Holocaust Icons: Symbolizing the Shoah in History and Memory
Author: Oren Baruch Stier File Type: pdf The Holocaust has bequeathed to contemporary society a cultural lexicon of intensely powerful symbols, a vocabulary of remembrance that we draw on to comprehend the otherwise incomprehensible horror of the Shoah. Engagingly written and illustrated with more than forty black-and-white images, Holocaust Icons probes the history and memory of four of these symbolic relics left in the Holocausts wake. Jewish studies scholar Oren Stier offers in this volume new insight into symbols and the symbol-making process, as he traces the lives and afterlives of certain remnants of the Holocaust and their ongoing impact. Stier focuses in particular on four icons the railway cars that carried Jews to their deaths, symbolizing the mechanics of murder the Arbeit Macht Frei (work makes you free) sign over the entrance to Auschwitz, pointing to the insidious logic of the camp system the number six million that represents an approximation of the number of Jews killed as well as mass murder more generally and the persona of Anne Frank, associated with victimization. Stier shows how and why these iconsan object, a phrase, a number, and a personhave come to stand in for the Holocaust where they came from and how they have been used and reproduced how they are presently at risk from a variety of threats such as commodification and what the future holds for the memory of the Shoah. In illuminating these icons of the Holocaust, Stier offers valuable new perspective on one of the defining events of the twentieth century. He helps readers understand not only the Holocaust but also the profound nature of historical memory itself. **
Author: Barry Yourgrau
File Type: epub
Hilarious and poignant, a glimpse into the mind of someone who is both a sufferer from and an investigator of clutter. Millions of Americans struggle with severe clutter and hoarding. New York writer and bohemian Barry Yourgrau is one of them. Behind the door of his Queens apartment, Yourgraus life is, quite literally, chaos. Confronted by his exasperated girlfriend, a globe-trotting food critic, he embarks on a heartfelt, wide-ranging, and too often uproarious projectpart Larry David, part Janet Malcolmto take control of his crammed, disorderly apartment and life, and to explore the wider world of collecting, clutter, and extreme hoarding. Encounters with a professional declutterer, a Lacanian shrink, and Clutterers Anonymousnot to mention Englands most excessive hoarderas well as explorations of the bewildering universe of new therapies and brain science, help Yourgrau navigate uncharted territory clearing shelves, boxes, and bags throwing out a nostalgic cracked pasta bowl and sorting through a lifetime of messy relationships. Mess is the story of one mans efforts to learn to let go, to clean up his space (physical and emotional), and to save his relationship. **
Author: Peter Verdonk
File Type: pdf
Stylistics, in parallel with similar trends in language studies and literary theory, has widened its scope of investigation from a close reading of texts to considering texts in context. This broadening out has considerably increased the literary critical potential for stylistics. This book makes new insights from linguistic and literary scholarship accessible to students in their daily practice of reading, analyzing and evaluating literary texts. The 12 chapters are written by experts in the field. They provide a firm foundation for the development of language and context-based literary criticism, allowing students to increase their creative responsiveness to the interplay between text and context, and between language and social situation.
Author: Darren Kelsey
File Type: pdf
This book provides a timely political insight to show how mythology plays an affective role in our lives. Brexit, bankers, institutional scandals, the far right, and Russell Brands revolution are just some of the issues tackled through this innovative and interdisciplinary discourse analysis. Through multimedia case studies, Kelsey explores the psychological dimensions of archetypes and mythologies and how they function ideologically in contemporary politics. By synergising approaches to critical discourse studies with the work of Carl Jung, Joseph Campbell and other mythologists, Kelseys psychodiscursive approach explores the depths of the human psyche to analyse the affective qualities of storytelling. Kelsey makes a compelling case for our need to understand more about the power of mythology in modern society. Whilst mythology might be part of who we are, societies are responsible for its ideological substance and implications. Media and Affective Mythologies shows how we can begin to engage with this principle.
