Pope Benedict XVIs Legal Thought: A Dialogue on the Foundation of Law
Author: Marta Cartabia File Type: pdf Throughout Pope Emeritus Benedict XVIs pontificate he spoke to a range of political, civil, academic, and other cultural authorities. These speeches reveal a striking sensitivity to the fundamental problems of law, justice, and democracy. He often presented a call for Christians to address issues of public ethics such as life, death, and family from what they have in common with other fellow citizens reason. This book discusses the speeches in which the Pope Emeritus reflected most explicitly on this issue, along with commentary from distinguished legal scholars. It responds to Benedicts invitation to engage in public discussion on the limits of positivist reason in the domain of law from his address to the Bundestag. Although the topics of each address vary, they are joined by a series of core ideas whereby Benedict sketches, unpacks, and develops an organic and coherent way to formulate a public teaching on justice and law. **Book Description This book discusses the speeches in which the Pope Emeritus Benedict XVI reflected most explicitly on law, justice, democracy, and reason, along with the commentary from a number of distinguished legal scholars. Collectively, these addresses formulate a series of core ideas for a public teaching on the topic of justice and law. About the Author Marta Cartabia, full professor of constitutional law, is a Member of the Italian Constitutional Court since 2011, currently serving as Deputy President. She has taught in a number of Italian universities and was a visiting scholar and professor in France, Germany and the United States.
Author: John F. Marszalek
File Type: pdf
When Abraham Lincoln was elected president of the United States in 1860, he came into office with practically no experience in military strategy and tactics. Consequently, at the start of the Civil War, he depended on leading military men to teach him how to manage warfare. As the war continued and Lincoln matured as a military leader, however, he no longer relied on the advice of others and became the major military mind of the war. In this brief overview of Lincolns military actions and relationships during the war, John F. Marszalek traces the sixteenth presidents evolution from a nonmilitary politician into the commander in chief who won the Civil War, demonstrating why Lincoln remains Americas greatest military president. As tensions erupted into conflict in 1861, Lincoln turned to his generals, including Winfield Scott, George B. McClellan, and Henry W. Halleck, for guidance in running the war. These men were products of the traditional philosophy of war, which taught that armies alone wage war and the way to win was to maneuver masses of forces against fractions of the enemy at the key point in the strategic area. As Marszalek shows, Lincoln listened at first, and made mistakes along the way, but he increasingly came to realize that these military men should no longer direct him. He developed a different philosophy of war, one that advocated attacks on all parts of the enemy line and war between not just armies but also societies. Warfare had changed, and now the generals had to learn from their commander in chief. It was only when Ulysses S. Grant became commanding general, Marszalek explains, that Lincoln had a leader who agreed with his approach to war. Implementation of this new philosophy, he shows, won the war for the Union forces. Tying the necessity of emancipation to preservation of the Union, Marszalek considers the many presidential matters Lincoln had to face in order to manage the war effectively and demonstrates how Lincolns determination, humility, sense of humor, analytical ability, and knack for quickly learning important information proved instrumental in his military success. Based primarily on Lincolns own words, this succinct volume offers an easily-accessible window into a critical period in the life of Abraham Lincoln and the history of the nation. **
Author: Albertine Fox
File Type: pdf
What happens when we listen to a film? How can we describe the relationship of sound to vision in cinema, and in turn our relationship as spectators with the audio-visual? Jean-Luc Godard understood the importance of the soundtrack in cinema and relied heavily on the impact of carefully constructed sound to produce innovative effects. For the first time, this book brings together his post-1979 multimedia works, and an analysis of their rich soundscapes. The book provides detailed critical discussions of feature-length films, shorts and videos, delving into Godards inventive experiments with the cinematic soundtrack and offering new insights into his latest 3D films. By detailing the production contexts and philosophy behind Godards idiosyncratic sound design, it provides an accessible route to understanding his complex use of music, speech and environmental sound, alongside the distorting effects of speed alteration and auditory excess. The book is framed by the concept of acoustic spectatorship a way of cultivating active listening in the viewer. It also draws on ideas by leading sound theorists, philosophers, musicians, and poets, giving particular emphasis to the pioneering thought of French sound engineer and theorist, Pierre Schaeffer. Softening the boundaries between film studies, sound studies and musicology, Godard and Sound re-evaluates Godards work from a sonic perspective, and will prove essential reading for those wishing to rebalance the importance of sound for the study of cinema.
Author: David Quammen
File Type: epub
Amazon.com ReviewDavid Quammen is a naturalist, writer, and literary scholar who can turn from William Faulkner to theories of demographic stochasticity on a dime--or a comma. Natural Acts, a collection of Quammens columns by the same name from Outside magazine, highlights his many interests. In its pages, he touches on Malthusian population dynamics, the mating habits of butterflies and snakes, Tycho Brahes quest for the stars, magnolia trees, whales, and deserts--to name just a few of the matters that pass beneath his bemused gaze. This is humanely wrought science writing at its best. --Gregory McNameeFrom Publishers WeeklyQuammens collection of accessible science writing, much of which was originally published in Outside magazine, looks at subjects ranging from sex among the aphids to boredom among the crows. br 1996 Reed Business Information, Inc.
