Supertagging: Using Complex Lexical Descriptions in Natural Language Processing
Author: Edited by Srinivas Bangalore and Aravind K. Joshi Investigations into employing statistical approaches with linguistically motivated representations and its impact on Natural Language processing tasks.
Author: Joseph Dewey
Pulitzer Prizewinning author Michael Chabon has emerged as one of the most daring writers of American fiction in the post-Pynchon era. Joseph Dewey examines how Chabons narratives have sought to bring together the defining elements of the two principal expressions of the American narrative that his generation inherited: the formal extravagances of postmodernism and the compelling storytelling of psychological realism. Like the audacious, self-conscious excesses of Pynchon and his postmodern disciples, Dewey argues, Chabons fictions are extravagant, often ironic, experiments into form animated by dense verbal and linguistic energy. As with the probing texts of psychological realism by Updike and his faithful, Chabons fictions center on keenly drawn, recognizable characters caught up in familiar, heartbreaking dilemmas; enthralling storylines compelled by suspense, enriched with suggestive symbols; and humane themes about love and death, work and family, and sexuality and religion. Evolving over three decades, this hybrid fiction has made Chabon not only one of the most widely read composers of serious fiction of his guild but one of the most critically respected writers as well, thus positioning Chabon as a representative voice of the generation. Deweys study, the first to examine the full breadth of Chabons fiction from his landmark debut novel, The Mysteries of Pittsburgh, to his controversial 2012 best seller, Telegraph Avenue, places Chabons fictional sensibility, for all its hipness, within what has been the defining theme of American literature since the provocative romances of Hawthorne and Melville: the anxious tension between escape and engagement; between the sweet, centripetal pull of the redemptive imagination as a splendid, if imperfect, engine of retreat and the harsh, centrifugal pull of real life itself, recklessly deformed by the crude handiwork of surprise and chance and unable to coax even the simplest appearance of logic.
Author: Heinrich Robert Zimmer
This book interprets for the Western mind the key motifs of India's legend, myth, and folklore, taken directly from the Sanskrit, and illustrated with seventy plates of Indian art. It is primarily an introduction to image-thinking and picture-reading in Indian art and thought, and it seeks to make the profound Hindu and Buddhist intuitions of the riddles of life and death recognizable not merely as Oriental but as universal elements.
Author: By Andrew Galloway
A work of enormous importance. Of all the poems of the English Middle Ages, Piers Plowman is the one that most deserves and needs annotation of the fullest and best possible kind, both because it is a text of unrivaled literary quality and interest, and because it is characteristically knotty and deploys a language of unusual richness, density, and allusiveness. Much of this allusiveness is to areas of learning that are not at every modern reader's fingertips. A particular difficulty is the existence of the poem in three authorial versions of almost desperate complexity. It will be an immense triumph to have a commentary which elucidates their relationships as a matter of policy and not simply as the result of conflating annotation on the different versions.Derek PearsallThe first full commentary on Piers Plowman since the late nineteenth century is inaugurated with the publication of the first two of its five projected volumes.The detailed and wide-ranging Penn Commentary places the allegorical dream-vision of Piers Plowman within the literary, historical, social, and intellectual contexts of late medieval England, and within the long history of critical interpretation of the poem, assessing past scholarship while offering original materials and insights throughout. The authors' line-by-line, section by section, and passus by passus commentary on all three versions of the poem and on the stages of its multiple revisions reveals new aspects of the poem's meaning while assessing and summarizing a complex and often divisive scholarly tradition. The volumes offer an up-to-date, original, and open-ended guide to a poem whose engagement in its social world is unrivaled in English literature, and whose literary, religious, and intellectual accomplishments are uniquely powerful.The Penn Commentary is designed to be equally useful to readers of the A, B, or C texts of the poem. It is geared to readers eager to have detailed experience of Piers Plowman and other medieval literature, possessing some basic knowledge of Middle English language and literature, and interested in pondering further the particularly difficult relationships to both that this poem possesses. Others, with interest in poetry of all periods, will find the extended and detailed commentary useful precisely because it does not seek to avoid the poem's challenges but seeks instead to provoke thought about its intricacy and poetic achievements.Andrew Galloway's Volume 1 treats the poem's first vision, from the Prologue through Passus 4, in all three versions, accepting the C text as the poet's final word but excavating downward through the earlier B and A texts. Stephen Barney's volume completes the framework for the commentary, dealing with the final three passus of the poem, extant only in the B and C versions. Subsequent volumes will be the work of Ralph Hanna, Traugott Lawler, and Anne Middleton.Overall, The Penn Commentary on Piers Plowman marks a new stage of concentrated yet wide-ranging attention to a text whose repeated revisions and literary and intellectual complexity make it both an elusive object of inquiry and a literary work whose richness has long deserved the capacious and minutely detailed treatment that only a full commentary can allow. Perhaps no poem in English appeals more than Piers Plowman to those readers who understand Yeats's fascination with things difficult, yet The Penn Commentary will enable generations of readers to share in the pleasures and challenges of experiencing, engaging with, and trying to elucidate the difficulties of one of the towering achievements of English literature.Andrew Galloway is Professor of English and Medieval Studies at Cornell University.
