Cartography in Antiquity and the Middle Ages: Fresh Perspectives, New Methods
Author: Richard J. A. Talbert File Type: pdf In scope, this book matches The History of Cartography, vol. 1 (1987) edited by Brian Harley and David Woodward. Now, twenty years after the appearance of that seminal work, classicists and medievalists from Europe and North America highlight, distill and reflect on the remarkably productive progress made since in many different areas of the study of maps. The interaction between experts on antiquity and on the Middle Ages evident in the thirteen contributions offers a guide to the future and illustrates close relationships in the evolving practice of cartography over the first millenium and a half of the Christian era. The contributors are Emily Albu, Raymond Clemens, Lucy Donkin, Evelyn Edson, Tom Elliott, Patrick Gauthier Dalche, Benjamin Kedar, Maja Kominko, Natalia Lozovsky, Yossef Rapoport, Emilie Savage-Smith, Camille Serchuk, Richard Talbert, and Jennifer Trimble.About the AuthorRichard J.A. Talbert, Ph.D. (1972) in Classics, University of Cambridge, is Kenan Professor of History and Classics at the University of North Carolina, Chapel Hill. His many-sided engagement with the Roman Empire embraces administration, mapping, travel, and worldview. Richard W. Unger, Ph. D.(1971) in Economic History, Yale University, is Professor at the University of British Columbia. He has published extensively on the history of shipping and beer production and consumption in the Middle Ages and the Renaissance.
Author: John D. Kerkering
File Type: pdf
John D. Kerkerings study examines the literary history of racial and national identity in nineteenth-century America. Kerkering argues that writers such as DuBois, Lanier, Simms, and Scott used poetic effects to assert the distinctiveness of certain groups in a diffuse social landscape. Kerkering explores poetrys formal properties, its sound effects, as they intersect with the issues of race and nation. He shows how formal effects, ranging from meter and rhythm to alliteration and melody, provide these writers with evidence of a collective identity, whether national or racial. Through this shared reliance on formal literary effects, national and racial identities, Kerkering shows, are related elements of a single literary history. This is the story of how poetic effects helped to define national identities in Anglo-America as a step toward helping to define racial identities within the United States. This highly original study will command a wide audience of Americanists. **Review While we are used to thinking about language representing an identity, Kerkering forces us to acknowledge the extent to which poetic forms create these identities. He supports this assertion through a set of nuanced readings that move eloquently from discursive context to textual analysis. American Literature to the extent that Kerkering traces a pattern in his examples he succeeds admirably and often draws illuminating and sometimes suprising connections - Modern Philology Book Description Examining the literary history of racial and national identity in nineteenth-century America, Kerkering tells the story of how poetry helped define America as a nation before helping to define America into distinct racial categories. Through formal literary effects, national and racial identities become related elements of a single literary history.
Author: John Benton Hart
File Type: pdf
In 1918, urged on by his son Harry, John Benton Hart began to tell stories of a three-year period in his youth. He recalled his days as a trooper in the Eleventh Kansas Cavalry, fighting in Missouri and on the frontier, and his time as a civilian jack-of-all-trades doing risky work for the U.S. Army on the Wyoming-Montana Bozeman Trail in the middle of the Indian resistance campaign known as Red Clouds War. Once started, John Benton Hart became an enthusiastic raconteur, describing events with an almost cinematic vividness, while his son, an aspiring writer, documented his fathers testimony in what became several manuscripts. Compiled and reproduced here, edited by historian John Hart, John Benton Harts great-grandson, this memoir is a singular document of living history. As a young Kansas cavalryman, John Benton