Bill Wexler, recording executive, describes the industry method used to gradually desensitize “young white girls” to sexual degeneracy.
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https://www.youtube.com/watch?v=kAUhqDAnrW8
Michael Ventura (born October 31, 1945) is an American novelist, screenwriter, film director, essayist and cultural critic.[1]
History
Michael Ventura commenced his career as a journalist at the Austin Sun, a counter-culture bi-weekly newspaper that published in the 1970s. Ventura is best known for his long-running column, "Letters at 3 A.M.", which first appeared in LA Weekly in the early 1980s and continued in the Austin Chronicle until 2015. He has published three novels: Night Time Losing Time (1989), The Zoo Where You're Fed to God (1994), and The Death of Frank Sinatra (1996).
An excerpt from his novel about Miriam of Magdala was published in the third issue of the CalArts literary journal Black Clock in 2005. He is the author of two essay collections, Shadow-Dancing in the U.S.A. (1985) and Letters at 3 A.M.: Reports on Endarkenment (1994). With psychologist James Hillman, Ventura co-authored the 1992 bestseller We've Had a Hundred Years of Psychotherapy – And the World's Getting Worse.
He appears as a fictional character in Steve Erickson's 1996 novel, Amnesiascope.
He wrote the screenplay for Echo Park (1986),[2] among other films, including Roadie (1980).[3]
He curated the Sundance Festival's 1989 retrospective on John Cassavetes.
Reading from "Trifles for a Massacre" (1936). This is the first part of a series in which I will be reading from the banned antisemitic writings of Celine, recognized as one of the giants of twentieth century literature.
Given in an 1882 lecture by prominent vivisectionist and scholar of Esoteric Christianity Anna Bonus Kingsford, this essay (" 'Violationism,' or Sorcery in Science") draws distinct and undeniable parallels between between the practices of vivisectionists and that of the sorcerer or black magician. We can recognize in the present day the same vile characters from the past that are celebrated and unquestionably obeyed by our sick society.
If you find these videos helpful, please spread and download them. This channel could disappear at any time. Although the ideas presented may seem benign, this approach to living is a great threat to their power. If you would like more information please contact me, it is no imposition for me to elaborate or help you with specific problems. On the contrary, it is my purpose.
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Your support on Patreon would be greatly appreciated by my family and I
https://www.patreon.com/Odinrok
Twitter Link: https://twitter.com/cambra_tom
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https://www.youtube.com/watch?v=fZVQs_dBlZE
*Please be warned this presentation contains scenes of violence towards women.
This is the story of Franz Biberkopf (Günter Lamprecht), who, without much perspective, with no goal and no work, stumbles through Berlin in the years 1928/29. While he is a good-natured, soft and tender man on the one hand, he is also a tough, choleric, and brutal human being. What keeps him alive is the conviction that although the world may be an evil place, humankind is good natured. “Damned is he who relies on other humans,” is the novel’s leitmotiv, but Franz Biberkopf always gets over it, recovers from the blows, until that which he loves most in the world is taken away from him. He cannot stand it anymore, is taken to a mental institution and turns into what they call “reasonable” – and this is when it is all over for him.
Lina is now troubled by the dubious nature of the job Franz is fulfilling. She introduces him to a family friend, Otto Lüders, who turns out to be an ex-con he knows from prison, but Franz thinks Otto is a good man. With him, Franz begins selling shoelaces door-to-door. In the first apartment, Franz spends time with a widow whose deceased husband he closely resembles. Later, to Otto, he reports having sex with the widow. The next day, Otto goes to the widow’s home and expects the same, but she feels threatened and rejects him. Otto demands money and steals from her. When Franz goes back to the widow, happily expecting another tryst, she slams the door on him. Franz vanishes. Lina distraught, searches for him with Meck. They wake Otto in the early morning, but Meck recognises that his account is full of lies and hits him. Franz is found in a flophouse by Otto, who is immediately threatened with a chair. Otto offers him a share of the money Franz realises has been extorted from the widow, but wanting to go straight, he pours the contents of a chamber pot over Otto. Meck gets Franz’s location out of Otto, but Franz had left soon after the earlier incident. Meck persuades Lina that Franz wishes to be left alone, and suggests she live with him.
Alternate channel of the terminated Odinrok channel.
If you find these videos helpful, please spread and download them. This channel could disappear at any time. Although the ideas presented may seem benign, this approach to living is a great threat to their power. If you would like more information please contact me, it is no imposition for me to elaborate or help you with specific problems. On the contrary, it is my purpose.
Your support on Patreon would be greatly appreciated by my family and I
https://www.patreon.com/Odinrok
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https://www.youtube.com/watch?v=p-l_1Zgh250