Author: Alan Patten
Conflicting claims about culture are a familiar refrain of political life in the contemporary world. On one side, majorities seek to fashion the state in their own image, while on the other, cultural minorities press for greater recognition and accommodation. Theories of liberal democracy are at odds about the merits of these competing claims. Multicultural liberals hold that particular minority rights are a requirement of justice conceived of in a broadly liberal fashion. Critics, in turn, have questioned the motivations, coherence, and normative validity of such defenses of multiculturalism. In Equal Recognition, Alan Patten reasserts the case in favor of liberal multiculturalism by developing a new ethical defense of minority rights. Patten seeks to restate the case for liberal multiculturalism in a form that is responsive to the major concerns of critics. He describes a new, nonessentialist account of culture, and he rehabilitates and reconceptualizes the idea of liberal neutrality and uses this idea to develop a distinctive normative argument for minority rights. The book elaborates and applies its core theoretical framework by exploring several important contexts in which minority rights have been considered, including debates about language rights, secession, and immigrant integration. Demonstrating that traditional, nonmulticultural versions of liberalism are unsatisfactory, Equal Recognition will engage readers interested in connections among liberal democracy, nationalism, and current multicultural issues.
Author: Monika Kaup
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As neobaroque comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
Author: John Asher Dunn
A general introduction to the phonology, morphology, and syntax of contemporary Coast Tsimshian. The grammar provided helps explain the practical orthography used, pronunciation and sound changes, word formation, and syntax.
Author: By Natasha Korda
Labors Lost offers a fascinating and wide-ranging account of working women's behind-the-scenes and hitherto unacknowledged contributions to theatrical production in Shakespeare's time. Natasha Korda reveals that the purportedly all-male professional stage relied on the labor, wares, ingenuity, and capital of women of all stripes, including ordinary crafts- and tradeswomen who supplied costumes, props, and comestibles; wealthy heiresses and widows who provided much-needed capital and credit; wives, daughters, and widows of theater people who worked actively alongside their male kin; and immigrant women who fueled the fashion-driven stage with a range of newfangled skills and commodities.Combining archival research on these and other women who worked in and around the playhouses with revisionist readings of canonical and lesser-known plays, Labors Lost retrieves this lost history by detailing the diverse ways women participated in the work of playing, and the ways male players and playwrights in turn helped to shape the cultural meanings of women's work. Far from a marginal phenomenon, the gendered division of theatrical labor was crucial to the rise of the commercial theaters in London and had an influence on the material culture of the stage and the dramatic works of Shakespeare and his contemporaries.
Author: Dean Mathiowetz
It has become a commonplace assumption in modern political debate that white and rural working- and middle-class citizens in the United States who have been rallied by Republicans in the culture wars to vote Republican have been voting against their interests. But what, exactly, are these interests that these voters are supposed to have been voting against? It reveals a lot about the role of the notion of interest in political debate today to realize that these interests are taken for granted to be the narrowly self-regarding, primarily economic interests of the individual. Exposing and contesting this view of interests, Dean Mathiowetz finds in the language of interest an already potent critique of neoliberal political, theoretical, and methodological imperativesand shows how such a critique has long been active in the terms rich history. Through an innovative historical investigation of the language of interest, Mathiowetz shows that appeals to interest are always politically contestable claims about who somebody isand a provocation to action on behalf of that who. Appeals to Interest exposes the theoretical and political costs of our widespread denial of this crucial role of interest-talk in the constitution of political identity, in political theory and social science alike.
Author: Michael Geist
In the summer of 2012, the Supreme Court of Canada issued rulings on five copyright cases in a single day. The cases represent a seismic shift in Canadian copyright law, with the Court providing an unequivocal affirmation that copyright exceptions such as fair dealing should be treated as users rights, while emphasizing the need for a technology neutral approach to copyright law. This volume represents the first comprehensive scholarly analysis of the five Court decisions. Edited by Professor Michael Geist, the Canada Research Chair in Internet and E-commerce Law at the University of Ottawa, the volume includes contributions from experts from across Canada. This indispensable volume identifies the key aspects of the Court's decisions and considers the implications for the future of copyright law in Canada.