Hart participated in two momentous episodes of the Civil War eraSterling Prices Missouri Expedition of 1864, including the Battle of Westport, and such engagements in the Plains Indian Wars as the Battle of Platte Bridge in July 1865 and the Hayfield Fight near Fort C. F. Smith in 1867. In the engaging style of a natural storyteller, Hart re-creates these events as he experienced them, giving readers a rare glimpse at moments of historical import from the point of view of the ordinary soldier. In arresting detail, he also tells of crossing the Plains as a bullwhacker, carrying the mail between the beleaguered forts on the Bozeman Trail, and befriending scout Jim Bridger and Mountain Crow Chief Blackfoot. Framed and supplemented with the editors biographical, historical, and explanatory notes, Harts memoir offers a new perspective on events long fixed in the historical imagination. As history writ large or on a personal scale, Bluecoat and Pioneer tells a remarkable story. **Review John Hart offers scholars and general readers alike perhaps the most important original memoir of an enlisted soldier and plains frontiersman. This book will forever take its place alongside other outstanding scholarship and original reminiscences related to the 1864 Kansas Border War and Red Clouds War of 18661868 along the Bozeman Trail.John H. Monnett, author of Tell Them We Are Going Home The Odyssey of the Northern Cheyennes and editor of Eyewitness to the Fetterman Fight Indian Views John Benton Harts recollectionsalong with his great-grandsons accompanying contextual narrativedescribe and reflect on his experience with the Eleventh Kansas Cavalry in 1864 and as a soldier and private citizen on the postCivil War western frontier. Bluecoat and Pioneer adds to our understanding and is simply a delightful read.Virgil W. Dean, past editor of Kansas History A Journal of the Central Plains John Benton Hart and his wild-eyed, daredevil bunch of Union cavalry battled Confederates in Missouri and Sioux, Cheyenne, and Arapaho warriors later in present-day Wyoming. This young horse soldier left an old mans intensely personal reminiscence, rescued from oblivion by his great-grandson, that reads true.Eli Paul, author of All Because of a Mormon Cow Historical Accounts of the Grattan Massacre, 18551856 About the Author John Hart is an independent historian specializing in environmental policy and history. His articles have been widely published, and he is the author of sixteen books, including Storm over Mono The Mono Lake Battle and the California Water Future and San Francisco Bay Portrait of an Estuary.
Author: Katrin Froese
File Type: pdf
This work of comparative philosophy envisions a cosmological whole that celebrates difference. In this book, Katrin Froese juxtaposes the Daoist texts of Laozi and Zhuangzi with the thought of Nietzsche and Heidegger to argue that there is a need for rethinking the idea of a cosmological whole. By moving away from the quest for certainty, Froese suggests a way of philosophizing that does not seek to capture the whole, but rather becomes a means of affirming a connection to it, one that celebrates difference rather than eradicating it. Human beings have a vague awareness of the infinite, but they are nevertheless finite beings. Froese maintains that rather than bemoaning the murkiness of knowledge, the thinkers considered here celebrate the creativity and tendency to wander through that space of not knowing, or in-between-ness. However, for Neitzsche and the early Heidegger, this in-between-ness can often produce a sense of meaninglessness that sends individuals on a frenetic quest to mark out space that is uniquely their own. Laozi and Zhuangzi, on the other hand, paint a portrait of the self that provides openings for others rather than deliberately forging an identity that it can claim as its own. In this way, human beings can become joyful wanderers that revel in the movements of the Dao and are comfortable with their own finitude. Froese also suggests that Nietzsche and Heidegger are philosophers at a crossroads, for they both exemplify the modern emphasis on self-creation and at the same time share the Daoist insight into the perils of excessive egoism that can lead to misguided attempts to master the world.
