist Frank Dux. It sold well at the box office, grossing $50 million on a budget of $1.5–2.3 million. Bloodsport was one of Van Damme's first starring films and showcased his athletic abilities. It has since become a cult film. Plot
U.S. Army Captain Frank Dux (Jean-Claude Van Damme) has trained in the ways of ninjutsu under his sensei Senzo Tanaka (Roy Chiao). As a boy, Dux and a group of his friends broke into Tanaka's home to steal a katana, but Dux was apprehended while returning the katana to its place. Impressed by Dux's integrity and toughness, Senzo decided to train him alongside his son, Shingo (Sean Ward). After Shingo's death, Senzo trains Dux as a member of the Tanaka clan. Dux is invited to the Kumite, an illegal martial arts tournament in Hong Kong. After his Army superiors refuse to let him go, Dux goes absent without leave, says goodbye to his sensei and leaves for Hong Kong. Two Criminal Investigation Command officers, Helmer (Norman Burton) and Rawlins (Forest Whitaker), are assigned to track down and arrest Dux.
After arriving in Hong Kong, Dux befriends American fighter Ray Jackson (Donald Gibb) and their guide Victor Lin (Ken Siu). When they arrive at the Kumite arena, the officials are skeptical but eventually accept them after Dux proves his connection to the Tanaka clan by performing the "death touch." On the first day of the tournament, Dux earns the enmity of the ruthless Kumite champion Chong Li (Bolo Yeung) after breaking his record for the fastest knockout.
Dux becomes involved with American journalist Janice Kent (Leah Ayres), who is investigating the Kumite. Although Dux refuses to help her, she sneaks into the arena by agreeing to a date with another spectator. On the second day, Jackson is matched against Chong Li. Although Jackson comes close to defeating Li, he wastes time gloating, allowing Li to recover and viciously beat him. Dux visits Jackson in the hospital and vows to avenge him. After witnessing the brutality of the tournament, Kent argues with Dux and tries to convince him not to return. Dux tells her that he has to win in order to become the best he can be.
Helmer and Rawlins arrive in Hong Kong and contact the local police. They begin asking around for Dux and track him down to his hotel. A chase through the downtown ensues but Dux evades them when they fall into a canal. When Dux arrives at the Kumite, the local police are waiting for him. He eludes them as well, but agrees to return with Helmer and Rawlins after the tournament.
On the final day, Li kills his opponent, much to the chagrin of the crowd. Fearing defeat, Li conceals a salt pill in his waistband before the final match against Dux. When Dux gains the upper hand, Li blinds him by crushing the pill and throwing it into Dux's face. Dux falls back on his training from Tanaka, who taught him to fight without his sight, overcoming the handicap and defeating Li. The next day, he bids farewell to Kent and Jackson before returning to the United States with Helmer and Rawlins. Cast
Jean-Claude Van Damme as Frank Dux
Bolo Yeung as Chong Li
Donald Gibb as Ray Jackson
Leah Ayres as Janice Kent
Norman Burton as Helmer
Forest Whitaker as Rawlins
Ken Siu as Victor Lin
Roy Chiao as Senzo Tanaka
Michel Qissi as Suan Paredes
Philip Chan as Inspector Chen Production
Development and writing
Co-writer Sheldon Lettich came up with the idea for the film. According to Lettich:
"I had known Frank Dux for a number of months before I came up with the idea for Bloodsport. Frank told me a lot of tall tales, most of which turned out to be bullshit. But his stories about participating in this so-called "Kumite" event sounded like a great idea for a movie. There was one guy who he introduced me to, named Richard Bender, who claimed to have actually been at the Kumite event and who swore everything Frank told me was true. A few years later this guy had a falling-out with Frank, and confessed to me that everything he told me about the Kumite was a lie; Frank had coached him in what to say." Producer Mark Di Salle said he was looking for "a new martial arts star who was a ladies' man, [but Van Damme] appeals to both men and women. He's an American hero who fights for justice the American way and kicks the stuffing out of the bad guys."[3] Bloodsport is one of the few films featuring scenes filmed inside Kowloon Walled City before its demolition in 1993. Music Soundtrack
Bloodsport's soundtrack score was composed by Paul Hertzog, who also composed another Jean-Claude Van Damme. Check out some of my rare limited edition HD dvd's https://lexron.ecrater.com/c/2306906/cds-and-movies
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700,000,000.00 LBC
Cry-Blood-Apache-Full-HD-Movie-(1970)
