This was recorded back in May 2020 at La Hacienda Creative in Montreal, Quebec, Canada just using a Roland R-88 as the audio interface. One take, no edits, no samples, it is what it is. Guitars and bass recorded by Vitor Pereira in Lafayette, Colorado, USA. The original mix was done in Reaper but I wanted to do a new version using Universal Audio's LUNA and this is it. And if you don't want to see me playing, you can watch the official video (and listen to the oficial mix) at https://www.youtube.com/watch?v=adxcyhYrtRs Enjoy ... https://www.youtube.com/watch?v=L3BIqK7REa0
Acustica Audio just released their new saturation plugin based on a new technology called "Hyper 2".
Although it will be almost impossible to match "everything else" to Jam, I did my best to get it as close as I could.
At the end of the video there are shorter loops to make it easier to listen to the differences
I hope the video is helpful.
Enjoy
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https://www.youtube.com/watch?v=UvHAGkY1kEs
Eu sei que sonoridade é algo muito particular e o que é bom pra um, não é pra outro.
Então cada um escuta os exemplos no vídeo e tira suas próprias conclusões.
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I know that what a "good sounding mix is", is very subjective, that's why I'm using this video to show different sounding mixes and let everyone draw their own conclusions.
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https://www.youtube.com/watch?v=uAyj2hY5IEs
English subtitles available!
This tutorial will show you how to connect Reaper and Mixbus together for a "hybrid" setup, where you can use Reaper's control surface integration, automation, VSTs, into Mixbus fantastic EQs, compressors and saturation.
This is a NOT a mixing tutorial, it just shows you how to connect both together using the template files on my website.
You can use the same principle to connect ANY DAW with Mixbus, Logic, Pro Tools, Cubase, Nuendo, doesn't matter, you can use JackPilot to make the connections.
Other audio tutorials will come in the future, don't forget to subscribe!
Feel free to use the comments section here to post your questions and/or comments.
Thanks for your visit!
www.reaper.fm
www.harrisonconsoles.com
www.jackos.com
dsp.sonimus.com
If you like the idea, but the products, they're all very well priced and sound/work great!
Jera Cravo uses Canil Pro Audio (www.canilproaudio.com)
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Esse tutorial mostra como conectar o Reaper com o Mixbus e montar um setup "híbrido" onde você pode usar a integração com as superfícies de controle, os VSTs ou a automação do Reaper por exemplo, junto com os fantásticos EQs, compressores e saturação do Mixbus.
Esse não é um tutorial sobre mixagem em sí, ele somente mostra como usar os templates disponíveis no meu site para conectar as duas DAWs.
Você pode usar o mesmo princípio para conectar qualquer outra DAW como Pro Tools, Logic, Digital Performer, Cubase, Nuendo, etc, usando o JackPilot.
Outros tutoriais virão na sequencia, assinem meu canal para se manter informado(a).
Fiquem a vontade para deixar suas dúvidas ou comentários no espaço de comentários abaixo.
Obrigado por sua visita!
www.reaper.fm
www.harrisonconsoles.com
www.jackos.com
dsp.sonimus.com
Se você gostou do conceito, compre os produtos, eles tem preços justos e soam/funcionam muito bem!
Jera Cravo usa Canil Pro Audio (www.canilproaudio.com)
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Link para o post com o template no meu site.
Link for the post with the template on my website
http://www.jeracravo.com/joomla/index.php?option=com_content&view=article&id=72&catid=37&lang=en#.T4RzlZY000c.twitter
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https://www.youtube.com/watch?v=ugBc7dxoeT8
In the fourth episode, I'm showing the Universal Audio's LUNA session where I re-mixed the 2006 track "Rua Da Amargura" from Brazilian band Sangria.
If you have any questions or comments, please post them on the comment section below
If you want more information about the session click on the link below:
https://jeracravo.com/blogs/main/posts/mix-breakdown-ep-4-sangria-rua-da-amargura
This is the original mix in case you're curious:
https://open.spotify.com/track/5H3i6QGYDDoZ3T8BJc0RIM?si=7765f61aed334a00
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Nesse quarto episódio, eu vou mostrar a sessão no LUNA da Universal Audio onde eu re-mixei a música "Rua Da Amargura" gravada em 2006, da banda Sangria.
