For this Critique of the Week, we'll be looking at poems by Allison Shoemaker and Greg Budig, and then to mix things up, Tim will critique one of his own unsuccessful poems. Listen in, maybe learn a little, and give the authors some feedback in the comments!
At the end of every month, we do a drawing to select the next round of participants. If you'd like to have your own poems critiqued on live video, find the Critique of the Week category on our Submittable page: https://rattle.submittable.com/submit/177206/critique-of-the-week
As always, do click "full screen" or turn your phone sideways, so that the text is large enough that you can read along.
Also, to get notifications when we go live with these, go to our Facebook page, click on "Follow" and then turn on notifications, or click the notification bell on YouTube. ... https://www.youtube.com/watch?v=lK9t3W_tA-Y
A weekly livestreaming open mic for all of your news poems. Every week, Rattle receives hundreds of submissions for our Poets Respond series, but we're only able to publish one or two of them. This is an opportunity to share more as we gather around and explore current events through poetry.
The best way to participate is to send Tim a chat message over Skype during the show at "rattlepoetry." You can also call the phone number shown during the show. Let it ring a few times, then hang up, and he'll call you back. Space is limited, so we'll just be choosing guests at in the order received from those who try to connect.
The broadcast is on a 30 second delay, so be prepared to receive a phone call with no warning, and be sure to turn off or mute your video stream when you answer.
Please note that the poems you share will be shown livestreamed video on Facebook, YouTube, and Periscope and then archived there, so only share poems you want saved in this format.
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https://www.youtube.com/watch?v=BJkSeYe0gUY
For this Critique of the Week, we'll be looking at poems by Christine Pennylegion, Jeanne Blum, and Branwen Drew. Listen in, maybe learn a little, and give the authors some feedback in the comments!
At the end of every month, we do a drawing to select the next round of participants. If you'd like to have your own poems critiqued on live video, find the Critique of the Week category on our Submittable page: https://rattle.submittable.com/submit/177206/critique-of-the-week
As always, do click "full screen" or turn your phone sideways, so that the text is large enough that you can read along.
Also, to get notifications when we go live with these, go to our Facebook page, click on "Follow" and then turn on notifications, or click the notification bell on YouTube.
...
https://www.youtube.com/watch?v=HhrmBcPyoRs
A weekly livestreaming open mic for all of your news poems. Every week, Rattle receives hundreds of submissions for our Poets Respond series, but we're only able to publish one or two of them. This is an opportunity to share more as we gather around and explore current events through poetry.
The best way to participate is to send Tim a chat message over Skype during the show at "rattlepoetry." You can also call the phone number shown during the show. Let it ring a few times, then hang up, and he'll call you back. Space is limited, so we'll just be choosing guests at in the order received from those who try to connect.
The broadcast is on a 30 second delay, so be prepared to receive a phone call with no warning, and be sure to turn off or mute your video stream when you answer.
Please note that the poems you share will be shown livestreamed video on Facebook, YouTube, and Periscope and then archived there, so only share poems you want saved in this format.
...
https://www.youtube.com/watch?v=gENkd-GNNh0
A weekly livestreaming open mic for all of your news poems. Every week, Rattle receives hundreds of submissions for our Poets Respond series, but we're only able to publish one or two of them. This is an opportunity to share more as we gather around and explore current events through poetry.
The best way to participate is to send Tim a chat message over Skype during the show at "rattlepoetry." You can also call the phone number shown during the show. Let it ring a few times, then hang up, and he'll call you back. Space is limited, so we'll just be choosing guests at in the order received from those who try to connect.
The broadcast is on a 30 second delay, so be prepared to receive a phone call with no warning, and be sure to turn off or mute your video stream when you answer.
Please note that the poems you share will be shown livestreamed video on Facebook, YouTube, and Periscope and then archived there, so only share poems you want saved in this format.
...
https://www.youtube.com/watch?v=wZmqvzsUYeo
Episode 7 of the Rattlecast features frequent Rattle contributor Kim Dower and her new book "Sunbathing on Tyrone Power's Grave." Who was Tyrone Power and what was the Poet Laureate of West Hollywood doing on his grave? We'll find out!
As always, we'll also include live open mic after talking to our guest. For details on how to participate, either pre-recorded or via Skype, go to: https://www.rattle.com/rattlecast/
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Kim Dower, originally from New York City, received a BFA in Creative Writing from Emerson College, where she also taught creative writing. Sunbathing on Tyrone Power’s Grave is her fourth collection of poetry. Her other collections, Air Kissing on Mars, (2010) described by the Los Angeles Times as “sensual and evocative . . . seamlessly combining humor and heartache,” was on the Poetry Foundation’s Contemporary Best Sellers list, Slice of Moon, (2013) was nominated for a Pushcart, and called, “unexpected and sublime,” by “O” magazine, and Last Train to the Missing Planet, (2016), was described by Janet Fitch as being “full of worldly, humorous insights into life as it is,” were all published by Red Hen Press. Kim’s work has been featured in Garrison Keillor's "The Writer's Almanac," and Ted Kooser’s “American Life in Poetry,” as well as in Ploughshares, Barrow Street, Rattle and Eclipse. Her poems are included in several anthologies, including, Wide Awake: Poets of Los Angeles and Beyond, (Beyond Baroque Books/Pacific Coast Poetry Series, 2015) and Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles, (Tia Chucha Press). She teaches two workshops, Poetry and Dreaming and Poetry and Memory in the B.A. Program of Antioch University. Owner of Kim-from-L.A. a literary publicity company helping authors promote and market their books, Kim was the City Poet Laureate of West Hollywood, from October, 2016 through October, 2018. She lives in West Hollywood with her family.