Before there was Johnny Firecloud, Jack Starrett gave us "Vittorio!" Cry Blood, Apache (1970) opens with an older Pitcalin (Joel McCrea) riding to a secluded location in the desert. Upon arriving the viewer is given a flashback of a terrible series of events that occurred in his youth. The opening scene involves an amiable group of Native Americans and outlaws enjoying themselves with drink, song, and dance. Eventually, one of the natives slips and falls revealing a small stash of gold nuggets. Feverish with greed, the outlaws begin to attack the natives for lack of explaining where they found the gold. All but two women are killed; they are assaulted and one is beat to death. The last remaining female, Cochalla (Carolyn Stellar of Devil Times Five), agrees to lead the band to the gold. Shortly after breaking camp, the lone Apache, Vittorio (Dan Kemp), finds the carnage and his reaction implies that the slain are most likely his family. He sets out to track down the men responsible and provides a slow agonizing death to all but one, Pitcalin.On a scale of great Westerns, Cry Blood, Apache fairs pretty low. However, in the realm of Jack Starrett-directed revenge flicks, it works. The action tends to take place too late in the film. The majority of the movie's arc involves the small band traipsing across the desert asking, "Are we there yet?" With the help of a few veteran exploitation/biker film players, Starrett manages to pull off a decent movie. Starrett himself plays "the Deacon," a conflicted Bible-quoting outlaw who continually promises God that he will build him a church...if God will help him find some gold. In once scene, Starrett's character quotes scripture over one of the slain Indians. When he's done, he scalps him saying, "that should cover the cost of services, don't you think?"
In addition to Starrett, "Two Card Charlie" is played by Robert Tessier who, from 1967 to 1971, would appear in seven biker flicks beginning with Born Losers (1967) and this list would include an uncredited role in Starrett's own Run Angel Run (1969). Although Messier plays a marginal character in Cry Blood, Apache, he brings a "biker" sensibility to the part. The younger Pitcalin is played by Joel McCrea's son, Jody McCrea, who had made a name for himself playing mostly in Beach movies throughout the 1960s. By 1970, McCrea had appeared in The Glory Stompers (1968) and Scream Free! (1969), a Bill Brame-directed biker/drugsploitation farce (featuring Casey Kasem in the act!). Dan Kemp, who plays the vengeful Apache Vittorio, had played in Starrett's Run, Angel, Run, The Losers, as well as Al Adamson's Hell's Bloody Devils released in the same year.Any incongruities in this film are somewhat justified by the fact that Starrett was in a whirlwind of activity at the time this movie was being shot. According to Jack Starrett's imdb entry, he released three films in 1970 each just one month apart. Starting with The Losers in August, Cry Blood, Apache in September, and one of his first made for television movies, Night Chase, in November. It's not certain when he shot the footage for Cry Blood, Apache, but this can be considered a decent film under these circumstances.
The fact is, this movie is a Western, but the only thing preventing it from being a biker flick is that the script is set more than a century before the internal combustion engine. If you can get past a slow rambling buildup; one extremely awful knife fight toward the end; and the fact that sometimes there's snow on the ground and sometimes there's not, you'll find this picture somewhat enjoyable. Besides, it's Jack Starrett!
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700,000,000.00 LBC
Dont.Open.Till.Christmas.1984
Don't Open Till Christmas is a 1984 British slasher film directed by Edmund Purdom. It was written by Derek Ford and Alan Birkinshaw.Plot
A man in a Santa suit and a woman meet in an alleyway to have sex in a car, and are stabbed to death by a man wearing a grinning translucent mask. During a party, another man dressed like Santa Claus has a spear thrown through his head, and dies in front of his daughter, Kate Brioski. At New Scotland Yard, Chief Inspector Ian Harris and Detective Sergeant Powell discuss the murders, and interview Kate, and her boyfriend Cliff. That night, another Santa is killed, having his face shoved onto the grill he was roasting chestnuts on an open fire.
The next day, a present (which reads "Don't Open Till Christmas") is delivered to Harris, Powell receives a strange call from a man claiming to be a reporter named Giles, and a Santa is shot in the mouth. Cliff tricks Kate into visiting a porn studio owned by an old friend, and after Kate storms off, Cliff and the model (who is adorned in a Santa cloak) prepare for outdoor photographs, but Cliff runs off when a pair of police officers spot them, and the model encounters the killer, who lets her go.