Se vocês tiverem alguma dúvida ou comentário, não deixem de postar na sessão de comentários.
Se quiserem mais informações sobre a sessão, cliquem no link abaixo:
https://jeracravo.com/blogs/main/posts/mix-breakdown-ep-4-sangria-rua-da-amargura
Pra ouvirem a versão original da música, escutem nos links abaixo:
https://open.spotify.com/track/5H3i6QGYDDoZ3T8BJc0RIM?si=7765f61aed334a00
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https://www.youtube.com/watch?v=nf2pedgQ89Q
This is another long distance collaboration project.
Rodrigo and Artur recorded with their own systems at home and I tracked the drums at Hotel 2 Tango in Montreal using my Apollo x8p on API Vision Unison and the following microphones:
- RE20 for the kick
- i5 for top snare
- 57 for bottom snare
- 421 for tom and floor tom
- a pair of Bash Audio RM BIV-1 ribbons as overheads
- R88 as stereo room
Mixed and mastered in LUNA
Enjoy
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https://www.youtube.com/watch?v=3TSu8vkStJM
Eighth "song" from the remote sessions
Each one of us recorded on our own setups and I mixed and mastered the final version you'll hear here.
Enjoy
Guitars by Matheus Brasil
https://www.instagram.com/riffonthespot/
Solo bass by Gabriel Simões
https://www.instagram.com/gabrielsimoes.1983/
Bass by Bernardo Von Flach
https://www.instagram.com/bvonflach/
Drums, mixing and mastering by myself.
If you want more info on the drums signal chain check my website below
https://www.jeracravo.com
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https://www.youtube.com/watch?v=IoCr2X6eK04
This is part of a weekend at a beach house, tracking drums and having some fun.
Setup was less than ideal but it still sounded good:
- RE20 outside of kick
- Audix i5 on the snare
- SM57 of tom
- Sennheiser 421 on floor tom
- a pair of RM BIV-1 as room/overheads (you can see their placement in the video)
Universal Audio Unison API Legacy strip in all channels with some EQ, Studer Tape emulation in all channels.
Not a lot of post processing after.
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https://www.youtube.com/watch?v=A6YcfYnl-Z0
Nesse vídeo vou falar um pouco sobre uma maneira fácil e rápida de configurar um delay dinâmico.
O delay dinâmico só fica em destaque quando o sinal que o alimenta, para de tocar, vejam o tutorial e entendam o que eu quero dizer.
Fiquem a vontade para deixar suas dúvidas ou comentários no espaço de comentários abaixo.
Não deixem de assinar meu canal!
Obrigado por sua visita!
http://www.reaper.fm
Jera Cravo usa Canil Pro Audio (http://www.canilproaudio.com)
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https://www.youtube.com/watch?v=NstSnBw4wGA
Nesse vídeo irei mostrar rapidamente um pouco da sonoridade do Canil Pro Audio Mini76 e do Mini76 RED.
O Mini76 é um compressor FET (baseado no 1176 Rev F) que apesar de ter uma sonoridade marcante (mesmo em bypass), eu o considero versátil, especialmente esse modelo da Canil, pois a gama de velocidade de ataque é maior que a versão original.
Com o valor em torno de R$ 1000,00 (menos de 1/3 do valor no Brasil) eu considero um ítem necessário no arsenal de qualquer um que leve essa arte a sério.
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In this video, I'll show a little of the tonal range you can get with the Canil Pro Audio Mini76 and Mini76 RED.
The Mini76 is a FET compressor (based on the Rev F 1176), and, even having a particular sound, I consider it a versatile compressor, specially this version from Canil, which have a broader range on the attack speeds.
With it's sale price around $400 to $500 US$, I consider it a necessary tool on every one's aresenal.
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https://www.youtube.com/watch?v=Ou8baJDQqiA