Author: Jeramy Dodds File Type: epub This is a wonderful new edition of the Poetic Edda. It captures the language, vitality, and rhythms of the original.Jesse Byock, PhD, UCLA Gods, giants, the undead, dwarves, Valkyries, heroes, kidnapping, dragons, and a giant wolf are just some of the stars in these Norse tales. Committed to vellum in Iceland around 1270, The Poetic Edda has compelled the likes of Richard Wagner, J. R. R. Tolkien, Jorges Luis Borges, and W.H. Auden. Jeramy Dodds transmits the Old Icelandic text into English without chipping the patina of the original. Jeramy Doddss Crabwise to the Hounds was shortlisted for the Griffin Poetry Prize and won the Trillium Book Award for poetry.
Author: Sarah Strauss
File Type: pdf
Last year, more than seven million Americans participated in yoga or tai chi classes.Yet despite its popularity the real nature of yoga remains shrouded in mystery. A diverse range of practitioners range from white-bearded Indian mystics to celebrities like Madonna and Gwyneth Paltrow. Positioning Yoga provides an overview of the development of yoga, from its introduction to Western audiences by the Indian Swami Vivekananda at the 1893 Parliament of the Worlds Religions in Chicago to forms of modern practice. What makes yoga practitioners affiliated with Swami Sivanandas Divine Life Society of Rishikesh, India unique--whether they hail from Indian, North America, or Europe? What values around the world have supported the surging popularity of yoga over the past century? This absorbing book considers how lifestyle values have made yoga a global industry and shows how this popular lifestyle is produced and disseminated across boundaries.**
Author: Christopher Watkin
File Type: pdf
Difficult Atheism shows how contemporary French philosophy is rethinking the legacy of the death of God in ways that take the debate beyond the narrow confines of atheism into the much broader domain of post-theological thinking. Christopher Watkin argues that Alain Badiou, Jean-Luc Nancy and Quentin Meillassoux each elaborate a distinctive approach to the post-theological, but that each approach still struggles to do justice to the death of God.**
Author: David Wallace
File Type: pdf
This is the first full-scale history of medieval English literature in nearly a century. Thirty-three contributors provide information on a vast range of literary texts and the conditions of their production and reception. The volume also contains a chronology, full bibliography and a detailed index. This book offers the most extensive account available of the medieval literatures so drastically reconfigured in Tudor England. It will prove essential reading for scholars of the Renaissance as well as medievalists, and for historians as well as literary specialists. Review[T]heatre researchers are likely to find many of the...essays very useful and illuminating because the cultural history they depict has obvious implications for the study of theatre and performance. Sharon Aronson-Lehavi, City University of New York, Theatre JournalThe Cambridge History of Medieval English Literature provides a formidable set of tools for the critic of medieval literature....The unobtrusive editorial presence that allows chapters with widely diverging approaches is a useful and mature reflection of the accomodation of plurality for an intelligent reading of medieval literature....This is a scholarly and erudite publication. Times Literary SupplementThe Cambridge History of Medieval English Literature is an excellent and long overdue reassessment, which completes a paradigm shift in the study of English medieval literature. It synthesises and responds to developments in the field over the last twenty years, and forges them into a coherent whole. A pioneering work in the field of medieval studies, it is also a fascinating and highly rewarding reading experience, that should be shared by everyone in the discipline. Prof. Joerg Fichte, TUbingen UniversityRecommended for all collections supporting medieval studies at the upper-division undergraduate level and above. Choice Book DescriptionThis is the first fullscale history of medieval English literature for nearly a century. Thirty-three distinguished contributors provide information on a vast range of literary texts and the conditions of their production and reception, and the volume also contains a chronology, full bibliography and a detailed index. This book offers the most extensive and vibrant account available of the medieval literatures so drastically reconfigured in Tudor England. It will thus prove essential reading for scholars of the Renaissance as well as medievalists, for historians as well as literary specialists.