At a peep show, a Santa is knifed, which is witnessed by one of the strippers, Sherry Graham. Harris visits Kate and Cliff, and makes it clear that Cliff is a suspect in the attacks, due to being present for two of them. Powell finds Giles digging through his office, and tells him that the newspaper Giles stated he worked for claimed not to know him. Giles retorts by suggesting that Harris is hiding something, and that Powell should keep an eye on him. A Santa is assaulted by a group of teenagers, and runs into the London Dungeon, where he and an employee are killed.
In an effort to catch the murderer, several officers go undercover as Santas, and two of them are butchered at a carnival. The killer then abducts Sherry, intending for her to be "the supreme sacrifice to all the evil that Christmas is". Meanwhile, Harris is taken off the case, and when Kate calls him, she is informed by his housekeeper that he is visiting Parklands, a mental institution. A Santa is chased into a theatre where Caroline Munro is performing, and his body is brought to the stage by a trapdoor after he is stabbed in the face with a machete. Kate tells Powell of her suspicions about Harris (who has no birth certificate) but he dismisses her theories, so she goes to visit Parklands alone, while the killer castrates a Santa in a department store restroom.
Kate is confronted in her home by Giles, who she had learned was just released from Parklands, and is the younger brother of Harris (who changed his surname from Harrison after Giles was committed). Powell telephones Kate, and she tries to answer, but Giles strangles and stabs her. Powell hears Kate's death over the phone, rushes to Kate's apartment, and pursues Giles into a junkyard, where Giles electrocutes him.
Giles returns to his hideout, which he chases Sherry through when she escapes her chains. Sherry knocks Giles over a railing, and when she goes to inspect the body, Giles springs back to life, and begins throttling her. A flashback is then shown, and reveals that decades earlier Giles walked in on his father (who was dressed as Santa for a Christmas party) cheating on his mother with another woman. When Giles's mother discovered this, she and her husband got into an argument, which ended with Mrs. Harrison being knocked down a flight of stairs.
Harris wakes up from a nightmare, goes into his living room, and unwraps the gift he had gotten earlier, which has a previously unseen card that reads "Christmas present from your loving Brother". The present is a music box, which explodes after playing its song, killing Harris.Cast
Edmund Purdom as Chief Inspector Ian Harris
Alan Lake as Giles Harrison
Belinda Mayne as Kate Briosky
Gerry Sundquist as Cliff Boyd
Mark Jones as Detective Sergeant Powell
Kelly Baker as Experience Girl (Sherry Graham)
Caroline Munro as Herself
Kevin Lloyd as Gerry
Pat Astley as Sharon
Wendy Danvers as Mrs. Sherry
Nicholas Donnelly as Doctor Bridle (scenes possibly deleted)
Laurence Harrington as Kate's Father
Ken Halliwell as Restaurant Commissionare
Ray Marioni as Maitre d'hotel
Wilfred Corlett as Experience Santa Claus
Ricky Kennedy as Theatre Santa Claus
Sid Wragg as Dungeon Santa Claus
Max Roman as Store Santa Claus
George Pierce as Market Santa Claus
Ashley Dransfield as Drunken Santa Claus
Derek Ford as Circus Santa Claus
Adrian Black as Circus Santa Claus
John Aston as Santa Claus in Car
Maria Eldridge as Girl in Car
Des Dolan as Detective Constable
Derek Hunt as Police Constable
Paula Meadows as Dungeon Secretary
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500,000,000.00 LBC
Milton-Berle-Show-Full-Audio-Book-(1954)
Milton Berle was the first superstar of the television age. His variety show (a program that features many different types of entertainment), Texaco Star Theater, was a huge hit in the late 1940s and early 1950s, attracting up to 75 percent of American TV audiences each week. Berle's brand of outrageous physical humor took full advantage of the visual element that television made possible. In the earliest years of TV, friends and neighbors gathered around their sets to watch him wear ridiculous costumes, tell bad jokes, and appear on stage with trained animals and jugglers. Although the popularity of Texaco Star Theater helped promote the tremendous growth of television, Berle's appeal faded as the new technology developed beyond its novelty stage.I learned quickly that I couldn't do anything small, because the studio audience couldn't see it, and if the studio audience didn't laugh, chances were the home audience wouldn't either."
