Pierre Boulez - Dialogue de l'ombre double, for solo clarinet, tape and electronics (1985) Clarinet - Alain Damiens Electro-acoustic Realisation - Andrew Gerzso Recorded: 1996-09-06 Sigle initial - 0:00 Strophe I - 1:05 Transition I à II - 3:08 Strophe II - 4:09 Transition II à III - 5:35 Strophe III - 7:18 Transition III à IV - 8:39 Strophe IV - 9:31 Transition IV à V - 11:25 Strophe V - 11:50 Transition V à VI - 12:58 Strophe VI - 13:43 Sigle final - 15:19 Dialogue de l'ombre double (Dialogue of the double shadow) is a mixed work by Pierre Boulez for clarinet and electroacoustic device composed in 1985. The play is dedicated to Luciano Berio for his sixtieth birthday. There exists a version for bassoon, for saxophone, for transverse flute and for recorder, each made by the performer themself. Dialogue de l'ombre double is based on the scene "double shadow" of Claudel's The Satin Slipper. The clarinetist dialogues with his/her shadow, represented by a part of clarinet pre-recorded on magnetic tape and spatialized by means of loudspeakers dispersed around the audience. The work was premiered on October 28, 1985 in Florence by Alain Damiens. The version for saxophone was premiered on June 23, 2001 at the Théâtre des Bouffes du Nord, by Vincent David. The version for flute was premiered in May 2002 in San Francisco by Cécile Daroux. In 2015, another version for recorder was premiered by Erik Bosgraaf. The performance lasts about 15 to 20 minutes. Join the Score Video Creator Discord Server: https://discord.gg/QRbwTRs PATREON - Pay a small monthly fee and gain access to my online score library, full of rare scores that I have used in videos - https://www.patreon.com/ryanpower PAYPAL - Donations of any amount welcome! - https://www.paypal.com/paypalme/officialryan3?country.x=GB&locale.x=en_GB ... https://www.youtube.com/watch?v=tJKhUZEhtX8

Boris Tishchenko - Symphony No. 6, for Soprano, Contralto and Symphony Orchestra, Op.105 (1989) Dedicated to the memory of E. A. Mravinsky Soprano - Valentina Yuzvenko Contralto - Elena Rubin USSR Ministry of Culture Symphony Orchestra Conductor - Gennady Rozhdestvensky Recorded Live at the Grand Hall of the Leningrad Philharmonic, Leningrad, USSR, 27 April 1989 1. Sentimental March (Anatoly Naiman) - 0:00 2. Echo (Anna Akhmatova) - 26:49 3. I Am (Marina Tsvetaeva) - 32:24 4. Age-Haunted (Osip Mandelshtam) - 37:46 5. One Of My Mind (Vladimir Levinzon) - 45:36 The first of the five movements lasts more than the other four put together. It is a grand, plungingly histrionic and thunderous statement with a sense of gritty victory won at terrible cost. Soprano Yuzvenko contests with an orchestral canvas that delivers great salvos and groaning protests as well as rich undulant swathes of sound and shimmering tremors. Towards the end of the movement the voice of Elena Rubin can be heard unaccompanied and distant in dialogue with Yuzvenko. There is even a whispered choral section. This is a dazzling movement full of strange landscapes and constant engagement of head and heart. In the last four minutes it all takes surreal and even operatic flight in the hands of orchestra and Yuzvenko. Then come four short movements. The composer has worked with the words of Anna Akhmatova for many years and turns to her again in setting the poem Echo. It is grim and taciturn and - like all of this music - of indomitable strength. The words are nicely differentiated by the alto. Next comes a setting of Marina Svetaeva's I am just your dream bringing us back to the now rested soprano. The poetry is enigmatic but is lit with a subtext of bitter protest which in its crashing outrage recalls Shostakovich. The fourth movement is a setting of Age-haunted by Osip Mandelshtam. This moves with a slower burning flame than its predecessor but it too is grandiloquently scored and scarred by tragedy. The finale sets words by Vladimir Levinzon. Its progress patters and moves forward with a discreet determined lame-legged ostinato. Yet it manages to meld the elements of a waltz as the voices of the two women entwine. The poem suggests precious consolation in the confiding but not quiet words Are you still alive? / I'm still alive .... Are you still here .... I am. Read more: http://www.musicweb-international.com/classrev/2008/May08/Tischenko6_NFPMA9947.htm#ixzz739NCu4rU Join the Score Video Creator Discord Server: https://discord.gg/QRbwTRs Support me on Patreon: https://www.patreon.com/ryanpower ... https://www.youtube.com/watch?v=sbEkhc_FWaU