Author: Alan Moore
File Type: epub
With each new technological advance, pornography has proliferated and degraded in quality. Today, porn is everywhere, but where is it art? I25,000 Years of Erotic Freedom Isurveys the history of pornography and argues that the success and vibrancy of a society relates to its permissiveness in sexual matters.This history of erotic art brings together some of the most provocative illustrations ever published, showcasing the evolution of pornography over diverse cultures from prehistoric to modern times. Beginning with the Venus of Willendorf, created between 24,000-22,000 bce, and book-ended by contemporary photography, it also contains a timeline covering major erotic works in several cultures. I25,000 Years of Erotic Freedom Iably captures the ancient and insuppressible creative drive of the sexual spirit, making this book a treatise on erotic art.
Author: Megan Raby
File Type: pdf
Biodiversity has been a key concept in international conservation since the 1980s, yet historians have paid little attention to its origins. Uncovering its roots in tropical fieldwork and the southward expansion of U.S. empire at the turn of the twentieth century, Megan Raby details how ecologists took advantage of growing U.S. landholdings in the circum-Caribbean by establishing permanent field stations for long-term, basic tropical research. From these outposts of U.S. science, a growing community of American tropical biologists developed both the key scientific concepts and the values embedded in the modern discourse of biodiversity.Considering U.S. biological fieldwork from the era of the Spanish-American War through the anticolonial movements of the 1960s and 1970s, this study combines the history of science, environmental history, and the history of U.S.Caribbean and Latin American relations. In doing so, Raby sheds new light on the origins of contemporary scientific and environmentalist thought and brings to the forefront a surprisingly neglected history of twentieth-century U.S. science and empire.
Author: Nicolas Rasmussen
File Type: pdf
Metropolitan Life Insurance Company identified obesity as the leading cause of premature death in the United States in the 1930s, but it wasnt until 1951 that the public health and medical communities finally recognized it as Americas Number One Health Problem. The reason for MetLifes interest? They wanted their policyholders to live longer and continue paying their premiums. Early postwar America responded to the obesity emergency, but by the end of the 1960s, the crisis waned and official rates of true obesity were reduced despite the fact that Americans were growing no thinner. What mid-century factors and forces established obesity as a politically meaningful and culturally resonant problem in the first place? And why did obesity fade from publicand medicalconsciousness only a decade later? Based on archival records of health leaders as well as medical and popular literature, Fat in the Fifties is the first book to reconstruct the prewar origins, emergence, and surprising disappearance of obesity as a major public health problem. Author Nicolas Rasmussen explores the postwar shifts that drew attention to obesity, as well as the varied approaches to its treatment from thyroid hormones to psychoanalysis and weight loss groups. Rasmussen argues that the US government was driven by the new Cold War and the fear of atomic annihilation to heightened anxieties about national fitness. Informed by the latest psychiatric thinkingwhich diagnosed obesity as the result of oral fixation, just like alcoholismhealth professionals promoted a form of weight loss group therapy modeled on Alcoholics Anonymous. The intervention caught on like wildfire in 1950s suburbia. But the sense of crisis passed quickly, partly due to cultural changes associated with the later 1960s and partly due to scientific research, some of it sponsored by the sugar industry, emphasizing particular dietary fats, rather than calorie intake. Through this riveting history of the rise and fall of the obesity epidemic, readers gain an understanding of how the American public health systemambitious, strong, and second-to-none at the end of the Second World Warwas constrained a decade later to focus mainly on nagging individuals to change their lifestyle choices. Fat in the Fifties is required reading for public health practitioners and researchers, physicians, historians of medicine, and anyone concerned about weight and weight loss. **
Author: Richard D. Ryder
File Type: pdf
Richard Ryder created the term speciesism in early 1970 and shared the idea with Peter Singer, who popularised it in his classic work Animal Liberation (1975). A key figure in the modern animal rights revival Ryder appeared on the first-ever televised discussion of animal rights (The Lions Share, Scottish Television) in December 1970. He further promoted the ideas around speciesism in recorded discussions with Bridget Brophy, for the Open University, and in his contribution to the seminal philosophical work Animals Men and Morals edited by the Oxford philosophers Stanley and Roslind Godlovitch and John Harris in 1971. From 1969 Ryder organised protests against animal experiments and bloodsports. He continued to promote his ideas about speciesism in leaflets and broadcasts, culminating in the publication of his Victims of Science in 1975 - a book that provoked debates in Parliament and on television and was described by The Spectator at the time as a morally and historically important book. Dr Ryder was elected to the RSPCA Council in 1971, first becoming Chairman in 1977. In 1980 he was founding Chairman of the Liberal Democrat Animal Protection Group, and later ran for Parliament, was Director of the Political Animal Lobby and then Mellon Professor in the Department of Philosophy at Tulane University. Ryder coined the term painism to describe his wider moral theory in 1990. He has several times broadcast on the BBCs Moral Maze.