A Boyhood In Show Business
Born Milton Berlinger on July 12, 1908, in New York City, Berle spent virtually his entire life in show business. When he was only five years old, his mother began entering him in amateur talent contests. Soon after, Berle began appearing in silent movies, such as The Perils of Pauline and Charlie Chaplin's Tillie's Punctured Romance. Berle's mother, though not in show business herself, was determined to see her son succeed and get noticed. "My name got shortened," Berle explained to the Chicago Tribune, "because Mother figured that way it could be displayed in bigger letters on a marquee [the lighted overhead display sign on the front of a theater]."
Berle started to make a name for himself as a performer in vaudeville. Vaudeville was a circuit of theaters around the country that featured a variety of live entertainment, such as comedians, musical acts, skits, jugglers, and just about anything else that could be performed on a stage. In 1920, the twelve-year-old Berle teamed with Elizabeth Kennedy to create a youthful comedy act called Kennedy and Berle. By the following year, the act was appearing in vaudeville's most prestigious theaters.
Traveling around the country and performing in vaudeville shows was not an easy life for the young performers, as Berle recalled in his autobiography: "On the Orpheum Circuit, one of the best, you did two shows a day, seven days a week. You finished one theater on Sunday and you packed and traveled to get to the next theater in time for the Monday opening. A typical Orpheum route would be Minneapolis to Winnipeg to Calgary to Vancouver. From there you went to Seattle and Portland and then to San Francisco, where you played two dates. First you played the Orpheum, which was the big-time house, and then you moved to the Golden Gate, which was murder because you did continuous performances."
When he grew too tall to continue performing in the child act with Kennedy, Berle struck out on his own. A gifted joke teller, he abandoned any formal education and began honing his stage act. By 1924, at the age of sixteen, he was earning $600 per week, which was a lot of money in the 1920s. Through the remainder of the decade, Berle's success in vaudeville only increased.
In the early 1930s, the growing popularity of movies began to take its toll on vaudeville, and audiences for live entertainment started to decline. Hoping to repeat his stage success in the movies, Berle went to Hollywood. Though he appeared in a handful of movies over the next ten years—including Gags to Riches, RKO's New Faces of 1937, Rise and Shine, and Whispering Ghosts—his film career did not flourish. Berle's emphasis on physical humor and visual comedy also failed to translate to radio, where vaudeville stars such as Jack Benny (1894–1974) and Bob Hope (1903–2003) found success. Instead, Berle took his act to nightclubs, where he earned as much as $10,000 per week after World War II (1939–45).
Taking His Act To Television
In 1948, Berle was hired to host a radio show sponsored by the Texaco Oil Company called Texaco Star Theater. Within a few months, the sponsor decided to transfer the show to the brand new medium of television. Berle auditioned before the TV cameras along with two other comedians, and he was eventually selected to continue in his role as host. Texaco Star Theater made its television debut on the NBC network on September 21, 1948. The show was an immediate hit. In fact, it was so popular among viewers that NBC actually delayed broadcasting the results of the November 1948 presidential election until after the end of the program.
Despite his instant success, Berle soon realized that he had a lot to learn about television. "Since there were no monitors on which the audience could watch the show," he wrote in his autobiography, "they had to do as well as they could by looking around the cameras, which blocked their view of the stage.
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500,000,000.00 LBC
Fist-Of-Fury-Full-HD-Movie-(1972)
Fist of Fury (also known as The Chinese Connection) is a 1972 Hong Kong action martial arts film written and directed by Lo Wei, produced by Raymond Chow, and starring Bruce Lee in his second major role after The Big Boss (1971).[3] Lee plays Chen Zhen, a student of Huo Yuanjia, who fights to defend the honor of the Chinese in the face of foreign aggression, and to bring to justice those responsible for his master's death.[3]
The film grossed an estimated US$100 million worldwide (equivalent to over $600 million adjusted for inflation), against a budget of $100,000. It was the highest-grossing Hong Kong film up until Lee's The Way of the Dragon (1972).Background
The film was produced by the Orange Sky Golden Harvest film production company, still in its infancy at the time. Directed by Lo Wei, this was Bruce Lee's second kung fu film. The film, which touches on sensitive issues surrounding Japanese colonialism, features "realistic combat choreography". It differs from other films in the genre for its historical and social references, especially to Japanese imperialism.Plot
Set in 1910s Shanghai, Chen Zhen returns to Jingwu School to marry his fiancée. However, he learns that his master Huo Yuanjia has died, apparently from illness, which devastates Chen. During the funeral, people from a Japanese dojo in Hongkou District arrive to taunt the Jingwu students. Wu En, translator and advisor for the Japanese dojo's grandmaster Hiroshi Suzuki (the villain of the film), taunts Chen by slapping him on the cheek several times, and dares him to fight one of Suzuki's protégés. They present a sign to Jingwu School, bearing the words "Sick Man of East Asia", seemingly to insult Huo Yuanjia, describing the Chinese as "weaklings" in comparison to the Japanese. The protégé taunts the Jingwu students to fight him and promises, "I'll eat those words if any Chinese here dare to fight and defeat me". Chen Zhen wants to retaliate, but is prevented from doing so by Fan Junxia, the most senior student in the school.
