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29 Apr 2021 16:35:53 UTC
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128084
Author: L. Anderst
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Eric Rohmer was a key figure in French New Wave cinema. Contributors to this volume revisit, complicate, and upend accepted readings and interpretations of perennial Rohmerian topics including the important role of language in his films, the influence of the arts, depictions of gender and class, and the roles played by space and place in his films. **Review The Films of Eric Rohmer investigates anew the productive relationships between history, philosophy, gender, and genre within Rohmers long and fascinating career. Furthermore, this important collection offers a wealth of insightful perspectives on the rich and complicated legacies of Rohmers essays and films and their momentous place within French film culture. - Richard Neupert, author of A History of the French New Wave Cinema The books catholic approach is appropriate to a filmmaker whose own religious persuasions shaped his work and responses to them . . . Andersts collection offers an elegant range of perspectives from which to view Rohmers work. - Sight&Sound About the Author Andre Aciman, CUNY Graduate Center, USA Dudley Andrew, Yale University, USA Antoine de Baecque, lUniversite de Paris Ouest Nanterre, France Jerry W. Carlson, City College, CUNY, USA Mark Cohen, St. Johns University, USA Nathalie Fouyer, Queens College, CUNY, USA Tom Gunning, University of Chicago, USA Fiona Handyside, University of Exeter, UK Mary Harrod, Kings College London, UK Noel Herpe, lUniversite de Paris 8, France Aimee Israel-Pelletier, University of Texas at Arlington,USA T. Jefferson Kline, Boston University, USA Pierre Lethier, Buckingham University and London Film School, UK Ivone Margulies, Hunter College, CUNY, USA Derek Schilling, Johns Hopkins University, USA Keith Tester, University of Hull, UK Matthew Thorpe, University of Kent, UK Timothy E. Wilson, CUNY Graduate Center, USA
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English