Author: Jason Felch
File Type: mobi
In recent years, several of Americas leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. The monetary value is estimated at over half a billion dollars. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the worlds richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and frank interviews, Felch and Frammolino give us a fly-on-the-wall account of the inner workings of a world-class museum and tell the story of the Gettys dealings in the illegal antiquities trade. The outlandish characters and bad behavior could come straight from the pages of a thrillerthe wealthy recluse founder, the cagey Italian art investigator, the playboy curator, the narcissist CEObut their chilling effects on the rest of the art world have been all too real, as the authors show in novelistic detail. Fast-paced and compelling, Chasing Aphrodite exposes the layer of dirt beneath the polished facade of the museum business. **
Author: David Grann
File Type: mobi
Acclaimed New Yorker writer and author of the breakout debut bestseller The Lost City of Z, David Grann offers a collection of spellbinding narrative journalism. Whether hes reporting on the infiltration of the murderous Aryan Brotherhood into the U.S. prison system, tracking down a chameleon con artist in Europe, or riding in a cyclone- tossed skiff with a scientist hunting the elusive giant squid, David Grann revels in telling stories that explore the nature of obsession and that piece together true and unforgettable mysteries. Each of the dozen stories in this collection reveals a hidden and often dangerous world and, like Into Thin Air and The Orchid Thief, pivots around the gravitational pull of obsession and the captivating personalities of those caught in its grip. There is the worlds foremost expert on Sherlock Holmes who is found dead in mysterious circumstances an arson sleuth trying to prove that a man about to be executed is innocent and sandhogs racing to complete the brutally dangerous job of building New York Citys water tunnels before the old system collapses. Throughout, Granns hypnotic accounts display the powerand often the willful perversityof the human spirit. Compulsively readable, The Devil and Sherlock Holmes is a brilliant mosaic of ambition, madness, passion, and folly.From the Hardcover edition.
Author: Mary Mellor
File Type: pdf
In the wake of the global financial crisis, most of the discussion has been focused on questions of debt. And the response, almost uniformly, has been austerity and privatization cuts to services that have been painted as forms of reckless spending by a bloated public sector. In Debt or Democracy, Mary Mellor turns the whole conversation upside down, showing that the important question is not who owes what, but who controls the creation and circulation of money in the first place. When the problem is examined from that angle, it becomes clear that privatization, far from being the answer to our problem, is the very source of itthe subordination of public finance to private interest. A direct challenge to conventional economic thinking, Debt or Democracy offers a bracing new analysis of our economic crisis and offers cogent, radical alternatives to create a more just and sustainable economic future. **
Author: Zohar Kampf
File Type: pdf
Transforming Media Coverage of Violent Conflicts offers a fresh view of contemporary violent conflicts, suggesting an explanation to the dramatic changes in the ways in which war and terror are covered by Western media. It argues that viewers around the globe follow violent events, literally and metaphorically, on wide and flat screens, in high-definition. The wide-screen means that at present the screen is wide enough to include new actors - terrorists, enemy leaders, ordinary people in a range of roles, and journalists in the field - who have gained status of the kind that in the past was exclusive to editors, army generals and governmental actors. The high-definition metaphor means that the eye of the camera closes in on both traditional and new actors, probing their emotions, experiences and beliefs in ways that were irrelevant in past conflicts. The flat-screen metaphor stands for the consequences of the two former phenomena, leading to a loss of the hierarchy of the meanings of war. Paradoxically, the better the quality of viewing, the less the understanding of what we see. Through these metaphors, Kampf and Liebes systematically analyse changes in the practices, technologies, infrastructures and external institutional relationships of journalism.**
Author: Andrew Brink
File Type: pdf
Desire and Avoidance in Art argues that while early developmental traumas can produce life-long creative endeavors with striking aesthetic results, they may also, for the male artist, result in destructive relations with women. Brink introduces the scheme of personality formation - as found in the work on infant and child development of John Bowlby, Mary Ainsworth, Mary Main, Patricia Crittenden, Allen N. Schore, and others - to explore a new venture in psychobiography. He effectively uses the concept of anxious attachment to describe mother-infantchild relations and their sequelae. Using pertinent developmental data found in each artists childhood, Andrew Brink accounts for the anxious-avoidant attachment style (or, in Crittendens terminology, the AnxiousControlling style) from which these artists suffered. He aims to explain why partnerships with women are sometimes hazardous and frequently tragic for male artists by referencing various feminist writers. Based on their viewpoints, Brink extracts psychodynamic explanations that are largely based on what the artists imagery reveals. Furthermore, he explains how the attachment theory of attraction-avoidance is shown to supplement and enrich other ways of understanding chronically tense relations between the sexes. Brink focuses his attention on artists such as Picasso, Bellmer, Balthus, and Cornell, who are culturally powerful and often stimulate discussion about misogynic figures within a social context.**