모란봉악단 - 단숨에 Music: Hwang Jin-yong (황진영) 2003 Recorded: 2013.01.01 Mokran Video DPRK One of the most iconic Moranbong Band songs. Originally performed to celebrate the successful launch of a satellite into orbit but lately also used to celebrate missile launches.
This music is by no means a simple copy of western rock music but a completely new style where they use an existing well known DPRK song as basis and incorporate western rock elements (like guitar solos, etc) but note that the lead instrument here is not the guitar but Sonu Hyang-hui's violin. She is the one who makes the most expressive agogic rubatos in her solos at 2:50 and 4:48 so this is still basically a string quartet with no lead guitar but a "lead violin". This incorporation of foreign styles but transforming them into there own is actually a practical example of music made according to Juche principles, and a successful one too.
British synth-pop from the late 1980s comes to my mind when I listen to this. There are som similarities to Pet Shop Boys' hit "It's a Sin". I also cannot help but think of the orchestra at the orphanage Ospedale della Pietà in early 18th C. Venice, Italy. All young female master musicians lead by Antonio Vivaldi, playing his fresh compositions. They toured around with great success but at the time had to perform behind a curtain to hide their beauty. Fortunately this is no longer the case here.
Масакрот кај Карпалак — најброен масакр врз војници во воениот конфликт во 2001 година. На 8 август 2001 година 10 резервисти беа убиени, а тројца ранети кога конвој од хермелин, два автобуса, камион и комбе од Прилепската касарна одел кон Тетово. Кај месноста Карпалак конвојот бил начекан во терористичка заседа во 9:30 часот и врз него бил отворен жесток оган од тешки митралези и рачни ракетни фрлачи. Едно транспортно возило било погодено со ракетен фрлач, при што загинале осум војници и двајца офицери, сите од резервниот состав. Со ракетен фрлач бил погоден и еден од автобусите. Борбите за извлекување на преживеаните 108 луѓе траеле повеќе часови.[3]
Конвојот со 13 транспортери, 15 тенкови, 30-тина камиони, потешко пешадиско оружје: топчиња, хаубици и два автобуса со резервисти одел кон Тетово, Еребино, за да изврши смена на силите и да однесе дополнителна опрема за војската којашто била сместена во Тетовско. Со минофрлачи, тромблони, зољи и автомати беше пукано од клисурата Карпалак, кога беше погоден еден камион кој се запали. Беше запалено и едно цивилно возило, а куршумите од автоматското оружје завршија и во автобусите со кои се транспортирале војниците, но возачот успеал да го оддалечи возилото од местото на заседата.
прикажуваат сцени од Единицата Лавови во текот на војната 2001 година,. Во видеото колона составена од припадници на Единицата Лавови возејќи по автопатот Скопје - Тетово ја поминуваат месноста Карпалак. Снимките немаат врска со заседата кај Карпалак.
The Karpalak massacre - the largest massacre of soldiers in the 2001 military conflict. On August 8, 2001, 10 reservists were killed and three wounded when a convoy of ermine, two buses, a truck and a van from the Prilep barracks headed for Tetovo. At the locality of Karpalak, the convoy was ambushed in a terrorist ambush at 9:30 am and heavy fire was opened on it from heavy machine guns and hand-held rocket launchers. A transport vehicle was hit by a rocket launcher, killing eight soldiers and two officers, all from the reserve. One of the buses was also hit by a rocket launcher. The struggle to rescue the 108 survivors lasted several hours. [3]
The convoy with 13 transporters, 15 tanks, 30 trucks, heavy infantry weapons: cannons, howitzers and two buses with reservists went to Tetovo, Erebino, to change the forces and take additional equipment for the army that was stationed in Tetovo. Mortars, trombones, mortars and machine guns were fired from the Karpalak gorge when a truck caught fire and caught fire. A civilian vehicle was also set on fire, and the bullets from the automatic weapons ended up in the buses that transported the soldiers, but the driver managed to move the vehicle away from the ambush site.
show scenes from the Lions Unit during the 2001 war. In the video column composed of members of the Lions Unit, driving on the highway Skopje - Tetovo, they pass the locality Karpalak. The recordings have nothing to do with the ambush near Karpalak.
A Russian outpost in Eastern Siberia comes under threat of attack by the Japanese in this patriotic film from 1935. Aerograd is a new town with a strategically located airfield of vital interest to the government. Work on the new outpost is complicated when tensions develop between workers and a religious sect. The sect threatens to give their support to a band of marauding samurai warriors who battle for control of the region. Relations between the two countries are further strained in the days before World War II, dating back to the Russo-Japanese War of 1905. In this feature, the Russians are victorious as airplanes throughout the country come to the aid of the beleaguered new town.
The plot — the conflict between the Komsomol, advanced collective farmer Fyodor and his young wife's parents, ardent opponents of the collective farm. A young woman caught between two fires: passionately loved one and family. Not daring to contradict the parent's will, she at first did not find the strength to leave behind her husband from home.
To whom do the streets belong? Communists or National Socialists? It is 1929, and the fate of Germany lies in the streets of Berlin. Amidst violent demonstrations orchestrated by both extremist groups emerges a young SA hero named Hans Westmar in this heavily fictionalized biography of Horst Wessel, author of the Nazi anthem, "Die Fahne hoch" ("Raise the Banners High" or "The Horst Wessel Song").
Hans Westmar, a student who dedicates his life to National Socialism in order to win over Berlin's teeming proletariat to the patriotic Nazi cause, transforms his SA troop into the most successful unit in Berlin. Wessel had written the lyrics to the first verse of the march that became, after his death, the most beloved Nazi Party anthem. Since Horst Wessel's real-life violence was not suited for commercial consumption -- although he was not the street-brawling pimp that Communist propaganda made him -- Hanns Heinz Ewers wrote a sanitized biography and screenplay for the picture. Giuseppe Becce wrote the music score with the assistance of Hitler's friend, Ernst ("Putzi') Hanfstaengl. Franz Wenzler directed the film with great assurance and panache -- especially its crowd scenes -- and Franz Weihmayr's brilliant, roving cinematography, most effective in the elaborately staged street riots, marked the picture as a visually inspired work.