Shortly afterwards, Chen Zhen goes to the Hongkou dojo alone to return the sign. He winds up fighting the Japanese students, defeating all of them, including their sensei, single-handedly. He smashes the glass on the sign and makes the students who taunted him earlier chew up the paper bearing the derogatory words, so as to make them literally "eat their words".
Later, Chen takes a stroll to a park. A Sikh guard refuses him entry, due to a posted sign that forbids dogs and Chinese in the park. After the guard allows a foreigner to bring her pet dog into the park, a Japanese man approaches Chen and tells him that if he behaves like a dog, he will be allowed to go in. Chen beats up the man and his friends in anger. After the fight, Chen breaks the sign. The guard blows his whistle to alert the police, but the citizens who watched the whole fight help Chen to escape the park.
The Japanese students and their master retaliate by attacking Jingwu School on Suzuki's orders. After causing severe damage, the Japanese students leave. Wu, accompanying the Japanese students, warns Jingwu School to hand over Chen. Chen returns and realises that he has caused big trouble. His fellow students refuse to hand him over to the Japanese, so they make plans to help him escape from Shanghai.
That night, Chen discovers that Master Huo had all along been poisoned by Tian, the cook. Chen then sees Tian and Feng Guishi, the caretaker, talking. Chen kills Tian, followed by Feng while trying to determine why they killed Master Huo. Chen hangs Tian and Feng's bodies from a lamp post. Chen's fiancée, Yuan Li'er, finds him hiding near Huo's grave, and they share a passionate moment together. Meanwhile, Suzuki forces the local police inspector, Inspector Lo, to arrest Chen, but he eludes them. Then, while Suzuki is entertaining his visiting friend Petrov, Chen kills Wu and hangs his body from the lamp post as well.Cast
Bruce Lee as Chen Zhen
Nora Miao as Yuan Li'er (Yuan Le-erh), Chen Zhen's fiancée. The character's name is never mentioned in the film.
Riki Hashimoto as Hiroshi Suzuki (Nihongo: 鈴木博, Suzuki Hiroshi), the master of the Hongkou dojo
Robert Baker as Petrov (Russian: Петров, Petrov), a Russian gang boss and Suzuki's friend
Tien Feng as Fan Junxia (Fan Chun-hsia), the eldest student in Jing Wu School
Paul Wei as Wu En, Suzuki's translator
Fung Ngai as Yoshida (Nihongo: 吉田, Yoshida), the head instructor in the Hongkou dojo
Lo Wei as Inspector Lo, the police inspector
Huang Tsung Hsing as Tian, the cook in Jing Wu School
Han Ying-chieh as Feng Guishi (Feng Kwai-sher), the caretaker in Jing Wu School
James Tien as Fan Jiaqi (Fan Chia-chi), a Jing Wu student
Maria Yi as Yen, a female Jing Wu student
Jun Katsumura as Suzuki’s bodyguard
Lee Kwan as Xu, a Jing Wu student
Jackie Chan as a Jing Wu Student (Special Appearance)
Robert Baker was a student and friend of Bruce Lee's and was recommended for the role by Lee.
