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147842
Author: Tim Barringer
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Victorian Jamaica explores the extraordinary surviving archive of visual representation and material objects to provide a comprehensive account of Jamaican society during Queen Victorias reign over the British Empire, from 1837 to 1901. In their analyses of material ranging from photographs of plantation laborers and landscape paintings to cricket team photographs, furniture, and architecture, as well as a wide range of texts, the contributors trace the relationship between black Jamaicans and colonial institutionscontextualize race within ritual and performanceand outline how material and visual culture helped shape the complex politics of colonial society. By narrating Victorian history from a Caribbean perspective, this richly illustrated volumefeaturing 270 full-color imagesoffers a complex and nuanced portrait of Jamaica that expands our understanding of the wider history of the British Empire and Atlantic world during this period. Contributors. Anna Arabindan-Kesson, Tim Barringer, Anthony Bogues, David Boxer, Patrick Bryan, Steeve O. Buckridge, Julian Cresser, John M. Cross, Petrina Dacres, Belinda Edmondson, Nadia Ellis, Gillian Forrester, Catherine Hall, Gad Heuman, Rivke Jaffe, ONeil Lawrence, Erica Moiah James, Jan Marsh, Wayne Modest, Daniel T. Neely, Mark Nesbitt, Diana Paton, Elizabeth Pigou-Dennis, Veerle Poupeye, Jennifer Raab, James Robertson, Shani Roper, Faith Smith, Nicole Smythe-Johnson, Dianne M. Stewart, Krista A. Thompson **Review Victorian Jamaica brings imperial historical and socio-cultural analysis to bear upon the material, performative, and visual cultures of the period, and the cumulative effect is stunning! Its comprehensive and wide ranging contributions encourage us to think about empire in relation to everyday circulations and thus to focus on the complex and sometimes messy connections between space, time, and cultural production and practice. By exploring both changes in British imperial policy during the Victorian period and transformations in subjectivity among colonial subjects in the exemplary case of Jamaica, our eyes are drawn to the ways ordinary people participated in imperial circulations, transformed metropolitan spaces, and negotiated changing geopolitical fields. An interdisciplinary tour de force, and a must read for anyone interested in Atlantic World modernities!--Deborah A. Thomas, author of Exceptional Violence Embodied Citizenship in Transnational Jamaica Victorian Jamaica is a historiographical intervention with wide-ranging implications. It invites us to comprehensively reconsider a formative era in the making of post-emancipation Jamaica, when a new social order of conflicting norms and values and aspirations emerged within an ideologically distinctive imperial matrix. The innovative essays that comprise it seek to explore a variety of arenas within this new order with genuinely provocative insight.--David Scott, Columbia University Review Victorian Jamaica brings imperial historical and sociocultural analysis to bear upon the material, performative, and visual cultures of the period, and the cumulative effect is stunning! Its comprehensive and wide-ranging contributions encourage us to think about empire in relation to everyday circulations and thus to focus on the complex and sometimes messy connections between space, time, and cultural production and practice. By exploring both changes in British imperial policy during the Victorian period and transformations in subjectivity among colonial subjects in the exemplary case of Jamaica, our eyes are drawn to the ways ordinary people participated in imperial circulations, transformed metropolitan spaces, and negotiated changing geopolitical fields. An interdisciplinary tour de force, and a must read for anyone interested in Atlantic World modernities! (Deborah A. Thomas, author of Exceptional Violence Embodied Citizenship in Transnational Jamaica) Victorian Jamaica is a historiographical intervention with wide-ranging implications. It invites us to comprehensively reconsider a formative era in the making of postemancipation Jamaica, when a new social order of conflicting norms and values and aspirations emerged within an ideologically distinctive imperial matrix. The innovative essays that it comprisesseek to explore a variety of arenas within this new order with genuinely provocative insight. (David Scott, Columbia University)
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44449
Author: Michelle Cruz Gonzales
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With womens anger, empowerment, and the critical importance of intersectional feminism taking center stage in feminist spaces right now, an anthology like this has never been more vital. The voices in this collection offer perspectives that help women find common ground. Through personal essays and interviews about what it is like to live as a woman (cis andtrans) All of Me includes vulnerable, painful truths and bold inspiration. This anthology covers topics of social and economic justice, creativity, racism, transgender perspectives, sexuality, sex work, addiction, reproductive rights, assault, relationship dynamics, families, radical self-care, witchcraft, and more.Contributors include Silvia Federici, Michelle Cruz Gonzales, Ariel Gore, Laurie Penny, Lidia Yuknavitch, Christine No, Kandis Williams, Vatan Doost, Deya, Phoenix LeFae, Anna Silastre, Michel Wing, Bethany Ridendour, Lorelle Saxena, Airial Clark, Patty Stonefish, Nayomi Munaweera, Melissa Madera, Margaret Elysia Garcia, Leilani Clark, Ariel Erskine, Wendy-O Matik, Kara Vernor, Starhawk, adrienne maree brown, Gerri Ravyn Stanfield, Sanam Mahloudji, Melissa Chadburn, Avery Erickson, and Milla Prince.
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English