【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Bach Sinfonias 3-part inventions BWV787-BWV901 No.8 BWV 794 in F major 巴哈 三聲部 創意曲 巴哈 三声部 创意曲 Bach sinfonías バッハ フ シンフォニア Classical music Música clásica クラッシック 古典音樂 古典音乐 #Bach #Sinfonia #No8 Sinfonias No.1 BWV 787 in C major No.2 BWV 788 in C minor No.3 BWV 789 in D major No.4 BWV 790 in D minor No.5 BWV 791 in E flat major No.6 BWV 792 in E major No.7 BWV 793 in E minor No.8 BWV 794 in F major No.9 BWV 795 in F minor No.10 BWV 796 in G major No.11 BWV 797 in G minor No.12 BWV 798 in A major No.13 BWV 799 in A minor No.14 BWV 800 in B flat major No.15 BWV 801 in B minor The Sinfonias, BWV 787–801, also known as the Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 sinfonias, which are three-part contrapuntal pieces. They were originally written as "Praeambula" and "Fantasiae" in the Klavierbüchlein für Wilhelm Friedemann Bach, a Clavier-booklet for his eldest son, and later rewritten as musical exercises for his students. Bach titled the collection: Forthright instruction, wherewith lovers of the clavier, especially those desirous of learning, are shown in a clear way not only 1) to learn to play two voices clearly, but also after further progress 2) to deal correctly and well with three obbligato parts, moreover at the same time to obtain not only good ideas, but also to carry them out well, but most of all to achieve a cantabile style of playing, and thereby to acquire a strong foretaste of composition. The pieces are both arranged in order of ascending key, each group covering eight major and seven minor keys. ... https://www.youtube.com/watch?v=0aiWmvYaPmU

【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Beethoven 3 Marches Op.45 for piano 4 hands No.2 45-2 in E flat major 貝多芬 3首 進行曲 作品45 贝多芬 3首 进行曲 作品45 Beethoven Marcha para piano a cuatro manos ベートーヴェン 四手のための 3つの 行進曲 Classical music Música clásica クラッシック 古典音樂 古典音乐 #Beethoven #Marche #進行曲 Beethoven 3 Marches Op.45 No.1 45-1 in C major No.2 45-2 in E flat major No.3 45-3 in D major ... https://www.youtube.com/watch?v=L5D3g8HhFhw

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Bach Trio sonata No.5 in C major BWV 529 from 6 Organ Sonatas 巴哈 奏鳴曲 第5號 C大調 (6首 管風琴 三重奏鳴曲) 巴哈 奏鸣曲 第5号 C大调 (6首 管风琴 三重奏鸣曲) Bach Trio Sonata n.º 5, BWV 529 en do mayor (Seis sonatas a trío para órgano) バッハ ソナタ 第5番 ハ長調 BWV 529 6つのトリオ・ソナタ オルガン Classical music Música clásica クラッシック 古典音樂 古典音乐 #Bach #PreludeFugue #529 00:00 Allegro 05:02 Largo 10:48 Allegro ... https://www.youtube.com/watch?v=eOraLssi05s

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Faure Impromptu No.4 Op.91 in D flat major 佛瑞 即興曲 第4號 作品91 降D大調 佛瑞 即兴曲 第4号 作品91 降D大调 Fauré Impromptu n.º 4 Op.91 en re bemol mayor フォーレ 即興曲 第4番 変ニ長調 piano 鋼琴 钢琴 ピアノ Classical music Música clásica クラッシック 古典音樂 古典音乐 #Faure #Impromptu #即興曲 The French composer Gabriel Fauré (1845–1924) wrote in many genres, including songs, chamber music, orchestral pieces, and choral works. His compositions for piano, written between the 1860s and the 1920s, include some of his best known works. Fauré's major sets of piano works are thirteen nocturnes, thirteen barcarolles, six impromptus, and four valses-caprices. These sets were composed during several decades in his long career, and display the change in his style from uncomplicated youthful charm to a final enigmatic, but sometimes fiery introspection, by way of a turbulent period in his middle years. His other notable piano pieces, including shorter works, or collections composed or published as a set, are Romances sans paroles, Ballade in F♯ major, Mazurka in B♭ major, Thème et variations in C♯minor, and Huit pièces brèves. For piano duet, Fauré composed the Dolly Suite and, together with his friend and former pupil André Messager, an exuberant parody of Wagner in the short suite Souvenirs de Bayreuth. Much of Fauré's piano music is difficult to play, but is rarely virtuosic in style. The composer disliked showy display, and the predominant characteristic of his piano music is a classical restraint and understatement. Impromptus Impromptu No. 1 in E♭ major, Op. 25 (1881) Cortot compared the first impromptu to a rapid barcarolle, redolent of "sunlit water", combining "stylised coquetry and regret". Impromptu No. 2 in F minor, Op. 31 (1883) Dedicated to Mlle Sacha de Rebina, the second impromptu maintains an airy tarantella rhythm. It is scored less richly than the first of the set, giving it a lightness of texture. Impromptu No. 3 in A♭ major, Op. 34 (1883) The third impromptu is the most popular of the set. Morrison calls it "among Fauré's most idyllic creations, its principal idea dipping and soaring above a gyrating, moto perpetuo accompaniment". It is marked by a combination of dash and delicacy. Impromptu No. 4 in D♭ major, Op. 91 (1906) Dedicated to "Madame de Marliave" (Marguerite Long), the fourth impromptu was Fauré's return to the genre in his middle period. Unlike much of his music of the period, it avoids a dark mood, but Fauré had by now moved on from the uncomplicated charm of the first three of the set. His mature style is displayed in the central section, a contemplative andante, which is followed by a more agitated section that concludes the work. Impromptu No. 5 in F♯ minor, Op. 102 (1909) Nectoux describes this impromptu as "a piece of sheer virtuosity celebrating, not without humour, the beauties of the whole-tone scale." Morrison, however, writes that the work "seethes with unrest". Impromptu in D♭ major, Op. 86 bis (Transcription of the Impromptu for harp, Op. 86, 1904) The last work in the published set was written before numbers four and five. It was originally a harp piece, composed for a competition at the Paris Conservatoire in 1904. Cortot made a transcription for piano, published in 1913 as Fauré's Op. 86 bis. The outer sections are light and brilliant, with a gentler central section, marked meno mosso. ... https://www.youtube.com/watch?v=eFnDx_i8K-o