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1 year ago
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video/mp4
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300,000,000.00 LBC
Lady-Frankenstein-Full-HD-Movie-(1971)
Lady Frankenstein is a 1971 Italian horror film directed by Mel Welles and written by cult writer Edward di Lorenzo. It stars Rosalba Neri (under the pseudonym Sara Bey), Joseph Cotten, Mickey Hargitay and Paul Müller.Plot
Somewhere in Western-Central Europe in the 1860s, a trio of grave robbers, led by a man named Lynch (Herbert Fux), deliver a corpse to Baron Frankenstein (Joseph Cotten) and his assistant Dr. Marshall (Paul Müller), for obvious reanimation purposes.
Baron Frankenstein's daughter Tania (Rosalba Neri) arrives from school, having completed her studies in medicine, and is greeted by her father and his young servant, the handsome but mildly intellectually disabled Thomas (Marino Masé). Tania reveals to her father that she has always understood his work with "animal transplants" to be a cover for his work reanimating corpses, and that she intends to follow in his footsteps and help him in his work.
The next day, Frankenstein, Tania, and Marshall witness the execution of a criminal who is hanged down a well, Frankenstein and Marshall both have an eye toward harvesting the criminal's body for their experimentation. Law enforcement agent Captain Harris (Mickey Hargitay) arrives to harass Lynch at the hanging. Harris claims to be on to Lynch's grave robbing.
That evening, having harvested salient body parts, Frankenstein and Marshall successfully reanimate a gruesome giant corpse with a scarred, misshapen head (Peter Whiteman) as Tania secretly watches. Almost instantly, however, this monster bear-hugs Frankenstein to death - breaking his back - then walks out of the castle. Tania and Marshall report the murder to Harris, but claim that it was a burglar. Harris points out that according to their description, the burglar would be over seven feet tall.
The monster, roaming the countryside, comes across a couple having sex out in the open, and after scaring away the man, picks up the woman, who screams and then faints. The monster then carries her later body and drops it into a river, and when the body is later found by two men, the monster kills one by breaking his neck. After Harris questions Lynch, and Lynch refuses Tania's offer for more grave-robbing work, the monster breaks into Lynch's home while he is having sex with a local whore, and kills Lynch by beating him to death. The monster then kills a local farmer and his wife, and Lynch's two grave-robbing friends.
Tania then goads Marshall into admitting harboring romantic feelings for her. She responds to his affections, but says that while Marshall's body is old, she finds the body of Thomas young and attractive. The "solution" to this situation will be to transplant Marshall's brilliant brain into the brain-damaged Thomas's young healthy body. To accomplish this, Tania seduces Thomas into having sex while Marshall secretly watches, and Marshall kills him with a pillow during their lovemaking.
Tania then successfully transplants Marshall's brain into Thomas' body. Thomas now speaks with Marshall's voice and his body has become inhumanly strong as well. Meanwhile, Frankenstein's monster has continued to terrorize the town, and the local villagers, having had enough, arrive with torches and pitchforks before following the monster to the castle. In the chaos, the monster returns, knocks down Harris, and has a fight with Marshall/Thomas, who cuts off his arm. When the monster bear-hugs Marshall/Thomas, Tania stabs him in the back with a sword, and Marshall/Thomas kills him by puncturing his head open with a metal hand tool. The monster is defeated, but Tania has made it clear that she has no allegiance to Marshall.
The villagers storm into the castle and set it aflame in the hopes of killing the monster. Harris arrives with Thomas's sister Julia (Renate Kasché) to see Tania and Marshall/Thomas naked and enjoying post-fight sexual intercourse as the castle burns beside them. However, during their lovemaking, Marshall/Thomas begins to choke Tania as the flames consume them.Cast
Rosalba Neri as Tania Frankenstein
Joseph Cotten as Baron Frankenstein
Paul Muller as Dr. Charles Marshall (English voice : Mel Welles)
Peter Whiteman as The Creature
Herbert Fux as Tom Lynch, the graverobber
Mickey Hargitay as Captain Harris
Lorenzo Terzon as Harris' assistant (credited as Lawrence Tilden)
Marino Masé as Thomas Stack (uncredited)
Renate Kasché, as Julia Stack (credited as Renata Cash), Thomas' Sister.Production
The film was largely financed through Harry Cushing, but just prior to the start of filming a letter of credit from a film company was not accepted by the Italian banks. The final last-minute $90,000 needed to make the film was obtained from Roger Corman's New World Pictures. The financers of the film chose Rosalba Neri as the lead role of Tania Frankenstein in the film
Transaction
Created
1 year ago
Content Type
Language
video/mp4
English