Author: Bénédicte Boisseron
File Type: pdf
The animal-rights organization PETA asked Are Animals the New Slaves? in a controversial 2005 fundraising campaign that same year, after the Humane Society rescued pets in the aftermath of Hurricane Katrina while black residents were neglected, some declared that white America cares more about pets than black people. These are but two recent examples of a centuries-long history in which black life has been pitted against animal life. Does comparing human and animal suffering trivialize black pain, or might the intersections of racialization and animalization shed light on interlinked forms of oppression?In Afro-Dog, Benedicte Boisseron investigates the relationship between race and the animal in the history and culture of the Americas and the black Atlantic, exposing a hegemonic system that compulsively links and opposes blackness and animality to measure the value of life. She analyzes the association between black civil disobedience and canine repression, a history that spans the era of slavery through the use of police dogs against protesters during the civil rights movement of the 1960s to today in places like Ferguson, Missouri. She also traces the lineage of blackness and the animal in Caribbean literature and struggles over minorities right to pet ownership alongside nuanced readings of Derrida and other French theorists. Drawing on recent debates on black lives and animal welfare, Afro-Dog reframes the fast-growing interest in humananimal relationships by positioning blackness as a focus of animal inquiry, opening new possibilities for animal studies and black studies to think side by side.**ReviewDazzling in its reach and groundbreaking in its methodology, Afro-Dog redraws the contours of intellectual inquiry with dogs at the lead. Boisseron aims to rethink the hyper-legality of racism and the practice of inequality in ways that are radical and far-reaching. (Colin Dayan, author of With Dogs at the Edge of Life) Benedicte Boisserons Afro-Dog hones in, acutely and in detail, on the often-unhappy convergence of animal and black in current and historical thought, deftly dismantling their rhetorical obfuscations while sacrificing neither the animal nor the black. Instead, she calls for attending to human-animal encounters through the lens of black and animal defiance, a kind of subversive interspecies alliance that could empower both. Brilliantly enlisting theoretical and critical voices in critical race studies, animal studies, Afropessimism, ecofeminism, and more, Boisseron brings a crucial Black Alantic and diasporic perspective to bear on blackness and the question of the animal to show, not that blackness and animality are comparable, but that black people and animals have been and are historically and concretely connectedmost often in the form of man and dog. (Carla Freccero, University of California, Santa Cruz) In Afro-Dog, Boisseron brilliantly demonstrates how the relationship between race and personhood has been missing entirely from the current humananimal rights debate, resulting in the argument that animals constitute the new slaves. In doing so she offers a long overdue exploration of the larger and more extended links in American and French culture where blackness and animality have become almost interchangeable in popular discourse. (Sandra Gunning, University of Michigan) Afro-Dog is a timely effort to tackle the fraught relations between posthumanism and postcolonialism and between animal studies and African American studies. Inflected by continental philosophy, Boisserons readings follow a historical trail of dogs from the Middle Passage to the Ferguson unrest in order to theorize a legacy of connections between racism and speciesism, but without posing a false analogy between the two. Especially insightful and important are her arguments about the potential dangers of intersectional analyses which risk reproducing what they mean to reject. (Kari Weil, author of Thinking Animals Why Animal Studies Now?) Afro-Dog is an amazing book! The animal is not the new black animals are not the new slaves and animal studies is not heir to the postcolonial turn. Instead, racialization, specifically New World blackness, is now present in all things animal. Whether as large dogs imported to the Americas to attack indigenous and African rebels or their repressive use in Standing Rock and Ferguson, Benedicte Boisseron** brilliantly explores dogs as instrumental accessories in defining human essence as white, impelling readers to consider the fundamental relationship between challenging speciesism and transcending colonialism. A must-read for anyone interested in the study of animals, enslavement, and race. (Jane Gordon, University of Connecticut) About the Author Benedicte Boisseron is associate professor of Afroamerican and African studies at the University of Michigan, Ann Arbor. She is the author of Creole Renegades Rhetoric of Betrayal and Guilt in the Caribbean Diaspora (2014).
Author: Viktor Frankl
File Type: epub
Psychiatrist Viktor Frankls memoir has riveted generations of readers with its descriptions of life in Nazi death camps and its lessons for spiritual survival. Between 1942 and 1945 Frankl labored in four different camps, including Auschwitz, while his parents, brother, and pregnant wife perished. Based on his own experience and the experiences of others he treated later in his practice, Frankl argues that we cannot avoid suffering but we can choose how to cope with it, find meaning in it, and move forward with renewed purpose. Frankls theory-known as logotherapy, from the Greek word logos (meaning)-holds that our primary drive in life is not pleasure, as Freud maintained, but the discovery and pursuit of what we personally find meaningful.At the time of Frankls death in 1997, Mans Search for Meaning had sold more than 10 million copies in twenty-four languages. A 1991 reader survey for the Library of Congress that asked readers to name a book that made a...