For more information, visit: http://kimdowerpoetry.com
_________
On the open mic:
Jonathan Humble
Soren James
Melinda Jane / The Poet MJ
Nicole Jenkins
Anthony Murphy
Michelle Parks
Emilio Puerta
Sarah Simon
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https://www.youtube.com/watch?v=jvW_AAYTPfM
In this highlight from Rattlecast #82, A.E. Stallings discusses the ways rhyme is used in poetry, and shares the fundamental rules for making rhyme work. Then she reads her rhymed poem "Pencil."
For more on A.E. Stallings, visit:
https://aestallings.wixsite.com/aestallings
Watch the full episode here:
https://youtu.be/sRswSa6elxA
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https://www.youtube.com/watch?v=Oqwq_yGoIAc
Note: Our YouTube stream dropped for 15 minutes in the middle, so this is the full episode reposted. Scroll to the bottom of the description to view the chat comments.
For this Critique of the Week, we'll be looking at two poems each by Judith Faye and B.L. Pike. Tune in to find out what that means, learn a little, and give the authors some feedback in the comments!
At the end of every month, we do a drawing to select the next round of participants. If you'd like to have your own poems critiqued on live video, find the Critique of the Week category on our Submittable page: https://rattle.submittable.com/submit/177206/critique-of-the-week
As always, do click "full screen" or turn your phone sideways, so that the text is large enough that you can read along.
Also, to get notifications when we go live with these, go to our Facebook page, click on "Follow" and then turn on notifications, or click the notification bell on YouTube.
Attracta Fahy
Hi all, Bluetooth again this evening, but looking forward to listening.
James Langford
Hello
diane benitez
Good Morning
Clayton Clark
Hello Everyone!
Cindy Gore
Hey, everybody
Nate Jacob
Hey there, poets!
Dick Westheimer
Lunch with poets. Not a bad mid-day break.
D. Coleman
Greetings all!
Karen Harvey
Hi from Wales UK
Eithne L
hello all !
Cindy Gore
bouquet of… teens is great image
Dick Westheimer
Love the movement in this. It would be enhanced with fewer adjectives and stronger verbs.
Deb T
I can piece it together.
Cindy Gore
Me, too
Dick Westheimer
The “beseech - Why can’t we all get along” feels cliche. Perhaps move the quote to the epigram.
diane benitez
I vote for the date for clarity.
Alan Harvey
I don't get the Rodney King reference.
Clayton Clark
I don't know where we are until: Why can't we all...
Cindy Gore
the quote needs to be with beaten face image
Cindy Gore
If you move it, that’s lost
D. Coleman
chic shop is a bit of a tongue twister.
Deb T
I wonder about still "ripe". I associate it with smelling bad.
Eithne L
lovely alliteration in that short stanza
Deb T
yes, Ethene
Deb T
I was thinking it was the location that wedded together the engagement and the beating. But, maybe not.
Deb T
but I don't know where the beating happened so I'm probably wrong
diane benitez
I thought for a moment that the long black limo was a hearse.
James Langford
He asks her (again) - ? Again ? not explored at all
Deborah Martin
Perhaps the anguish to come connects to the Rodney King event
Clayton Clark
Really good poem hiding in there
Cindy Gore
Agree, Clayton
Cindy Gore
Imaginative, Judith!
Deb T
I agree....clever, fun. Good images.
Dick Westheimer
I love so much of this. The glib conversation takes me out of what has some real weight here - the comparisons with those other ladies.
Deb T
the combination of lightness with weightier stuff underneath works for me
D. Coleman
I love the image of the used soap looking like a bone. They do look just like cuttlebones--the ones you give to small pet birds.
James Langford
Sometimes she used quotes and sometimes not. Please let us know the right way Tim.
D. Coleman
I love giving inanimate objects human attributes and imagining conversations with them.
Deb T
I don't get the last line
Dick Westheimer
Yes, end with “to use beauty.”
Clayton Clark
I like the moment she says, "I just want to keep you forever." I feel the loneliness there.
Dick Westheimer
The essence seems to be a comparison with the other women - the ambivalence the recognition of who the N is.
Kim Vaughn
Drop “free”
Deb T
like keeping her face in a jar by the door
Welcome to live chat! Remember to guard your privacy and abide by our community guidelines.
James Langford
I lost the connection - not sure if it is at my end or your end. There is no image or sound. I;ll have to catch the recorded version. It seems I can still type a message though
Clayton Clark
Oh, me too! Thanks James
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https://www.youtube.com/watch?v=MIzhNWXJIkw
Our first Rattlecast livestream will feature Benjamin Aleshire, a poet-for-hire who travels the world writing poems for strangers on a manual typewriter. He'll read poems from his new book, Currency, and talk to Rattle editor Timothy Green about his life as a traveling bard, Instagram poetry, and more.
For more on Benjamin Aleshire, and to order his book, visit:
https://www.poetforhire.org
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https://www.youtube.com/watch?v=zWbCz2A2164
In this highlight from Rattlecast #164, Robert Pinsky reads "Rhyme" and explains how writing poetry is like playing jazz.
For more on Robert Pinsky, visit:
https://robertpinskypoet.com/
Watch the full episode here:
https://youtu.be/Dxggp90fdzM
...
https://www.youtube.com/watch?v=dB6GTmt1wDs