At long last a lengthy video trying to explain why I love this series so much and why I think the rebuilds were a disasters. As always this is just my opinion. I adhere to a moderate Death of the Author perspective which is why I often ignore documentary information or behind the scenes interviews. As per my interpretations I hold a moderate view of Death of the Author as explained below. "Death of the Author is a concept from mid-20th Century literary criticism; it holds that an author's intentions and biographical facts (the author's politics, religion, etc) should hold no special weight in determining an interpretation of their writing. This is usually understood as meaning that a writer's views about their own work are no more or less valid than the interpretations of any given reader. Intentions are one thing. What was actually accomplished might be something very different. The logic behind the concept is fairly simple: Books are meant to be read, not written, so the ways readers interpret them are as important and "real" as the author's intention. On the flip side, a lot of authors are unavailable or unwilling to comment on their intentions, and even when they are, they don't always make choices for reasons that make sense or are easily explainable to others (or sometimes even to themselves). Likewise, as some critics note, it is elitist to assume that all artists are intellectuals or they have to be intellectuals, i.e., that works with deep meaning and ideas come only from people who are culturally and philosophically learned, rather than deriving from instinct, observation, creative inspiration, and artistic genius. Many consider this the Shakespeare authorship fallacy, i.e., that because Shakespeare was unlikely to possess the intellectual wherewithal to write his plays, the alderman's son from Stratford cannot have been the author of deep philosophical plays with dazzlingly complex characters. The academic consensus and textual studies overwhelmingly support William Shakespeare as the author and they note that whatever makes the plays deep comes entirely from command of language, stagecraft, and dramatic intuition, and while these skills can be intellectualized they are not innately intellectual, and while there's great depth, power, and meaning to a number of scenes in his plays the reasons for such meaning can vary between appealing to different kinds of audiences, subverting or parodying a convention that had already gotten stale way back then, or simple playfulness. " Or you Can Pledge to My Patreon Here https://www.patreon.com/argenttemplar Discord Server Link, Also the Best Place to Contact Me https://discord.gg/S8fRMA8 I have a Bitchute for my Evangelion Commentary Videos and Where I Mirror all My Content https://www.bitc ... https://www.youtube.com/watch?v=3wtMVYocr5w

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If you enjoy my content you can super chat or pledge to my Patreon here https://www.patreon.com/argenttemplar Discord Server Link, Also the Best Place to Contact Me https://discord.gg/S8fRMA8 I have a Bitchute for my Evangelion Commentary Videos and Where I Mirror all My Content https://www.bitchute.com/channel/argent/ ... https://www.youtube.com/watch?v=YTwRIltTwDs