Author: C. A. Tsakiridou
File Type: pdf
Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek concept of enargeia best conveys the expression of theophany and theosis in art. The qualities that define enargeia - inherent liveliness, expressive autonomy and self-subsisting form - are identified in exemplary Greek and Russian icons and considered in the context of the hesychastic theology that lies at the heart of Orthodox Christianity. An Orthodox aesthetics is thus outlined that recognizes the transcendent being of art and is open to dialogue with diverse pictorial and iconographic traditions. An examination of Chan (Zen) art theory and a comparison of icons with paintings by Wassily Kandinsky, Pablo Picasso, Mark Rothko and Marc Chagall, and by Japanese artists influenced by Zen Buddhism, reveal intriguing points of convergence and difference. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art. **Review In this learned and profound work, Tsakiridou returns again to the challenge of modernism to religious art and, drawing on the concept of enargeia, vividness, and the Byzantine theology of the divine light, develops an understanding of the icon as drawing the beholder into the experience of deification. Bold and original. --Andrew Louth, Durham University, UK The ambition of this book is enormous and for the most part [it] comes off brilliantly. It ought to spark some completely fresh discussions of aesthetics and ontology ... Formidable as the book is, it should be required reading for anyone seeking to grasp the aesthetics of the icon and their rootedness in a consistent and challenging Christian ontology - and anyone looking for a creative theological interaction with the art of the 20th Century. --Rowan Williams, Art and Christianity Tsakiridou directly approaches what theophany actually looks and feels like in art, and her approach is inspiring. --Modernism-Modernity About the Author Cornelia A. Tsakiridou is Professor, Philosophy, and Director, Diplomat-in-Residence Program, at La Salle University, Philadelphia, USA.
Author: E. Tillyard
File Type: pdf
This illuminating account of ideas of world order prevalent in the Elizabethan Age and later is an indispensable companion for readers of the great writers of the sixteenth and seventeenth centuriesShakespeare and the Elizabethan dramatists, Donne and Milton, among many others. The basic medieval idea of an ordered Chain of Being is studied by Tillyard in the process of its various transformations by the dynamic spirit of the Renaissance. Among his topics are Angels the Stars and Fortune the Analogy between Macrocosm and Microcosm the Four Elements the Four Humors Sympathies Correspondences and the Cosmic Danceideas and symbols that inspirited the imaginations not only of the Elizabethans, but also of the Renaissance as such. This idea of cosmic order was one of the genuine ruling ideas of the Elizabethan Age, and perhaps the most characteristic. Such ideas, like our everyday manners, are the least disputed and the least paraded in the creative literature of the time. The province of this book is some of the notions about the world and man that were quite frequently taken for granted by the ordinary educated Elizabethan the commonplaces too familiar for the poets to make detailed use of, except in explicitly educational passages, but essential as basic assumptions and invaluable at moments of high passion. The objective of The Elizabethan World Picture is to extract and explain the most ordinary beliefs about the constitution of the world as pictured in the Elizabethan Age and through this exposition to help the ordinary reader to understand and to enjoy the great writers of the age. In attempting this, Tillyard has brought together a number of pieces of elementary lore. This classic text is a convenient factual aid to extant interpretations of some of Spenser, Donne, or Milton. **
Author: Joakim Garff
File Type: pdf
The first biography of Kierkegaards literary muse and one-time fiancee, from the author of the definitive biography of the philosopher Kierkegaards Muse, the first biography of Regine Olsen (1822-1904), the literary inspiration and one-time fiancee of Danish philosopher Sren Kierkegaard, is a moving portrait of a long romantic fever that had momentous literary consequences. Drawing on more than one hundred previously unknown letters by Regine that acclaimed Kierkegaard biographer Joakim Garff discovered by chance, the book tells the story of Kierkegaard and Regines mysterious relationship more fully and vividly than ever before, shedding new light on her influence on his life and writings. Like Dantes Beatrice, Regine is one of the great muses of literary history. Kierkegaard proposed to her in 1840, but broke off the engagement a year later. After their break, they saw each other strikingly often, inside dimly lit churches, on the streets of Copenhagen, and on the paths along the old city ramparts, passing by without uttering a word. Despite or because of their separation in life, Kierkegaard made Regine his literary life companion, that single individual to whom he dedicated all his works. Garff shows how Regine became a poetic presence in the frequent erotic conflicts found throughout Kierkegaards writings, from the famous Seducers Diary account of their relationship to diary entries made shortly before his death in 1855. In turn, Regine remained preoccupied with Kierkegaard until her own death almost fifty years later, and her newly discovered letters, written to her sister Cornelia, reveal for the first time a woman of flesh and blood. A psychologically acute narrative that is as gripping as a novel, Kierkegaards Muse is an unforgettable account of a wild, strange, and poignant romance that made an indelible mark on literary history. **