Author: William A. Pelz
File Type: pdf
The origin of capitalism and modern industrialismand, not unrelated, the birthplace of Marxismmodern Europe provided the perfect conditions for a great number of political revolutions. From the monarchical terror of the Middle Ages to the mangled Europe of the twenty-first century, A Peoples History of Modern Europe tracks the history of the continent through the deeds of those whom mainstream history tries to forget. Along the way, William A. Pelz examines the German peasant wars of Thomas Muntzer, the bourgeoisie revolutions of the eighteenth century, the rise of the industrial worker in England, the turbulent journey of the Russian Soviets, the role of the European working class throughout the Cold War, and the revolutionary students in 1968. He then brings his story to the present day, where we continue to fight to forge an alternative to a heartless and often barbaric economic system. As Germany and Greece argue over who owes what, with the very idea of Europe crumbling around them, Pelzs accessible, provocative history could not be timelier. Sure to resonate with fans of books like Howard Zinns A Peoples History of the United States, this peoples history sweeps away the tired platitudes of the privileged and provides an opportunity to understand the story of Europe from the ground up. **
Author: Karen Bauer
File Type: pdf
This book explores how medieval and modern Muslim religious scholars (ulama) interpret gender roles in Quranic verses on legal testimony, marriage, and human creation. Citing these verses, medieval scholars developed increasingly complex laws and interpretations upholding a male-dominated gender hierarchy aspects of their interpretations influence religious norms and state laws in Muslim-majority countries today, yet other aspects have been discarded entirely. Karen Bauer traces the evolution of their interpretations, showing how they have been adopted, adapted, rejected, or replaced over time, by comparing the Quran with a wide range of Quranic commentaries and interviews with prominent religious scholars from Iran and Syria. At times, tradition is modified in unexpected ways learned women argue against gender equality, or Grand Ayatollahs reject sayings of the Prophet, citing science instead. This innovative and engaging study highlights the effects of social and intellectual contexts on the formation of tradition, and on modern responses to it. **Review This book is a must-read for anyone trying to understand how and why gender hierarchy became intrinsic to Muslim religious tradition and the challenge that the idea of equality presents to the tradition. Karen Bauer takes us on an exciting journey through the medieval and contemporary exegesis of the Quranic verses on which gender hierarchy is based. In a rich discussion, she not only reveals the influence of unspoken assumptions and the socio-political context - norms and practices - but also points us to the shift toward gender egalitarianism that is emerging today. Ziba Mir-Hosseini, Professorial Associate, Centre for Islamic and Middle Eastern Law and founding member of Musawah For Justice and Equality in the Muslim Family Karen Bauers rigorous and perceptive study will prove valuable to those interested not only in gender relations but also in exegetical principles. Through the examination of both classical and modern perspectives and by enhancing textual studies with interviews of learned men and women, Gender Hierarchy in the Quran vividly illuminates the processes of scriptural interpretation as they have been impacted by social and political factors through the ages. This books provocative insights will serve to stimulate future studies of Muslim exegetical practice as well as gender roles in Islam. Andrew Rippin, University of Victoria, Canada Rather than casting traditional tafsir aside categorically as the product of a misogynistic reading of the Quran, this work takes a serious look at the variety of positions espoused regarding women and their rights in the history of Quranic exegesis, endeavoring to understand them in their context, with attention to the history of the various genres in which interpretation of the Quran is embedded as well as to the intellectual commitments of the authors. It examines a wide variety of commentators, covering various legal and theological schools and ranging from medieval to contemporary times, which allows the author to identify and highlight historical trends, particularly major shifts that occurred with the advent of the modern period. The result is an edifying and engaging study that avoids the curt dismissals, dogmatic high-handedness, and constructive theologies of other works on the topic. Devin Stewart, Emory University, Atlanta Book Description This book explores Muslim interpretations of Quranic verses on gender roles in testimony, human creation and marriage. Karen Bauer traces the evolution of these interpretations, showing how they have been adopted, adapted, rejected or replaced over time, by comparing the Quran with a wide range of Quranic commentaries and interviews.
Author: Dylan Thomas
File Type: pdf
The original and classic The Collected Poems of Dylan Thomas is available once again, now with a brilliant new preface by Paul Muldoon.The Collected Poems of Dylan Thomas contains poems that Thomas personally decided best represented his work. A year before its publication Thomas died from swelling of the brain triggered by excessive drinking. (A piece of New Directions history it was our founder James Laughlin who identified Thomas body at the morgue of St. Vincents Hospital.) Since its initial publication in 1953, this book has become the definitive edition of the poets work. Thomas wrote Prologue addressed to my readers, the strangers an introduction in verse that was the last poem he would ever write. Also included are classics such as And Death Shall Have No Dominion, Do Not Go Gentle into that Good Night, and Fern Hill that have influenced generations of artists from Bob Dylan (who changed his last name from Zimmerman in honor of the poet), to John Lennon (The Beatles included Thomas portrait on the cover of Sgt. Peppers Lonely Hearts Club Band) this collection even appears in the film adaptation of Cormac McCarthys The