Author: Judge Arthur Tompkins
File Type: pdf
Art Crime and Its Prevention is the definitive handbook on art crime for art-world professionals of all kinds - from the museum, auction house or art-insurance employee to the contemporary gallerist, dealer, art-market student or collector. Written by a range of international experts, the books territory is broad and includes advice on how to secure art in galleries and private collections how and when to insure art what to look for to be sure that an artwork you buy is legitimate how to check provenance to be certain that it matches the work it accompanies how to deal with forgery and best-practices in art acquisition. Contextual debate, such as discussion of the impact of looting in conflict zones and the relevant international law relating to art in war, enlivens the text and helps to present a fully-rounded analysis of art crime and its many associations. An authoritative and readable handbook, Art Crime and Its Prevention will be an essential reference guide for all those involved in the art world internationally, or in the protection and recovery of artworks. **
Author: James Elkins
File Type: pdf
The presentation of bodies in pain has been a major concern in Western art since the time of the Greeks. The Christian tradition is closely entwined with such themes, from the central images of the Passion to the representations of bloody martyrdoms. The remnants of this tradition are evident in contemporary images from Abu Ghraib. In the last forty years, the body in pain has also emerged as a recurring theme in performance art. Recently, authors such as Elaine Scarry, Susan Sontag, and Giorgio Agamben have written about these themes. The scholars in this volume add to the discussion, analyzing representations of pain in art and the media. Their essays are firmly anchored on consideration of the images, not on whatever actual pain the subjects suffered. At issue is representation, before and often apart from events in the world. Part One concerns practices in which the appearance of pain is understood as expressive. Topics discussed include the strange dynamics of faked pain and real pain, contemporary performance art, international photojournalism, surrealism, and Renaissance and Baroque art. Part Two concerns representations that cannot be readily assigned to that genealogy the Chinese form of execution known as lingchi (popularly the death of a thousand cuts), whippings in the Belgian Congo, American lynching photographs, Boer War concentration camp photographs, and recent American capital punishment. These examples do not comprise a single alternate genealogy, but are united by the absence of an intention to represent pain. The book concludes with a roundtable discussion, where the authors discuss the ethical implications of viewing such images. **
Author: Robert Aquinas McNally
File Type: pdf
p Segoe UIOn a cold, rainy dawn in late November 1872, Lieutenant Frazier Boutelle and a Modoc Indian nicknamed Scarface Charley leveled firearms at each other. Their duel triggered awar that capped a decades-long genocidal attack that was emblematic of the United States conquest of Native Americas peoples and lands. Robert Aquinas McNally tells the wrenching story of the Modoc War of 187273, one of the nations costliest campaigns against North American Indigenous peoples, in which the army placed nearly one thousand soldiers in the field against some fifty-five Modoc fighters.p Segoe UIAlthough little known today, the Modoc War dominated national headlines for an entire year. Fought in south-central Oregon and northeastern California, the war settled into a siege in the desolate Lava Beds and climaxed the decades-long effort to dispossess and destroy the Modocs.p Segoe UIThe war did not end with the last shot fired, however. For the first and only time in U.S. history, Native fighters were tried and hanged for war crimes. The surviving Modocs were packed into cattle cars and shipped from Fort Klamath to the corrupt, disease-ridden Quapaw reservation in Oklahoma, where they found peace even more lethal than war.p Segoe UIThe Modoc Wartells the forgotten story of a violent and bloody Gilded Age campaign at a time when the federal government boasted officially of a peace policy toward Indigenous nations. This compelling history illuminates a dark corner in our countrys past.
Author: Adalaide Kirby Morris
File Type: pdf
The search for a substitute for religion, Adalaide Kirby Morris argues, occupies Stevens poetic energy from his earliest to his latest work. It emerges in his patterns of speech, in his symbols, and in his poetic forms it encompasses a critique of Christianity, often wryly humorous and sometimes bitterly satiric and it results in a theory of poetry that becomes a mystical theology. At the center of this mystical theology, the author finds, is the conviction that God and the imagination arc one. The study concludes that poetry provides for Stevens a sanction, a solace, a form of order, a source of delight, and a means of redemption through which men arc saved, and natural fact is transformed into divine force. Originally published in 1974. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. **