Author: John Haydock
File Type: pdf
The romances of Herman Melville, author of Moby-Dick and Billy Budd, Sailor, are usually examined from some setting almost exclusively American. European or other planetary contexts are subordinated to local considerations. But while this isolated approach plays well in an arena constructed on American exclusiveness, it does not express the reality of the literary processes swirling around Melville in the middle of the nineteenth century. A series of expanding literary and technological networks was active that made his writing part of a global complex. Honore de Balzac, popular French writer and creator of realism in the novel, was also in the web of these same networks, both preceding and at the height of Melvilles creativity. Because they engaged in similar intentions, there developed an almost inevitable attraction that brought their works together. Until recently, however, Balzac has not been recognized as a significant influence on Melville during his most creative period. Over the last decade, scholars began to explore literary networks by new methodologies, and the criticism developed out of these strategies pertains usually to modernist, postcolonial, contemporary situations. Remarkably, however, the intertextuality of Melville with Balzac is quite exactly a casebook study in transcultural comparativism. Looking at Melvilles innovative environment reveals meaningful results where the networks take on significant roles equivalent to what have been traditionally classed as genetic contacts. Intervisionary Network explores a range of these connections and reveals that Melville was dependent on Balzac and his universal vision in much of his prose writing. **
Author: Francis O'Gorman
File Type: pdf
Victorian Britain offered to the globe an economic structure of unique complexity. The trading nation, at the heart of a great empire, developed the practices of advanced capitalism - currency, banking, investment, money markets, business practices and theory, intellectual property legislation - from which the financial systems of the contemporary world emerged. Cultural forms in Victorian Britain transacted with high capitalism in a variety of ways but literary critics interested in economics have traditionally been preoccupied either with writers hostility to industrial capitalism in terms of its shaping of class, or with the development of consumerism. Victorian Literature and Finance is the first extended study to take seriously the relationships between literary forms and those more complex discourses of Victorian high finance. These essays move beyond the examination of literature that was merely impatient with the perceived consequences of capitalism to analyze creative relationships between culture and economic structures. Considering such topics as the nature of currency, women and the culture of investment, the profits of a modern media age, the dramatization of risk on the Victorian stage, the practice of realism in relation to business theory, the culture of speculation at the end of the century, and arguments about the uncomfortable relationship between literary and financial capital, Victorian Literature and Finance sets new terms for understanding and theorizing the relationship between high finance and literary writing.ReviewThe essays in this collection move beyond the examination of literature that was merely impatient with the perceived consequences of capitalism to analyze creative relationships between culture and economic structures.-Studies in English Literature 1500-1900About the AuthorFrancis OGorman is Reader in Victorian Literature at the University of Leeds, UK. He has written widely across the Victorian period and his books include Late Ruskin New Contexts (2001) Ruskin and Gender (co-edited with Dinah Birch, 2002), and The Victorians and the Eighteenth Century Reassessing the Tradition (co-edited with Katherine Turner, 2004). He is currently writing about raising the dead and the enchanting power of words in the nineteenth century. He is a Fellow of the Royal Historical Society and a Companion of the Guild of St George.
Author: R. Murray Schafer
File Type: mobi
Schafer contends that we suffer from an overabundance of acoustic information and explores ways to restore our ability to hear the nuances of sounds around us. This book is a pioneering exploration of our acoustic environment, past and present, and an attempt to imagine what it might become.Review . . . an unusual sensory experience that will raise your consciousness of the soundscape to a level of sensitivity you never experienced before.(The New York Times) From the Back CoverMUSIC The soundscape--a term coined by the author--is our sonic environment, the ever-present array of noises with which we all live. Beginning with the primordial sounds of nature, we have experienced an ever-increasing complexity of our sonic surroundings. As civilization develops, new noises rise up around us from the creaking wheel, the clang of the blacksmiths hammer, and the distant chugging of steam trains to the sound imperialism of airports, city streets, and factories. The author contends that we now suffer from an overabundance of acoustic information and a proportionate diminishing of our ability to hear the nuances and subtleties of sound. Our task, he maintains, is to listen, analyze, and make distinctions. As a society we have become more aware of the toxic wastes that can enter our bodies through the air we breathe and the water we drink. In fact, the pollution of our sonic environment is no less real. Schafer emphasizes the importance of discerning the sounds that enrich and feed us and using them to create healthier environments. To this end, he explains how to classify sounds, appreciating their beauty or ugliness, and provides exercises and soundwalks to help us become more discriminating and sensitive to the sounds around us. This book is a pioneering exploration of our acoustic environment, past and present, and an attempt to imagine what it might become in the future. A well-known Canadian composer, R. MURRAY SCHAFER is the author of several books, including The Music of the Environment.
Author: Peter R. de Vries
File Type: epub
In zijn reportages gaat Peter R. de Vries niet alleen af op politie- en justitiebronnen, maar begeeft hij zich ook veelvuldig in het milieu, waar hij over een indrukwekkend netwerk van relaties beschikt. Hij maakt aan de hand van praktijkvoorbeelden duidelijk waarom misdaad de ene keer wel en de andere keer niet loont, waar de bestrijding faalt of scoort en hoe een crimineel leeft en denkt. Hij stelt allerhande zaken aan de kaak, onder meer spoorloze verdwijningen, kindermoorden, gerechtelijke dwalingen, het gevangenisleven en ervaringen van slachtoffers en daders. De Vries klaagt aan en verdedigt, noteert verschillen en trekt parallellen in geruchtmakende zaken en houdt de lezer een spiegel voor.
Author: René Gothóni
File Type: pdf
Well-known scholars in the study of religions bring up to date and elucidate the discussion on the three most debated approaches in comparative religion, namely, the hermeneutical, the explanatory or cognitivist and the critical one. The approaches, standpoints and methods of studying religion are disputed in an outspoken and challenging way, critically and radically arguing pros and cons. Full of essential insights into the dialogue of today and of the challenges of tomorrow, the work remains unique and unrivalled.**