Road when it is retrieved from the rubble of a bookshelf. And death shall have no dominion. Dead men naked they shall be one With the man in the wind and the west moon When their bones are picked clean and their clean bones gone, They shall have stars at elbow and foot Though they go mad they shall be sane, Though they sink through the sea they shall rise again, Though lovers be lost love shall not And death shall have no dominion. (From And Death Shall Have No Dominion)** The original and classic The Collected Poems of Dylan Thomas is available once again, now with a brilliant new preface by Paul Muldoon.The Collected Poems of Dylan Thomas contains poems that Thomas personally decided best represented his work. A year before its publication Thomas died from swelling of the brain triggered by excessive drinking. (A piece of New Directions history it was our founder James Laughlin who identified Thomas body at the morgue of St. Vincents Hospital.) Since its initial publication in 1953, this book has become the definitive edition of the poets work. Thomas wrote Prologue addressed to my readers, the strangers an introduction in verse that was the last poem he would ever write. Also included are classics such as And Death Shall Have No Dominion, Do Not Go Gentle into that Good Night, and Fern Hill that have influenced generations of artists from Bob Dylan (who changed his last name from Zimmerman in honor of the poet), to John Lennon (The Beatles included Thomas portrait on the cover of Sgt. Peppers Lonely Hearts Club Band) this collection even appears in the film adaptation of Cormac McCarthys The Road when it is retrieved from the rubble of a bookshelf. And death shall have no dominion. Dead men naked they shall be one With the man in the wind and the west moon When their bones are picked clean and their clean bones gone, They shall have stars at elbow and foot Though they go mad they shall be sane, Though they sink through the sea they shall rise again, Though lovers be lost love shall not And death shall have no dominion. (From And Death Shall Have No Dominion)
Author: Jill Locke
File Type: pdf
Is shame dead? With personal information made so widely available, an eroding publicprivate distinction, and a therapeutic turn in public discourse, many seem to think so. People across the political spectrum have criticized these developments and sought to resurrect shame in order to protect privacy and invigorate democratic politics. Democracy and the Death of Shame reads the fear that shame is dead as an expression of anxiety about the social disturbance endemic to democratic politics. Far from an essential supplement to democracy, the recurring call to bring back shame and other civilizing mores is a disciplinary reaction to the work of democratic citizens who extend the meaning of political equality into social realms. Rereadings from the ancient Cynics to the mid-twentieth century challenge the view that shame is dead and show how shame, as a politically charged idea, is disavowed, invoked, and negotiated in moments of democratic struggle. **
Author: Curtis Wilkie
File Type: pdf
Writing as a newspaper reporter for nearly forty years, Curtis Wilkie covered eight presidential campaigns, spent years in the Middle East, and traveled to a number of conflicts abroad. However, his memory keeps turning home and many of his most treasured stories transpire in the Deep South. He called his native Mississippi, the gift that keeps on giving. For Wilkie, it represented a trove of rogues and racists, colorful personalities and outlandish politicians who managed to thrive among people otherwise kind and generous.Assassins, Eccentrics, Politicians, and Other Persons of Interest collects news dispatches and feature stories from the author during a journalism career that began in 1963 and lasted until 2000. As a young reporter for the Clarksdale Press Register, he wrote many articles that dealt with the civil rights movement, which dominated the news in the Mississippi Delta during the 1960s.Wilkie spent twenty-six years as a national and foreign correspondent for the Boston Globe. One of the original Boys on the Bus (the title of a best-selling book about journalists covering the 1972 presidential campaign), he later wrote extensively about the winning races of two southern Presidents, Jimmy Carter and Bill Clinton.Wilkie is known for stories reported deeply, rife with anecdotes, physical descriptions, and important background details. He writes about the notorious, such as the late Hunter S. Thompson, as well as more anonymous subjects whose stories, in his hands, have enduring interest. The anthology collects pieces about several notable southerners Ross Barnett Byron De La Beckwith and Sam Bowers Billy Carter Edwin Edwards and David Duke Trent Lott and Charles Evers. Wilkie brings a perceptive eye to people and events, and his eloquent storytelling represents some of the best journalistic writing.**
Author: Judith Ann Peraino
File Type: pdf
In this fresh and innovative study, Judith A. Peraino investigates how music has been used throughout history to call into question norms of gender and sexuality. Beginning with a close examination of the mythology surrounding the sirens--whose music seduced Ulysses into a state of mind in which he would gladly sacrifice everything for the illicit pleasures promised in their song--Peraino goes on to consider the musical creatures, musical gods and demigods, musical humans, and music-addled listeners who have been associated with behavior that breaches social conventions. She deftly employs a sophisticated reading of Foucault as an organizational principle as well as a philosophical focus to survey seductive and transgressive queerness in music from the Greeks through the Middle Ages and to the contemporary period. Listening to the Sirens analyzes the musical ways in which queer individuals express and discipline their desire, represent themselves, build communities, and subvert heterosexual expectations. It covers a wide range of music including medieval songs, works by Handel, Tchaikovsky and Britten, womens music and disco, performers such as Judy Garland, Melissa Etheridge, Madonna, and Marilyn Manson, and the movies The Rocky Horror Picture Show and Hedwig and the Angry Inch.